Episode 15 Review

Star Trek Discovery Review Banner Episode 15

It’s taken me a long time to write this review, because, sadly, I didn’t like this episode.  I was so disappointed by it that I didn’t know how to put my feelings into words and I wasn’t inspired to put fingers to keyboard.

To be fair, I should point out that there are elements of “Will You Take My Hand?” that are great, but only elements – and only two or three that I can easily recall.  As a whole, it just doesn’t work and it is not a fitting end to what has been a remarkable season, and an outstanding first season.

As usual, the acting is brilliant and the special effects are impressive and these are the things that carry the episode.  The story doesn’t, and the writing is some of the worst this season has seen – which is surprising, considering who wrote it and the quality we know they can produce.

The other thing that really lets this episode down is the boring and suspense-less resolution to the Klingon war arc. This resolution makes you question the entire season and how well it was thought out, and it makes you question everything the writing team has been telling us because so many things seem unfulfilled.

Before I dive in further, spoilers ahead.  I’m only putting this warning up because of the last few scenes… so, Red Alert!

Spoiler Alert

The Facts
Episode Number: 115
Episode Title: “Will You Take My Hand?” or “Wasted Opportunities”
Written By: Gretchen J. Berg and Aaron Harberts
Story By: Akiva Goldsman, Gretchen J. Berg and Aaron Harberts
Directed By: Akiva Goldsman

Georgiou to Saru: “What’s wrong?  Are you scared, Number One?”  Beat.  “Where I’m from there’s a saying: ‘scared Kelpien makes for tough Kelpien’.  Have you gotten tough since we served together on the Shenzhou, Mr Saru?
Saru: “Affirmative, captain.  Very tough.  So much so that many find me simply unpalatable.

L’Rell: “You?  How!?  Our Lord pierced your heart… House T’Kuvma feasted on your flesh.
Georgiou: “You have the wrong Philippa Georgiou.
L’Rell: “Either way, I can tell you require seasoning.

Michael to Cornwell: “Is this how Starfleet wins the war?  Genocide?!
Cornwell: “You want to do this here?  Fine.  Terms of atrocity are convenient after the fact.  The Klingons are on the verge of wiping out the Federation.
Michael: “Yes, but ask yourself, why did you put this mission in the hands of a Terran, and why the secrecy?  It’s because you know it’s not who we are.
Cornwell: “It very soon will be.  We do not have the luxury of principles…
Michael: “That’s all we have, Admiral!”  Beat.  “A year ago, I stood alone.  I believed that our survival was more important than our principles.  I was wrong.”  Beat.  “Do we need a mutiny today to prove who we are?
Saru: (Standing) “We are Starfleet.
The entire bridge crew stands to join Michael and Saru.

Moments of Interest
Familiar Aliens
The Orions make an appearance in this episode and they’re just as fond of debauchery and hedonism as ever!  Though… they do appear a little paler than we’re used to!

Familiar Faces
Clint Howard, who made his first Star Trek appearance in the Star Trek: The Original Series episode “The Corbomite Maneuver,” makes another appearance in Trek, this time playing a very stoned Orion who tries to dupe Tilly.

Clint Howard DISCO

If you’re thinking Clint looks familiar, he has also appeared in the Star Trek: Deep Space Nine episode “Past Tense, Part II” and the Star Trek: Enterprise episode “Acquisition.”

Clint is also the brother of actor and legendary director Ron Howard, and is a regular at Star Trek conventions.

A Klingon Moon
During a confrontational moment on the Discovery after Michael works out what Starfleet is up, we see a hologram of Qo’nos blowing up (thanks to bad science and a lack of research around volcanos), and, I’m pretty sure, orbiting Qo’nos there in the background might be Praxis.

Extra Appendages
Speaking of Klingons, it would appear our favourite ridge-headed aliens have a little more going for them than redundant internal organs.  In another attempt to leave their  mark on Star Trek canon, the producers have given Klingon males two penises… peni?

Does this disturb anyone else?  I can’t help but think of poor Deanna and Jadzia!

Please believe me when I say I’m not being prudish here, merely practical.  How the heck does that work?  I get redundant internal organs, that has been canon since Star Trek: The Next Generation, but why would those redundancies also be external?  If we follow that logic, Klingon women should have two vaginas and four breasts and all Klingons should probably have two heads (and brains), two anuses and an extra arm each.

This addition to canon feels poorly thought out and completely unnecessary.

Will You Take My Hand - Planning to Infiltrate Qo'Nos

The Review
As I’m typing this, I’m watching the episode to catch quotes and re-familiarise myself with what happened, and for the first time I’m not paying rapt attention to the screen, forcing myself to type.  I’m listening, half-heartedly, and that bothers me.  It bothers me because I wish I didn’t have to re-watch this episode, and it’s rare that I want an episode of Star Trek to be over.

We begin this particular voyage with a look back at what’s come before, with L’Rell providing the “last time…” announcement in Klingon.

After the flashbacks, we go to an absolutely terrible scene on the bridge that serves no purpose whatsoever.  In it, Empress Philippa Georgiou does everything in her power to show everyone around her that she is not Captain Georgiou, devolving from a nuanced, intelligent villain into a stereotype – complete with clunky dialogue and bad attitude as she snaps at everyone from Owosekun to Detmer.  Michelle Yeoh is wonderful to watch, usually, but I didn’t enjoy these scenes.  Michelle did not do a bad job, but she was given rubbish lines that were silly and a waste of a talented actor.  We did not need to be reminded that this Georgiou is evil.  I can’t help but think that if she had pulled off a good impression of Captain Georgiou it would have been chilling – for us, and in particular for Michael and Saru.  To add insult to injury, she has a go at Michael for trying to expose her when she’s been doing everything she can to say “I’m not your Georgiou” – short of wearing a sign.

Evil Elmo

These first few scenes would have been better used showing us some of the war we’ve heard about but rarely seen.  Wasn’t it meant to be amping up this episode?  Or, it could have been used to show Cornwell and Sarek, back at Starfleet Headquarters, agonising over their decision to enlist a Mirror Universe tyrant to do the unthinkable.  Instead, we get moustache twirling and scenes that insult our intelligence as an audience.

From that dump of disappointment we head into the opening credits sequence and then a delightful little visit with L’Rell, where Georgiou continues to remind us of just how evil she is.

It was nice to see L’Rell again, but this is another scene that we didn’t need and the time would have been better spent addressing some of the loose threads from throughout the season – like what’s going to happen with the spore drive?  Has Vulcan been attacked?  Has Andor or Tellar fallen to the Klingon advance?  How is Stamets going with the death of the love of his life?  Is he miraculously healed now or is he still having mycelial inspired flashbacks?  Is Mirror-Georgiou a three-dimensional human being, or just a cardboard cut-out bad guy?  How are some of the lower decks guys we were supposed to be seeing more of coping with the whole war/Mirror Universe/war/stabby-McStabby-neck-snappy Ash?

We get none of that, as another missed opportunity passes us by at warp 8.

Fresh off watching Georgiou kick L’Rell around, we visit with Ash in what might be the worst scene of the entire season.  Georgiou gets her moustache out again and twirls it, as Michael looks on and Ash talks about knots.

Ash does share some useful stuff but really, all I can remember is the knots?  Knots.  He’s not even Ash.  Really.  Can we have this guy deal with being a Klingon in a false body-suit with a set of memories that have overridden who and what he originally was before we talk about a false memory from another guy who is probably dead?  There’s real meat in that.  But no.  We can’t.  Because knots.  Perhaps that’s a metaphor I’m not clever enough to get?

Disco S1E15 Tilly in the Orion Quarter

With Ash’s info in hand, we cut to the briefing room and the plot to jump inside the Klingon Homeworld so they can “map” it.  *Wink wink.*

Georgiou chooses her landing party, which consists of knot-loving Ash, Michael and Tilly, giving Mary Wiseman a chance to show off her incredible comic timing again, and then tells the guys to go dress like reprobates.

How do you do that?  You don black or dark brown leather and straighten your hair.  Nothing says evil like leather and people who usually have curly or wavy hair suddenly having straight hair.

The scene isn’t terrible.  Thanks to Mary Wiseman, it’s actually pretty good.  She takes what would have been an info dump, and turns it into something delightful.

Seriously, someone give the casting directions a pay rise.

From there we jump inside Qo’nos in one of the best special effects shots of the season.  It’s beautiful, and Discovery looks magnificent!  As you know, I’ve been in love with this ship and its design since before we saw the finalised model, thanks to being a fan of Ralph McQuarrie’s original NCC-1701 refit sketches for Star Trek: Phase II and Star Trek: The Motion Picture.  Seeing Discovery inside one of the Qo’nos caverns was pretty damn special and it gave us a really good look at this graceful, gorgeous ship.

The Discovery Inside Qo'nos

After that breathtaking moment we visit with Georgiou’s team as they beam into the Orion sector on Qo’nos.  FYI, the Klingons allow the Orions to have space (an ’embassy’) on their world, inhabiting an area that was once a shrine to a Klingon deity prior to Kahless’s rise to power.  Why?  Well, it actually makes sense.  Every country (more or less) has embassies, so too would most, if not all, worlds in space that had some sort of a relation with other planets.  If anyone was going to take that offered space and turn into a bizarre, sexy, over the top mess, it would be the Orions.  Or the Ferengi!

Sadly, this was more stuff we didn’t need.

I don’t know if I just have my cranky pants on or what, but really, was any of this necessary?  Couldn’t we have spent the time better?

We play around in Orion town for a good chunk of what’s left of the episode, watching Ash gamble with Klingons (freaking Michael out in the process), Georgiou getting her sexy on in a bisexual romp that plays into the “all bisexuals are evil” trope we’ve seen in way too many movies and television series, and Tilly getting stoned.

Disco S1E15 Georgiou Teaches the Orions a Thing or Two


All the while, Michael looks serious and none too happy with what’s going on.  We do get some character development for Michael, though, as we learn what happened to her parents in an unpleasant and disturbing disclosure to Ash that helps us (and him) understand why she is struggling with what has happened to (been revealed about) him.

It’s a moving scene, but one that’s a little out of place.  I wish we’d learned these facts earlier, perhaps in the second episode of the Mirror arc.  We would have felt the impact of Ash’s betrayal more if that had been the case.

Eventually, we learn what we already knew was true.  The probe is a bomb and Georgiou is super evil (SURPRISE!) and is out to blow Qo’nos into tiny little pieces.  All with the blessing of Starfleet.

This leads to a face off between Michael and Admiral Cornwell that produces one of the best scenes in the entire episode.  The face off almost turns into another mutiny, led by Michael, because… “book end.”  I was okay with that but wonder if we needed it?  Book ends are nice, but a little uncomfortable when you’re beaten over the head with them!

The best thing about the confrontation is that it provides a nice moment for the crew of Discovery, taking what we saw last episode and building on it, and showing just how close this team has gotten, and how much of a family they have become.

I think it’s my favourite scene in the episode and it’s played beautifully by everyone.  It makes Cornwell look weak and frightened, which isn’t great, and it makes Starfleet and the Federation look completely inept, which is really disappointing, but Jayne Brook plays it perfectly and sells it with genuine emotion, adding in enough bluster and eventual shame and regret to show us that no one is happy with the steps Starfleet has taken.  Sadly, it’s not enough to explain why this decision was agreed to in the first place, but at least they tried.  I guess.

After that strong scene we jump back to Georgiou twirling her moustache as she and Michael face off over the probe that’s not a probe, and was always a bomb.

Michael wins.  L’Rell beams down.  L’Rell gets the bomb.  L’Rell gets convinced to go bring the Klingon High Council to it’s knees under her rule.  Ash decides to stay with L’Rell.  The Klingons call off their fleet as it’s within striking distance of Earth.  We all live happily ever after as the Discovery heads home.

And Georgiou?  She’s let go.  Set free by Starfleet to wreak havoc in the Prime Universe.  Which is ridiculous.  But, it means she’ll be in season two and I do love Michelle Yeoh, so I can’t really complain too much about that moment.

As we cruise toward the end of the episode, we go to Earth and visit with Amanda and Sarek in Paris.  Which I appreciated.  Mia Kirshner does the role of Amanda proud and is just perfect as the strong human woman who exists in both Michael and Spock’s lives to remind them that though being Vulcan is something to be proud of, so too is being human.

Will You Take My Hand - Amanda, Michael and Sarek

After Michael’s oh-too-brief but beautiful moment with her mother, Sarek steps in to come clean about his role in helping Starfleet make the universe’s stupidest decision.  He’s not just there, though, to show that wise-older-Vulcan’s are fallible too, he’s there for another reason.  He tells Michael her record has been expunged and she has been reinstated as a Commander.

From there we go inside, to Michael and the Discovery crew getting medals for their part in the war.  Which is weird.  Because they were barely in it.  They obtained vital intel, this is true, but then were abducted and taken to an alternate universe to return nine-months later to a devastated Federation.  Their intel didn’t end up doing much, because the Klingons had advanced quite a way into Federation space… and yet they got medals.  They deserve them, because they did end the war thanks to Philippa and her probe-come-bomb, but somehow it felt… unearned?

Will You Take My Hand - Michael Gives A Speech

Throughout the awards ceremony Michael is giving a speech, which, it seems, has actually been going on since the beginning of the episode in snatches that you would have been forgiven for thinking were log entry voiceovers.  The scenes of her giving this speech to the Admiralty are inter cut with the medal presentations and it’s all a little disjointed and questionably put together.  I found it confusing and jarring the first time I saw it, and annoying the second.

I will admit, though, that I felt a tear come to my eye as Michael was embraced back into the arms of Starfleet.  Sonequa Martin-Green conveys so much emotion in those last moments in Paris that you can’t help but be swept away in her moment.  Far out that woman is a great actor!

Now we come to the end of the episode, and the season.

It’s a doozy.

The very last scenes reveal one of the biggest twists (another freaking twist for the season), if not the biggest twist for any Star Trek series.

After Paul talks about why they’re warping to Vulcan instead of jumping, Sarek joins them on the bridge as they clear the Sol system.  There’s some nice banter, everything feels a little weird though – but that’s probably because there’s more light on this bridge than ever before (thank you Mirror-Lorca for all the shadowy stuff), when Lieutenant Bryce announces he’s receiving a distress signal.

Will You Take My Hand - NCC1...

The call is coming from another Federation starship, but Bryce is having some trouble getting a clear signal.  As the communications officer deciphers the vessel’s call sign we see it start to form on one of his displays: N… C… C… 1… 7…

The Discovery drops out of warp, Saru sends a message and we are suddenly told the hail is from Captain Pike.  Captain Christopher Pike.

Disco S1E15 Enterprise Arrives

Michael works it out first and has a knowing look with Sarek as she says… “It’s the USS Enterprise.

Disco S1E15 Enterprise NCC-1701 Approaches

And we see that iconic ship appear.

She’s beautiful.  But, she’s not quite the ship we’re used to.

Disco S1E15 Enterprise and Discovery Meet

As the Enterprise and Discovery come nose to nose, we cut to black.

That moment brought a smile to my face!  If I’m to be completely honest, that, not Michael’s standoff with Cornwell, is my favourite moment of the episode.

Then, to drive the impact home, the closing title sequence features a beautiful and brilliantly faithful rendition of Alexander Courage’s original Star Trek theme.

The episode ended on a high, but it took a really disappointing road getting there.

When we compare this season of Star Trek: Discovery with any other first season of a Trek show, there is no doubt this is the strongest launch out of the gate any previous series has ever had.

Somewhere, though, it went wrong.

Star Trek: Discovery, up until episode three of the four episode long Mirror arc, was building beautifully and seemed to sail by on a clear path toward a massive reckoning and inevitable redemption that would culminate in a devastating clash between the Federation and the Klingon empire.

Only it didn’t.  They spent one or two episodes too many in the Mirror Universe, and then short changed us on the Klingons and the war.

We were promised we would get a deeper insight into the Klingons.  It didn’t happen.

We were told this season was a war-story arc… and it was, we just didn’t get to see more than a few flashes of the war.

We were told so much, and they didn’t deliver on about half of it.

I think what pissed me off the most though, was watching After Trek and seeing the writers so pleased with themselves, and watching Matt Mira avoid any sort of conversation around “so, what happened guys?  Where was the war?”

Is “Will You Take My Hand?” a terrible episode?  Probably not.  Is it the weakest and worst of the season?  You bet.  Is it a wasted opportunity?  Criminally so and it casts a bit of a shadow over the entire season.

All I can do is hope the writers are reading everyone’s reviews.  I’ve read a few, and some people love the episode, but quite a few are just as disappointed and disheartened as I am.

Will I be tuning in for season two?  HELL YES.  As much as I have complained about this episode, the thing I am taking away from this season is how amazing it was.  Most of the time.  It has delivered characters I care about.  Some of the writing has been Emmy level worthy.  The effects have been staggering.  The direction has been beautiful.  The music has been moving.  There’s so much to love about Star Trek: Discovery.  I won’t let “Will You Take My Hand?” ruin the season for me, but I also won’t say “yay!  It was great!” when it wasn’t, just because I love Star Trek and am so happy to have it back.

When I push away my frustrations over this episode, I can’t help but think that two average episodes out of 15 is pretty great.

I should probably talk about the 430 crew strong starship in the room before I go, hey?  What do I think of the redesign?

I like it a lot.  Its a pretty faithful update. It’s a mix of the original design and the refit model from Star Trek: The Motion Picture.  But, despite liking it, I don’t think the changes they made were necessary.  The USS Enterprise is THE most iconic starship in the world, and it is definitely the most iconic starship in science fiction.  No matter what, they had to render the new ship in the Star Trek: Discovery lighting design and colour scheme, and with the level of detail we now expect, but they could have done that without changing the original design as much as they did.

USS Enterprise NCC-1701 Fan Render

To prove that, check out the above incredible render by Carlos Daniel, and visit that same render, in flight, on his Vimeo page here.  Thanks to TrekMovie for sharing this with Trek fandom.

Apart from the spinny bits on the nacelle in the fan version, you have to admit everything else looks beautiful and shows that the original model, with maybe a little more texturing and some spotlight effects like we see on other ships in the show, would work beautifully with the design aesthetic of Star Trek: Discovery.

As I said, I like the new version, but it does make me think, once again, that CBS is thinking of rebooting everything and only leaving Star Trek: Enterprise intact.  If that’s so, I’m not against that – just do it respectfully.  With a little more respect than the creatives behind Star Trek: Discovery have shown.  They’ve been pretty good, but they have taken one or three liberties that they didn’t need to, and they’ve walked a very fine line that they might want to pull back from a bit come season two.

1. It would appear the crew of Christopher Pike’s USS Enterprise will play a role, however large or small, in the next season.

How long will the Enterprise stay around?  I’m giving it four episodes.

2. Georgiou?  She’ll resurface for the mid-season finale.

3. The new Captain?  I have no idea.  I heard someone suggest it might be Number One from “The Cage.”  YES.  PLEASE.  MAKE IT SO!

The Crew of the USS Discovery Season 1


What a roller coaster of a season.  I’ve loved more of the episodes than I’ve disliked, and as I said above there are only two episodes I’m not thoroughly happy with – and one of them I actually enjoyed, except for the unintended (I believe) sexist undertone (“Magic to Make The Sanest Man Go Mad”).

I’ve fallen in love with this crew and can’t wait for season two, but I hope it’s a little tighter and does what it tells us it will do.

I admit feel a little cheated over the Klingon war, and a little disappointed over the rushed ended.  The Klingons are not my favourite Star Trek species, but I was looking forward to an in-depth look at them, juxtaposed with a nascent and growing UFP.

I really enjoyed most of the Mirror Universe arc, but I would have preferred it not happen at all if it had meant seeing a moving story about the horrors of war.  I don’t enjoy war movies, but I am a fan of commentaries on war and with us facing an uncertain future thanks to tensions between the USA, China, Russia and North Korea, now is the right time for those types of stories.

Maybe next year.

As we hear news on Star Trek: Discovery, we’ll update you here.

Until then, and always, Live Long and Prosper.

LCARS Interface

Episode 14 Review

Star Trek Discovery Recap and Review Banner Episode 14

With possibly one of the best and tensest openings since “The Best Of Both Worlds, Part II” or “The Year Of Hell, Part Two,” Star Trek: Discovery takes a deep breath before the upcoming season finale, but makes sure we don’t get too comfortable in this emotional and, once again, twisty episode.

The Facts
Episode Number: 114
Episode Title: “The War Without, The War Within” or “Cornwell Takes Charge”
Written By: Lisa Randolph
Directed By: David Solomon

Saru: “Admiral!
Cornwell: “Where’s Captain Lorca?
Burnham: “Sarek… please!
Cornwell: “Stand down, specialist.  Now!”  Beat.  “Computer, initiate command level override.  Authorisation: Admiral Katrina Cornwell, pi beta six.
Computer: “Override confirmed.

Cornwell: “The Lorca I came up with was measured, he was reasoned.  I couldn’t have imagined…
Sarek: “That Lorca was an impostor from an alternate universe was not the most obvious conclusion.  We were all deceived.

Cornwell: “All evidence of your recent journey will be classified and destroyed.  We cannot risk the knowledge of this alternate universe leaving the confines of Discovery.”
Burnham: “I don’t understand?
Stamets: “There would be… too many possibilities.
Sarek: “Indeed.  Our people have suffered terrible losses.  What would you do if you thought that your dead wife, your lost child, your murdered parents might be alive on the other side and that the technology exists for you to see them again?  This knowledge must be buried.
Cornwell: “Command will want this locked down.
Saru: “Of course, Admiral.

Cornwell: “I want to be truthful with you.  Your side is winning.  When we met, you had nothing but contempt for the crumbling leadership of the Klingon Empire.
L’Rell: “T’Kuvma sought to strengthen and unify the Great Houses.  If he has succeeded in only this, it is cause for celebration.
Cornwell: “Your ‘Great Houses’ are carving up Federation assets among their factions.  A captured starbase bears the insignia of House D’Ghor, not of the Klingon Empire.  Is that the kind of ‘unity’ your messiah proclaimed.  They think nothing of the collateral damage caused by their brutal attacks.  They target civilians, hospitals, food conveys.  They slaughter innocents, and inspire terror across the quadrant.
L’Rell: “This is war, not a child’s game with rules.  We fight to preserve Klingon identity.
Cornwell: “No one is looking to destroy your culture!  Our laws are founded in equality, freedom.
L’Rell: “T’Kuvma taught us that the Federation cannot help itself.  It seeks universal homoginisation and assimilation.
Cornwell: “T’Kuvma was an ignorant fool, and your people are moving closer and closer to my home planet.  What are you looking for?  More territory?  Conditional surrender?  I mean, your people won’t even make demands.  Why?  How does this war end?
L’Rell: “It doesn’t.  Klingons have tasted your blood.  Conquer us, or we will never relent.
Cornwell: “Thank you.

Georgiou: “Your child is lost.
Sarek: “Do not confuse my ward with yours.
Georgiou: “My daughter was a singular example of brilliance until one foolish choice doomed her world.  Sound familiar?
Sarek: “If I understand correctly, my ward saw through the man who brought down not just your child, but your empire.  Perhaps best not to make comparisons.”  Beat.  “Why have you requested my presence?
Georgiou: “You were summoned, Vulcan, for one reason.  I want to help you end this war.

Sarek: “During my mind meld with Saru I learned of your attachment to the Klingon spy and what he did to you.  Such events are clearly troubling.
Michael: “I’m fine, Sarek.
Sarek: “I remain unconvinced.  There is irony here, of course, the man you fell in love with was a Klingon.
Michael: “He… I don’t know what he was.
Sarek: “There is also grace.  For what greater source for peace exists than our ability to love our enemy.
Michael: “I’ve made foolish choices.  Emotional choices.
Sarek: “Well, you are human.  As is your mother.  There is no telling what any one of us may do where the heart is concerned.  We are at war, logic dictates that each farewell may be our last.”  Beat.  “Do not regret loving someone, Michael.

Disco S1E14 Cornwell Brings Discovery Up To Speed

Moments of Interest
We know from Star Trek: Enterprise that mind meld’s are, in Vulcan years, still relatively new by the time we get to Star Trek: Discovery and Star Trek: The Original Series, but we also know, thanks to Star Trek VI: The Undiscovered Country and multiple TOS episodes, that they’re an intimate and private thing.  Forcing a mind meld on someone can be damaging for both the person undergoing the procedure, and the person initiating it.

In times of war and what sounds like the threat of extinction, it appears they also become a tool for quickly assessing a situation.

Sarek, at Cornwell’s behest, initiates an uninvited mind meld with Saru at the beginning of this episode.  It’s not something any of us would expect of Sarek, but I think it’s a device that’s being used by the writers to let every Star Trek fan know how desperate the Federation’s situation is it at this point in the war.

Another interesting moment is when Admiral Cornwell mentions Captain Jonathan Archer and the crew of the USS Enterprise NX-01 during the episode, reminding everyone that Archer’s trip to the Klingon Homeworld was the only time humans had set foot on that world.  Nice bit of continuity, and one I appreciated (being a Star Trek: Enterprise fan).

The Review
This episode is an acting tour de force for Jayne Brook and Michelle Yeoh in particular.  Both women are outstanding.  In every way.  They drive the plot forward, add remarkable nuance to every scene, and carry the episode effortlessly.

That’s not to say everyone else wasn’t good.  They were, as we’ve come to expect, and as per usual special mention needs to go to Sonequa Martin-Green, Mary Chieffo and Shazad Latif.  They shine in every scene and Mary Chieffo in particular is electric whenever she shares the screen with Jayne Brook.

For me, it’s all of these performances and the little moments that make the episode something special.

Some critics have said they’re not overly fond of “The War Within, The War Without,” and that the writers “dropped the ball” because the episode slowed the momentum of the last third of the season.  I couldn’t disagree more.  This episode was not only necessary as the inevitable prelude to the season finale, it was necessary for our characters as they start to process what has happened to them, and to process the fact that the war has gone terribly in their absence.  I guarantee you that if the writers hadn’t explored some of these issues before the end of the season, many critics would have be up in arms about that.

“The War Without, The War Within” allowed us to see where Tyler and Michael are at after the horrific shocks of a couple of episodes ago – and it’s not a good place.  It also allowed us to enjoy seeing L’Rell and Admiral Cornwell go at each other again, and it allowed us to see more of Emperor Georgiou.  For me, the real pleasure in the episode was watching Georgiou.  Michelle Yeoh was electric and menacing and she owned every scene she was in.  Seeing the character interact with Michael, Sarek and Cornwell left me thinking no one in the Prime Universe would ever stand a chance against her if she chose to act up.

Another highlight of the episode was seeing Katrina Cornwell in the Captain’s chair.  She looks good in it!  Hey, sometimes it’s the small things that make a fan happy.

Disco S1E14 Cornwell Takes Command

The episode began right where the last one ended, with Saru somewhat shocked by the appearance of the Mirror Georgiou in his transporter room.

Georgiou, for her part, is far from impressed an alien is giving orders and quips to Burnham that yesterday they were eating a Kelpian, and now Burnham is taking orders from one.

Yep.  That’s one way to leave an impression!

A not too happy Saru challenges Burnham on her lie (in an earlier episode she had told him she had not seen any Kelpiens in the Mirror Universe), but quickly pushes through that without, thankfully, bringing up the eating bit!

Saru tells Burnham that Tyler is doing well, and that Voq seems to be gone.  Michael tells Saru she’s not ready to see the spy.  And then shit gets serious as phaser wielding Andorians and Tellarites beam aboard, followed by Sarek and Admiral Katrina Cornwell.

It’s a tense, wonderful scene where Cornwell takes control, literally, and brings the Discovery under her command.

Disco S1E14 Sarek and Cornwell Beam Aboard

We quickly learn that the Federation hasn’t lost the war, as Saru initially thought at the end of the last episode, but they are getting smashed.

Cornwell advises certain members of the crew that 20% of Federation space has been lost, and the Klingons have – without rhyme or reason, as Michael points out – slaughtered hundreds of thousands of innocents.

As the episode progresses, the action quickly subsides (without ever completely losing the underlying threat of the defeat of the Federation) to focus instead on meaningful character moments, with one of the most intense being the briefest.  Stamets coming face to face with Ash.

It’s a scene that I’m not sure I’m happy with.  Stamets responded in a very Stamets way, and Ash certainly looked upset, even devastated, but it didn’t resonate with me.  It felt somehow hollow.  I didn’t want Stamets to bop Ash on the nose, but a quick scene of Paul rounding the corner and leaning against a bulkhead with a lone tear trailing down his cheek would have made the moment work.  Hugh and Paul’s relationship has been played up as this great love story, but we haven’t spent enough time seeing the effect on Stamets and I think we need to.  Anything less diminishes that love and Hugh’s time on Discovery.

The majority of the remainder of the episode deals with Georgiou and her manipulations.

Before we look at that though, there were two other important moments where enough time was given to the characters and their plight, that need to be mentioned.

The first is between Michael and Ash.  After initially refusing to see Tyler, at the prompting of Tilly she finally goes to him.

Disco S1E14 Michael Wants To Trust Georgiou

Things don’t start well, and lead Ash to a moment where he lashes out at Michael, pretty much telling Burnham that she got frightened and all of this is a convenient way for her to back out.  She doesn’t take that and fires back, reminding him he had his hands around her throat, and that she looked into the eyes of the man she loved to see nothing but hatred there and a desire to kill her.

That puts him in his place.

She very poignantly ends everything by telling him that his road to redemption, much like hers, will be a solo journey.

It’s a beautiful scene.  I’m constantly astounded by how much meaning Sonequa Martin-Green can squeeze into one sentence, even one word, through a simple change in tone, an unexpected inflection, or the quirk of her mouth.  Shazad Latif is similar.  While Sonequa’s delivery is always very controlled, as you would expect from someone who is playing a character who has been raised by Vulcan’s, Shazad’s delivery is very open with every emotion crossing his face.  What you would expect from someone who is essentially Klingon, a species not known for hiding their emotions.

The juxtaposition of the two is perfect.

The other meaningful moment didn’t play as well.

Before all of this, Ash visits the mess and everything goes quiet.  He grabs his meal and sits down alone while people whisper behind his back and cast him sidelong glances.

Disco S1E14 Tilly Brings Tyler Back Into The Fold

Tilly, echoing how she befriended Michael, moves from her table to sit with him.  He tells her she doesn’t have to, and she sets him straight.  Then Keyla Detmer joins them, offering Ash a warm “welcome back.”  The scene would have been perfect if it ended there, or with Lieutenant Bryce (the Communications Officer) joining them right after Detmer.  But, after Bryce, a whole bunch of people come over and it all seems a bit much.  It crossed from special to corny in seconds.  I want Ash to be forgiven, because we all know it was Voq who did all of those horrible things, but would so many people so easily welcome him back that quickly?  How has he redeemed himself?  He hasn’t?  Has he?  Has the crew had time to process what he did and grieve Doctor Culber’s death?  I don’t think so.  That moment, for me, felt forced and false.

And now, back to Georgiou.

Starfleet in the Prime Universe doesn’t have a chance.  If they don’t keep a close eye on her she’ll be ruling the Federation inside a decade.

There’s not much more I can say about Emperor Georgiou in this episode that I haven’t already.  She walks circles around every character.  While they innocently and naively (and a little warily) attempt to understand her, she is calculating in every moment and looking for an advantage or a way to manipulate things to her will.  And it’s constant.

Disco S1E14 The Emporer Is Unimpressed

Michelle Yeoh is not just a ‘moustache’ twirling villain in this episode, though.  She also shows compassion and even, dare I say, a smidge of love, to Burnham.  It’s fleeting, but it’s there.  Michelle conveys it all perfectly.  Complex characters are so rewarding for the viewer, and they show good writing, and this Georgiou is definitely complex.

Like most people in the western world, I fell in love with her watching Crouching Tiger, Hidden Dragon.  Now I’ve fallen in love with her all over again, first because of her portrayal of Captain Georgiou, and now because of her portrayal of Emperor Georgiou.

I think the joy here is that Georgiou is now a character who has represented the very best of Starfleet, and now the absolute worst in the visage of her Mirror Universe self.

I love how the writers have done that!

Out of all of the interactions between Georgiou and those characters who know she is on board, the best is her private meeting with Sarek.

Disco S1E14 Michael, Cornwell, Georgiou and Sarek

The first time we see her interact with Sarek is after Michael confesses what she’s done.  Cornwell and Sarek go with Michael to visit the Emperor, and Sarek is surprised (as much as a Vulcan can be) by how alike this Georgiou is to his now dead friend.

That quick interaction, though, gives Georgiou an idea.  She picks up on the bond between Sarek and Michael and logs that in her memory for future use.

She sets about setting her trap.  The first step is helping Michael formulate a plan.  Michael shares that plan with Cornwell, who is excited.  Cornwell convinces what’s left of Starfleet’s leadership it will work.

The second step is taking the plan to the next level.  A dark and horrible level.  Georgiou “summons” Sarek and shares her complete idea with him.  It’s something she wouldn’t tell Michael because she didn’t think her “daughter who is not her daughter” could handle it.

During all of this we learn that Starbase One has been occupied by the Klingons (House D’Ghor to be exact) and that all of the Starfleet vessels and personnel are gone, presumed dead.  It’s an horrific moment for Admiral Cornwell, and Jayne Brook plays it oh so well.  I felt terrible for the character.  She obviously lost so many people that she cared for, and in that moment was probably thinking she would lose the Federation too.

It’s this last act by the Klingons, I think, that pushes Sarek to take his next step.

All of this leads to another big twist.  Yes, another twist, because apparently that’s what modern television is all about.

Sarek leaves the Discovery to make some “arrangements” and then, in the penultimate moment of the episode, we see what those arrangements are.

Emperor Georgiou becomes Captain Georgiou and is given command of the USS Discovery for a risky mission to Qo’noS.

She is introduced to the crew of the Discovery as the recently rescued Philippa Georgiou, much to the shock and joy of Keyla Detmer, and the shock and worry of Saru and Michael.

This twist actually took me by surprise.  Of all the things they could have done with the character, this one I did not expect – though it makes so much sense.

Disco S1E14 The Emporer Becomes A Captain

The look that Georgiou gives Michael just before the episode wraps should make us all worried, and it should petrify Burnham.  It’s obvious Philippa is playing them.

This episode works.

It’s not the fastest paced or most action packed, but it is character heavy and full of remarkable performances.

While some of the scenes don’t play out perfectly, the episode is strong and it deserves to be thought of favourably.

I don’t know if I can even hope to work out what the producers’ plan is for this wonderful new Philippa Georgiou, but I’d like to think they will try and make this work.  It’s a brand new take on “the outsider” looking in and commenting on humanity.

Logic suggests Emperor Georgiou won’t live for long, but I hope, in this instance, the logical conclusion does not come to pass.

In other predictions, I firmly believe L’Rell is still up to something with Tyler and that he’s not as free of the Voq personality as we would like to believe.  The producers of Star Trek: Discovery seem to like avoiding happy endings!

Five Starfleet Deltas

An excellent episode, an important breather between the conclusion of one arc and what, we’ve been told, will be the conclusion of the war arc, and a nice episode for character development.

I can’t wait for the finale, which, if the previews are anything to go by, looks outstanding.

Bring on ass-kicking Emperor Georgiou!  I loved Captain Philippa Georgiou, but am really coming to adore this slightly twisted version of her.  Someone give Michelle Yeoh her own Star Trek spin-off.  Now!

LCARS Interface

Episode 9, Mid-Season Finale Recap and Review

Episode 9 Recap and Review Banner

Holy crap.

What an episode!

Lorca is a… PIG.  A manipulative, sociopathic ass!  I had to stop myself from hurling my phone across the room toward the end of this episode because of his actions.

Last week’s “Si Vis Pacem Para Bellum” was touted as the ’emotional’ episode for the first-half season, but for me it was this episode.  I shed tears three times, twice because of the tragedy of a particular situation, and once out of surprise and anger.

“Into the Forest I Go” was (for me at least) a roller coaster ride – and I loved it.  Eight out of nine of the episodes this season have been my favourite for at least a week, but now this and “Lethe” hold equal first place for this ‘chapter’ of the story.

Some reviewers have had issues with the episode, or have been unimpressed.  I was the exact opposite.

It was so so good.

Let’s get into it.

The Facts
Episode Number: 109
Episode Title: “Into the Forest I Go”
Written By: Bo Yeon Kim and Erika Lippoldt
Directed By: Chris Byrne

Culber to Lorca
: “Well I’m not ready to play roulette with his brain.

Stamets to Lorca: “You want me to make 133 jumps?!

Lorca to Stamets: “I know what drives you, lieutenant.  You’re not just a scientist, you’re an explorer.  You could’ve just stayed in a lab on Earth, but you chose to go where no one has gone before.” *squee!*

Stamets to Lorca: “You’ve been accumulating this data from my jumps the whole time?  And these scattered pockets of negative mass… it’s… they could indicate alternative parallel universes connected to the mycelial network… and with more jumps we could find a pattern – perhaps even the coordinates to reach them!
Lorca to Stamets: “You showed me this invention could take us to places that we never dreamed we could reach.  This is far beyond our preconceptions of time and space.
Stamets to Lorca: “Captain, I didn’t know you cared.
Lorca to Stamets: “We have to win this war.  But then…
Stamets to Lorca: “Then the journey continues.  (*squee* again)  If we can save Pahvo, defeat the Klingons and do all this… 133 jumps it is.

Lorca to his crew: “We are about to face the most difficult challenge we have ever attempted.  Today we stare down the bow of the Ship of the Dead.  The very same ship that took thousands of our own at the Battle of the Binary Stars.  When I took command of this vessel, you were a crew of polite scientists.  Now, I look at you, and you are fierce warriors all.  No other Federation vessel would have a chance of pulling this off.  Just us.  Because mark my words, you will look back proudly, and tell the world you were there the day the USS Discovery saved Pahvo and ended the Klingon War.

Interesting Bits and Pieces
– In this episode we get the first real indication of the existence of the Mirror Universe for this series.
– Starfleet has ‘pattern simulators’ that can mimic the life signs of other species’.  This is a great idea.  New tech for Trek, but tech that makes sense!
– The 133 jumps are an homage to the Battlestar Galactica Episode “33,” source: After Trek.”
– When the Discovery does it’s ‘last’ jump, for a moment, the ship is split in two, evoking a scene from the TOS episode “Mirror, Mirror.”

The Recap and Review
Before jumping into the episode I need to correct something, last week I wondered if “Si Vis Pacem Para Bellum” was the shortest live-action Trek episode ever, coming in at only 41 minutes.  It wasn’t.  The shortest is actually “Battle at the Binary Stars,” which runs only 39 minutes.

Okay… after a brief orientation to what’s happened across the last few episodes, we go into a teaser!  No cold open this episode.

The Discovery is still at Pahvo, and Lorca is arguing with Vulcan Admiral Terral (via hologram) on the bridge.

Lorca and Admiral Terral

I don’t think that’s a great move.  If I were Terral I would have demanded privacy because he knows how insubordinate Lorca can be.  Discovery‘s bridge crew get to watch their captain argue with a senior officer which doesn’t seem wise to me.

Terral wants Discovery to leave Pahvo and return to Starbase 46.  Lorca wants to stay and protect the Pahvo.

Lorca, eventually, seemingly complies, to the surprise of his crew.  But, this is Gabriel Lorca, he does exactly what he wants to do – and is smart enough, in this circumstance, to at least give the appearance of obeying orders.

He has Discovery warp to Starbase 46, rather than jump using the DASH drive.  At warp, the Starbase is three hours away.  He wants to use those three hours to devise a plan to save the Pahvans.

Using the excuse that Stamets is having issues with his interface for the spore-drive (if only Lorca knew), he rationalises his choice to go to warp, delaying their return.

Lorca orders Stamets to Sickbay for a full examination, so that there is a data trail backing up the decision.

Stamets is not happy to comply, but he does, obviously concerned to discover what Hugh will find.

Doctor Culber Delivers Bad News to Stamets and Lorca

After the opening credits sequence, we return to the bridge where the crew, using some very Trekkian technobabble, find a way to crack the Klingon cloak.

The problem?  To get their attempt to work, they have to beam someone aboard to plant sensors.

Another problem?  It will take days to collect enough data to succeed.

Lorca decides the spore-drive is their best bet because, with enough jumps, they can gather the data at speed.

He leaves the bridge and goes to Sickbay where Culber tells him that Paul Stamets’ brain is being changed by his interaction with the spore-drive.  The scans show that the tracts within the white matter of Paul’s medial temporal lobe are being restructured.

Culber doesn’t want the captain to play games with Stamets’ brain, Lorca is less than concerned with what the doctor wants and orders a report. He’ll decide whether or not to risk Stamets then.


Hugh Culber is not a happy doctor and Lorca’s all no nonsense and captainy.  He takes Stamets with him to implement stage one of his heinous efforts to use and manipulate this overly dedicated and naive scientific genius.

Lorca Tempts Stamets

In his private chamber, he shows Paul what they need to do, telling him he needs him to make 133 jumps so they can map the cloak, break it and save the Pahvans.

Stamets is a bit overwhelmed, so Lorca swoops in for the kill, showing Paul a map full of data from every jump made that shows scattered pockets of negative mass that could indicates alternative, parallel universes.

More jumps might let them access these universes.

Paul, like a junkie, is hooked.  Lorca has convinced him to put his life at risk.

Jason Isaacs is amazing in this scene.  So is Anthony Rapp.  Jason is so manipulative and uses his voice so well, you can hear him weaving a spell just for the lieutenant.  He’s both mesmerising and contemptible all in the same moment.

Anthony, for his turn, plays the wide-eyed naive explorer and self-sacrificing scientist to absolute perfection.

It’s a great scene.

Back on the bridge, Lorca orders a boarding party of two, there’s a little back and fourth around who should go, and it ends up being Michael and Ash.

Some fans have been annoyed by this scene, because Michael’s argument is that she is familiar with the vessel.  Of course, she only spent minutes on it in episode two – however, the Shenzhou was taking detailed scans when they first encountered the vessel, and she probably is pretty up on its specs and is able to use her personal memory of the bridge of the Klingon Ship of the Dead and those scans, and any Discovery has made since, to be an effective navigator.

Planning to Attach the Klingon Ship of the Dead

It’s a non-point, and people just need to let go a little and accept that she was trained on Vulcan to survive and thrive in a Vulcan educational institution, and she was accepted into the Expeditionary Group meaning she would have to have an incredible memory and capacity for reasoning.  She was also raised by a species who knows a lot about the Klingons, and has probably done her own research because they killed her parents.  Though she says she’s the right person for the job because of her time on the ship, that’s probably just a quick way for her to circumnavigate a lengthy argument with Lorca because he doesn’t actually know how long she and Georgiou were on the Sarcophagus ship.  This slight bending of the truth doesn’t derail the fact that she most definitely is the best person for the job.  Seriously people, deal with it.

Star Trek: Discovery has gone out of its way to focus on character, and everything we’ve learned about Michael says she is extraordinary in every way – except, of course, for all the emotional stuff.

Lorca’s expression, after giving Burnham permission to go, has me wondering (again) what does Michael mean to him?  It’s clear he doesn’t want to risk her, and despite denying that when she challenges him, it is obvious she is valuable or meaningful to him in some way.

Tilly is Concerned for Stamets

We leave the bridge and visit Engineering where Tilly accidentally lets the Stamets cat out of the spore-drive bag as Hugh hooks a medical-cuff to Paul to allow him to treat the lieutenant while he’s in the chamber.

Symptoms?  What symptoms?  Oh yeah… THOSE symptoms…

Hugh is going to stay and monitor the jumps.

Back on the bridge, Lorca gives a rousing speech which is beautifully inter cut with reaction shots from the crew, the process of readying the DASH drive, and Paul Stamets bravely facing what he knows is a series of jumps that could literally shred his brain.

Far out does Anthony Rapp sell those moments!

The Toll of Jumping Discovery Begins to Show on Stamets

They detect the signature of a cloaked Klingon vessel entering the Pahvo system, and jump back.

We switch to the Klingons.  They do their Klingon thing.  Growl a lot.  Act arrogantly.  Talk about destroying stuff, and decloak to face off against the Discovery.

Michael and Ash beam over, wearing pattern simulators that will mask their human life signs, and carrying the sensors needed to win this engagement and hopefully provide information that will help the war effort.

After placing the first unnecessarily large, bright and vocal sensor, Michael detects a human life sign!  Yay!!  Admiral Katrina Cornwell is alive.  Wasn’t just a fan boy wish after all.

They revive Katrina but she can’t feel her legs.  Not great.

Unfortunately, for Ash, L’Rell is there too and this triggers a pretty devastating Post Traumatic Stress episode for our favourite head of security, and we get the first of some very disturbing flashbacks to his torture (?) at L’Rell’s hands.

Ash See's L'Rell

Burnham shoots L’Rell as she slowly approaches Ash, who is frozen in place, unable to act.

Poor Ash has a total meltdown and collapses, and Michael is forced to leave him in the care of the Admiral, who, thankfully, is a psychiatrist.

Shazad Latif is incredible in this scene.  He so sincerely and so effectively shows Ash’s distress.  The scene affected me with its intensity.

In the real world, I work two jobs, one is as an actor, the main one is as an allied health professional working with people who have mental health issues.  I do a lot of work with people facing trauma, and who are having psychotic breaks right there in front of you.  It’s tough for them, it’s rough for you as their support person, and it’s just not pretty or sane or easy in any way.

I was so impressed by Shazad (and, later, Cornwell) and was happy with Star Trek and how they were handling this issue.  A lot of people experience PTSD in the real world, police officers, soldiers, emergency services personnel, doctors, nurses, teachers, youth workers, social workers, psychologists, and more.  The very fact the writers were finally focusing on Tyler’s PTSD at all impressed me.  We’ve gone here before in the history of Trek (most memorably with Picard), and it’s right we visit this issue again.

Another interesting part of this scene was Cornwell’s reaction to Burnham.  She seemed both surprised to see Michael there, pissed Michael was there, and then impressed with the new science specialist.  You were left with the distinct feeling Michael was not what Cornwell was expecting.

While this is happening, the Discovery is trying to keep the Klingons occupied by engaging them in battle.

Back on the Klingon Ship of the Dead, Burnham has activated the last unnecessarily large, bright and vocal sensor and is listening in to the Klingons.  To the writers’ credit, they have Burnham activate the Universal Translator which means we don’t have to listen to the Klingons growl, and the actors can focus on acting and not on getting their Klingon lines right.

All of these scenes build the tension perfectly.  They’re beautifully paced and as a result you’re on the edge of your seat.

We cut to Stamets at one point and he is not having a good time.  The toll is shown with some remarkable visuals and disturbing camera angles.

I did not think Paul would survive.

Back on the Klingon ship, Cornwell is trying to walk Ash through his episode as he suffers more terrifying flashbacks.  She uses the exact same techniques we use in real world de-escalations, which is great.  If only Deanna Troi had gotten this much meat in her role as a psychologist.

We visit with Culber, Tilly and Stamets as Culber tries to reason with Lorca, begging him to stop the jumps as he watches his partner writhe in the spore chamber.

It’s heart breaking, and one of the times I felt my cheeks get wet from the emotion of it all.

Michael Confronts Kol

We switch back to the Sarcophagus ship.  To buy the Discovery time to complete its 133 jumps, Burnham blows her cover and gets all wonderfully mouthy with Kol.

Kol is arrogant and over confident, Michael challenges his honour, he pretty much tells her human’s don’t understand honour, so Michael goes in for what she knows will be a powerful blow.  She tells Kol she is the human who killed T’Kuvma.

Back in the cell with Katrina and Ash, the Klingons discover them and Admiral Cornwell has to try to protect herself and Ash with a phaser Michael left behind, but unable to feel her legs she can’t move as much or as swiftly as she needs to, to take down both warriors.

Cornwell Defends an Almost Comatose Ash

She implores Ash to get up, and finally breaks through his PTSD episode.

He acts, and helps take out the last Klingon.

Back on the Klingon bridge, Kol thanks Burnham for killing T’Kuvma telling her that when he kills her it will seal his power.

She challenges him to a fight and he takes her up on it.

Throughout all of this, he taunts her with Georgiou’s Starfleet badge and it’s clear Michael wants that last artifact of her friend, captain and mother figure back.

The fight between Kol and Michael doesn’t go well for Michael, but she holds her own, proving that she paid attention while studying Vulcan martial arts.

Michael and Kol Go Head to Head

Kol grabs Michael and for a moment it looks like it’s all over for her.

He growls about becoming absolute ruler of the Klingon Empire, because killing Burnham will make everyone happy, but Michael isn’t too interested in Kols delusions of grandeur.

He pushes her back to cleave her in two, but she takes advantage of this and keeps her balance and fights back, stabbing him with a non-fatal blow, but a blow strong enough to make him stagger.

On Discovery, they locate their crew and start to beam them back.  L’Rell takes advantage of this and hitches a ride on Tyler’s back.

Burnham is Beamed to Safety

Back on the Klingon Ship of the Dead Kol gets over confident.  As he advances on her, Michael is contacted by Discovery and told to get ready to beam out.  In a daring move she lunges forward and grabs Georgiou’s Starfleet Delta badge from Kol, and throws herself over a railing and falls as Discovery‘s transporter beam takes hold and beams her to freedom.

With confirmation everyone is safe, and with the surprise that both Cornwell and L’Rell are on board his ship, Lorca orders a photon torpedo strike on the now cloaked Klingon vessel.

Lorca lets loose the dogs of war, and in a very surprising turn, Kol and the Sarcophagus ship explode.

The Klingon Ship of the Dead Explodes

I did not expect that, I didn’t think Kol would die so early and I didn’t think we’d lose the Klingon Ship of the Dead at the mid-point of the season.

That just leaves L’Rell as our main antagonist… but, what an antagonist she is!

This surprising turn of events gives us a beautiful moment between Saru and Michael.  I think this may have finally given the both of them the closure they needed.

As Michael watches the ship explode in a blinding flash of light, the look on her face is perfect.  Sonequa Martin-Green evokes so many emotions in this scene, relief, shock, satisfaction, regret, sorrow, confusion… it’s a big moment for her character.

Lorca’s reaction to her and Ash’s return is strange.  He doesn’t look happy.  He doesn’t look disappointed.  He looks angry.

I need to make a special mention of the music in this episode, but particularly this scene.  It is epic.  Evocative.  Moving.  Just beautiful.

As the Klingon ship gives it’s last dying shudder, Michael realises Ash isn’t behind her anymore.  She looks worried as we cut to a conversation between Lorca and Admiral Terral, who is telling Lorca that Cornwell’s emergency medical shuttle has arrived safely at Starbase 88.  She’s going to be fine!  Yay!!

Lorca tells Terral to send her his best (yeah, right), and then rattles off his successes, including the almost completed cloak-breaking algorithm to be sent fleet wide once it’s finished.

Terral tells Lorca to get back to the Federation where he’ll receive the Legion of Honour.

Lorca doesn’t look thrilled, even thought this probably means he’ll be able to keep his command, even with Cornwell arguing he needs time to heal.

Meanwhile, Michael has gone to find Ash.  She tracks him down to his cabin, and in a beautiful scene that is full of emotion gets him to talk about his experiences on board the Klingon prison ship.

The interaction between Michael and Ash is handled with such care by the director.  If anything, this first half of the season has been defined by that word.  Care.  Though a lot has changed from what we’re used to as Trek fans, we cannot deny how much care has gone into every aspect of this production.

Michael Comforts Ash as He Comes to Terms with His PTSD

As Ash and Michael sit together, Ash admits he cultivated a relationship with L’Rell to survive.  From the way he glances at Michael throughout the scene, it is clear he is unsure if she will understand what he did and why, or if she will condemn him.

For him, it’s laying everything to do with this new relationship on the line.

Shazad Latif and Sonequa Martin-Green play this perfectly.

Michael gives him the absolution he doesn’t seem to have been able to give himself, and we leave them, holding each other, to visit with Stamets and Lorca in the shuttle bay as the mycelial network traveling scientist stares into space in deep thought.

It’s this scene that made me loathe Lorca without reservation.

Up until now I’d been able to forgive or find a way to understand his machinations, not this time.  To so recklessly and possibly selfishly use another life, one already in pain and one that has already given so much, is reprehensible.

Lorca Manipulates Stamets

Lorca knows what the spore-drive is doing to Stamets, and after setting up the new dangers faced by an approaching Klingon fleet, paints a picture that has Stamets offering to facilitate one more jump to keep the crew safe.

Lorca thanks him, then starts to rabbit on about what they’ll be able to do with the spore-drive once the war is over.

Stamets stops him and tells Lorca that this jump will be it.  The last one.  Disappointment is etched in every line on Lorca’s face.  Eventually, he masks it, knowing it won’t be the last jump.

We cut to Ash, deep in a nightmare.  It’s a series of inter cut scenes that are quite confronting and appear to show Tyler being sexually assaulted by L’Rell.

Tyler wakes with a start.  He was asleep on a couch in his quarters, with Michael.  He leaves her and finds his way to the brig where he approaches L’Rell.

Another flashback causes him to collapse to his knees.

What did you do to me?”  He asks her.

L'Rell Has Something Over Ash

Do not worry, I will never let them hurt you.”  She responds seductively.

This is interrupted by the ships computer calling people to their command stations.

As Ash gets to his feet, L’Rell utters an ominous “Soon.

We cut to Stamets and Culber in Engineering where they are preparing for what both hope is the last jump the lieutenant will ever have to make.

Stamets walks up to Culber and clasps his partners face in both hands, giving Star Trek it’s first ever gay male kiss.  Can you believe that has taken 51 years?

The scene is handled perfectly.  There’s no fuss to it.  There’s no build, there’s no excessive use of emotion or reaction, it’s just there.  It’s just like two straight people kissing before the next part of a big adventure.

Though, for Trek, this is a history making moment, it was treated just right by everyone involved.

Finally, the First Gay Kiss on Star Trek

As Paul enters the spore chamber with Hugh watching on, we cut to Lorca over riding navigation and entering new coordinates into the DASH drive.  The image shows a list of spore-jumps, with the last three entries being:
SPORE-JUMP 132: 071-MARK-898

They jump, Stamets screams, something weird happens in the spore chamber as the walls appear to crystalise.

Tilly announces the computer is calling it an incomplete navigation sequence.

Paul opens the door to the spore chamber and collapses on the floor of engineering as Tilly and Culber rush to his side.

Hugh says Paul is starting to crash.  Paul opens his eyes and they’ve gone white with his pupil and iris barely showing through.  He’s rambling, making no sense, and we’re left wondering if he will survive.

On the bridge, they don’t know where they are.

The camera pulls back, through the bridge window, through a debris field of destroyed ships and fades to the closing credits.

Now that is a cliff-hanger.

Weeks ago, Jonathan Frakes (yes, Commander William T. Riker himself) let slip that the Discovery goes to the Mirror Universe this season.  It would seem safe to assume that is where they are now.  I don’t think Lorca realises that, and it will be interesting to see how it all pans out.

That’s not really a prediction, I know, but I only have one for this episode.

Up until I saw “Into The Forest I Go” I had become convinced Ash was Voq.  I don’t believe that anymore.  I think it’s still a possibility, but one that seems less likely.  When I think about it, was there enough time between L’Rell sending Voq away and Ash’s discovery by Lorca on the Klingon prison ship, for Voq to have been fully transformed?

Could he have been surgically altered and healed in that short a space of time and then indoctrinated into Federation culture and taught it’s language, flawlessly, so quickly?

I’m thinking two things now.  Either Voq is meant to replace the real Ash – who is currently on Discovery – at some point, or Ash is a sleeper agent who has been brainwashed to work for the Klingons, who will be triggered later in the war?

Last episode and this episode, L’Rell was keen to get on board the Discovery.  Was it to reunite with Voq, or was it to trigger her sleeper agent?

I think this storyline will play out this season, and I can’t wait to find out what the heck is going on.

Five Starfleet Deltas

This episode was excellent.  I really enjoyed it.  It had me in suspense, it had me in tears, it had me smiling, gasping and even looking away at points.

Excellent acting (as always), incredible music, outstanding directing, brilliant effects, and perfect editing and pacing.

I don’t know if people would have tuned back in with as much excitement as I’m hearing out there in the fan community, if the last episode for this half of the first season had been “Si Vis Pacem Para Bellum.”

This episode was the right choice to wrap up what the producers are calling ‘chapter one.’  “Si Vis Pacem Para Bellum” was a great episode, but it’s cliff-hanger ending wasn’t big enough.

One of the really pleasing things about this episode, is that we’ve discovered two new bright and shining lights in the writing world.  Bo Yeon Kim and Erika Lippoldt.  What an outstanding story and beautifully crafted script.

Star Trek: Discovery returns to CBS All Access on the 7th of January, and returns to Netflix on the 8th of January.

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes appearing on Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET, also on Sundays.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix on a Monday – 8:00am BST in the UK, and 6:00pm AEDT in Australia.

I hope you enjoyed this episode as much as I did!

Star Trek: Sentinel‘s recaps and reviews will return in early January.

I can’t wait for the next episode.

Until then, and always, live long, and prosper.

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Episode 8 Recap and Review

Episode 8 Recap and Review

Episode 8 is a welcome return to form, and is the most Star Trek episode of Star Trek: Discovery to date in story and theme.

It feels nice saying that, because I’ve said it almost every review now, which means (to me, anyway) that the writers are on the right track and the show is growing stronger every week.

It needs to be said, Kirsten Beyer wrote the crap out of this episode.  Kirsten is a Star Trek novelist, and this is her first television writing credit.

You couldn’t tell.

If this episode has a flaw, it’s in its run time.  There was so much story and not enough time was given to some aspects of it, but, more on that later.

The Facts
Episode Number:
Episode Title: “Si Vis Pacem, Para Bellum”
Written By: Kirsten Beyer
Directed By: John S. Scott

Lorca to Rhys
: “Mr Rhys, could I trouble you to fire at something?

Stamets to Tilly: “What are you doing down here, captain?

Michael to Ash and Saru: “We can’t touch that transmitter now.
Ash to Michael: “General Order One?
Michael, in response: “No, Order One restricts us from revealing ourselves to sentient beings that aren’t warp capable.  We’re well beyond that.  Now our duty is to follow First Contact Protocol, and we can’t borrow or alter their property without them understanding our objective, and agreeing to it.

Michael to Ash: “The needs of the many…
Ash to Michael: “Are worth fighting for… are worth dying for… but so are the needs of the few.
Michael, in response: “Or the one?

Tilly to Stamets: “Okay.  What is going on with you?
Stamets, in response: “Excuse me?
Tilly back to Stamets: “At first, the tardigrade DNA booster seemed like a good thing, but now you’re back to your old persnickety, grumpy self.  So what’s the deal?

L’Rell to Cornwell: “What happens to those who Starfleet captures?
Cornwell, in response: “In war?  They’re imprisoned.  Interrogated – humanely.  Eventually, they’re returned to their people as part of any final peace settlement.
L’Rell, in response: “So, you do not… execute them?
Cornwell: “The Federation has no death penalty.
L’Rell: “I wish to defect.

L’Rell: “First, I am ensuring the end of Kol’s days.  He neglected T’Kuvma’s message.  He desecrated this vessel with his fetid presence.  Before we depart, I will set the ship’s warp core to overload.
Cornwell: “He really disappointed you!
L’Rell: “He disgusts me.  My only regret is that I will not be able to see his pretty painted face as he takes his final breath.

Interesting Bits and Pieces
– “Si Vis Pacem Para Bellum” was originally slated to be the last episode of the first half of the first season.  Episode 9 was made the last episode for the first half a few episodes into the current run.
– The USS Gagarin, we assume, is named for the Russian cosmonaut, Yuri Alekseyevich Gagarin.
– Kelpiens can run at up to 80 kilometres per hour!
– This was Kirsten Beyer’s first professional television or film credit, as mentioned above.  Prior to being recruited by Bryan Fuller to work on Star Trek: Discovery, she was (and still is) the author of 10 Star Trek novels, with two more on the way.  Eight of those novels are based on Star Trek: Voyager.  For information on Kirsten, see her Memory Alpha page here.
– We get some insight into what is happening to Lieutenant Paul Stamets via an exchange in the mess hall with Tilly:
Okay.  I’ll admit that something has been happening to me.  One minute I know where I am, who you are, what I’m doing, and then, all of a sudden, what I know… changes… it gets jumbled…

The Recap and Review
We kick off with a bang after another cold open (no teaser before the credits), with a brand new Starfleet vessel, the USS Gagarin, in a fierce battle with the Klingons.

Sadly, the Gagarin is getting its warp nacelles kicked.

The USS Gagarin

The Discovery drops in to save the day… but can’t, and the Gagarin is blown to pieces.

It’s a demoralising moment for the crew as they engage the spore drive and jump out of the battle to safety, with Lorca (almost showing a drop of compassion) telling them there will be a time to grieve, but later.

Star Trek: Discovery throws together a nice battle sequence.  The effects are always top notch, though at times there are some unusual direction choices that are made that don’t quite allow the scenes to ‘pop’ as much as they could.

I do miss the more traditional phaser fire of past series – sustained beams of light rather than the more Star Wars like bolts of energy, but that’s a small thing.

This entire opening shows Lorca in his element.  He’s a dynamic captain who looks like he wants to jump through the viewer into the midst of the battle, and physically beat the Klingon ships into oblivion.  This is no Kirk or Picard, calmly or with restrained intensity, commanding an engagement from the captain’s chair.  Lorca paces like a caged animal, unleashing the fury of his ship on the enemy.  Jason Isaacs makes you believe it’s personal and he is convincing as a man who has lost a lot to the Klingons and wants to deal them a decisive blow.  He is such an excellent choice for this new Starfleet captain.

Even though Lorca doesn’t get a lot to do in this episode, every shot he’s in adds to his character – and that’s all thanks to Jason’s acting ability.  Last episode he was the fall guy for Mudd’s craziness, but every line delivery imbued Lorca with personality.  I love watching this very talented man work.

If Ash is Voq, Lorca is going to lose it and watching Jason Isaacs chew the scenery over that one will be an Emmy-winning moment.

Stamets Connected to the Spore Drive

After the destruction of the Gargarin, we visit with Stamets and Tilly and quickly learn that the spore-drive has more of an effect on Stamets than we were initially led to believe.  He staggers out of the reaction chamber like a man waking from sleep.  He’s confused, disoriented and says to Tilly “what are you doing here, captain?

Is he jumping timelines?

Tilly has stated that she intends to be a captain.  Has becoming “unstuck” in time thanks to the tardigrade DNA allowed Stamets to see or even actually visit future or alternate timelines?  He’s in a chamber infused with spores… is he actually IN that chamber?  Is something else mysterious going on while he’s hooked up to the machine?  This brief scene was very nicely set up last episode, and you can bet this one is also planting a seed or two that will bear fruit in episodes to come.

As Paul pulls himself together, he goes from confused to snappy in a heart beat.  Shroom-happy, huggy Stamets is gone.  Not-so-happy and eternally grumpy Stamets is back.

We leave Tilly and Stamets to visit with Lorca and a Vulcan admiral, where Lorca once again shows his disdain for the chain of command, walking through the hologram image and speaking abruptly, even dismissively, to the Vulcan (sometimes he’s more respectful with his subordinates).

The Vulcan admiral tells Lorca that they need to find a way to defeat the Klingon cloaking technology, or all might be lost.

We quickly leave the ship and FINALLY visit a planet, Pahvo, where a Landing Party of Saru, Ash Tyler and Michael Burnham are trekking through a forest that gives a slight nod to the very first episode of Star Trek ever, “The Cage”, with blue tinted foliage and an eerie, ethereal, ever-present background musical noise that sounds like it incorporates old school Trek sound effects.

Ash, Michael and Saru on Pahvo

This is the first planet a Landing Party has visited since the Shenzhou Landing Party in the very first episode… and it is beautiful.  Everything about Pahvo is interesting and thought provoking.  I had a really visceral reaction, and was swept away and engaged on every level by the scenes on the mystical world.

The team are trekking through the wilderness in search of a giant crystal spire that ‘sings’ in the hope it can help them detect cloaked Klingon vessels.  Saru is a bit annoyed, because, compared to a Kelpien, human’s are physically quite slow – also, the constant hum and vibration of the planet is doing Saru’s head in.  His senses are more refined than a human’s and he’s struggling through the background ‘noise’ of Pahvo.

We eventually learn that the whole planet may be sentient, as that sentience manifests itself as a beautiful, slowly undulating and swirling cloud of blue/white energy.  The manifestations/emanations choose to communicate with Saru and end up having quite an effect on the Kelpien First Officer.

Ash Tyler and Michael Burnham on Pahvo

More on that later!

Alongside this main plot, we have a secondary plot that involves the Klingons (with the odd visit back to the Discovery).

Yes.  When I saw the Klingons I groaned and looked away, wondering if I should just hit pause and come back to the episode later or go grab a coffee while they growled and pontificated at each other, but thankfully the stilted dialogue and posturing ended quickly and we got to see Admiral Katrina Cornwell again, a character I’ve really come to enjoy.

The Klingon scenes start with L’Rell convincing Kol she can be of use to him as an interrogator, and he sets her the task of getting information out of the Admiral.  She pays a visit to Katrina with a collection of nasty looking weapons in tow, and after getting the Admiral to scream, quite quickly asks to defect.

L'Rell and Cornwell Face Off

L’Rell and Admiral Katrina Cornwell need their own spin-off.  Both Mary Chieffo and Jayne Brook are excellent together.  The scenes between both women sparkle.

In the first exchange between L’Rell and Cornwell, we learn L’Rell hates Kol.

I mean really HATES Kol.

I believe her.  I believe the character’s contempt is genuine.

Does she want to defect though?  That, I’m not so certain of.  I want her to.  I’d love to see more of her and I’d love her to hate Kol so much she works with the Federation to destroy him, then double-crosses our heroes in an attempt to rebuild the Empire.

L'Rell and Cornwell Bond

I don’t know if that could ever happen… but it’s a tiny little fanboy fantasy I have!

Sadly, the exchanges between these two powerful women are too brief, and eventually end with the apparent death of Admiral Cornwell.  In the last half of the episode, L’Rell is taking the Admiral to her ship when they’re discovered by Kol.  In that moment, there’s yet another nice exchange between both as they confirm neither is what the other expected, and then Katrina grabs a weapon from L’Rell’s belt, attacks her, and L’Rell pushes her into a power conduit after some nifty hand-to-hand combat.  Being held against the conduit as it sparks and flashes seems to kill the Admiral.

I’m hoping, desperately, that Cornwell isn’t dead, but I’m honestly not sure.  L’Rell’s statement to her when Kol sees them together in the corridor suggests otherwise – “At least you won’t die in a cage, Admiral.”  So either she killed her, or she’s alluding to their eventual escape that is yet to come.

It is telling that L’Rell offers to get rid of the body… so, who knows?

The scenes between L’Rell, Kol and Cornwell are the best scenes to feature Klingons to date.

Back on the planet Saru gets high on sparkly happy dust and, we eventually learn, loses all fear.  Sort of.  He seems to maintain the fear of losing his loss of fear – if that confusing sentence makes sense?

Saru is Given a Gift From the Pahvo

I don’t know if Saru goes native or not, but he definitely changes.  He crushes communicators, deceives his colleagues, and donkey-kicks Burnham in an attempt to stay on the planet.

Very un-Saru behaviour, and definitely not behaviour that is becoming of an officer.

Before that craziness though, we see Burnham and Tyler take a step closer in their relationship in what is ultimately an awkward scene.  This was a perfect example of how this episode needed more time.  A few scenes needed just one more minute each to make this entire episode something outstanding.

With Ash and Michael, one minute they’re talking about trout, the next Burnham is saying she’s probably going back to prison, and then there’s a touching exchange that evokes Suraks’ teachings (and Star Trek II: The Wrath of Khan), that turns into a kiss.

The scene works, and our head-canon can say that stuff has been building off-screen, but it would have been so much better to see that build.  As it was presented, the scene seems wedged in because the writers thought we needed to have these characters kiss because their last kiss got wiped out of existence.

Thanks, Harry!

Ash and Michael Kiss

So, nice moment, then craziness.  It all ends in Saru once again expressing his frustration and anger at Burnham for, in his opinion, ruining his life.

It’s a powerful moment, but not as powerful as it could have been.

This episode was touted as an immensely emotional outing, and wasn’t.  While it was emotional it didn’t live up to the hype – which made me certain I’d shed a tear or two.  Unfortunately, it just didn’t quite rise to the occasion.

The episode starts to wrap up with a beautiful scene between Saru and Michael that continues the theme of healing that’s been subtle but present in most of their interactions since Burnham’s invitation to join Discovery.  It takes place in Sickbay and goes a little something like this:
Saru.  Please look at me.  Are you alright?
I lied to you… and Lieutenant Tyler.  I attacked you.  I could have killed you.”
“You weren’t yourself.
But I was.”  Beat.  “We are born afraid, we Kelpiens.  It’s how we survive.  As such, my whole life I have never known a moment without fear.  The freedom of it.  Not one moment… until Pahvo.

This is what I meant when I mentioned earlier that Saru found himself devoid of fear, but ultimately still acted out of fear.

This scene also makes me wonder about Saru’s suitability for command.

The last scene is an exchange on the bridge where they learn that the Pahvo have invited the Klingons to come chat… and they take up the invitation, warping in.  The Pahvo are dedicated to harmony, and want to make Starfleet and the Klingons play nice together.  I think we know that that isn’t going to end well!

Saru in Sickbay

So… all in all, a really satisfying episode.

Next week’s episode is “Into The Forest I Go.”

I don’t think Lorca and Stamets are going to make it out of the series alive.  A few weeks ago I said I didn’t think Lorca would be alive by the end of the season, and now I’m no longer sure about Stamets.  He’s “unstuck” in time.  His story feels like it’s going to end in tragedy.  He might make it into the next season, and possibly others, but we know the spore-drive doesn’t work and no doubt Paul’s fate will be tied to it.

I am now almost completely convinced Ash is Voq.  Listening to Ash’s voice, listening to Voq’s.  The vague similarity in facial features.  The simple fact that this would really hurt Michael and writers like to torture their main characters!  There would be no more cruel or shocking way to torment Michael than to have her fall in love with a representative of the race that killed her parents – AND her surrogate mother (Georgiou).

Saru will step down as First Officer.  Ash will succeed him (because Lorca makes non-traditional choices, as we’ve seen).  Ash will be revealed as Voq, Burnham will receive a battlefield promotion and her sentence will be commuted, and she’ll become the new First Officer.

In the wishful fanboy category… Cornwell is alive.


4 Deltas

This was an exceptional episode, whose only weakness was in its length – it needed to be longer, and not just because I loved it.

It loses a delta for how “crammed” the story felt.  The story was excellent, and by and large the pacing was good – we just needed more in some scenes because really big things happened in this episode… the possible death of Admiral Cornwell, the kiss between Michael and Ash, L’Rell wanting to defect, the exploration of Saru and the healing journey he and Burnham are on… these are all huge, and just as important, the dynamic between all of these characters, like Michael and Ash, Cornwell and L’Rell and Michael and Saru, deserved more time.

The episode was only 41 minutes long.  That might be the shortest live-action Star Trek episode in history?  They could have included more.  I don’t know if they thought they’d bore us if they extended those scenes, but if so – hear us, oh writers room, you wouldn’t have!  Trek fans love that stuff.  We’re not paying to see this show to watch special effects, we’re paying to be a part of these characters’ journeys.  What’s more, modern viewing audiences love character and story too.  Excellent production values are important, but we want to know and walk side by side with these characters.  Don’t rob us of the opportunity.

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes available Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8:00am BST Monday mornings, and in Australia at 6:00pm AEDT, Monday evenings.

One more episode left before the mid-season break.

By the way, what torturous, horrible person thought up mid-season breaks?  Not a fan.

Join us in a few days time for another review, the last one for a few months.  Until then (and always), Live Long, and Prosper.

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Episode 5 Recap and Review

Episode 5 Recap and Review

Episode 5 went by in a flash.

I started watching it, ‘girding my loins’ for way too many Klingons and subtitles, and before I knew it the credits were rolling.  The episode flew by in what felt like 20 minutes, not 47.

Every week this show gets better.

The Facts
Episode Number: 105 (Season 1, Episode 5)
Episode Title: “Choose Your Pain”
Story: Aaron Harberts, Gretchen J. Berg and Kemp Powers
Writer: Kemp Powers
Director: Lee Rose

Tilly to Michael
: “I love feeling feelings.

Stamets to Michael: “What are you doing with your mouth?
Burnham, in response: “I am swallowing the urge to set the record straight.

Mudd (in reference to his pet arachnid): “Apologies, Lieutenant.  Stewart has boundary issues.

Interesting Bits and Pieces
Some people called it fan service, I thought it was awesome.  Context?  When Saru is having a bit of a command crisis, he calls up a list of some of Starfleets most decorated Captains.  Who?
– Captain Robert April
– Captain Matt Decker (later, Commodore Decker and the father of Commander Willard Decker from Star Trek: The Motion Picture)
– Captain Philippa Georgiou
– Captain Christopher Pike

Also, we saw a map that included some very familiar locations:
– The K-7 Space Station
– Rura Penthe
– the Mempa Sector
– Khitomer

I didn’t see Khitomer, but according to some fans it can be seen up in the corner of the map.

These call outs work – a lot better than the Gorn skeleton, the Horta in the corner, and a neutered Tribble on Lorca’s desk.  They’re nice additions that link directly to continuity and make sense in the context of the episode.

If the team behind Star Trek: Discovery want to reward us fans, this is the way to do it.  It’s not gratuitous.

The Recap and Review
We kick off the episode with a dream sequence and it quickly becomes clear our favourite mutineer has been deeply affected by Ripper the tardigrade’s situation.

Michael wakes to Tilly’s gentle snores and decides to pay Doctor Culber a visit.  She needs Hugh’s help to determine whether or not they really are causing the tardigrade pain.

Hugh points out that they can’t know whether or not they’re hurting Ripper, because they simply don’t know enough about his biology – Michael agrees that she could be anthropomorphising Ripper, but when the doctor says he’ll help she is thankful for his assistance.

Ripper’s reaction to the spore-drive was one of the most troubling things about last week’s episode and I personally found it difficult to watch.  It was a relief to see them dealing with the ethics of using another life form against its will.

Credit where credit is due, the animators did an incredible job of showing us Ripper was in pain and confused, Ripper came to life under their care.  Sonequa Martin-Green’s performance added to the impact and made every scene she shared with Ripper meaningful and let us know that maybe we weren’t misinterpreting his reaction.

While Hugh starts his tests, we jump over to a space station located somewhere near the Klingon border where Lorca is addressing a small group of Admirals.  Starfleet is impressed with the DASH drive (Displacement-Activated Spore Drive) and the success Discovery has had with it since the disaster on the Glenn.  They want to roll it out to every ship in the fleet, but they need more tardigrades.

Lorca with the Admirals - Episode 5

Until they find more, they want Lorca to pull back on his attacks because they believe the Klingons now know about the DASH-drive and are super keen to take the Discovery no matter the cost.

Lorca is not happy.

Back on Discovery, Tilly and Michael have lunch.  Tilly, as usual, is being adorable and Michael is unusually distracted.  Tilly takes Michael’s distraction to be a rejection of her friendship in a telling exchange of dialogue that gives us some interesting and simultaneously heart-breaking insight into her character.  The subtext is that people find her a bit too much, and as a result she doesn’t have many (or any) friends.  Michael slowly realises what’s going on, and assures Sylvia that that is not what is happening.

Michael brings Tilly into her confidence and tells her about her concerns regarding Ripper.

Back on the Starbase/Space Station, Lorca and Admiral Katrina Cornwell (Jayne Brook) discuss Michael Burnham.  Cornwell expresses her concerns around Lorca taking Michael on board, and he pretty much tells her to take a leap into a matter/antimatter reactor.  He reminds Katrina that Starfleet gave him “the fullest latitude” to fight the war his way… and he isn’t all that nice about it.  Katrina reminds him they’re friends, but Lorca brushes it off.

We also learn, in this exchange, that Lorca and Cornwell might have been something more than friends.

Thanks to AfterTrek we also find out that Cornwell was a psychiatrist in her previous Starfleet life.  This is alluded to on screen when Katrina and Lorca have a tense exchange about doctors, after she suggests he get his eyes fixed.  Lorca pointedly tells her he “doesn’t trust doctors.”

Leaving the Admiral, Lorca boards a shuttle to return to his ship but the Klingons have other ideas.  They’d like to invite Lorca to a party where every time a Klingon says “choose your pain” you have to take a shot of blood wine.

A D-7 Klingon cruiser that doesn’t look like a D-7 Klingon cruiser warps right in on top of the shuttle, and things go from bad to bloody in a matter of moments.

The Klingon’s board Lorca’s shuttle, pretty much gut the shuttle pilot and leave us with the revelation that there are now two jobs in Starfleet that you don’t ever want to do – security AND shuttle pilot.

Then we jump to the main title sequence.

Admiral Cornwell - Episode 5 Recap and Review

After the main titles, we return to Discovery where a holographic Admiral Cornwell tells the bridge crew that Lorca has been captured – and they’re tasked with rescuing him.

Starfleet believes the Klingons have learned about the new drive, and are after Lorca to get more information.

Saru, the acting-captain in Lorca’s absence, sets to work issuing orders when, suddenly, his threat ganglia poke out.  The turbo-lift doors open – revealing Michael.  She tells Saru that she’s looking for the captain, and Saru fills her in.  She cuts right to the point, and expresses her concerns about Ripper.  Saru, as someone who once described his species as, essentially, “cattle”, is surprisingly unsympathetic.

He retreats to Lorca’s ready room and consults the computer about leadership, with issues about Burnham at the forefront of his mind.  This is where we get the shot of Starfleets’ most decorated captains, mentioned above in our “Interesting Bits and Pieces” section.

During Saru’s introspection, the computer pretty much suggests he jettison Burnham out an airlock.  Thankfully he doesn’t.

It’s really interesting how much Burnham effects Saru.  We’re not given long to think about that, because we jump to the Klingon ship and meet…

Mudd - Episode 5 Recap and Review

Harcourt Fenton Mudd, played by Rainn Wilson.

Way too much fuss was made about Harry Mudd’s inclusion in Star Trek: Discovery, with some people thinking it was unnecessary and some having an issue with Rainn Wilson stepping into the role.

I hope all of that fuss has now been put to rest, because it works, and Rainn is excellent.

Thanks to Harry, we learn that the Klingon vessel is a prison ship.  We also learn that the Klingons like to group their prisoners into shared cells.

Lorca asks Harry what a civilian is doing on a Klingon prison ship, and Harry tells him he has no idea and that his only crime is the crime of love – then, in a nice monologue that evokes the original series, talks about his beloved Stella.  As Mudd waxes lyrical, Lorca checks out their cell and finds a Starfleet officer broken and huddled in a corner.

We quickly learn why this officer is so broken.

The Klingons walk in and ask Harry to “choose his pain.”  He points at the huddled Starfleet officer and the Klingons go to town on him, beating him senseless.  They end his life with a brutal and shocking, skull cracking stomp to the head and then drag the body out.

Lorca stares on in shock as Harry tells him the rules.  They can either accept the beating themselves, or pass it to someone else in the cell.

Lorca is stunned, and, judging by the look on his face, disgusted.

Lorca - Episode 5 Recap and Review

We leave Lorca and Harry to visit with Stamets, Culber and Burnham.  Burnham wants to enlist Stamets’ help with Ripper and tries to charm him… which doesn’t work.  Hugh takes the more direct approach and tells Stamets that they’re there to talk about the effects of the spore-drive on the tardigrade.

They convince Stamets and he agrees with the both of them.  They need a solution, and can’t continue to use a potentially sentient life form against its will.

It’s taken this version of Trek a while to give us this side of Starfleet.  It’s so indescribably wonderful to see these conversations taking place, and to see a glimpse of the Starfleet and Federation I love.

If I have one issue with Star Trek: Discovery, it’s that since the death of Captain Georgiou we haven’t seen anyone expressing or ‘living’ the ideals of Starfleet and the Federation.  Yes, Star Trek fans love special effects and compelling story lines and new species, but a lot of us are dreamers too: we want to believe that this shitty period in history that we’re all stuck in will end, and that something beautiful and amazing will come out of the mess of the last few centuries.  Our new Trek has kind of been saying… yeah, everything is still sorta shit.

Back on the prison ship, Lorca continues to explore his cell, probably in an attempt to stay as far away from Harry Mudd as he can.  He stumbles across Lieutenant Ash Tyler.

Tyler is excited to see a Starfleet captain, and tries to feed Lorca, who refuses, while Stewart, Harry Mudd’s cute little arachnid pet, steals the food for Harry who smugly eats it in front of both men.

Mudd and Tyler - Episode 5 Recap and Review

Mudd is entirely unsympathetic.  He’s a prick and I love Rainn’s gleeful but restrained portrayal of the character.

We learn that Tyler was on board the USS Yeager and has been on the prison ship since the Battle of the Binary Stars.

We also learn that L’Rell, the captain of the prison ship, has taken a… liking to Tyler.  There is subtext here that suggests he has been sexually assaulted by her.

Tyler and Lorca end up in an argument with Mudd, who challenges both men, telling them that they started the war by bothering to “boldy go”.  He tells them he can understand why the Klingons don’t want them in their ‘front yard.’

At this point, our overly bloodthirsty Klingons return.  They take Lorca to L’Rell.  No “choose your pain,” they just drag him out.

We probably need to talk about Tyler here – because fandom has gone bonkers about his character.

On my first watch, a few things Tyler said didn’t ‘drop’ in my mind.  I didn’t find myself analysing it all too deeply until my second watch.

In my first watch, I came away thinking “Manchurian Candidate.”  Klingons are crazy-strong.  It’s canon.  We see it in this episode.  They throw their human victims about like they’re sacks of potatoes, and the human skull is pretty strong.  One stomp shouldn’t shatter a grown man’s head – but one Klingon stomp does.  But, a tortured Lorca and an exhausted, repeatedly beaten, undernourished Tyler take a few out in a couple of scenes time.  Not once, but twice, and then they steal a fighter and escape.  Everything pointed to them being let go.

Inbetween my first and second watches of the episode, I listened to a podcast where it was suggested Ash Tyler was Voq, our Albino Klingon.  I’m now 98% convinced he is.  This article, from TrekMovie, was what pushed me from my Manchurian Candidate theory to the Ash is Voq theory.  Visit TrekMovie here.

There’s only one fault with the analysis – nothing in the episode tells us how long L’Rell has been in command of the prison ship.  She could have taken a liking to him in recent days, or of course it’s all a lie to deceive Lorca.  Time will tell, as will whether or not we see Voq in any future episodes.

One last thing, was the officer who had his head stomped the real Ash Tyler?

Back on the Discovery, Tilly, Stamets and Burnham are working together, trying to find a solution to Ripper’s dilemma.

Tilly - Episode 5 Recap and Review

Tilly suggests creating a virtual Ripper.  Stamets talks about his earlier research and how he tried to use software to fix the problem but it only enabled small jumps.  He points out that things only started to work to their fullest potential when a sentient creature was interfaced with the mycelium network.

He suggests they find something or someone else, who is willing and can fully understand the choice they’re making.

It’s at this point we have another first for Star Trek.

Tilly says: “You guys, this is so fucking cool!”  She quickly realises that might not have been the best or most professional thing to say in front of her boss.  Stamets stares at her, eyebrow raised for a moment, and then with a small sly smile, agrees.  “No cadet, it is fucking cool.

So… the f-bomb.  I admit it grated, but in that scene it worked.  It would have worked better if Stamets hadn’t used the f-bomb too.

We leave our intrepid trio of Ripper-savers to jump over to L’Rell, who has captain Lorca strapped into a nasty looking chair.

She talks to him about torture, he compliments her English, she talks about being descended from spies and then asks him about his ship and its mode of transport.

Mary Chieffo is, as per usual, extraordinary.  I don’t have words to describe how much I admire this young actor.  What she can do under all those prosthetics is amazing.

L’Rell tells Lorca in an almost seductive way, that she knows about his photo-sensitivity and then forces his eyes open with a device straight out of a horror movie and uses bright light to torture him.  Some fans have suggested this scene is reminiscent of Picard’s torture at the hands of the Cardassians in the episode “Chain of Command.”  It did pop into my mind briefly when I was watching, but I don’t really see a similarity past the fact it featured bright lights.

I’ve been heavily critical of the Klingons, primarily because of the distracting subtitles and heavy makeup that makes their vocalisations hard to understand.  So how about a positive?  This episode was, from memory, subtitle free and it made a difference.  It let me really pay attention to the Klingon scenes within the flow of the episode – no rewinding and rewatching, breaking me out of the moment.  I came away from that simple experience excited by them.  What I do love about these Klingons is how deep we’re going into their culture and the effort the writers are going to, to make these guys feel real and not just ‘different.’  They’re starting to come across like a real, multifaceted species, rather than the stereotype and caricature they turned into in the TNG era.  They’re more nuanced in this Trek.  That’ll probably piss off some fans, but after an intriguing start with Worf, everything became “honour” this and “honour” that and “I’ll drink blood wine on the corpses of my enemies.”  In this show they have so many different dimensions to them.  Different houses with different perspectives and physical characteristics – just like us and the many different races that make up humanity, and this very real and very current fear of multiculturalism.  I love this aspect.  The Klingons are interesting and forbidding again and they are finally starting to grow on me.

We leave Lorca, screaming, in the capable and malicious hands of L’Rell to return to the Discovery.

Staments, Burnham and Tilly are unable to find a compatible species in the database that is capable of working the spore-drive.  At that point, Saru walks in, and he’s pissed.

Michael tells Saru that they have a sample of tardigrade DNA and could use it to empower a human to work the spore-drive.  Saru reminds her that Eugenics is not allowed.  The discussion quickly goes down hill, heating up when Saru accuses Michael of treating him like one of her anthropology subjects.

Refusing to hear anymore, he orders Stamets to bring the drive on line and to use the tardigrate.  Turning on Burnham, he confines her to quarters.

Saru and Burnham - Episode 5 Recap and Review

We jump back to the prison ship where Lorca confronts Mudd and accuses him of being a spy for the Klingons.  Lorca sprinkled some things in his initial conversation with Mudd which was parroted back at him during his interrogation, making it likely Mudd told his jailers and is working with them.  But was it Harry or Ash?

Mudd goes in for a very distracting attack and turns the tables on Lorca.  He brings up Lorca’s last command, the USS Buran.

It’s here that we start to get a deeper glimpse into Lorca, and some indication of why he’s as hard-ass as he is.  We learn that Lorca survived a Klingon attack, but his crew did not.

Rather than let Mudd continue, Lorca takes back control of the conversation and in an unusually candid moment tells Mudd he only knows half the story.  He tells Mudd and Ash Tyler that he blew his crew up to avoid them being captured by the Klingons.

Ash Tyler lowers his head and the scene switches to a black alert on the Discovery.

Stamets beams the tardigrade into the reaction chamber.  Tilly watches, distressed, as Michael, in her quarters, worries about Ripper.  It is obvious Stamets is not happy with how things are transpiring either and in a nice, beautifully filmed moment we watch our heroes realise that they really have been thoughtlessly torturing Ripper.

As they jump, the tardigade screams in pain and collapses.

Stamets and Tilly rush into the chamber, but they’re too late to do anything.  Ripper curls into a ball, shedding all of his water and breaking my heart in the process.  We quickly learn, thanks to Doctor Culber, that Ripper has gone into a state of extreme cryptobiosis.

Saru dispassionately orders Doctor Culber to rehydrate the tardigrade and hook it back into the engine.

More than anything, from stomped heads to tardigrade torture, this was one of the most shocking scenes in this episode.  Saru knows what it’s like to be used against his will by a more powerful predator, yet he mercilessly orders his crew to commit a crime, telling them that if they’re right, and Ripper is sentient, he’ll be judged in accordance with his actions.

Culber refuses to participate.

Saru Culber and Barnham - Episode 5 Recap and Review

Saru doesn’t appear to care.  I expect he does, and I expect, deep down, this is hurting him quite badly.  Saru orders Stamets to do it.  There’s a quirk in Paul’s voice as he agrees to get the drive working.

Back on the prison ship, the Klingons turn up in the cell and ask Lorca to “choose your pain.”  Ash tells Lorca to choose him.  Lorca, after some resistance, does.

It’s a trick.  Ash and Lorca overpower the Klingons all too easily.

Both men dash out of the prison, with Harry begging to be taken with them.  Disgusted by Mudd, Lorca doesn’t let him come.  Harry angrily tells Lorca he hasn’t seen the last of him.

In a nearby corridor they have another fight with the Klingons, and these ones are also surprisingly easy to defeat.

Ash gets injured in the scuffle and Lorca uses a disrupter to blow a Klingon into a cool looking green smoke before the lieutenant is killed.  Ash can’t continue and suggests Lorca come back for him.  Lorca hesitatingly agrees and disappears.

Suddenly, L’Rell is there and Ash finds some kind of inner strength and gets up and starts to punch her.  He lets loose, and it looks like she’s taking one heck of a pummelling.  If this is all a ruse to deceive Lorca and the Federation, is Voq (Ash) unleashing on L’Rell because he has been surgically altered to look like the very species he hates?  The species that killed his Messiah?

In the middle of this very violent act, Lorca returns, melts off half of L’Rell’s face with a disruptor blast and drags Ash to a Klingon raider.

The next scene is both men in the fighter, and they’ve escaped.  Way too easily.

As they fight off their pursuit, we learn that Lorca’s sensitivity to light was caused by the destruction of the Buran, and that he suffers through the pain of damaged eyes in memory of his former crew.

The escape scene is beautifully directed and acted and is visually stunning.  The space battle scenes look GREAT!  Everything Star Trek: Discovery is doing is feature film quality.  This series looks better than the Kelvin-timeline films.

The USS Discovery

We don’t spend nearly enough time with Lorca, Ash and the space battle and find ourselves back on the Discovery.  They detect the raiders and Saru works out Lorca is on one of them.

Discovery contacts him and beams both he and Ash aboard, just as their fighter gets blown apart.

Saru asks Stamets if the tardigrade is hooked up.  Stamets noncommittally advises they are “able to jump.”

They jump.

In the transporter room, Lorca helps Ash up and welcomes him back to the war.

On the bridge, Saru is trying to get in touch with Stamets.  He’s advised Stamets’ life signs are in distress and in a scene reminiscent of Star Trek II: The Wrath of Khan, Saru races to engineering and finds Stamets collapsed in the reaction chamber.

Tilly tells Saru that Stamets injected himself with the tardigrade DNA.

For a fleeting moment it looks like Paul Stamets is dead, but suddenly, Stamets comes to and starts to laugh hysterically.

We cut to Burnham’s quarters.  Saru comes in and they finally have it out.  Saru tells Michael that’s he’s angry with her and that she’s taken a great deal from him.

Saru wanted what Michael threw away.  He had hoped Michael would get promoted to her own command, and that he would become Georgiou’s first officer.  He’d hoped to learn under Georgiou’s guidance.  He’s angry at Michael for destroying her own life, for destroying his dreams, and for, in his opinion, getting their captain killed.

Michael takes it and apologises.  Then, in a sweet moment, she tells Saru that he did well as acting captain, and gives him Georgiou’s telescope.

Hopefully, now, their healing can begin.

Michael finds Tilly and together, in what is a beautiful scene, they set the tardigrade free.  He uses some spores Michael poured over him and jumps toward a distant nebula.

Culber and Stamets - Episode 5 Recap and Review

The episode ends with Stamets and Culber together in their bathroom, brushing their teeth in what is a very simple but poignant scene.  Culber is worried about the DNA injection, and gently lectures his partner.

Stamets tells him that he had to do something because Culber was in danger.

He tries to describe his experience with the spores, but can’t quite find the words, describing it as “unspeakably beautiful.”

Hugh tells his partner to never do that again, because though Stamets might not care about Stamets, he does.

As Culber goes to bed, Stamets lingers for a couple of seconds and then turns away.  As he does, his reflection stays in the mirror and smiles.

Stamets Reflection - Episode 5 Recap and Review

It’s a wonderfully creepy way to finish the episode.

This is the most Star Trek episode to date.  I loved it.  It was action packed, it was full of drama, the performances from every cast member were outstanding.

It was shocking, revelatory and poignant.  My only complaint is that it went too fast.  I do not know how they squeezed all of that in.

This series is really taking flight.  It didn’t exactly have a bumpy start, but it did take it’s time bringing us to the mystery – and it feels like we’re finally there.

Is Ash Voq in human disguise?  There is precedent for this.  In the original series episode “The Trouble with Tribbles”, the character of Arne Darvin was revealed to be a Klingon.

What did Lorca do?  Why didn’t he go down with his ship?  What’s the story behind him killing his crew, but somehow surviving?

Will we see Ripper again?

Have Saru and Michael finally started their path toward becoming friends again?

What is going on with that reflection in Hugh and Stamets’ mirror?

Most people out there in fandom think this is hinting at an upcoming Mirror Universe episode.  We do know one is coming.  Will it be next episode?

I don’t care.  I’m just enjoying the ride.

There is no question.  I LOVE THIS SERIES.

Acting: 10/10
Direction: 10/10
Writing: 10/10
Editing: 10/10
Special Effects/VFX: 10/10
Story: 10/10

Overall, five Starfleet deltas out of five.

The next episode of Star Trek: Discovery is called “Lethe”.

Star Trek: Discovery airs in the United States on CBS All Access with new episodes released Sundays at 8:30pm ET.  In Canada the show airs on the Space Channel at 8:00pm ET.  Outside of the USA and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8am BST Mondays, and in Australia at 6pm Mondays AEDT.

Live long, and prosper.  See you in about a week.

LCARS Interface

Episode 4 Recap and Review, and a Discovery Update

Ripper might be my new favourite character!

“Ripper?”  Yep.  That cute, kinda scary, humongous tardigrade.

A lot of Episode 4 focused on Ripper this week and I think I might have fallen in love with the poor guy (gal?).  Burnham does refer to the tardigrade as a “he” part way through the episode, so we’ll go with that.

Tardigrade in Reaction Chamber

Before we get to Ripper’s antics and the news items, here are some basics:

The Facts
Episode Number: 104 (Season 1, Episode 4)
Episode Title: “The Butcher’s Knife Cares Not for the Lamb’s Cry”
Writers: Jesse Alexander and Aron Eli Coleite
Director: Olatunde Osunsanmi

Saru to Burnham: “My threat ganglia remain unconvinced.”

Burnham to Stamets: “The phaser will only piss him off.
Stamets to Burnham: “Think of it as a… placebo for my skepticism.

Stamets to Lorca and Doctor Culber: “The frontal lobe is overrated.  It only contains memory and emotional expression.  It’s completely unnecessary.
Doctor Culber, in response to Stamets: “Well, I’ll save it, you know, just in case you want to have a feeling one day.

Burnham to Landry: “You judge the creature by its appearance and by one single incident from its past.  Nothing in its biology suggests it would attack except in self-defence.  Commander, this creature is an unknown alien.  It can only be what it is, not what you want it to be.
Landry, in response to Burnham: “It’s amazing how much I hate Vulcan proverbs.

Georgiou to Burnham: “Take good care, but, more importantly, take good care of those in your care.

Interesting Bits and Pieces
–  Corvan II was first mentioned in Star Trek: The Next Generation, in the episode “New Ground” from the fifth season.
– The USS Discovery has both a Warp Drive and a DASH Drive.  Displacement-Activated Spore Hub drive.

The Recap and Review
This is my favourite episode to date.  It didn’t start out that way, but my opinion shifted faster than a ship powered by a “spore-drive” can pop to another part of the galaxy.

The episode began with what, we eventually learn, was the creation of a uniform for Michael.

I don’t know if I had streaming issues at the beginning of the episode or not, but the effect looked pretty average.  It’s shot in a way that initially makes you wonder if it’s a planetscape you’re seeing, before pulling back to reveal it’s a Discovery uniform under construction.

After my Spock-like eyebrow-raise at that scene, everything got a lot better and pretty much instantly so.

Tilly walks in on Michael trying on her new uniform and examining herself in a very cool holographic mirror.  She’s her adorable awkward self as she delivers a bag to Michael.  The satchel beeps (constantly) and as Michael touches it, it’s revealed to be the last will and testament of Captain Philippa Georgiou.

Michael can’t bring herself to open it and Tilly is momentarily horrified, explaining that she’d not known about the contents of the bag.

The effect on Michael is telling, as she stashes the bleeping satchel under her bed.

Michael leaves her and Tilly’s room and heads to the bridge.  In the turbolift she meets Saru whose threat ganglia are out.  Saru isn’t happy she’s on the ship, nor is he is happy about not having been consulted by the captain.  Michael tries to assure him she’s only there to help.

They walk out onto the bridge into the middle of a confrontation with the Klingons.


Obviously, this review contains spoilers.

The Klingon attack is a simulation – that the crew fail at, terribly.

As Lorca instructs Saru to keep running the simulation, Lorca takes Michael into the bowels of the ship where we learn why Lorca wants her on the Discovery.

They arrive at Lorca’s private sanctuary, which, thankfully, isn’t accessed via a breath scan.

The sanctuary contains a lot of weapons – and Ripper.  Lorca tells Michael that he wants her to weaponise the tardigrade.

I had an issue with that, but as the episode progresses we get a little bit more insight into Lorca which may be the start of an explanation for his actions.

All of that happens in the opening teaser.

Opening Credit Sequence 5

From there, we jump to the Klingons.


The only things I like about the Klingons are L’Rell and Kol.  If it weren’t for L’Rell and Kol I’d fast forward through the Klingon bits.  They are painful.

I don’t mind the new look, it’s not that.  It’s the pacing and it’s the subtitles.

I get the language thing and the use of subtitles, but they are annoying and unnecessary.  I can’t stare admiringly at the incredible sets, I can’t fully appreciate the actors’ performance, and I can’t appreciate the remarkable makeup.  Makeup that, unfortunately, most of the actors have to fight through in an attempt to articulate their dialogue.  I’m still shocked this wasn’t picked up by the producers.

The Klingon scenes drag and drag and drraaagggg.

The set design, costuming and makeup is a tour de force of design brilliance, but who can enjoy it unless they watch the Klingon scenes multiple times?

I do watch them multiple times, but I don’t want to, because I don’t care.  There is no “in” for me with this species.  I don’t give a crap if the Klingon Houses unite, Voq is not an interesting character to me, and they ate Captain Georgiou which really pissed me off.

Captain Philippa Georgiou

This is going to sound ridiculous to some of you, but she is now my favourite Star Trek captain.  There was something about Michelle Yeoh’s performance that spoke to me, and I’m annoyed she’s gone.  I get the drama of it all, but the same thing could have been achieved with Michael thinking she was dead and her disappearing until Season Two.  Then we’d have the additional drama of Michael picking up the pieces all over again, and being forced to analyse what she did in the aftermath of Georgiou’s perceived death.  We’d also have Georgiou’s recovery from her journey as a prisoner of war to reflect on, which would have been a nice mirror to Ash Tyler’s experience.

I thought that was where the creative’s were going, but I was wrong.

Anyway… if it weren’t for L’Rell and Kol, I would not pay any attention to the Klingon scenes.  I don’t know how Mary Chieffo does it, but she conveys such powerful emotion underneath all of that makeup.  The subtlety of her performance is astounding and she articulates the language effectively.

There’s a mystery set up in the episode between L’Rell and Voq and what looks like the start of a romance, but that’s not enough to make me want more Klingons on my screen.


I’ll leave the Klingons there.  I just don’t care enough to return to their scenes – but for the sake of accuracy:
– No dilithium.
– Fight between Voq and L’Rell about the Shenzhou‘s dilithium.
– Kol pops in and wants the cloaking device.
– They take the dilithium from the “vermin’s” ship.
– Kol turns Voq’s people against him with food, because they’ve been stuck in the debris field of the battle (from episode 2) that whole time and were starving.
– L’Rell pulls a swifty.
– Voq gets dumped on the Shenzhou.
– L’Rell rescues him and convinces him to join House Mokai.

Sounds exciting, but no.  Just a lot of growling, subtitles, and poorly paced action intermixed with beautiful visuals you can’t notice because of the subtitles, and outstanding performances from Mary Chieffo and Kenneth Mitchell.

After the first Klingon scene, we return to Discovery.  Commander Ellen Landry walks in on Michael as she applies the scientific method to Ripper (this is the scene where Ripper gets his name).

Landry isn’t interested and takes a pot shot at Michael’s idealism, saying she was sent to keep Burnham on track.

Next we visit Lorca, eating at his standing desk.

His meal is interrupted by a Starfleet Admiral who isn’t an idiot and we learn about Corvan II and a Klingon attack.

In a tried and true (and annoying) Trek trope, the Discovery is the only ship that can get to Corvan II… despite the fact it’s one of Starfleets most valuable dilithium processing areas.  I mean, why protect something that supplies dilithium to 40% of your fleet?  That’d be silly.

Lorca assures the admiral they are ready, and Lorca wanders off to have a verbal joust with Stamets, as Saru looks on.

Lorca tells Stamets to make the DASH drive work because if he doesn’t, people will die.

They activate the DASH-drive, and Michael notices that the tardigrade responds to it.  As the ship does a weird spinny-thing, it pops out of existence and into the gravity well of a star.

Not awesome!  But looks beautiful and is a wonderfully tense scene.

For his troubles, poor old Stamets gets his nose broken and his brain almost punctured by one of the bones.

While Michael tells Landry what she observed, in another scene we get to finally meet Doctor Hugh Culber as he heals Stamets’ injury.

Doctor Hugh Culber

He’s going to be a character I will fall in love with, though we didn’t get to see too much of him.  Regardless of his brief screen time, he had presence and I felt a connection to the character.

It’s clear he loves Stamets, but not in an obvious way, and likewise you can see Stamets soften when he speaks with his partner.

Lorca is there, and just gives it to Stamets who gets a little prickly about his drive and his spores.

Lorca pretty much says get in line, or get off.


Lorca is either a complete ass, or a man who has been broken and has come back from that, but as someone different.

I want to believe he cares, and cares deeply, but doesn’t know how to express it anymore.  As he asks the computer to play the audio from the attack on Corvan II you can see something haunted in his eyes.

Something horrible has happened to Lorca, and he’s trying to cope the only way he knows how.  By being a soldier and saving lives.

I’m not great at predictions, but I’m going to call it now – Lorca isn’t making it out of season one alive.

A quick observation.  The saucer section of Discovery spins – fast – in spore-drive, an effect I hated on my first watch of the episode.  Why?  Common sense.  Science.  Canon.  Stuff like that.  Something spinning that fast that had biological entities inside it, would cause those life forms to turn to soup.  There’s not an inertial damper strong enough in existence to stop that from happening.  If there were, no one would get jostled about when the ship hit or got hit by stuff.  On my second viewing, I’m now 99% certain it’s only the plating on the hull that spins – because the windows in the body of both rings stayed still.  That assuaged my frustrations a little, but I am not a fan of the spinning hull.  Why does it spin?  It casts off the heat generated by the spore/DASH drive.

Anyway… as the crew digests what they’ve heard from Corvan II, we visit with Landry, Burnham and Ripper.

Landry is pissed after hearing the recording and wants to do something.  So she pushes a button on the side of her head and ejects her brain (I’m joking, but she might as well have), picks up a phaser rifle she knows Ripper is immune to and a knife of some sort, and tries to cut off Rippers hand.

That goes down about as well as you would expect it to.

No security officer with Landry’s experience would do what she did.  Everything about that scene was silly.  It was filmed beautifully, the effects were awesome, Sonequa and Rekha acted the shit out of it, but it was poor story-telling.

It’s been obvious from the moment we met Landry that she was a dead security officer walking.  That’s lazy writing.  That’s an unforgivably bad use of an actor as good as Rekha Sharma.  Go check out Battlestar Galactica and you’ll see how amazing Rekha is.

If you’re going to kill off characters, don’t do it for the sake of a bit of gore and an MA rating.  Don’t make one-dimensional characters.  Landry’s death could have had so much more of an impact.  It was surprising, but I’m pretty sure no one in the audience cared.  I wanted to like Landry, but never got the chance and her character remained a flat stereotype for her all too short a stay on the Discovery.

So… scratch two red/bronze shirts (one died last episode on the Glenn).

The only good thing about that scene was that we got to see Hugh again.

Oh, and some nice TOS sound effects in sickbay.  That was a beautiful touch.

Not long afterwards, Saru and Burnham have a conversation in Lorca’s sanctuary of horrors.

It’s been said by some that Michael Burnham isn’t a sympathetic character.  I couldn’t disagree more.  Yes, some of the stuff she says and does is a little cold, but she’s a human being struggling to regain her humanity after a life raised as a Vulcan.  More than that, she’s a human being in pain, seeking redemption.

I’ve had moments in my life where decisions I’ve made have led to completely unexpected and sometimes awful outcomes.  Maybe because of that I relate to Michael.  I can see her struggle and appreciate what it’s like to lose everything and try to regain it.  She’s not a perfect human-being, and she’s not a “super” character.  She is very human, and all of her faults are shining out at us every week.  I like this imperfect human, and I’m loving being a part of her journey to “becoming.”

I wish people would give her more of a chance, and try to walk a kilometre (or mile) in her fancy silver-soled boots.  Sonequa Martin-Green’s performance alone should warrant that.  I am totally engaged every time she’s on screen.

Michael upsets Saru by trying to kill two birds with one stone – apologise to him, AND lull him into a contemplative state to see whether or not his threat ganglia react to Ripper.  She doesn’t handle this too well, but I don’t believe she set out to be cruel.

Saru takes it as if she is using him and gives no thought to her apology, but I feel he misjudged her.

In a quick scene cut, Tilly delivers some stolen spores to Michael so she can test an hypothesis.

Tilly gets to show us, once again, that she is bad-ass.  To test her hypothesis, Michael needs to open Rippers containment pen.  Tilly could have gotten out of there, but she stayed with Michael, wanting to help her, despite knowing what happened to Landry.

With Saru, Michael’s cold, Vulcanesque dismissal of his reaction showed us that she’s still struggling to get this whole human thing right – but the empathy she so obviously feels for the tardigrade shows that she is both emotional and capable of compassion.  Her and Saru’s interactions are interesting and, it would appear, full of misunderstanding and miscommunication.

In a very touching scene that had me hugging the crap out of my dog, Ripper kind of hugs Michael as a way of thanking her for feeding him.

Michael takes her findings to Stamets, and as it becomes clear how brilliant she is, we see Stamets’ attitude toward Burnham shift.

They take Ripper for a walk in Stamets’ field of mushrooms and Michael realises the tardigrade can communicate with the spores, possibly making Ripper the perfect navigator for Discovery.

They test their hypothesis and make a successful jump to Corvan II.

It seems to hurt Ripper, which surprises and upsets Michael.

I’m not a fan of the effect where Discovery spins like a coin as it jumps because, again, inertial dampers aren’t that good and everyone on board would have been turned to a splash of red.  It looks great, but is silly.  It’s just another thing where a writer thought “that will look cool”, like that bloody delta in the sand scene in the pilot.  And it doesn’t.  It looks pretty and that’s it.  It has me wondering… is there a teenage boy on the writing team?  It’s makes me think of the Transformers movies – all spectacle, no substance.

The spinning is unnecessary.  A special effect for special effects’ sake is a waste of money.


The episode ends with Corvan II being saved in what is one of the best battle scenes I’ve ever seen in televised Star Trek, and Michael trying to let Ripper know that they never meant to harm him.  Ripper retreats from the overture, leaving Michael saddened.

The battle scenes are pretty awesome – fantastic camera work, brilliant effects, excellent performances, beautiful editing, great dialogue. The tension builds effectively and the interspersed cuts between the battle and Ripper in pain are poignant.

The last scenes feature Tilly, Michael and a holographic representation of my new favourite captain.

After telling Michael that she’s starting to develop a different kind of reputation, Tilly gently challenges Michael, telling her that she’s not afraid of anything and should open the package.

Tilly is, right now, the heart and soul of this show.

Tilly leaves, and we close on Michael opening up Captain Georgiou’s last will and testament in a very moving, beautiful scene that just makes me miss Michelle Yeoh even more.

Curiously, Georgiou gifts Michael with an ancient family heirloom, a telescope, telling her that she is like a daughter to her.  The last time we saw that telescope it was on the Shenzhou.  It would appear that after the battle, Starfleet went back to retrieve bodies and wills and, it would appear, that telescope.

I have no issue with that.  Voq’s ship was damaged so he and his crew would have stayed hidden, and it makes sense that Starfleet would treat it’s dead with such respect.  They would also want to see if there were any survivors they had missed.

“The Butcher’s Knife Cares Not for the Lamb’s Cry” is a very strong hour of Star Trek, and it’s the most Star Trek like episode yet.

Acting: 10/10
Direction: 10/10
Writing: 8/10
Editing: 10/10
Special Effects/VFX: 9/10
Story: 8/10.

Overall, four Starfleet deltas out of five.
4 Deltas

The News
– The names of all remaining episodes for this season have been released, for more information visit TrekMoviehere.
– Production on Star Trek: Discovery has just finished!  All that is left now is for the episodes to have their effects completed and the music scored.
– Photos from Episode 5 are online.  Harry Mudd makes his first appearance!  For more information and to see the photos visit TrekMovie again here.
– The first half of Season 1 will end with episode 9 now, instead of 8… and…
– According to Les Moonves, another season is “likely.”

The next episode is “Choose Your Pain.”  I get the feeling that may be a Klingon episode.  Great Bird of the Galaxy help me!

Until next week, Live Long and Prosper.

There’s Klingons on the Starboard Bow!


Things are definitely amping up!  CBS has made another casting announcement in the last few hours, presenting us with three new faces – all of them playing Klingons.

New crews indeed!

As reported recently, Michelle Yeoh, Doug Jones and Anthony Rapp have joined Star Trek: Discovery.  Now, so too have Chris Obi, Mary Chieffo and Shazad Latif.

Who will they be playing?

All three actors will be portraying Klingons.

Before we get into the characters they’ll be playing (and a little speculation), if you’d like to learn more about these actors check out Chris’s IMDb page here, Mary Chieffo’s here, and Shazad Latif’s here.

Chris will be playing T’Kuvma, a Klingon leader who is trying to unite the Klingon Houses – which gives us an interesting insight into the political dynamics at play at this point in the history of Star Trek.

This could be a hint that there’s some sort of resurgence of the angst that happened post the Klingon Augment Virus.  As some of you may recall, Star Trek: Enterprise finally answered the question of why some Klingons had a ridged forehead, and some didn’t (post the original series).  A virus was responsible.  Even worse, it was a virus the Klingon’s themselves created as they tried to engineer a stronger, better warrior.  Initially, the virus threatened to wipe out the Klingon species, but timely intervention by Doctor Phlox stopped that – but did leave the Klingons “horribly disfigured”… which was a Klingons ‘polite’ way of saying “human looking.”

While that angst did settle, so much so human-looking Klingons rose to the top of Klingon society, the virus was still a stain on the Klingon psyche in the time of Picard, Sisko and Janeway.  It might be back as a plot device to help orient new-Trekkers to the series (in case they want to explore all incarnations of Star Trek).  That’s all only guess work!  I have zero inside knowledge.  The way Klingons are, I could see the Houses falling out with each other over the Augment Virus even though 101 years have passed since the virus first emerged in 2154.  Power struggles often beg some sort of rationale and why wouldn’t one of the older Houses, one unaffected by the virus, not use it as a political football?  It would also be nice allegory as we continue to debate genetic intervention and stem cell research.  What I’d really like to see is a mixed Klingon crew – those with a ridged forehead serving alongside human-looking Klingons.  That would be a great homage to Treks past and ‘future’.

But I digress.  A lot.

Mary will be playing L’Rell, who is the Commander of the Battle Deck of a Klingon vessel.

Shazad will be playing Kol, the Commanding Officer of the Klingon vessel in question.  He’s a protege of T’Kuvma’s.

That’s all we really know for now.

No news on the story yet?

No.  All we’ve been told is that the series will start in the year 2255.

Looking at the known timeline of events that happened ten years before James T. Kirk’s historic five-year mission starts in 2265, we know that the Talosian encounter was a thing, we know that a relatively unknown incident happened on Rigel VII, and we know that the Sheliak Corporate broke off contact with the Federation in 2255 (as mentioned in the ‘Ensigns of Command’ episode of Star Trek: The Next Generation).

There’s no mention of a war or diplomatic incident between the Klingon Empire and the Federation during that time period that I can find.

If someone pointed a phaser at me and said “GUESS or DIE!”  I’d say it’s either something to do with Rigel VII or it’s the Sheliak Incident.

The inhabitants of Rigel were a pre-warp civilisation and it is conceivable the Klingons were somehow involved in whatever happened there.  I really feel like it’s the Sheliak… but I have nothing to base that on other than the fact they appeared to be a really interesting species – what we saw of them.

The Sheliak were non-humanoid and xenophobic but capable of travelling between worlds.  The Sheliak felt that humanoids in general were unintelligent and an inferior lifeform which is why they wanted nothing to do with them.  There is no mention of the Klingons by the Sheliak in the ‘Ensigns of Command’, but we did learn that the Federation ceded certain worlds to the Sheliak Corporate back in 2255 and maybe one of those worlds was a planet the Klingons felt was theirs?

As more news comes to light, it will get reported here!

Bring on May 2017.  I’m having fun speculating, but I just want to KNOW!

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