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So much has happened in the world of Star Trek these last few weeks, it’s difficult to decide where to start and what to report on!

But before that, I had an e-mail from a fan of this site asking me why I recapped news reports. He appreciated it, but was curious. It’s simple. When big news happens, we get disjointed drips of it from con reports, media releases and various interviews happening all over the place. Sometimes it’s put together afterwards by various sites, but that’s rare. It frustrates me, so I group it all together for other fans like me who enjoy and appreciate the reports we read, but would love to see them encapsulated in one article because it’s easy to lose track of them all thanks to the fact we all live busy lives. So, thanks for the question and hopefully this puts it all into perspective!

Now, back to this news update.

Thanks to the San Diego Comic Con and Star Trek Las Vegas, a lot of news has come to light: a new Klingon look for Disco season two, new Trek shows, a push to have Trek on CBS All Access all the time, casting announcements, the DS9 documentary, pay disputes for Kelvin-verse Trek IV and more.

I’ve chosen to focus exclusively on news related to the proposed new series’, and the upcoming Trek feature films.

So.  Proposed new shows?  Yes.  First up is a brand new set of mini-episodes called Short Treks, that have been created to give us some Trek content while we wait for season two of Star Trek: DiscoveryShort Treks is also a part of CBS‘s recently announced desire to have Star Trek content on CBS All Access 24 hours a day.

But that’s not it.  There has also been talk of a new animated series and, most incredibly, a new Star Trek project that brings Sir Patrick Stewart back as fan favourite Jean-Luc Picard.

Before we dive in to any of that, we need to look at couple of important casting announcements.  The first is the announcement we have a new Number One (the role originated by Majel Barrett-Roddenberry in 1964).

Rebecca Romijn, best known for her role as Mystique alongside Patrick Stewart in X-Men, X2 and X-Men: The Last Stand, has been cast as the new Number One.  She joins Anson Mount on the Enterprise for the second season of Star Trek: Discovery.

She and Anson are joined by Ethan Peck, the grandson of Hollywood Legend Gregory Peck, who will be playing Spock.

Spock?!

Though producers said they would not cast another Spock because it would be too hard to find another actor capable of following in the footsteps of Leonard Nimoy and Zachary Quinto, it appears they have found a story and an actor that they believe will do justice to Spock and the two exceptional actors who have played him.  Spock is definitely in season two, and I admit I am excited about that.

Some have decried this as fan service, but I don’t have a problem with fan service if it’s done well, and if a wonderful story can be brought to life as a result.  Star Trek has a rich history full of exciting and compelling characters, why can’t we see them?  Why wouldn’t we?  If you were a writer or producer on a new Trek series, wouldn’t you want to use those characters if you could?

Some fan commentators have decried the implausibility of the Enterprise and Discovery being anywhere near each other, but that’s a rubbish observation.

Within the in-universe history of Star Trek, there were not that many ships out there in the earlier days of the Federation, and when you think about it, we actually don’t know the mission profile of the Enterprise in that time period.  Plus, there was a war that bled into Federation space and you can bet the Federation wanted its best ships nearby protecting people and assets.

What do we know about Pike’s mission in that time period?

Star Trek The Cage Poster

We know that he and his ship were returning from a battle, before intercepting the Talos distress signal that led to the events we have seen in “The Cage.”

The Enterprise was a heavy cruiser, and Constitution Class starships were the premier front line vessels of Starfleet.  The ships became known for their exploration missions, but Gene Roddenberry had a multipurpose role in mind for them when he conceived the series.  As every Trek fan knows, the concept for the show was based on a “wagon train to the stars” idea, with the Enterprise pushing the boundaries of known space, while also serving as a diplomatic vessel, a peace-keeping force and even, at times, a special escort for dignitaries.  As a premier front line vessel, there is every reason for it to be within warping distance of the Discovery, which, at the time the two ships come across each other, had only recently left Earth.

But, I digress.  Back to Ethan Peck, our new Spock.

Ethan Peck

The casting of Ethan has been given the seal of approval by the Nimoy family, with Leonard’s son, Adam, and daughter, Jule, along with their spouses Terry Farrell (Jadzia Dax from Star Trek: Deep Space Nine) and David Knight, that we learned about via a post on Instagram.

In that post, Ethan looks pretty damn stoked, and there appears to be genuine warmth shining off of Adam in particular.

The Nimoy Seal of Approval

Ethan started acting as a young man.  He’s 32, and has appeared in the ABC sitcom 10 Things I Hate About You, Madam Secretary, Gossip Girl and That ’70s Show.

His enthusiasm for the role is apparent, and according to his girlfriend both of them will always remember the moment he got the call that he was cast as Spock.  Ethan apparently sat down on a nearby roadside curb and cried.

All of this makes me think that the appearance of the Enterprise, Pike, Number One and Spock in Star Trek: Discovery is a way of launching a sort of soft-backdoor pilot for a new series that focuses on Christopher Pike and his crew.  CBS wants more Star Trek on TV and has put Alex Kurtzman and his production company, Secret Hideout, in charge of that on a multi-year deal, so why wouldn’t they explore one of the least seen but most beloved Captain’s in Trek history?

Fans have been interested in Pike and Number One for many many years, and it’s a period of Star Trek history that would be interesting to do a deep dive into.  Star Trek: Five Year Mission, or whatever they would call it, would be a beautiful companion to Star Trek: Discovery and it would honour Gene’s original vision by giving life to the first characters he created.

When you think about it, Anson Mount is doing a LOT of publicity work for Star Trek: Discovery, and with two other actors now cast in two incredibly important and historic roles, why wouldn’t CBS take advantage of that and create something amazing?

If they didn’t, it would be a real waste of talent and time.

But, enough of my suppositions.   You probably want to know about the news that really has fandom going crazy.

Jean-Luc Picard is back.

Patrick Stewart and Alex Kurtzman announced the news at Star Trek Las Vegas.  They didn’t tell us a lot, because it’s very early days, but what we do know is:

  • Kirsten Beyer, it seems, had the idea.
  • Akiva Goldsman will Executive Produce the show.
  • It takes place approximately 20 years after Star Trek: Nemesis.
  • Pulitzer prize-winning author, Michael Chabon, is on staff.
  • James Duff will also Executive Produce.
  • Kirsten will be a writer on the show.
  • Patrick initially turned them down, but with some persistence from Alex and his team fell in love with the idea, remembering just how impactful Star Trek had been and still is in the lives of millions.
  • Patrick will be an Executive Producer on the series.
  • Picard might not be a Captain anymore.

This is what Patrick had to say, live on stage at STLV18:

Jean-Luc Picard is back.

He went on to talk a little about the older Picard we may meet.

He may not, and I stress may not, be a captain anymore.  He may not be the Jean-Luc that you recognise and know so well.  It may be a very different individual.  Someone who has been changed by his experiences.  Twenty years will have passed, which is more or less exactly the time between the last movie – Nemesis – and today.

He followed this with a guarantee.

It will be, I promise you, I guarantee it, something very, very different.  It will come to you with the same passion, and determination and love of the material and love of our followers and our fans, exactly as we had it before.

We don’t know whether or not Gates McFadden, Jonathan Frakes, Marina Sirtis, Brent Spiner, LeVar Burton or Michael Dorn will be in the new show, but it is almost certain one or two or maybe even all of them will appear at some point.

LeVar, Gates, Patrick, Marina, Brent and Michael

Will this new Star Trek be an ongoing series?  It’s unlikely.  Patrick is in his late ’70s and in a couple of years time will turn 80.  Committing to an ongoing series as complicated as Star Trek would probably not be something he’d do.

It’s more likely this will be a mini-series, or limited special series of maybe six to ten episodes.

More news is certain to come over the next few months, but for now we don’t know much else. One of the best things about this announcement is that maybe, finally, these incredible, beloved characters will get the send off they deserve. I’m okay with Nemesis, but it’s not a great film and Picard and crew deserved a better on screen farewell. This new show might do that.

The new animated series?  Nothing has been disclosed about this but it has garnered a lot of interest from fans, because it can happen, literally, at any time in Star Trek‘s expansive history.  We could continue the five-year mission of Kirk and his crew.  We could discover brand new adventures on the Enterprise D.  We could even fill in the blanks for the crew of the USS Equinox after they were trapped in the Delta Quadrant, before the Voyager found them.  The possibilities are endless, which is why fandom is super-excited.

For now, we’ll just have to wait for news on that project and hope that something can be produced that is at least as good as Star Wars‘s successful foray into animation.

Lastly, the next Star Trek feature film has hit a hurdle.

Chris Pine and Chris Hemsworth are reportedly holding up the fourth feature outing for our Kelvin-verse crew.

Why?  There is a little contention over their salaries.  Both Chris’s are blockbuster stars now thanks to films like Wonder Woman and the Thor series.  Their salary expectations are, as a result, a little different to what they probably were.

Star Trek: Beyond, while well received by fans, only made $343 million world wide.  That’s a decent profit when compared to the cost of the film ($185 million to produce, though this doesn’t include the film’s marketing budget), but it’s not enough to warrant a massive investment in a sequel.  Tent pole summer blockbusters need to make at least double of what they cost to be considered profitable.

This means Paramount will be looking to produce the as yet untitled Trek film for less, and part of that will be offering less money to its stars.  Which should be interesting.  There is not one of the main cast whose careers have not taken off since the release of the first Kelvin-verse film.  Some of their careers have gone stratospheric – particularly Chris Pine, Zoe Saldana and Simon Pegg.

All three actors are in demand, with Zoe in particular lined up for movie after movie after movie.

Karl Urban (Doctor Leonard McCoy) is confident both Chris’s will sort out the pay dispute, and that the movie will go ahead.  Paramount, however, have a very narrow window available to them to get the movie into production because of actor availability.  If it doesn’t happen soon, the planned fourth film will be abandoned, and we’ll have to wait another couple of years for Tarantino Trek, which is currently slated to be the fifth outing for the crew of the Kelvin-verse USS Enterprise.

What do we know about the new movie?  A few things.

SJ Clarkson

  • The basic premise is unclear, but we do know it unites James and George Kirk in some way.  There is a script, but it’s details are under wraps.
  • The film will be the first to be directed by a woman, with S.J. Clarkson being given that honour.  Clarkson is a British film and television director, best know to the rest of the world for Life on Mars, Dexter, Heroes, Ugly Betty, Bates Motel, Jessica Jones, Orange is the New Black and The Defenders.
  • The film will be the first Star Trek movie to be shot in the United Kingdom.

That’s pretty much it, for what we know about the next film, and major events in Trek.

As news breaks we’ll keep you updated here.

If you’d like to check out more Star Trek news, we encourage you to visit our two “go to” sites, TrekMovie and TrekCore.

Until the next update, Live Long and Prosper.

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A Star Trek Update

Star Trek Update April 2018

A lot has been happening in the Star Trek universe of late – including the start of production on Star Trek: Discovery season two, and news on not one but two Kelvin-universe films in development.

Let’s start with Star Trek: Discovery!

In episode three of the first season, when the first half aired last year, we were all suddenly captivated by one tiny, fleeting little moment on screen – a moment that inspired a passionate and excited debate online.

The appearance of the mysterious “black delta.”

Section 31 Black Badge

For a long time, the leading theory was that it and the USS Discovery itself were somehow connected to the enigmatic and paranoid Section 31.

Finally, after months of speculation, one half of that leading fan theory was confirmed by actor Alan Van Sprang.

Alan appeared in the last episode of season one of Star Trek: Discovery, in a scene that was ultimately cut.  That scene appeared online as both a “bonus scene” and a teaser for season two.  The video has disappeared from a few places, but is still available on YouTube.  You can find it here.  Check it out, it is well worth a look.

The scene in question had Alan appearing as a “fake” Trill.  His character, Leland, recruits Mirror Universe Georgiou at a Klingon bar she now seems to be running, and hands her the black badge.  He tells her he is from Section 31 and that they could use someone like her.  So… someone megalomaniacal, devoid of compassion, morally bankrupt and vicious to the core?  Gotta love Section 31!

According to Van Sprang at an appearance he made at WonderCon earlier this year, his character will be featuring prominently in season two, alongside Section 31 and, we can only presume, former Emperor Philippa Georgiou.

So excited by that.  Any opportunity to get Michelle Yeoh back makes me very happy.

The only other piece of information Alan offered was via a later Instagram post where he stated that Leland “heads up” Section 31.

Alan Van Sprang Instagram Post

That’s not all.

With Star Trek: Discovery now about a month into production on season two, more news has come out and it is exciting.

Not one but two casting announcements have been made.

The first, and the one I’ve been waiting for, is that Anson Mount has been cast as Captain Christopher Pike, commanding officer of the original USS Enterprise.

To the joy of many a fan (myself included), Anson took to social media to share his feelings.  Using clips from “The Cage” and even an image of a Pike action figure, Anson showed the world that he is a fan of Trek and super excited to be a part of the family.

You may know Anson from Marvel’s Inhumans and the AMC series Hell on Wheels.

And yes, that is a version of the original series uniform that Anson is wearing in a shot I’ve screen capped from a “production has started” video that CBS released.  Is that Spock in blue off to the side?  Not a clue, we don’t get a good enough look at that character.

Before we get to that video though, click here to visit TrekMovie for more information on Anson’s casting.

The second casting announcement was that Tig Notaro, primarily known for her comedy work, has been cast as Chief Engineer Denise Reno of the USS Hiawatha.

Tig Notaro

Chief Engineer?  Does that mean Discovery gets an engineer?

We don’t know – we still don’t know who her captain will be!  I suspect, however, that something will happen to make Denise Reno board the Discovery and stay there.

In other news, Jonathan Frakes, our very own Commander William T. Riker, will return to direct two episodes this season, and he has let slip on social media that the scripts he has read so far are AMAZING!

Jonathan also had a visit from his former onscreen wife, Marina Sirtis, while on the set of Star Trek: Discovery where he was directing episode two of the second season.

Jonathan and Marina

As you would expect, this set the internet on fire.

Is Marina appearing in Star Trek: Discovery?  Is it just a coincidence?  No one knows, and that’s casting information the production team behind the show would keep close to their chests.

In some of Marina’s social media she called out to Mary Wiseman, which made some fans wonder if she might be following in Majel Barrett-Roddenberry’s footsteps and playing the mother of a major character (Tilly).  Tilly has mentioned her curly-hair-hating mother on more than one occasion, and both Mary and Marina’s comedy-chops are pretty damn good (watch Star Trek: First Contact to see just how hilarious Marina is).  Star Trek: Discovery could get a lot of play out of Mary and Marina on screen together.

My take?  We have a new ship popping up – the USS Hiawatha.  I would love for Marina to be playing that ship’s captain, and for that captain to be Tilly’s mum.  Alternatively, she could be a prominent member of the Enterprise crew who is Tilly’s mum. She could beam over for some quality time with her daughter while the Discovery and Enterprise are hanging around together.

Staying with Star Trek Discovery for the moment, the last thing I want to mention is a recent video treat courtesy of CBS All Access showing us some of what’s going on with the production.

Season 2 First Look 1

One thing, in particular, that was in that video should thrill every fan.  The appearance of the traditional gold, red and blue uniforms.

They have been modernised, but to me they appear to be quite faithful.  Still with a Star Trek: Discovery flair, but familiar and pleasantly so.

You’ll also notice that the rank braids are back, as is the solid badge.

The video also adds in to what Alan Van Sprang has said about Section 31 playing a prominent role in the second season.

The video briefly shows a shot of a sheaf of production drawings labelled “Section 31.”

Section 31 bridge, lab.  At least two designs for that.  An upper floor plan for something that may or may not be Section 31 related.

Season 2 First Look 3

Interesting.

Will we see a Section 31 starship?

The final takeaway from that video is what appears to be a computer interface from the much loved, fan favourite vessel the USS Enterprise.

It’s a graphic, and the style seems to draw a lot from the movie period of Star Trek V, Star Trek VI and Star Trek: Generations (the Kirk, Chekov and Scotty part of that film).

Season 2 First Look 4

There is a very gentle colour nod (one orange and one red touch button) to the original series in the display, but otherwise it is very Star Trek: Discovery with a hint of earlier films.

Last but not least, for some time now Quentin Tarantino’s name has been attached to the fourth Kelvin-verse film.

Quentin Tarantino, you say?  Yes.  He is a big Trek fan and would love a shot at directing one of the films.

Quentin Tarantino

As this story has played out, it appears more likely he wouldn’t be able to do the fourth Kelvin-verse film, but would instead be ready for a fifth were it to be green-lit.

No matter when, I am really excited to see what Tarantino would do with a Trek movie.  Hopefully nothing too bat-shit crazy, but he is a creative and visionary director with a gritty and stylistic approach that is engaging. And sometimes polarising.

The CEO of Paramount Pictures, Jim Gianopulos, has confirmed that not one but TWO Star Trek films are currently in development.

We have absolutely no information on what those two films are about, and to the best of our knowledge neither does anyone else – except for those people actually developing the two ideas.

What we do know is that the Tarantino idea is being written by Mark L. Smith, and the other is being written by J.D. Payne and Patrick McKay and is most likely the much-rumoured return of George Kirk movie.

Mark L. Smith wrote The Revenant, and J.D. Payne and Patrick McKay were apparently uncredited writers on Star Trek: Beyond and did some work on the original Roberto Orci idea that was eventually scrapped in favour of Doug Jung and Simon Pegg’s script.

If you want more information on any of these stories, you can track down a variety of articles through Variety and Deadline, or head on over to TrekMovie or TrekCore – both fan sites have had some excellent coverage on all of the exciting events happening in Star Trek news!

We’ve got some amazing things to look forward to as fans.  Still no news on when season two of Star Trek: Discovery will air, but it looks like it could be later this year.

No news on the release date for the next movies either.

As news unfolds, we’ll chat about it right here.

Live long, and prosper.

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Episode 12 Recap and Review

Star Trek Discovery Recap and Review Review Banner 3

A good episode with some outstanding moments, some unnecessary ones, and far too short a runtime.

If I was allowed to write only one sentence to describe this Star Trek: Discovery episode, that would be it.

Of those three comments, the one that irks me the most is the “too short” one.  There was a single exceptionally weak scene in this episode that could have been fixed by another two or three minutes of dialogue and action, and I don’t know why they didn’t give us more?  They certainly had time to because “Vaulting Ambition” is the shortest episode yet in live Trek history, coming in at only 37 minutes.  Prior to that, the shortest live Trek episode had been “Battle at the Binary Stars” which was 39 minutes long.

What’s going on guys? Did the editor get slash happy?

But, as per usual, I’m getting a bit ahead of myself.

The Facts
Episode Number: 112
Episode Title: “Vaulting Ambition” or “They Eat Kelpiens Here”
Written By: Jordan Nardino
Directed By: Hanelle Culpepper

Vaulting Ambition - The Empresses Court

Quotable
Lorca to Burnham
: “What are you afraid of?
Burnham: “Georgiou.
Lorca: “You mean Emperor Georgiou.
Burnham: “Logic tells me she’s not the woman that I betrayed.  But this feels like a reckoning.
Lorca: “Your Georgiou is dead.  She’s a ghost.
Burnham: “Haven’t you ever been afraid of a ghost?

Tilly to Saru, about Stamets: “I know it’s subjective, but he really does look better.  I mean, just look at his skin, it’s so dewy.

Stamets to Mirror Stamets: “Is this the afterlife?  Are you some sort of narcissistic Virgil leading me to judgement?
Mirror Stamets: “Yes, Paul.  You’ve been wrong about everything.  There is a God, and She’s very very mad at you right now.”  Beat.  Scoffs.  “I totally had you for a second there, you can’t deny it.  You should have seen your face!  I mean, our face.

Saru to the Doctor treating Toq (Tyler/Voq): “Burnham said he claimed to be a Klingon, but… how could that be possible?
Doctor: “His genome matches the one we have for Lieutenant Ash Tyler in our Starfleet database.  His brainwave patterns, however, are highly irregular.  Unless someone can tell me how they put a Klingon inside a Starfleet officers body, I don’t know how we can treat him?

Burnham to Georgiou: “I earned my command on the Shenzhou.
Georgiou: “You were hesitant to use it back at Harlak.  Those rebels could have escaped, I had to dispatch them myself.
Burnham: “I had it under control.
Georgiou: “You’ve grown soft.
Burnham: “And you’ve grown cruel.  If you missed me, then say it.  Otherwise let me be.

Georgiou to Burnham: “I do love you, Michael.  I would never grant anyone else in the Empire the mercy of a quick death.
Burnham: “You don’t love me.  You don’t love me because you don’t know me.  Before today, you and I have never met.  I am Michael Burnham, but I am not your Michael Burnham.  I’m from another universe…

Burnham to Georgiou: “Our bond, it seems, is strong enough to cross universes.

Saru to L’Rell:I do not know where your Voq ends and our Tyler begins, but they are both in jeopardy.

Stamets to Hugh: “Are you caught in the network too?
Hugh: “No.  I’m gone.
Stamets: “Gone?
Hugh: “You don’t know, do you?  Paul, I’m so sorry… but I died.

Georgiou to Burnham: “Your people are dangerous.”  Scoffs.  “The Federation.  I know it well from the Defiant‘s files.  There is a reason why they’re classified.  Equality.”  Scoffs.  “Freedom.  Cooperation.
Burnham: “Cornerstones for successful cultures.
Georgiou: “Delusions that Terrans shed millennium ago.  Destructive ideals that fuel rebellions, and I will not let you infect us again.

Vaulting Ambition

Moments of Interest
The guys added to canon in the subtlest, most appropriate way yet.  It was a nice moment and added a little something new to the now 50 year history (almost 51 year history) of the Mirror Universe (“Mirror, Mirror” aired in 1967, in the second season and will turn 51 in October of this year).

What did they do?  If you remember back an episode or two, Michael was narrating her personal log and commented on how different the light was in the Mirror Universe.  Light has played a big part in this series so far, with Lorca constantly reacting to bright light, and with the Discovery’s corridors and work spaces almost always shrouded in shadow.  In this episode, Georgiou reacts to an unexpected bright light and tells Michael that its one of the only real differences between her people and the people of our universe.

This addition to canon does not detract from or contradict anything that has gone before it, and gives more substance to this ‘reality.’

If you look back at Star Trek: Deep Space Nine and Star Trek: Enterprise Mirror Universe episodes, all of them were visually darker in both tone and lighting when compared with normal episodes.  It makes sense, and it makes you smile.  It’s just a real nice touch.

The Recap and Review
“Vaulting Ambition” is, in many ways, the calm before the storm.  Despite the short length of the episode, a lot happened in it.  Possibly too much.  Let’s take a quick look at everything our favourite heroes and villains were subjected to:

  • Michael and Lorca head off to the ISS Charon on a shuttle.  She’s going to present him to the Emperor.  On the trip, they learn that the USS Defiant information they thought would save them, won’t.  Heaps of it has been redacted.  They hope they can find the unedited version on the Emperors big palace-ship.  As they get closer, Michael zaps Lorca with a pain inhibitor so he can better withstand the Agony Booth.

Vaulting Ambition - Off to See the Empress

  • Tilly and Saru are monitoring Stamets, and Tilly believes he’s getting better.  He’s still in a coma, but instruments show a lot is going on inside his mind.
  • Is it his mind?  We cut to Paul and Mirror Stamets somewhere in the glowy mycelial network.  That quickly changes to the shadowy corridors of the Discovery.  In this scene, we learn that something is wrong with the network.

Vaulting Ambition - The Mycelial Forest

  • We skip over to the Emperors unnecessarily huge, small-star-powered palace-ship.  Michael presents Lorca to the Emporer, who promises him a lifetime of pain.  While there, Georgiou asks Michael to choose a Kelpien from three who are standing off to the side.  Unsure of what’s going on, she picks one who looks like Saru, but isn’t Mirror Saru.  Mirror Saru is still on the Shenzhou, waiting to scrub Michael’s finger nails.  As Lorca is dragged away after a beat down by Georgiou, Burnham is invited to dinner and called “daughter” by the Emperor.

Vaulting Ambition - Georgiou and Burnham

  • We visit with Saru and Toq (Tyler/Voq) in Sickbay, where Toq is loosing his proverbial shit.  For one brief moment, Ash comes through, begging for help.
  • Over on the palace-ship, Lorca is thrown into an Agony Booth.
  • We don’t spend too much time with Lorca and his screams, and instead pay a visit to Georgiou and Burnham at dinner.  We and Michael quickly realise that the Kelpien she chose back in the throne room wasn’t so a slave could be set free.  That Kelpien was dinner.  Because that’s how evil these guys are. This scene nicely echoes something Saru said many episodes ago, about his species being like cattle.  When Michael finds out what she’s eating, she struggles heroically to not vomit.
    Was it just me, or did anyone else think Georgiou was going to push the chopsticks through the back of Burnham’s throat when she fed Michael the threat ganglia?
    Apart from the unpleasantness of eating another sentient species, dinner takes an even worse turn when Georgiou accuses Burnham of trying to usurp her and sentences her to death.
  • Then we’re back with Stamets and Stamets.  We discover that the mycelial network is taking over Mirror Stamets because he’s been in there too long.  We also get a glimpse of a familiar person… Hugh is haunting the corridors of the mycelial created Discovery.
  • We jump to the throne room where Michael reveals she and Lorca are from another universe.  She hands over Captain Philippa Georgiou’s Starfleet badge and encourages the Emperor to scan it.  Emperor Georgiou quickly discovers that Michael is telling the truth, and to stop any information from leaking kills everyone in her Council, except for a guy called Lord Eling, with an evil flying fidget-spinner.  He is sworn to say nothing, and granted governorship of Andor for his troubles.
  •  Back on Discovery, Saru is visiting L’Rell.  He tells her what is happening with Voq and asks for her help.  L’Rell channels her Bond-villain self and tells Saru what they did to both Ash Tyler and Voq:
    • The real Lieutenant Ash Tyler was captured at the Battle of the Binary Stars.
    • The Klingons harvested his DNA.
    • They reconstructed his consciousness.
    • They rebuilt his memory.
    • They modified Voq to make him appear human, inside and out.
    • They grafted Voq’s psyche onto Tylers.
    • Voq gave his body and soul to Klingon ideology.

Vaulting Ambition - L'Rell

  • L’Rell refuses to help, telling Saru that this is war.
  • We go back into the mycelial network where Paul finds Hugh.  In a heartbreaking moment, Hugh tells his love that he’s dead.
  • After the loveliness of Hugh and Stamets, we return to the Emperor and Michael.  Burnham begs the Emperor to help them, but she’s not interested.  In a really unwise move, Michael discloses the existence of the DASH drive and Georgiou wants it.
  • Next we visit with Saru and L’Rell.  He shows her images of Toq trying to rip his heart out of his chest.  L’Rell appears unmoved, so Saru beams Toq into her cell.  As Saru leaves her craddling Toq, she screams out to him that she can undo what has happened to him.
  • We skip back to the Agony Booth and Lorca screaming.  He’s being tortured by the brother of a woman Lorca used to be with and discarded, and the brother ain’t happy.
  • We don’t spend much time there before we go to the worst scene, possibly, of the entire series: L’Rell removing the Voq personality from the Ash Tyler personality.  So, she kills Voq, even though it’s his body, and leaves Ash.  We think. The scene is too short, there is no explanation for the Klingon brain wipe device, and her actions make no sense.
  • Back in the mycelial network, we’re with Paul and Hugh again as Hugh tries to help Paul come to terms with his death.  These scenes are beautiful, and just make me miss Hugh even more.  And I was already missing him a lot.  The big thing to happen in this scene was that Hugh snapped Paul out of his coma.
  • The next scene confused me a bit, and that’s probably what the producers wanted.  I’m not sure which Stamets is where? It looks like our Paul woke up on the ISS Charon.  The Mirror Stamets, I believe, woke up on the USS Discovery.  That Paul rushes with Tilly to the cargo bay that holds the spores… to find they are dying.

Vaulting Ambition - Empresses Starship Palace

  • On the Charon, Georgiou insists Burnham bring the Discovery to her, and Burnham complies.  Saru is a little doubtful, but she convinces him it’s the only way.
  • We do a series of quick inter-cuts between Lorca and his torturer going at each other, and Georgiou and Burnham sort of facing off.
  • In one of these quick mini-scenes, Georgiou reacts to some bright light.  This shocks Michael as she realises Lorca has been lying all along.  He’s really from the Mirror Universe.  He was also Georgiou’s lover. To put the boot in, Georgiou pretty much says that Lorca groomed Burnham.  He feigned affection for her as a fatherly figure, then seduced her, turning her into his lover, all for the Terran throne.
  • We wrap everything up with Lorca over-coming his torturer and telling him that he liked the guys sister, but found someone better.  He then stomps the guy’s head in and we cut to black.

Vaulting Ambition - Lorca is Not a Nice Man

Like I said, a lot happened in this episode, and some of the plot points didn’t get the time they deserved and actually needed.

The big take aways: Paul is back, finally.  Lorca is from the Mirror Universe, which many of us had expected.  The Mirror Universe guys are so evil they eat Kelpiens.  Ash might be back, but he’s now Klingon body Ash.

Yes, I know that last one is a confusing sentence.

I enjoyed this episode, but one thing really annoyed me.  The scene where L’Rell removes the Voq consciousness.

First, where did she get the device that enabled her to do that?
Second, why would she essentially kill Voq?  And it appears that’s what she’s done.  She even gives the Klingon death roar to announce Voq’s arrival in Sto’Vo’Kor.  She loved him.  Why not erase Ash?

Those two issues above could have been resolved with a few simple words… “Voq would not want to live in this weak body…” or “The Tyler personality was too strong.  Voq was weakened by the surgery and now he has been usurped.”  Something like that.  It would have also made more sense if the device she had used to eradicate Voq’s consciousness looked like it had been jury-rigged out of Federation medical tools.  You wouldn’t have needed to explain that, because it would be obvious.  Now it just looks like she was carrying the personality-wiping device around in her space purse, and all Saru had to do was get someone to go fetch it from wherever they keep prisoners’ belongings.

With a 37 minute run time, they could have fixed that.

The brevity of the episode and these plot issues are why this episode doesn’t get a five.  The Mirror Universe episodes have been wonderful, but this one lets the season down by not using everything at its disposal to tell its part of the story.

The dialogue was great, the direction was great, everything worked – the episode just comes off as lazy and unnecessary in places because of the lack of explanation (shown, not told – not exposition) and time given to scenes that didn’t need to be there.  Speaking of which.  Eating Kelpiens.  Did we need to go there?

Burnham’s psyche is screwed up enough.  She lost her parents as a child.  She discovered her adoptive father lied to her, making her feel second class for no reason for at least seven years of her adult life.  She betrayed someone she loved in an attempt to stop a war from starting.  She lost an mother-figure because of her actions, and many other people she cared for.  She lost her rank and position in Starfleet, and was sentenced to life imprisonment.  She’s been isolated and hated ever since.  Now she’s eaten a sentient being, a sentient being that reminds her very much of someone she cares for and feels like she also betrayed.  How will she face Saru after this?

I don’t think that scene was necessary.  With the evil flying fidget spinners, Agony Booths and ruthless bombardment of planets, we already know the Terran Empire is ruthless and evil.  Eating a Kelpien added nothing to this but fucked-up-ness.

There is something some fans are taking exception to, though it doesn’t bother me too much.  It unsettles me, but I get.  It’s the “Lorca is a dirty old man” thing.

I think it’s in keeping with his character.  He will do anything to achieve his desired goals.  While it’s not insinuated he had an intimate relationship with Michael when she was young, it is distasteful that he even went there when she was older – especially after being a father figure.  Lorca has done heinous things throughout the run of the show, so this isn’t so shocking to me.  I’m better able to accept his manipulations than I am the magic brain wiping device, or feasting on Kelpien, because the groundwork has been laid for that reveal.

The one question that remains with Lorca is… does he love Michael?  We’ve seen his over protectiveness in almost every episode.  Was it because of love, or was it need?  Did he keep her safe because he knew that through her he could get the crown, and kill the Emperor, and was that the only reason he worried after her?

This episode raised one or two new questions for us, while revealing a twist or two and confirming at least one more fan theory, but it didn’t do much more.  It was good, but it could have been better.

Something the writers might want to remember as they prep Season Two: We the fans have been two steps ahead of you this entire time. We picked Lorca and Ash back in episodes three, four and five and have been patiently waiting. We love Star Trek. We don’t love Star Trek like a Game of Thrones or The Walking Dead fan loves their show. We love it like a football or baseball fan loves their sports. Like a sports fan knows the batting averages for a particular team back through the ages, we know Star Trek just as intimately. We’re intelligent. We’re educated. We’re passionate and we are devoted. As this series has shown you, we will get behind you if you treat us with respect, which you have. You do, however, have to work a little harder if you want to surprise us because we will dissect every frame and obsess over it if we need to. You guys have done an incredible job, but I think you’ve underestimated us a bit. This isn’t a challenge, twists for the sake of a twist are dull and disappointing so we don’t need them, but to your credit you did keep us guessing and wondering “are we right?” and we have loved it.

I really prefer this long story form version of Star Trek.

Thank you for what has been, so far, an exceptional first season of my favourite television series.

Predictions
At least one of my predictions was proven right with this episode, the Captain Lorca we know has been the Mirror Universe Lorca all along.  A few online reviewers have thought this for a long time, and with our suspicions now proven right what’s left to speculate on?  For me, it’s Lorca’s longevity.  As brilliant an actor as Jason Isaacs is, and as compelling and intriguing a character as Garbriel Lorca is, I still don’t think Lorca is making it out of Season One alive.  That’s prediction one.

Prediction 2?  Lorca and Burnham will have it out in a big fight next episode.

Prediction 3?  Lorca and Empress Georgiou will die at each others hands in an insane battle to the death.

Prediction 4?  I think Mirror Stamets is working with Lorca, and is part of the rebellion to unseat Emperor Georgiou.  I think he engineered Lorca’s escape to our universe.

Any more?  Yep.

Hugh has been “consumed” by the mycelial network and will only appear to Stamets when he’s hooked into it.  The supposed death of the mycelial network, as commented on by Mirror Stamets this episode, will impact significantly on Stamets’ loss because if the forest dies, he won’t get to see Hugh again.

They will leave the Mirror Universe at the end of Episode 13.

Episodes 14 and 15 will wrap up the Klingon war, and signal a few things for the coming season which I think will still be all about redemption, but also new beginnings.  New beginnings for the Federation post war.  New beginnings for Michael, who Starfleet has to think differently of now.  New beginnings for Ash.  New beginnings for L’Rell.  Perhaps even a new beginning for the Klingon Empire.  Most importantly, a new beginning and a new mission for the Discovery.

Scorecard
4 Deltas

Next week’s episode is called “What’s Past is Prologue.”

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes becoming available on Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET, also on a Sunday.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix on a Monday at 8:00am in the UK and at 7pm in Australia.

See you next week for another review.

Live long, and prosper.

LCARS Interface

Episode 5 Recap and Review

Episode 5 Recap and Review

Episode 5 went by in a flash.

I started watching it, ‘girding my loins’ for way too many Klingons and subtitles, and before I knew it the credits were rolling.  The episode flew by in what felt like 20 minutes, not 47.

Every week this show gets better.

The Facts
Episode Number: 105 (Season 1, Episode 5)
Episode Title: “Choose Your Pain”
Story: Aaron Harberts, Gretchen J. Berg and Kemp Powers
Writer: Kemp Powers
Director: Lee Rose

Quotable
Tilly to Michael
: “I love feeling feelings.

Stamets to Michael: “What are you doing with your mouth?
Burnham, in response: “I am swallowing the urge to set the record straight.

Mudd (in reference to his pet arachnid): “Apologies, Lieutenant.  Stewart has boundary issues.

Interesting Bits and Pieces
Some people called it fan service, I thought it was awesome.  Context?  When Saru is having a bit of a command crisis, he calls up a list of some of Starfleets most decorated Captains.  Who?
– Captain Robert April
– Captain Matt Decker (later, Commodore Decker and the father of Commander Willard Decker from Star Trek: The Motion Picture)
– Captain Philippa Georgiou
– Captain Christopher Pike

Also, we saw a map that included some very familiar locations:
– The K-7 Space Station
– Rura Penthe
– the Mempa Sector
– Khitomer

I didn’t see Khitomer, but according to some fans it can be seen up in the corner of the map.

These call outs work – a lot better than the Gorn skeleton, the Horta in the corner, and a neutered Tribble on Lorca’s desk.  They’re nice additions that link directly to continuity and make sense in the context of the episode.

If the team behind Star Trek: Discovery want to reward us fans, this is the way to do it.  It’s not gratuitous.

The Recap and Review
We kick off the episode with a dream sequence and it quickly becomes clear our favourite mutineer has been deeply affected by Ripper the tardigrade’s situation.

Michael wakes to Tilly’s gentle snores and decides to pay Doctor Culber a visit.  She needs Hugh’s help to determine whether or not they really are causing the tardigrade pain.

Hugh points out that they can’t know whether or not they’re hurting Ripper, because they simply don’t know enough about his biology – Michael agrees that she could be anthropomorphising Ripper, but when the doctor says he’ll help she is thankful for his assistance.

Ripper’s reaction to the spore-drive was one of the most troubling things about last week’s episode and I personally found it difficult to watch.  It was a relief to see them dealing with the ethics of using another life form against its will.

Credit where credit is due, the animators did an incredible job of showing us Ripper was in pain and confused, Ripper came to life under their care.  Sonequa Martin-Green’s performance added to the impact and made every scene she shared with Ripper meaningful and let us know that maybe we weren’t misinterpreting his reaction.

While Hugh starts his tests, we jump over to a space station located somewhere near the Klingon border where Lorca is addressing a small group of Admirals.  Starfleet is impressed with the DASH drive (Displacement-Activated Spore Drive) and the success Discovery has had with it since the disaster on the Glenn.  They want to roll it out to every ship in the fleet, but they need more tardigrades.

Lorca with the Admirals - Episode 5

Until they find more, they want Lorca to pull back on his attacks because they believe the Klingons now know about the DASH-drive and are super keen to take the Discovery no matter the cost.

Lorca is not happy.

Back on Discovery, Tilly and Michael have lunch.  Tilly, as usual, is being adorable and Michael is unusually distracted.  Tilly takes Michael’s distraction to be a rejection of her friendship in a telling exchange of dialogue that gives us some interesting and simultaneously heart-breaking insight into her character.  The subtext is that people find her a bit too much, and as a result she doesn’t have many (or any) friends.  Michael slowly realises what’s going on, and assures Sylvia that that is not what is happening.

Michael brings Tilly into her confidence and tells her about her concerns regarding Ripper.

Back on the Starbase/Space Station, Lorca and Admiral Katrina Cornwell (Jayne Brook) discuss Michael Burnham.  Cornwell expresses her concerns around Lorca taking Michael on board, and he pretty much tells her to take a leap into a matter/antimatter reactor.  He reminds Katrina that Starfleet gave him “the fullest latitude” to fight the war his way… and he isn’t all that nice about it.  Katrina reminds him they’re friends, but Lorca brushes it off.

We also learn, in this exchange, that Lorca and Cornwell might have been something more than friends.

Thanks to AfterTrek we also find out that Cornwell was a psychiatrist in her previous Starfleet life.  This is alluded to on screen when Katrina and Lorca have a tense exchange about doctors, after she suggests he get his eyes fixed.  Lorca pointedly tells her he “doesn’t trust doctors.”

Leaving the Admiral, Lorca boards a shuttle to return to his ship but the Klingons have other ideas.  They’d like to invite Lorca to a party where every time a Klingon says “choose your pain” you have to take a shot of blood wine.

A D-7 Klingon cruiser that doesn’t look like a D-7 Klingon cruiser warps right in on top of the shuttle, and things go from bad to bloody in a matter of moments.

The Klingon’s board Lorca’s shuttle, pretty much gut the shuttle pilot and leave us with the revelation that there are now two jobs in Starfleet that you don’t ever want to do – security AND shuttle pilot.

Then we jump to the main title sequence.

Admiral Cornwell - Episode 5 Recap and Review

After the main titles, we return to Discovery where a holographic Admiral Cornwell tells the bridge crew that Lorca has been captured – and they’re tasked with rescuing him.

Starfleet believes the Klingons have learned about the new drive, and are after Lorca to get more information.

Saru, the acting-captain in Lorca’s absence, sets to work issuing orders when, suddenly, his threat ganglia poke out.  The turbo-lift doors open – revealing Michael.  She tells Saru that she’s looking for the captain, and Saru fills her in.  She cuts right to the point, and expresses her concerns about Ripper.  Saru, as someone who once described his species as, essentially, “cattle”, is surprisingly unsympathetic.

He retreats to Lorca’s ready room and consults the computer about leadership, with issues about Burnham at the forefront of his mind.  This is where we get the shot of Starfleets’ most decorated captains, mentioned above in our “Interesting Bits and Pieces” section.

During Saru’s introspection, the computer pretty much suggests he jettison Burnham out an airlock.  Thankfully he doesn’t.

It’s really interesting how much Burnham effects Saru.  We’re not given long to think about that, because we jump to the Klingon ship and meet…

Mudd - Episode 5 Recap and Review

Harcourt Fenton Mudd, played by Rainn Wilson.

Way too much fuss was made about Harry Mudd’s inclusion in Star Trek: Discovery, with some people thinking it was unnecessary and some having an issue with Rainn Wilson stepping into the role.

I hope all of that fuss has now been put to rest, because it works, and Rainn is excellent.

Thanks to Harry, we learn that the Klingon vessel is a prison ship.  We also learn that the Klingons like to group their prisoners into shared cells.

Lorca asks Harry what a civilian is doing on a Klingon prison ship, and Harry tells him he has no idea and that his only crime is the crime of love – then, in a nice monologue that evokes the original series, talks about his beloved Stella.  As Mudd waxes lyrical, Lorca checks out their cell and finds a Starfleet officer broken and huddled in a corner.

We quickly learn why this officer is so broken.

The Klingons walk in and ask Harry to “choose his pain.”  He points at the huddled Starfleet officer and the Klingons go to town on him, beating him senseless.  They end his life with a brutal and shocking, skull cracking stomp to the head and then drag the body out.

Lorca stares on in shock as Harry tells him the rules.  They can either accept the beating themselves, or pass it to someone else in the cell.

Lorca is stunned, and, judging by the look on his face, disgusted.

Lorca - Episode 5 Recap and Review

We leave Lorca and Harry to visit with Stamets, Culber and Burnham.  Burnham wants to enlist Stamets’ help with Ripper and tries to charm him… which doesn’t work.  Hugh takes the more direct approach and tells Stamets that they’re there to talk about the effects of the spore-drive on the tardigrade.

They convince Stamets and he agrees with the both of them.  They need a solution, and can’t continue to use a potentially sentient life form against its will.

It’s taken this version of Trek a while to give us this side of Starfleet.  It’s so indescribably wonderful to see these conversations taking place, and to see a glimpse of the Starfleet and Federation I love.

If I have one issue with Star Trek: Discovery, it’s that since the death of Captain Georgiou we haven’t seen anyone expressing or ‘living’ the ideals of Starfleet and the Federation.  Yes, Star Trek fans love special effects and compelling story lines and new species, but a lot of us are dreamers too: we want to believe that this shitty period in history that we’re all stuck in will end, and that something beautiful and amazing will come out of the mess of the last few centuries.  Our new Trek has kind of been saying… yeah, everything is still sorta shit.

Back on the prison ship, Lorca continues to explore his cell, probably in an attempt to stay as far away from Harry Mudd as he can.  He stumbles across Lieutenant Ash Tyler.

Tyler is excited to see a Starfleet captain, and tries to feed Lorca, who refuses, while Stewart, Harry Mudd’s cute little arachnid pet, steals the food for Harry who smugly eats it in front of both men.

Mudd and Tyler - Episode 5 Recap and Review

Mudd is entirely unsympathetic.  He’s a prick and I love Rainn’s gleeful but restrained portrayal of the character.

We learn that Tyler was on board the USS Yeager and has been on the prison ship since the Battle of the Binary Stars.

We also learn that L’Rell, the captain of the prison ship, has taken a… liking to Tyler.  There is subtext here that suggests he has been sexually assaulted by her.

Tyler and Lorca end up in an argument with Mudd, who challenges both men, telling them that they started the war by bothering to “boldy go”.  He tells them he can understand why the Klingons don’t want them in their ‘front yard.’

At this point, our overly bloodthirsty Klingons return.  They take Lorca to L’Rell.  No “choose your pain,” they just drag him out.

We probably need to talk about Tyler here – because fandom has gone bonkers about his character.

On my first watch, a few things Tyler said didn’t ‘drop’ in my mind.  I didn’t find myself analysing it all too deeply until my second watch.

In my first watch, I came away thinking “Manchurian Candidate.”  Klingons are crazy-strong.  It’s canon.  We see it in this episode.  They throw their human victims about like they’re sacks of potatoes, and the human skull is pretty strong.  One stomp shouldn’t shatter a grown man’s head – but one Klingon stomp does.  But, a tortured Lorca and an exhausted, repeatedly beaten, undernourished Tyler take a few out in a couple of scenes time.  Not once, but twice, and then they steal a fighter and escape.  Everything pointed to them being let go.

Inbetween my first and second watches of the episode, I listened to a podcast where it was suggested Ash Tyler was Voq, our Albino Klingon.  I’m now 98% convinced he is.  This article, from TrekMovie, was what pushed me from my Manchurian Candidate theory to the Ash is Voq theory.  Visit TrekMovie here.

There’s only one fault with the analysis – nothing in the episode tells us how long L’Rell has been in command of the prison ship.  She could have taken a liking to him in recent days, or of course it’s all a lie to deceive Lorca.  Time will tell, as will whether or not we see Voq in any future episodes.

One last thing, was the officer who had his head stomped the real Ash Tyler?

Back on the Discovery, Tilly, Stamets and Burnham are working together, trying to find a solution to Ripper’s dilemma.

Tilly - Episode 5 Recap and Review

Tilly suggests creating a virtual Ripper.  Stamets talks about his earlier research and how he tried to use software to fix the problem but it only enabled small jumps.  He points out that things only started to work to their fullest potential when a sentient creature was interfaced with the mycelium network.

He suggests they find something or someone else, who is willing and can fully understand the choice they’re making.

It’s at this point we have another first for Star Trek.

Tilly says: “You guys, this is so fucking cool!”  She quickly realises that might not have been the best or most professional thing to say in front of her boss.  Stamets stares at her, eyebrow raised for a moment, and then with a small sly smile, agrees.  “No cadet, it is fucking cool.

So… the f-bomb.  I admit it grated, but in that scene it worked.  It would have worked better if Stamets hadn’t used the f-bomb too.

We leave our intrepid trio of Ripper-savers to jump over to L’Rell, who has captain Lorca strapped into a nasty looking chair.

She talks to him about torture, he compliments her English, she talks about being descended from spies and then asks him about his ship and its mode of transport.

Mary Chieffo is, as per usual, extraordinary.  I don’t have words to describe how much I admire this young actor.  What she can do under all those prosthetics is amazing.

L’Rell tells Lorca in an almost seductive way, that she knows about his photo-sensitivity and then forces his eyes open with a device straight out of a horror movie and uses bright light to torture him.  Some fans have suggested this scene is reminiscent of Picard’s torture at the hands of the Cardassians in the episode “Chain of Command.”  It did pop into my mind briefly when I was watching, but I don’t really see a similarity past the fact it featured bright lights.

I’ve been heavily critical of the Klingons, primarily because of the distracting subtitles and heavy makeup that makes their vocalisations hard to understand.  So how about a positive?  This episode was, from memory, subtitle free and it made a difference.  It let me really pay attention to the Klingon scenes within the flow of the episode – no rewinding and rewatching, breaking me out of the moment.  I came away from that simple experience excited by them.  What I do love about these Klingons is how deep we’re going into their culture and the effort the writers are going to, to make these guys feel real and not just ‘different.’  They’re starting to come across like a real, multifaceted species, rather than the stereotype and caricature they turned into in the TNG era.  They’re more nuanced in this Trek.  That’ll probably piss off some fans, but after an intriguing start with Worf, everything became “honour” this and “honour” that and “I’ll drink blood wine on the corpses of my enemies.”  In this show they have so many different dimensions to them.  Different houses with different perspectives and physical characteristics – just like us and the many different races that make up humanity, and this very real and very current fear of multiculturalism.  I love this aspect.  The Klingons are interesting and forbidding again and they are finally starting to grow on me.

We leave Lorca, screaming, in the capable and malicious hands of L’Rell to return to the Discovery.

Staments, Burnham and Tilly are unable to find a compatible species in the database that is capable of working the spore-drive.  At that point, Saru walks in, and he’s pissed.

Michael tells Saru that they have a sample of tardigrade DNA and could use it to empower a human to work the spore-drive.  Saru reminds her that Eugenics is not allowed.  The discussion quickly goes down hill, heating up when Saru accuses Michael of treating him like one of her anthropology subjects.

Refusing to hear anymore, he orders Stamets to bring the drive on line and to use the tardigrate.  Turning on Burnham, he confines her to quarters.

Saru and Burnham - Episode 5 Recap and Review

We jump back to the prison ship where Lorca confronts Mudd and accuses him of being a spy for the Klingons.  Lorca sprinkled some things in his initial conversation with Mudd which was parroted back at him during his interrogation, making it likely Mudd told his jailers and is working with them.  But was it Harry or Ash?

Mudd goes in for a very distracting attack and turns the tables on Lorca.  He brings up Lorca’s last command, the USS Buran.

It’s here that we start to get a deeper glimpse into Lorca, and some indication of why he’s as hard-ass as he is.  We learn that Lorca survived a Klingon attack, but his crew did not.

Rather than let Mudd continue, Lorca takes back control of the conversation and in an unusually candid moment tells Mudd he only knows half the story.  He tells Mudd and Ash Tyler that he blew his crew up to avoid them being captured by the Klingons.

Ash Tyler lowers his head and the scene switches to a black alert on the Discovery.

Stamets beams the tardigrade into the reaction chamber.  Tilly watches, distressed, as Michael, in her quarters, worries about Ripper.  It is obvious Stamets is not happy with how things are transpiring either and in a nice, beautifully filmed moment we watch our heroes realise that they really have been thoughtlessly torturing Ripper.

As they jump, the tardigade screams in pain and collapses.

Stamets and Tilly rush into the chamber, but they’re too late to do anything.  Ripper curls into a ball, shedding all of his water and breaking my heart in the process.  We quickly learn, thanks to Doctor Culber, that Ripper has gone into a state of extreme cryptobiosis.

Saru dispassionately orders Doctor Culber to rehydrate the tardigrade and hook it back into the engine.

More than anything, from stomped heads to tardigrade torture, this was one of the most shocking scenes in this episode.  Saru knows what it’s like to be used against his will by a more powerful predator, yet he mercilessly orders his crew to commit a crime, telling them that if they’re right, and Ripper is sentient, he’ll be judged in accordance with his actions.

Culber refuses to participate.

Saru Culber and Barnham - Episode 5 Recap and Review

Saru doesn’t appear to care.  I expect he does, and I expect, deep down, this is hurting him quite badly.  Saru orders Stamets to do it.  There’s a quirk in Paul’s voice as he agrees to get the drive working.

Back on the prison ship, the Klingons turn up in the cell and ask Lorca to “choose your pain.”  Ash tells Lorca to choose him.  Lorca, after some resistance, does.

It’s a trick.  Ash and Lorca overpower the Klingons all too easily.

Both men dash out of the prison, with Harry begging to be taken with them.  Disgusted by Mudd, Lorca doesn’t let him come.  Harry angrily tells Lorca he hasn’t seen the last of him.

In a nearby corridor they have another fight with the Klingons, and these ones are also surprisingly easy to defeat.

Ash gets injured in the scuffle and Lorca uses a disrupter to blow a Klingon into a cool looking green smoke before the lieutenant is killed.  Ash can’t continue and suggests Lorca come back for him.  Lorca hesitatingly agrees and disappears.

Suddenly, L’Rell is there and Ash finds some kind of inner strength and gets up and starts to punch her.  He lets loose, and it looks like she’s taking one heck of a pummelling.  If this is all a ruse to deceive Lorca and the Federation, is Voq (Ash) unleashing on L’Rell because he has been surgically altered to look like the very species he hates?  The species that killed his Messiah?

In the middle of this very violent act, Lorca returns, melts off half of L’Rell’s face with a disruptor blast and drags Ash to a Klingon raider.

The next scene is both men in the fighter, and they’ve escaped.  Way too easily.

As they fight off their pursuit, we learn that Lorca’s sensitivity to light was caused by the destruction of the Buran, and that he suffers through the pain of damaged eyes in memory of his former crew.

The escape scene is beautifully directed and acted and is visually stunning.  The space battle scenes look GREAT!  Everything Star Trek: Discovery is doing is feature film quality.  This series looks better than the Kelvin-timeline films.

The USS Discovery

We don’t spend nearly enough time with Lorca, Ash and the space battle and find ourselves back on the Discovery.  They detect the raiders and Saru works out Lorca is on one of them.

Discovery contacts him and beams both he and Ash aboard, just as their fighter gets blown apart.

Saru asks Stamets if the tardigrade is hooked up.  Stamets noncommittally advises they are “able to jump.”

They jump.

In the transporter room, Lorca helps Ash up and welcomes him back to the war.

On the bridge, Saru is trying to get in touch with Stamets.  He’s advised Stamets’ life signs are in distress and in a scene reminiscent of Star Trek II: The Wrath of Khan, Saru races to engineering and finds Stamets collapsed in the reaction chamber.

Tilly tells Saru that Stamets injected himself with the tardigrade DNA.

For a fleeting moment it looks like Paul Stamets is dead, but suddenly, Stamets comes to and starts to laugh hysterically.

We cut to Burnham’s quarters.  Saru comes in and they finally have it out.  Saru tells Michael that’s he’s angry with her and that she’s taken a great deal from him.

Saru wanted what Michael threw away.  He had hoped Michael would get promoted to her own command, and that he would become Georgiou’s first officer.  He’d hoped to learn under Georgiou’s guidance.  He’s angry at Michael for destroying her own life, for destroying his dreams, and for, in his opinion, getting their captain killed.

Michael takes it and apologises.  Then, in a sweet moment, she tells Saru that he did well as acting captain, and gives him Georgiou’s telescope.

Hopefully, now, their healing can begin.

Michael finds Tilly and together, in what is a beautiful scene, they set the tardigrade free.  He uses some spores Michael poured over him and jumps toward a distant nebula.

Culber and Stamets - Episode 5 Recap and Review

The episode ends with Stamets and Culber together in their bathroom, brushing their teeth in what is a very simple but poignant scene.  Culber is worried about the DNA injection, and gently lectures his partner.

Stamets tells him that he had to do something because Culber was in danger.

He tries to describe his experience with the spores, but can’t quite find the words, describing it as “unspeakably beautiful.”

Hugh tells his partner to never do that again, because though Stamets might not care about Stamets, he does.

As Culber goes to bed, Stamets lingers for a couple of seconds and then turns away.  As he does, his reflection stays in the mirror and smiles.

Stamets Reflection - Episode 5 Recap and Review

It’s a wonderfully creepy way to finish the episode.

This is the most Star Trek episode to date.  I loved it.  It was action packed, it was full of drama, the performances from every cast member were outstanding.

It was shocking, revelatory and poignant.  My only complaint is that it went too fast.  I do not know how they squeezed all of that in.

This series is really taking flight.  It didn’t exactly have a bumpy start, but it did take it’s time bringing us to the mystery – and it feels like we’re finally there.

Is Ash Voq in human disguise?  There is precedent for this.  In the original series episode “The Trouble with Tribbles”, the character of Arne Darvin was revealed to be a Klingon.

What did Lorca do?  Why didn’t he go down with his ship?  What’s the story behind him killing his crew, but somehow surviving?

Will we see Ripper again?

Have Saru and Michael finally started their path toward becoming friends again?

What is going on with that reflection in Hugh and Stamets’ mirror?

Most people out there in fandom think this is hinting at an upcoming Mirror Universe episode.  We do know one is coming.  Will it be next episode?

I don’t care.  I’m just enjoying the ride.

There is no question.  I LOVE THIS SERIES.

Scorecard
Acting: 10/10
Direction: 10/10
Writing: 10/10
Editing: 10/10
Special Effects/VFX: 10/10
Story: 10/10

Overall, five Starfleet deltas out of five.

The next episode of Star Trek: Discovery is called “Lethe”.

Star Trek: Discovery airs in the United States on CBS All Access with new episodes released Sundays at 8:30pm ET.  In Canada the show airs on the Space Channel at 8:00pm ET.  Outside of the USA and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8am BST Mondays, and in Australia at 6pm Mondays AEDT.

Live long, and prosper.  See you in about a week.

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Episode 3 Recap and Review

Star Trek Discovery Update 22062017

I am so conflicted.

I really enjoyed this episode, but there were a couple of things that gave me pause.  More on that later in the review.  First… the basics:

The Facts
Episode Number
: 103 (Season 1, Episode 3)
Episode Title: “Context Is For Kings”
Writers: Aaron Harberts, Gretchen J. Berg and Craig Sweeny
Story: Bryan Fuller, Aaron Harberts and Gretchen J. Berg
Director: Akiva Goldsman

Interesting Bits and Pieces
We get to see our first Jefferies Tube!
There is a different Starfleet delta badge worn by some officers on the Discovery.  It’s all black.
A boarding party is a boarding party, not an away team (like on TNG).
Amanda is mentioned, and Spock is hinted at when Burnham talks to Tilly about her childhood.
Lorca has a Tribble.  That is hopefully neutered!
Lorca has a Gorn skeleton in his private area.  This is a little annoying, because I’m pretty sure we don’t officially meet the Gorn until the TOS era?
The robot is called Airiam and appears to be a Lieutenant Commander or full Commander?  I hope they explain this soon.  It looks like Data may have been the first “human-looking” android and not the first android in Starfleet.
The Discovery uses “breath” ID scans to access sensitive parts of the ship.  It actually looks kind of silly.
Last, but not least, Lorca and Landry are up to something together, and seem to have a relationship that goes back a while.

The Recap and Review
The first few minutes of “Context Is For Kings” did not grab me on the first watch.  On the second watch, I was far more interested because I knew what was coming and the scene made more sense.

We start on a prisoner transfer shuttle six-months after the events of “Battle At The Binary Stars.”

Burnham is in old school command mustard-gold, though it’s not a Starfleet uniform she is wearing, it’s prison garb.  She’s not in a good head space.

Sharing the shuttle with her are three not very nice individuals, one woman, two men, all human.  They’re unpleasant in every way, and this works.  The scene does a few things.  It shows us we’re not yet in the utopia that the Federation will become in the Picard-Sisko-Janeway era and it shows us that, as a species, humanity is still working itself out and is still trying to cast off some of its less desirable traits.

We quickly learn that Burnham is infamous as one of the prisoners tells her, with considerable anger, that she lost a family member in that battle.

Before things get violent, some kind of life form that feeds on energy starts to drain the shuttle of all power.  The pilot does an emergency EVA to try and fix the problem, but her tether breaks and she shoots off into the distance.  It’s all a little weird.  The scene is filmed in a very flat and undramatic way.  It’s devoid of intensity and energy.  Even the pilots death lacks drama.  She just shoots by a window.  I think that’s Akiva (the Director) helping us to climb into Michael’s mind – but initially I didn’t like it.

The prisoners go into a panic but Burnham sits there, quietly, almost with an air of relief, accepting her fate.  Perhaps even looking forward to it.

That, the second time around, was actually quite powerful.  It’s as if Burnham wanted to die and thought she deserved it.

Suddenly, a beautiful looking starship drifts languidly into shot, tractor beam extended, to save them.

USS Discovery

After two episodes, we finally get to see the USS Discovery.

I know the Discovery‘s design has divided fandom, but I love it.  It’s recognisably Starfleet, but is it’s own thing – and it’s stunning.  It’s design influence is a little alien, and I wonder at that.  I don’t recognise any particular Star Trek race’s ‘fingerprints’ on the design, but find that I want to know who developed her and whether or not they were guided by an alien aesthetic.

That’s the Trek geek in my coming out!

From the moment Discovery sails in to save the day, the episode kicks into high gear and we finally get to meet most of the principle cast.

Rekha Sharma as Commander Ellen Landry is entirely unlikeable.  She doesn’t seem to like or dislike Burnham, but treats everyone with what feels like contempt.  Equally.  Except for Gabriel Lorca.

Jason Isaacs plays our new Captain and you never know, from one moment to the next, whether or not Lorca is a good guy or a bad guy.  He is entirely mysterious, almost menacing, and completely compelling.

Mary Wiseman’s Ensign Sylvia Tilly is fantastic in every way.  She’s someone a lot of us can relate to.  This show is serious and tense, and Tilly brings a lighter touch which is needed.  I admit, I adore her.  She’s awkward, a ball of anxiety, allergic to almost everything, and is just a really good and really sweet human being.

Anthony Rapp’s Lieutenant Paul Stamets is arrogant, dismissive and entirely obsessed with his work.  He’s going to be an amazing character.  He doesn’t seem to like Lorca, and I’m not sure if he’s Starfleet or civilian?  It seems, from his dialogue, that he might have been drafted.

We reunite with Doug Jones’ Saru, and there’s also a brief, dialogue free reunion with a cybernetically altered Lieutenant Keyla Detmer from the Shenzhou, played by Emily Coutts.

Neither reunion goes well.  Gone is the brother/sister vibe between Saru and Burnham.  Saru is now the first officer of the Discovery, and he makes it clear that he considers Michael dangerous.

Keyla?  She just stares at Michael with barely constrained hatred and turns away.

Michael is temporarily put to work in Engineering with Stamets and Tilly while the shuttle is repaired.  It’s made clear she’ll ship out with the other prisoners and resume her journey when the transport is fixed.

As she gets to work, and gets a little break-and-entery, the mystery that is Discovery and her mission starts to unfold.

We learn that the Discovery has a sister ship, the USS Glenn, and the Glenn goes silent after upping their mycelial propulsion experiment.

Discovery shoots off to investigate.

Burnham, Tilly, Stamets, Landry and our first red-shirt (sorry… bronze-shirt), Ensign Ricky, shuttle over to what turns out to be a ship of horrors.

The experimental propulsion system on the Glenn has done something terrible to the biological lifeforms on the ship, and we go from Star Trek to horror-Trek in a matter of moments.  Disfigured, dismembered crew litter the ship, and it appears the Klingons tried to board her as we see one – before he’s quickly eaten by some kind of slug/beetle hybrid.

It’s a scene that is both amusing and horrifying.  One moment the Klingon is “shushing” the Discovery crew, the next he’s set upon by the monster and sucked into its toothy maw.

After a tense chase scene, that includes Michael reciting lines from an Alice in Wonderland book, our heroes escape, and, we learn, so too does the monster… though escape is probably the wrong word.  It ends up in some sort of menagerie aboard the Discovery thanks to Commander Landry.

The episode ends with Lorca asking Burnham to stay on as a consultant.  She declines, saying she committed mutiny and deserves her punishment, giving context to her despondency in the first scene.  She also doubts Lorca can over rule Starfleet.  He tells her he has a wide latitude in his mission, and insists she’s someone he needs.

She initially thinks its to engage in clandestine, barely legal activities in the name of the war effort and challenges him on this.

In a moment that gives us some welcome insight into Lorca’s cold and suspicious behaviour, he says it’s not.  He needs people who think on their feet, and are capable of doing what is necessary to save lives.

Burnham accepts his offer, affected by Lorca’s argument: “you helped start a war, don’t you wanna help me end it?”

What will her role be?  We’ll have to tune in to the next episode to find out.

“Context Is For Kings” is an excellent episode.  Akiva Goldsman really can direct.

The entire episode is tight, though there is a lot of treknobabble it doesn’t get in the way, and the exposition is light.

The performance of every single actor is superb.  There isn’t one weak actor in this show.

The writing… well, it feels like it’s been written by a committee and suffered as a result.  Previous Trek shows have an almost lyrical narrative flow, but Star Trek: Discovery hasn’t found that yet – and I think it’s because so many people have their fingers in each script.

That might eventually prove to be a good thing, but right now it is clear the writers are still trying to find their groove.

What gave me pause?

This new way of flying.  Unless I’m missing something, the Discovery appears to be mushroom-powered.  Which is okay.  In my day job, one part of the business I work for is looking into the science of mushrooms and how they can purify water and reclaim waste – and I am almost convinced mushrooms might save our planet, but there are four Trek series set in the future where there is zero mention of or reference to mushroom powered vessels.

Also, Lorca.  I admit I love his character, but I can’t work out if he’s a genius or a sociopath.

It rubs me the wrong way that Starfleet has given this man carte blanche to find a way to defeat the Klingons.

Context may be for kings, but I need more context.  We all do.  Is the war going so badly after six-months, that Starfleet is willing to consider chemical weapons or some other horrific tool as a means of stopping the Klingons?  Is this a Section 31 thing?  Are the black markings on the Discovery a symbol it is somehow different from other Starfleet vessels?

Lorca’s moral ambiguity is both fascinating and disquieting.

The shows writers and producers have gone to great pains to assure us it will all make sense, so I’m happy to suspend my concerns and enjoy the ride, but I do hope things become a little clearer soon.

Overall, this is an intense and enjoyable third episode… or actual pilot, if you prefer to see it that way.

Scorecard
This series is shaping up to be something very different and uniquely wonderful.  Four delta’s out of five!
4 Deltas

The next episode of Star Trek: Discovery has the second longest title in Trek history (I think).  It’s called “The Butcher’s Knife Cares Not for the Lamb’s Cry.”

The longest episode title in Trek history?  To my knowledge, it’s “For The World Is Hollow, and I Have Touched the Sky.”

We’ll be back with another review in a few days time.

Star Trek: Discovery continues to look incredible, and while the show still feels a little uneven I have no doubt it will find its voice soon, and its place in Star Trek canon.

Live Long, and Prosper.

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Pilot Episode Recap and Review (Parts One & Two)

Review Banner

It’s been 12 long years, but finally Star Trek is back on television.  Sort of.  It was on television in the US for a night, and then switched to a streaming service… but you know what I mean!

The event also coincides, give or take a few days, with the 30th anniversary of another Trek show that gave birth to 18 years of science fiction adventure – Star Trek: The Next Generation.

TNG was a ground breaking series for its time and gave birth to a shared universe before the Marvel movies made the idea popular.  Though beloved now by most Star Trek fans, back in the day people were swearing they would not give it a chance because of how different it was: the command uniform colour was red, red-shirts were suddenly gold-shirts, the ships only looked vaguely familiar and Klingons were on the bridge.  Some Trek fans do like to get their knickers in a twist and make a fuss.

A fuss most certainly has been made about Star Trek: Discovery.  For those of us who were in our teens (or older) when the new series was first in production, all this ‘noise’ is annoyingly familiar.  We also saw it when Star Trek: Enterprise went into production.

I’ll give the more rabid among us this though, the job is harder when the new show is a prequel, especially one that is set in a timeframe we all already know so much about.

In Australia, “The Vulcan Hello” and “Battle of the Binary Stars” dropped on Netflix only a few hours after they had premiered in the United States and Canada.  I quickly downloaded both episodes, finished up work for the day and headed to my car, fully intending to watch both episodes when I got home… only I couldn’t resist taking a peek.

Promising myself I’d only watch the first 15 minutes, I turned the car engine on, left it in park, hooked my phone into the car’s speakers, cued the first episode up on my pone and 40 minutes later I had to stop and just drive.

I eventually finished both episodes later that night in the comfort of my own home, with a nice warm feeling inside.  This was the new normal.  Star Trek on tap once a week, once again.

What did I think of the two-part premiere?

I enjoyed them.  I didn’t outright love them.  I was fully prepared to love them, I wanted to love them, but I didn’t quite get there.  I loved a lot of what I saw and I could see with ease the promise of an amazing series (which you might doubt when you read the review below), but it wasn’t there yet.  Nor should it be, it’s a pilot and every series has to find it’s feet, however, having just written that, I loved “The Emissary.”  With that pilot, I was sold.  It remains my favourite introduction to a new Trek series ever – and boy was that series different!

It was the same for Star Trek: Voyager.  I loved “Caretaker.”  That was an excellent pilot and ranks second on my list.

Star Trek: Enterprise‘s “Broken Bow” I enjoyed but had issues with.  The soft porn gel rub down in the decon chamber struck me as gratuitous and ruined that pilot for me.  It still does.

Next Gen?  Well, I was 15.  I loved it, but the adult me now sees how touch and go it was.  I still enjoy it (thanks nostalgia) but we all know it had a lot of issues.

“The Cage” vs “Where No Man Has Gone Before”… I love “The Cage.”  It wins out for me.  I loved Pike and I loved Number One.  Of course, I love Kirk and his crew too, but “The Cage” resonated with me when I first saw it when it was finally released on video many years ago.

Star Trek: Discovery?  I still don’t know.  It’s a little telling that I haven’t watched the two parter since that first night, I will, I just haven’t yet.  I strongly believe it will be an amazing series, but it upsets me that I didn’t immediately love it.

Why didn’t I love it?

I think they made a few mistakes that were avoidable – not Kelvin timeline level mistakes, but mistakes that shouldn’t have happened with that many executive producers nurse-maiding the series to air.

Before I go any further, it’s only fair I give you this warning:

Spoiler Alert

The Recap and Review
Now that that is out of the way, I’m going to go a little spoiler crazy.  This won’t be a blow by blow review, but I will highlight some of what gave me pause.

The first episode starts with the Klingons, and I think that was a mistake.

They look fantastic.  Yes, they are different from the Klingons we’ve known and loved (or been sick of for years because they’re so over used), and that is a little jarring, but they are recognisably Klingon, a more ornate version with very ornate costumes and intricately detailed sets, but they are without doubt Klingon.

The problem is that the makeup/prosthetics are so heavy I couldn’t work out what they were saying.  I don’t understand Klingon, but there is a cadence and familiarity we all have with that language, which was absent.

I wasn’t engaged by any of the Klingon scenes.   Not that opening scene or any subsequent scene.   They were laborious.  Slow, plodding and full of mangled guttural sounds.  I don’t believe that was the fault of the actors, but of the heavy prosthetics, the producers and the two director (part one and two had different directors).

It wasn’t a smart way to start a series.

The second misstep was the scene on the desert world with Georgiou and Burnham.

It was the second scene and it served no purpose.  We weren’t given a chance to be invested in the aliens they’re secretly helping, and though we were given an insight into Georgiou and Burnham’s relationship we get better examples of that later on.  Watching it, it felt like an excuse to mention “General Order One” to reassure us they were playing by the rules, and to set up Burnham’s fall from grace – being told she’s ready to command her own ship, only to have that all fall apart later on.

The worst part of that scene was the Starfleet delta in the sand.  I had hoped it was an insert by CBS that was used only for promos, but no.

Georgiou and Burnham walk a delta in the sand to help the Shenzhou spot them from orbit.

Let’s not even talk about how big that delta would have needed to be.  The biggest sin, besides the stupidity of the delta, was showing the Shenzhou break through the clouds only to jarringly cut to a shot of her hovering over the desert floor.  They wasted what would have been a stunning shot.

BUT, from there, the show really took off.

After a ‘different’ kind of opening credits sequence that is good but derivative, with music that is almost perfect (it dips in the middle which shifts the whole theme from awesome to average) and a list of credits that has us all asking “just how many Executive Producers does one show need?” we jump straight to the Shenzhou and their encounter with a mysterious object.  Suddenly, you forget all the executive producers, the muffled Klingons and the sand-delta because the show becomes Star Trek.  Everything starts to click.

The bridge and design of the Shenzhou owe more to the ships of Star Trek: Enterprise or to the USS Kelvin and USS Franklin of the J.J. Abrams films than to any TOS ship, and the uniforms are unlike anything we’ve ever seen in any Star Trek, but suddenly, for me, it all fit.

The designers have linked the old with the new in a way that works.  They couldn’t ignore the Kelvin timeline, because a smidge of it takes place in the Prime timeline – so it suddenly made sense that we’d see a mix of TOS and Kelvin and Star Trek: Enterprise design aesthetics in the show, mixed harmoniously together.  There wasn’t enough TOS, but we have been told that will come.  We’ve even been told we’ll see the original uniforms in some version.  On that, apparently the new uniforms, as seen on Pike and his crew, are being phased in, like the DS9 and Voyager uniforms were phased in, in Star Trek: Generations before they changed entirely for the eighth film.

It wasn’t just all of those things clicking in my head that made the show take off – it was everything that happened in those first scenes on the Shenzhou.  It worked.  The cast were great.  I’ve read a review or two that suggest the acting was wooden, but I didn’t see it.  There were a couple of moments where I questioned a performance or two, but it was the first episode and that sort of thing is going to happen.

From there, pretty much everything was excellent.  There was one more misstep, and that was in episode two where things happened too fast.  The actual battle with the Klingons and the appearance and almost instant annihilation of the USS Europa and Terry Serpico’s character were a wasted opportunity.  The episode was really building and then suddenly it felt like everything was over far too quickly.

If I have one major issue with these two opening instalments, it’s their pacing.  In places it’s off.

But that’s okay.  By the end of both episodes you realise you haven’t actually seen the pilot.  You’ve seen a prequel to the prequel.

Huh?

The Shenzhou does not make it out.  Georgiou and most of the other characters we’ve been getting to know don’t live.  There is no resolution for the main character, there is life imprisonment for mutiny.  There is no USS Discovery and we don’t meet most of the actual main cast.

I liked that.  I hated it because I was really liking Georgiou and Danby Connor, but I liked it because it was unique and a wonderful device for getting exposition out of the way.

The real pilot we’ve since been told, will be episode three.

So… everyone dies?  Almost.  But yeah, most of the characters we meet don’t make it to the last act.

There are two impactful deaths in this two parter, for me, and both were handled beautifully.

I fell for Georgiou and Ensign Connor immediately, thanks to all the lead up about their characters, and they both go out in style.  Connors’ death is a shock.  But it’s what would happen in a space battle.  It’s so jarring and unexpected I forgot to breathe for a few moments.

Georgiou’s death we knew was coming, there was no way she was making it out alive, but it still surprised me, and Burnham’s reaction was perfect.  It was a heart-breaking, emotionally powerful scene.  Throughout the episode there were hints Philippa Georgiou was like a surrogate mother to Michael Burnham, and we see that play out meaningfully in her death.

Sonequa Martin-Green was incredible.

I won’t go any further into the episode because you need to watch it.  There is one more major death which is completely unexpected, but I don’t want to spoil that one.  It surprised me.

Yes, I’ve been critical of this two-part opener for the new series, but it really is excellent science fiction and it IS Star Trek.  I know I’ve spoiled quite a bit, but there are many more things to discover (no pun intended) that I haven’t talked about.

To wrap up:

Sonequa Martin-Green and Doug Jones (as Burnham and Saru).  AMAZING.  10 out of 10.

Michelle Yeoh.  Why did they kill her off?  She is one of the best Star Trek captains I’ve seen on screen.  10 out of 10.

James Frain as Sarek.  He does it.  He honours Mark Leonard meaningfully, while making the character his own.  The only issue I had with Sarek was when his hologram sat on something in Burnham’s quarters from thousands of light years away, but that’s a nit pick I don’t have the energy to go into.  It’s one more thing the executive producers should have picked up on and didn’t.  Seriously… what do they do on the show?  The sitting hologram is not James’ fault and it didn’t detract from his performance.

The rest of the cast.  Just kick-ass.  I wanted to spend more time with them and am disappointed I didn’t get to.  We were promised “new ships” and got them, but I would have liked to see them stay around for longer.  10 out of 10.

Costumes and sets.  Blew my mind.  These surpass anything we’ve ever seen before on film or television.  10 out of 10.

Writing.  Needs a bit of work.  Some simple plot structure mistakes were made, some dialogue was a bit clunky, and some of what we saw on screen was silly.  Which ever writer or producer thought the delta in the sand was a good idea and that immersing us in the political nonsense of the Klingons was going to be interesting needs to sit out the rest of the season.  7 out of 10.

The overall story.  It’s great.  Personally, I love it and I have no issue with the Spock connection.  10 out of 10.

Music.  The opening theme is beautiful, but strays in the middle which does affect it. The music throughout the show was brilliant.  9 out of 10.

Direction.  Good.  I don’t know why they had to tilt the camera angle all the time, it annoyed the crap out of me.  6 out of 10.

Special Effects.  BEAUTIFUL.  10 out of 10.

Pacing.  Needs a bit of work, especially in the Klingon scenes.  They rushed stuff they shouldn’t have rushed, like most of Episode Two, and set far too languid a pace for some scenes that they should have just smashed through.  7 out of 10.

Editing.  I’ve separated this from pacing, because I think the pacing was a writing, directing and producing issue.  The editing was perfect except for that one scene in the opening with the Shenzhou.  I didn’t feel thrown out of more than that one scene by the editing choices made.  9 out of 10.

Tone.  This was Star Trek.  It felt like Star Trek, it looked like Star Trek, it sounded like Star Trek.  So much so, the strangeness of the uniforms and the Kelvin timeline like effects and sounds faded into the background.  9 out of 10.

Scorecard
4 Starfleet Delta’s out of 5.
4 Deltas

There is room for improvement, but they kicked a goal and I really pleased to say “Star Trek is back.”  I’m proud of what these guys have accomplished and I believe Star Trek is in the right hands.  I’m putting all of what annoyed me down to the reality that this is a new series finding its feet.

Bring on Monday!  I can’t wait for the third episode.

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A Brave New Adventure

Star Trek Discovery Premiere Eve Banner

We’ve been a little quiet here at Star Trek: Sentinel because there has been so much Star Trek: Discovery news coming out that we kind of just wanted to enjoy it and let it wash over us, and didn’t feel the need to comment on it.

Now we stand on the eve of the launch of a brand new series and a bold new experiment in Star Trek.

Since the new series was first announced and up until today, we’ve all seen people expressing hope and excitement for the show and people nit-picking everything and heaping disdain on this new series every Trek fan should be looking forward to.

Georgiou and Burnham

It’s probably no secret that I am incredibly excited about the show.  I love Sonequa Martin-Green as an actor, I’m a huge fan of Kirsten Beyer, Akiva Goldsman and many other behind the scenes creatives, and I admire the risks everyone has taken to make this version of Star Trek relevant.

I’ve been disappointed, even upset by some of the negative coverage coming from some sites.  The amount of it coming from one particular sci-fi site (not a Trek one) has caused me to delete it from my favourites and move on.

Now that we’re literally only hours away from the first brand new episode of Star Trek television in 12 years, I thought it might be a good idea to point you guys toward a handful of excellent articles out there right now on websites staffed by professionals who are genuinely excited to see Star Trek: Discovery.

There are two sites in particular that have had extensive and exceptional coverage over these last few weeks:

TrekMovie and TrekCore.

TrekMovie, in particular has suddenly become one of the best, if not the best, Trek site ever.  Their coverage of Star Trek: Discovery has been spectacular.

TrekCore have always been amazing, and though they may be following a close second behind TrekMovie, their coverage has still been excellent.

Inside the Discovery

Here are some great articles from both sites.

Let’s start with the coverage of the recent Premiere, held a couple of days ago in Los Angeles – attended by many of the cast and crew of Star Trek: Discovery, and Star Trek royalty, Nichelle Nichols and William Shatner.

Nichelle, Sonequa and Bill

Sonequa and the cast get a blessing from one of the most significant women in modern science fiction, Nichelle Nichols.

TrekMovie gives us some photos from the Hollywood Premiere.

TrekCore‘s coverage of the Premiere.

For more on the “blue carpet” premiere event, visit both TrekMovie and TrekCore and look through their most recent articles.

Of particular interest to fans, the Season One Press Kit for Star Trek: Discovery has finally been released.

It’s beautiful.  The images above, and one a little earlier on in this article are from that kit.

TrekCore got the scoop on this one, so go check out their article focusing on the kit here.

Some of the things we’ve learned over the last few weeks are that the Klingon War with the Federation will play a major part in Season One of Star Trek: Discovery.

We’ve also learned that the war story will be wrapped up by the end of the 15 episode first season arc.

We don’t know what Season Two might hold, but it’s interesting that the Klingon conflict will fade out to be replaced by something else.

I think that’s a good idea.  Multiple years focusing on a war might get a bit a much – plus, there’s a lot more to Star Trek than Klingons and the war-arc has already been done and done well in Trek’s illustrious history.

Star Trek Discovery EW Photoshoot 1

If you want to catch up with all of the Star Trek: Discovery news, visit those two wonderful sites.

Right now, I am eagerly counting down the hours to Star Trek: Discovery‘s release on Netflix.

If I could have one wish over these next few days, it would be for my fellow Trek fans to give this show a chance.

A great deal of incredible talent has been brought together to bring this show to us, and a lot of love and care has gone into it.  Yes, it looks different to Star Trek: The Original Series and probably shares more in common with Star Trek: Enterprise and the J.J. Abrams Trek movies, but that’s superficial and necessary if we want to attract new viewers and keep Stat Trek alive.  The show and it’s producers are doing everything they can to be faithful to canon and to make us something we will love.

The internet has become an horrifically nasty place where people seem to think it’s acceptable, even ‘cool’ and funny, to be negative and sometimes even abusive, but Star Trek fans are better than that, and the worst of us are nothing more than a vocal minority.

I hope other fans who love all things Trek for everything that the shows stand for, and respect and attempt to live the ideals of Star Trek, embrace this new show and love it and ensure it continues for many years to come.

We’ll be back in a couple of days with a review of the pilot episode, which is titled “The Vulcan Hello.”

Until then, may we all and may Star Trek: Discovery especially, live long and prosper.

In the United States, Star Trek: Discovery premieres on CBS on the 24th of September with all subsequent episodes airing on CBS All Access.  In Canada Star Trek: Discovery will premiere on the 24th of September also, on Bell Media’s CTV and the Space Channel.  For the rest of us, Star Trek: Discovery will launch on Netflix on Monday the 25th of September.

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Discovery News Hits Warp Speed

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We’ve purposefully held off on posting any of the ‘new’ news about Star Trek: Discovery that’s been coming out, because we were pretty sure SDCC (San Diego Comic-Con) would drop a lot of information.  And we were right.  And then EW did also, which means there is a fair bit to catch up on.

Where to start?

The first place would be with the new trailer that was released.  It is… fantastic.  Despite what some science fiction news sites have said.  They haven’t said it’s bad, but one or two have given it a less than warm reception.

I’ve been really disappointed with some of the comments made by these sites, but on the up side I have been really impressed with the cautious optimism and enthusiasm coming from Trek-specific news sites.

When it comes to the new Star Trek show a couple of these online genre news outlets have an overly negative attitude going on, and appear to feel that unnecessary nitpicking is the way to go.  One or two of their points have merit and some are downright ridiculous and poorly researched.  Example?  Gene’s vision of a future where Starfleet officers don’t argue or have conflict of any sort.  This is true for the TNG era, but not for what came before it.  In TOS and the first six films, there was plenty of conflict.  Anyone remember Star Trek: The Undiscovered Country?  Kirk was not happy with Spock for volunteering him and the Enterprise to escort the Klingon High Chancellor to Khitomer, and in TOS Spock and McCoy went at it almost every chance they got.  For that matter, Kirk and McCoy could get pretty testy with each other now and again.

Another example of the nitpicking?

There was an article a couple of days ago on io9, one of my favourite sites, by my favourite writer on that site, taking exception to Kirsten Beyer asking Jason Isaacs to avoid saying the word “God” (in an ad lib) because Gene had envisioned a world where religion didn’t have a great deal of influence on human beings.  Not a world/universe where there was no religion, but one where it’s impact wasn’t as wide felt.  The writer of that article was annoyed by this, and said (I’m paraphrasing) that it was just another ‘thing’ she didn’t get about the show.

She kind of has a point, ad libbing in a “God” is a small thing, but then she went and ruined her point by citing Star Trek: The Final Frontier and Star Trek: Deep Space Nine, saying the correction was silly because the “g” word had been used before in Star Trek.

In the fifth feature, Kirk doesn’t ask the question “what does God need with a starship?” because he believes in God, he asks it because if there was a God, he or she or it would not need a ship to get anywhere, and the line isn’t an ad lib, but an integral part of the story.

And DS9?  For almost the whole seven years of that series, Benjamin Sisko fought against his appointment as The Emissary, and believed the Bajoran Gods were nothing more than wormhole aliens.

I might be wrong, it’s been a long time since I watched season seven of DS9, but I don’t think Sisko ever truly believed the wormhole occupants were Gods or a representative of God or a God.  They were extra-dimensional beings with a command and understanding of space-time far different to our own.

Lorca is a Starfleet officer and is part of an organisation dedicated to scientific research and exploration (alongside a joint mission to defend and protect the United Federation of Planets).  While many scientists are still people of faith in today’s world, and no doubt will be in the future, it’s not a big enough thing to nitpick about.  I don’t know why Kirsten’s correction of an ad libbed line has earned her that journalists ire?  My question is, do we know enough about the context of that conversation (between Kirsten and Jason) to be getting upset about this?  Probably not.

Also, I really don’t know why this particular situation is another ‘choice’, apparently amongst many, that is hard to understand?

Some of the decisions the writers have made have been contraversial, but they’re understandable.  The series needed to be updated if it was going to have a chance against the juggernauts of Game of Thrones and The Walking Dead.  The creative team has made mostly cosmetic changes, and where things may upset canon have promised us an in-Universe explanation.

Star Trek Discovery EW Photoshoot 5

A lot of the snipes coming from these sites are silly and they are getting really annoying.  Hundreds of thousands, if not more, Star Trek fans around the world have been waiting for a new series, and a lot of us are over-joyed and excited about this show and are holding out hope it will be brilliant.  If you don’t want anything to do with the show or aren’t coping with the changes that have been made, keep your opinions to yourself unless they have some balance and substance.

Instead, focus on THE most diverse cast in Trek history and how that lives up to Gene’s vision, a vision he wanted to show but couldn’t while he was alive because of the resistance he faced over the years.

Don’t forget, his son, the keeper of Trek now that Majel has left us, is intimately involved with this series.  Show some respect, and give this show a chance before ‘bagging’ it across the internet.

Sorry for that digression.  Those two examples above are only some of a number of articles that have really irked me.  But!  Back to the trailer!!

If you’d like to watch it, jump over to the official Star Trek site here.  The music is “I’d Love To Change The Workd”, by Jetta.

This show is, from the look of both trailers (the first one released and this newest trailer), aiming to be an intense and exciting, epic exploration of a time before Kirk and after Archer, and it’s trying to be a deep and thoughtful exploration of the ‘self’ and the journey we all go through on this roller-coaster ride we call life.

The over-arching story is starting to take shape thanks to the trailers and interviews we’ve seen, heard and read, but I have no doubt there will be more to the series and I also have no doubt that the creative team will throw us a few red-herrings!

What is that story?  A war between the Federation and the Klingon Empire.  It’s been hinted at, but never shown, so now we may get some context around why the Organians were so insistent on implementing that treaty way back in TOS’s first season (2267), and ending that war.

A few days after the trailer hit, EW released some beautiful photos from a behind-the-scenes interview and photoshoot they did.  Some of them are peppered throughout this article.

If you’d like to see all of these really gorgeous shots, visit Entertainment Weekly here.  Even better, buy their latest edition featuring the new crew, here.  I have, and I don’t regret it.

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If, for whatever reason, you can’t view the trailer, below are some screenshots from it.  Because I’m in Australia, I have only seen the Netflix version, and I have no idea how different it is from any trailer that was released by CBS or Space (in Canada).

When you see the release date screen grab pop up at the end, don’t freak out.  In the United States and Canada Star Trek: Discovery will still air on the 24th of September, but in Australia and most other countries it will air on the 25th.

Here are the trailer shots, with a tiny bit of commentary.  The trailer I saw had subtitles.

Warning… there are a LOT of images.  Apologies for the quality, at times the internet was holding up beautifully, and at others it wasn’t.  Australia is a great country, but our internet service providers and internet speeds are a joke.

Just a quick aside first.  Some people have thought the Shenzhou leaves behind ‘graffiti’ on the desert world Georgiou and Burnham visit, in the form of a Starfleet Delta.  I really doubt that is something that happens ‘in-show’, and I’m pretty certain it’s a creative effect by CBS.  Time will tell if I’m wrong.

As I said above, it really feels like the creative team are setting up something thoughtful, and hopefully epic… “All life is born from chaos…”  Those are portentious words!

It’s clear there’s some sort of battle, and it looks like the USS Shenzhou doesn’t come out of it in one piece – and it looks like that’s thanks to our old friends, the Klingons.

Throughout the trailer it’s insinuated that our lead character, Michael Burnham, makes a decision or is involved in a decision that starts a war with a fractured Klingon Empire.

It also seems like Burnham is reporting back to Sarek.  It’s unclear if Sarek is an Ambassador at this time?  I looked him up on Memory Alpha but it doesn’t talk about his career in the 2250’s so who knows what this legendary individual is up to at this point in his life?!  Is it his handling of this affair which makes him an Ambassador?

Next we see a series of images that seem to depict the very beginnings of what becomes a war between the still relatively young United Federation of Planets (the UFP was founded in 2161) and the ancient Klingon Empire.

We don’t know who fires first, but from the first trailer where Georgiou says “Starfleet doesn’t fire first”, we can guess it’s the Klingons.

Then we get some random stuff.  Space mushrooms maybe?

I don’t know what these shots indicate, but my guess would be it’s Michael Burnham exploring the Discovery after being assigned there.

If it’s not space mushrooms she’s seeing, then perhaps the Discovery is the first starship to have it’s own large garden area and she’s amazed and impressed by the sight?

Those images are quickly followed by more combat images and what seems to be the Shenzhou under attack.

As you can see, things don’t look good for the Shenzhou.

A lot of fans have been predicting Captain Georgiou doesn’t make it out alive and that Michelle Yeoh only guests for the first two episodes.  I’m hoping against hope that isn’t true, because she’s an incredible actor and because it would be nice to see a competent female captain who doesn’t die in the first thirty-minutes of a Trek-show, other than Janeway of course, but I have to concede that those fans may be right in this case.

Following from the above, as you’ll see below, it looks like the Shenzhou doesn’t just get the crap shot out of it, it looks like she gets boarded too.

Rather than evacuating in escape pods, Burnham and some of the crew flee in a small shuttle craft of some kind.

Then we get random again, and the storyline hints at a mystery of some sort?

What the hell is going on on this ship?” Burnham asks.

For those of you who don’t know, the fifth image of a young woman in bed is Cadet Sylvia Tilly.  She bunks with Burnham and from interviews with the actor (Mary Wiseman) playing Tilly, she and Burnham become friends.

We get more images of people running, then Captain Lorca talking about the USS Discovery.

We finally get to see the first in-trailer image of the Discovery, though only very very briefly.  The ship has longer nacelles than the original earlier design, which I like.  She looks more graceful and powerful as a result.

We are shown how Sarek and Michael meet.  In later interviews we learn that Sarek rescues Michael Burnham from a world that has been attacked, and he and Amanda adopt her when it’s discovered her parents are dead.

Yes.  Michael is Spock and Sybok’s adopted sister.

Cue outraged fans.

Don’t worry, the creative team have said they will address this hiccup in continuity.

Then everything shifts again and we get our first look at Harry Mudd.  He seems to be putting Burnham through some kind of obstacle course, and if she doesn’t complete it something goes “boom”!  Either that, or he is rescuing her.  Later on, there is an image that is either a jail cell or a section of a corridor on the Shenzhou that is protected from losing atmosphere by forcefields, and Burnham is trapped in that tiny space.

It’s unclear if these images are from the pilot, or the second, third, fourth or fifth episode filmed, but if Harry is rescuing her, he might be in the first two episodes.

The way the announcements dropped earlier in the year, it seemed like we wouldn’t see Harry Mudd until close to the middle of the 15 episode season… but this production has kept its secrets pretty well so Harry may be popping up early!

Then more images of destruction.  Is the Shenzhou being side swiped by a Klingon vessel?

We also get another interaction with Mudd, with a dialogue exchange that is a little cheesy, but is guaranteed to bring a smile to the faces of long-term fans.

We switch to Lorca talking to Burnham: “You chose to do the right thing…”

This is cut with images of Georgiou and Burnham beaming into what looks like a Klingon vessel.  The fifth image is of poor quality, but it’s someone leaping out and tackling Burnham.

We get random again for the next images, but in them Lorca has a voice over where he continues on from his previous comment, saying to Burnham “…even at a great cost, to yourself.”  The images end on Georgiou facing something bright on the viewscreen of her ship.

The “great cost” might be the death of this woman, who we have learned is very important to Burnham, or it could be the war Lorca mentions and the punishment Burnham received.

Here’s the image I was talking about earlier.  Does that look like a futuristic jail cell in the second image?  Or is it a sectioned off part of a ship that’s lost containment and she’s trapped in that area?

We see Georgiou standing in front of the viewscreen of the Shenzhou as something explodes.

In voice over, Lorca says: “You helped start a war.”  In the next scene he asks her, in an almost Lucious Malfoy kind of way: “Don’t you wanna help me end it?

The last image in this set is random.  Lorca is touching a forcefield of some kind.

The last live action images show us escape pods ejecting from the Shenzhou, and Burnham in an environmental suit that is pretty badly damaged, spinning off into space.

Looks like that Klingon she faces off with (from the first main trailer) gets the upper hand.

This is a better trailer than the first one.

The first one definitely got me excited, but this one gave me chills and continues to every time I watch it.

As I said up above, some science fiction news sites have been dismissive of this new footage because being negative is ‘cool’, but a number of Star Trek news sites have been very excited!

Watch the trailer and let me know what you think.  Depending on where you live in the world, you’ll see either the CBS version or the Netflix version.  I wish I could tell you if there are any differences, but I don’t know.  I’m sure a site will find a way to access both and do a comparison.  TrekCore, for example, has correspondents in various countries around the world.

So what have we learned since the last update?

So much.

Here are all the major bits as dot points:

  • As mentioned above, Michael Burnham is Spock and Sybok’s adopted sister, and was raised by Sarek and Amanda after losing her parents;
  • The USS Discovery possesses a ‘new way’ to ‘fly’, so perhaps some prototype warp engine?  In Star Trek: Enterprise a lot of fuss was made about the warp 5 engine, perhaps this is the beginning of the warp 8 engine we see Kirk’s Enterprise using?
  • A couple of weeks ago, some news came out about Saru’s race – his species was one of the few things I had issues with from the first trailer, because they are apparently genetically designed to “sense the coming of death” and that didn’t make any sense to me.  While chatting with EW, Doug Jones revealed a little more about his species: “On Saru’s planet, there’s a dominant predator species that constantly imperils another weaker species called Kelpiens.  As part of the latter group, Saru has evolved with heightened survival instincts.”  To read more about Kelpiens, check out the TrekMovie article here.  We also learned that Kelpiens have hooves;
  • We’ve been told that Harry Mudd is more edgy than the more mature version we see in TOS, which makes sense – he’s a younger version in Star Trek: Discovery, and perhaps his interactions with the Discovery crew ‘mellow’ him;
  • We learned that Captain Lorca is not your run-of-the-mill Starfleet captain, and has “a lot of sharp edges.”  This fits with his reputation as a tactical genius, and someone like that, you would imagine, would not always feel it was necessary to obey the standard social niceties;
  • A new character was announced, and it’s a boyfriend for Lieutenant Stamets, the first openly gay character in Star Trek television.  The new character is Doctor Hugh Culber, played by Wilson Cruz;
  • The creative team behind Star Trek: Discovery went to great lengths to assure fans at SDCC that they are always mindful of canon, and that despite the fact it feels like a lot has changed (the uniforms, the look of the Klingons and the ship designs), a lot more than we might think is the same and is very Star Trek.  A bit of a codicil was added to that, saying that one of the aims of Discovery is to excite existing fans while allowing the show to bring in brand new fans to ensure Star Trek‘s longevity;
  • This new Trek is designed to be as much an emotional journey for the characters and us as the audience, as it will be a physical journey of discovery and exploration for the ship and her crew;
  • The Klingons will speak Klingon when talking to each other, and those scenes will be subtitled for our benefit;
  • The show has been designed with diversity in mind, and the casting choices have been purposeful.  The best actor was always chosen for the role, but one of the aims of the show was to give as many people in the audience as was possible someone to relate to – and this has always been an important part of Trek.  One of the greatest compliments given to Nichelle Nichols and Uhura was that people of colour saw themselves ‘in’ her, and thanks to that, saw a future for themselves.  This diversity, of course, doesn’t just extend to people of different nationalities, it extends to people who are thoughtful, who are focused and driven, who are GLBTQI+, to people who are more action oriented in life, and to people who are experiencing difficult emotional journeys thanks to a mental illness – with one character suffering from Post Traumatic Stress Disorder (Lieutenant Ash Tyler who is a former prisoner of war);
  • The Klingons are no longer a proxy for the Russians, as they were when Gene originally envisioned the race.  That’s not to disrespect Gene’s vision, it’s to do what Gene always did, try to reflect the times we live in – and the times we live in are full of isolationist rhetoric, an understandable and warranted fear of terrorism, and general paranoia.  The Klingons are now a proxy for us, and what fear has and is doing in this world;
  • One thing that has stuck out for me is the frequent mention of ‘being mindful of timelines’.  Bryan Fuller’s original pitch, we have recently learned, was to have the show jump timelines each season – starting in the 2250s, hitting Kirk’s era, and then going to the TNG era and beyond.  I don’t know if this is what is being referred to, or if another alternate timeline is being created?
  • Space mushrooms just might save the galaxy!
  • Not everyone is going to make it out of Season One alive.

So that’s most of the news that has dropped since the last time I did an update.

If you’d like to go into more detail on any of these items, visit the following sites to read every tiny bit of information that has been released to date on the new series:

TrekMovie, here, and TrekCore, here.  These two sites have had the best, and the most comprehensive, coverage.

That’s it for now!

We’re less than two months away from the debut of Star Trek: Discovery.  We can expect more information to be released very soon, and most likely at Star Trek: Las Vegas, which starts on the 2nd of August.

This new series is shaping up to be very exciting and something that modern Trek needs.  I hope you’re as excited to see it as I am.

Live long, and prosper.

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Lorca and Burnham

Star Trek Discovery Update 22062017

One of the biggest questions to pop up after the most recent Star Trek: Discovery trailer was… where was Captain Lorca?

It seems he was a special surprise being kept for Entertainment Weekly, who have an article on the new series coming out in their next issue.

But before we get to that…

Yesterday, the star of Discovery spoke about something a lot of us have been contemplating since the release of the trailer – what is Lieutenant Commander Burnham’s relationship with Vulcan?  And, in particular, Sarek.

Sonequa shared some information on her character’s arc with Entertainment Weekly:

I have an inner war and it’s a journey of self discovery and finding out what it means to be alive, to be human, to be a Starfleet officer, what it means to be a hero.

Yes.  The character is human.  Many of us wondered if she might in fact be a Vulcan.

We were wrong!

On her connection to Vulcan, she said, “I have the Vulcan conflict in my life from Sarek and Amanda so there’s always going to be that inner conflict with me.  But I think it’s relatable because we all have some kind of inner conflict going on – who we are versus who we present ourselves to be.  There’s a lot to be discovered.

It might seem a little wanky, but the thing I love about this show is that it feels like the title, Discovery, is about more than just the ship or some ‘meta’ sort of “we’re out here discovering things” vibe.  It seems like the title runs through everything, from the intimate lives of each character, to the ‘macro’ stuff of discovering strange new worlds, and new civilisations.

And Captain Lorca?  What about him?  Well, that’s Gabriel Lorca to you.  Yes, he finally has a first name!

We don’t know a great deal about him, other than his name (finally), and the fact that he’s a brilliant military strategist.

Does that give us a hint about the Discovery‘s mission?  Might that add something to the strange markings on the USS Discovery, as visible in the most recent image of the ship?

Close Up of the USS Discovery

Are those markings meant to differentiate the ship from others in Starfleet in some way?  Is the Discovery covert ops?  Was the Shenzhou also covert ops – and is that why the uniforms for both crews are slightly different to what we’re used to – which is, for want of a better term, the exploration arm of Starfleet?  We now know that the Shenzhou is an older ship, so it would be interesting to get a close up of it’s dorsal section to see if it bears similar markings to those on the Discovery.  Could they be from the same fleet… sub-fleet(?) of Starfleet?  There are way too many ‘fleets’ in that sentence!

There is precedent – for there being more than one fleet (that’s an historic precedent) and for differing uniform designs (within Star Trek).

Fleets first… at the moment, the United States maintains seven fleets in its Navy, according to Wikipedia:
– United States Fleet Forces (formerly the Second Fleet, and both Homeland Defence and taking care of the North Atlantic);
– United States Third Fleet (East Pacific);
– United States Fourth Fleet (South Atlantic);
– United States Fifth Fleet (the Middle East);
– United States Sixth Fleet (Europe);
– United States Seventh Fleet (West Pacific), and;
– United States Tenth Fleet (Fleet Cyber Command, and formerly the anti-submarine warfare coordinating organisation).

If Discovery is set in 2255, as has been indicated, that’s 100 years after the events depicted in Star Trek: Enterprise (Seasons 1-4 happen between 2151 and 2155 – with the season 4 finale taking place in 2161), and there could still be a hangover from that pre-Federation era where we had Starfleet and the MACO (Military Assault Command Operations) – both answerable to the government of Earth, but one more militaristic than the other.  Do we know what happened to them?  I know that at some point their responsibilities were passed on to Starfleet Security… but did something survive?  Did the MACO have a new life in between the time of Archer and the time of Kirk?

The uniforms… well, the MACO had a completely different uniform to our friends in Starfleet.  Obviously, two different organisations, but serving the same government.

If the MACO continued in a slightly different form, as a part of Starfleet – as a specialist fleet, might they not have a different uniform?  That’s way out there, because if we were to use the US military as an example, the different fleets mentioned above don’t have different uniforms but this is the 23rd Century!

To me, Starfleet and the MACO are kind of like NASA and the US Military.  NASA is an independent agency of the executive branch of the US Federal Government and is in essence civilian, but it recruits from the military to fill some of its positions.  The US Military are the federal armed forces of the United States and, like NASA, are answerable to the government.  Do we have something similar going on in this era of Star Trek?  Could Burnham, Lorca and Georgiou be part of a new (or old), more military arm of Starfleet?  Hey, I’m doing what fans do.  Divining explanations from random sources to create ‘head-cannon’.

Ah… speculation, my old friend…

But I digress.  We were talking about Captain Lorca before I went on a flight of fancy.

Entertainment Weekly have very generously released the first official image of Captain Gabriel Lorca, on the bridge of the USS Discovery.  We don’t get to see much of the bridge, but we do get Lorca looking every bit a Captain and every bit a man who could most definitely be a military genius.

Jason Isaacs as Captain Gabriel Lorca.jpg

He looks good, hey?

It’s been a really exciting week for news on Discovery.  If any more pops up, we’ll be sure to share it with you here.

If you’d like to check out the Entertainment Weekly exclusive, and subscribe to EW for the actual article when it comes out, click here.

Of interest to some of you, Kirsten Beyer and Ted Sullivan have been getting pretty active on Twitter recently, running non-spoiler Q&As.  If you want to check them out – and I recommend you do – follow @StarTrekRoom (the Star Trek: Discovery Writers Room) and @karterhol (Ted Sullivan).

If you’d like to read the most recent exchange, visit TrekMovie, here.

Now that we’ve seen Jason as Lorca, I am hanging for a new trailer so we can watch him in action and see how he and Sonequa bounce off each other!

I am so excited for this series!  What a cast.  How beautiful does it look?

Star Trek: Discovery airs on CBS (first episode only), CBS All Access, and Space (in Canada) on the 24th of September, and on the 25th of September for Netflix and international audiences.

It stars Sonequa Martin-Green, Jason Isaacs, Michelle Yeoh, Doug Jones, Terry Serpico, Maulik Pancholy, James Frain, Anthony Rapp, Chris Obi, Shazad Latif, Sam Vartholomeos, Mary Chieffo, Kenneth Mitchell, Mary Wiseman, Rekha Sharma, Damon Runyan, Clare McConnell and Rainn Wilson.

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Five Episodes Filmed

Star Trek Discovery June Update

Slowly but surely, Star Trek: Discovery is getting ready for its September premiere.

Multiple sites have been reporting that a total of four episodes are now in the bag, with the fifth under way.  That’s one third of the first season pretty much complete.

Chatting with Collider earlier this month, Executive Producer Alex Kurtzman confirmed that five episodes have been filmed, and also addressed fan angst around the delays that have plagued the much anticipated series.

We postponed our schedule,” Alex said, “because the truth is we did not want to put out something that was subpar, and as the vision expanded we started feeling like we weren’t gonna be able to deliver the scope and the scale that was on the page.

He continued, saying something very few show-runners have probably ever said about a studio: “CBS was extremely supportive in saying, ‘okay… you know what, this is streaming, it’s not like we have to beat out right away, let’s do the best version of this, Trek is too important for all of us.

In an unusually talkative mood, Alex hinted that we should expect a major guest starring cameo or two in the first and following seasons.

So many actors are fans.  We literally got a list of them that were like, ‘Here are people who said they want to be on Star Trek.’  It was awesome…

Do we know who’s on that list?  Unfortunately, no.  Alex and the other producers will no doubt keep that close to their chests.  It does make me wonder, though, if Rainn Wilson was one of those people?

As he continued to discuss the soon to be released series, Alex gave us something of a rationale for the cosmetic differences between the sixth live action series and its predecessors – something which has annoyed a few die hard fans.

The line between film and television is utterly blurred.”  He said.  “Not just at a storytelling level, but visually now.  What we’re doing on Star Trek right now, that’s not that different from what we’re doing in the movies.  I think that’s what people expect when they pay for Netflix, or HBO, or whatever they’re going to pay for.

It’s kind of what we were talking about in our last post – modern audiences aren’t going to accept certain stylistic choices just because we, the long term fans, want design continuity.

From my perspective, a little more continuity would have been nice, but ultimately what I care about most are the characters and the stories.  I want to get swept up in an arc that I enjoy, and I want to develop a relationship with the characters and love them as much as I do the crew of the Enterprise D.  Uniforms and sets are essentially just uniforms and sets.  It would be great if there was an explanation offered for the differences, but if that doesn’t happen it’s not going to upset me.

Now that CBS and Alex Kurtzman are addressing the delays, I feel a lot more reassured.  I really do believe everyone behind this show is giving it their all.

Official Star Trek Discovery Launch Poster

Last bit of news… for those of you still mourning Bryan Fuller’s departure (like I am), according to Alex, his ‘hand’ is still all over the series.

His ideas weren’t abandoned, and his influence is still very much prevalent and will continue to be prevalent into the second season.  How nice is it to hear a producer talk about a second season, when a show hasn’t even aired yet?

Not long to go now, guys.  I hope you’re putting away any reservations you may have, or are at least suspending them, and are getting ready to give this series the chance it deserves.

It’s been over a decade since we had Star Trek on television – it’s true home.  Let’s get behind this new series and hope that the creative team have given us something worthy of our love and loyalty.

Live long, and prosper.

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