Episode 15 Review

Star Trek Discovery Review Banner Episode 15

It’s taken me a long time to write this review, because, sadly, I didn’t like this episode.  I was so disappointed by it that I didn’t know how to put my feelings into words and I wasn’t inspired to put fingers to keyboard.

To be fair, I should point out that there are elements of “Will You Take My Hand?” that are great, but only elements – and only two or three that I can easily recall.  As a whole, it just doesn’t work and it is not a fitting end to what has been a remarkable season, and an outstanding first season.

As usual, the acting is brilliant and the special effects are impressive and these are the things that carry the episode.  The story doesn’t, and the writing is some of the worst this season has seen – which is surprising, considering who wrote it and the quality we know they can produce.

The other thing that really lets this episode down is the boring and suspense-less resolution to the Klingon war arc. This resolution makes you question the entire season and how well it was thought out, and it makes you question everything the writing team has been telling us because so many things seem unfulfilled.

Before I dive in further, spoilers ahead.  I’m only putting this warning up because of the last few scenes… so, Red Alert!

Spoiler Alert

The Facts
Episode Number: 115
Episode Title: “Will You Take My Hand?” or “Wasted Opportunities”
Written By: Gretchen J. Berg and Aaron Harberts
Story By: Akiva Goldsman, Gretchen J. Berg and Aaron Harberts
Directed By: Akiva Goldsman

Georgiou to Saru: “What’s wrong?  Are you scared, Number One?”  Beat.  “Where I’m from there’s a saying: ‘scared Kelpien makes for tough Kelpien’.  Have you gotten tough since we served together on the Shenzhou, Mr Saru?
Saru: “Affirmative, captain.  Very tough.  So much so that many find me simply unpalatable.

L’Rell: “You?  How!?  Our Lord pierced your heart… House T’Kuvma feasted on your flesh.
Georgiou: “You have the wrong Philippa Georgiou.
L’Rell: “Either way, I can tell you require seasoning.

Michael to Cornwell: “Is this how Starfleet wins the war?  Genocide?!
Cornwell: “You want to do this here?  Fine.  Terms of atrocity are convenient after the fact.  The Klingons are on the verge of wiping out the Federation.
Michael: “Yes, but ask yourself, why did you put this mission in the hands of a Terran, and why the secrecy?  It’s because you know it’s not who we are.
Cornwell: “It very soon will be.  We do not have the luxury of principles…
Michael: “That’s all we have, Admiral!”  Beat.  “A year ago, I stood alone.  I believed that our survival was more important than our principles.  I was wrong.”  Beat.  “Do we need a mutiny today to prove who we are?
Saru: (Standing) “We are Starfleet.
The entire bridge crew stands to join Michael and Saru.

Moments of Interest
Familiar Aliens
The Orions make an appearance in this episode and they’re just as fond of debauchery and hedonism as ever!  Though… they do appear a little paler than we’re used to!

Familiar Faces
Clint Howard, who made his first Star Trek appearance in the Star Trek: The Original Series episode “The Corbomite Maneuver,” makes another appearance in Trek, this time playing a very stoned Orion who tries to dupe Tilly.

Clint Howard DISCO

If you’re thinking Clint looks familiar, he has also appeared in the Star Trek: Deep Space Nine episode “Past Tense, Part II” and the Star Trek: Enterprise episode “Acquisition.”

Clint is also the brother of actor and legendary director Ron Howard, and is a regular at Star Trek conventions.

A Klingon Moon
During a confrontational moment on the Discovery after Michael works out what Starfleet is up, we see a hologram of Qo’nos blowing up (thanks to bad science and a lack of research around volcanos), and, I’m pretty sure, orbiting Qo’nos there in the background might be Praxis.

Extra Appendages
Speaking of Klingons, it would appear our favourite ridge-headed aliens have a little more going for them than redundant internal organs.  In another attempt to leave their  mark on Star Trek canon, the producers have given Klingon males two penises… peni?

Does this disturb anyone else?  I can’t help but think of poor Deanna and Jadzia!

Please believe me when I say I’m not being prudish here, merely practical.  How the heck does that work?  I get redundant internal organs, that has been canon since Star Trek: The Next Generation, but why would those redundancies also be external?  If we follow that logic, Klingon women should have two vaginas and four breasts and all Klingons should probably have two heads (and brains), two anuses and an extra arm each.

This addition to canon feels poorly thought out and completely unnecessary.

Will You Take My Hand - Planning to Infiltrate Qo'Nos

The Review
As I’m typing this, I’m watching the episode to catch quotes and re-familiarise myself with what happened, and for the first time I’m not paying rapt attention to the screen, forcing myself to type.  I’m listening, half-heartedly, and that bothers me.  It bothers me because I wish I didn’t have to re-watch this episode, and it’s rare that I want an episode of Star Trek to be over.

We begin this particular voyage with a look back at what’s come before, with L’Rell providing the “last time…” announcement in Klingon.

After the flashbacks, we go to an absolutely terrible scene on the bridge that serves no purpose whatsoever.  In it, Empress Philippa Georgiou does everything in her power to show everyone around her that she is not Captain Georgiou, devolving from a nuanced, intelligent villain into a stereotype – complete with clunky dialogue and bad attitude as she snaps at everyone from Owosekun to Detmer.  Michelle Yeoh is wonderful to watch, usually, but I didn’t enjoy these scenes.  Michelle did not do a bad job, but she was given rubbish lines that were silly and a waste of a talented actor.  We did not need to be reminded that this Georgiou is evil.  I can’t help but think that if she had pulled off a good impression of Captain Georgiou it would have been chilling – for us, and in particular for Michael and Saru.  To add insult to injury, she has a go at Michael for trying to expose her when she’s been doing everything she can to say “I’m not your Georgiou” – short of wearing a sign.

Evil Elmo

These first few scenes would have been better used showing us some of the war we’ve heard about but rarely seen.  Wasn’t it meant to be amping up this episode?  Or, it could have been used to show Cornwell and Sarek, back at Starfleet Headquarters, agonising over their decision to enlist a Mirror Universe tyrant to do the unthinkable.  Instead, we get moustache twirling and scenes that insult our intelligence as an audience.

From that dump of disappointment we head into the opening credits sequence and then a delightful little visit with L’Rell, where Georgiou continues to remind us of just how evil she is.

It was nice to see L’Rell again, but this is another scene that we didn’t need and the time would have been better spent addressing some of the loose threads from throughout the season – like what’s going to happen with the spore drive?  Has Vulcan been attacked?  Has Andor or Tellar fallen to the Klingon advance?  How is Stamets going with the death of the love of his life?  Is he miraculously healed now or is he still having mycelial inspired flashbacks?  Is Mirror-Georgiou a three-dimensional human being, or just a cardboard cut-out bad guy?  How are some of the lower decks guys we were supposed to be seeing more of coping with the whole war/Mirror Universe/war/stabby-McStabby-neck-snappy Ash?

We get none of that, as another missed opportunity passes us by at warp 8.

Fresh off watching Georgiou kick L’Rell around, we visit with Ash in what might be the worst scene of the entire season.  Georgiou gets her moustache out again and twirls it, as Michael looks on and Ash talks about knots.

Ash does share some useful stuff but really, all I can remember is the knots?  Knots.  He’s not even Ash.  Really.  Can we have this guy deal with being a Klingon in a false body-suit with a set of memories that have overridden who and what he originally was before we talk about a false memory from another guy who is probably dead?  There’s real meat in that.  But no.  We can’t.  Because knots.  Perhaps that’s a metaphor I’m not clever enough to get?

Disco S1E15 Tilly in the Orion Quarter

With Ash’s info in hand, we cut to the briefing room and the plot to jump inside the Klingon Homeworld so they can “map” it.  *Wink wink.*

Georgiou chooses her landing party, which consists of knot-loving Ash, Michael and Tilly, giving Mary Wiseman a chance to show off her incredible comic timing again, and then tells the guys to go dress like reprobates.

How do you do that?  You don black or dark brown leather and straighten your hair.  Nothing says evil like leather and people who usually have curly or wavy hair suddenly having straight hair.

The scene isn’t terrible.  Thanks to Mary Wiseman, it’s actually pretty good.  She takes what would have been an info dump, and turns it into something delightful.

Seriously, someone give the casting directions a pay rise.

From there we jump inside Qo’nos in one of the best special effects shots of the season.  It’s beautiful, and Discovery looks magnificent!  As you know, I’ve been in love with this ship and its design since before we saw the finalised model, thanks to being a fan of Ralph McQuarrie’s original NCC-1701 refit sketches for Star Trek: Phase II and Star Trek: The Motion Picture.  Seeing Discovery inside one of the Qo’nos caverns was pretty damn special and it gave us a really good look at this graceful, gorgeous ship.

The Discovery Inside Qo'nos

After that breathtaking moment we visit with Georgiou’s team as they beam into the Orion sector on Qo’nos.  FYI, the Klingons allow the Orions to have space (an ’embassy’) on their world, inhabiting an area that was once a shrine to a Klingon deity prior to Kahless’s rise to power.  Why?  Well, it actually makes sense.  Every country (more or less) has embassies, so too would most, if not all, worlds in space that had some sort of a relation with other planets.  If anyone was going to take that offered space and turn into a bizarre, sexy, over the top mess, it would be the Orions.  Or the Ferengi!

Sadly, this was more stuff we didn’t need.

I don’t know if I just have my cranky pants on or what, but really, was any of this necessary?  Couldn’t we have spent the time better?

We play around in Orion town for a good chunk of what’s left of the episode, watching Ash gamble with Klingons (freaking Michael out in the process), Georgiou getting her sexy on in a bisexual romp that plays into the “all bisexuals are evil” trope we’ve seen in way too many movies and television series, and Tilly getting stoned.

Disco S1E15 Georgiou Teaches the Orions a Thing or Two


All the while, Michael looks serious and none too happy with what’s going on.  We do get some character development for Michael, though, as we learn what happened to her parents in an unpleasant and disturbing disclosure to Ash that helps us (and him) understand why she is struggling with what has happened to (been revealed about) him.

It’s a moving scene, but one that’s a little out of place.  I wish we’d learned these facts earlier, perhaps in the second episode of the Mirror arc.  We would have felt the impact of Ash’s betrayal more if that had been the case.

Eventually, we learn what we already knew was true.  The probe is a bomb and Georgiou is super evil (SURPRISE!) and is out to blow Qo’nos into tiny little pieces.  All with the blessing of Starfleet.

This leads to a face off between Michael and Admiral Cornwell that produces one of the best scenes in the entire episode.  The face off almost turns into another mutiny, led by Michael, because… “book end.”  I was okay with that but wonder if we needed it?  Book ends are nice, but a little uncomfortable when you’re beaten over the head with them!

The best thing about the confrontation is that it provides a nice moment for the crew of Discovery, taking what we saw last episode and building on it, and showing just how close this team has gotten, and how much of a family they have become.

I think it’s my favourite scene in the episode and it’s played beautifully by everyone.  It makes Cornwell look weak and frightened, which isn’t great, and it makes Starfleet and the Federation look completely inept, which is really disappointing, but Jayne Brook plays it perfectly and sells it with genuine emotion, adding in enough bluster and eventual shame and regret to show us that no one is happy with the steps Starfleet has taken.  Sadly, it’s not enough to explain why this decision was agreed to in the first place, but at least they tried.  I guess.

After that strong scene we jump back to Georgiou twirling her moustache as she and Michael face off over the probe that’s not a probe, and was always a bomb.

Michael wins.  L’Rell beams down.  L’Rell gets the bomb.  L’Rell gets convinced to go bring the Klingon High Council to it’s knees under her rule.  Ash decides to stay with L’Rell.  The Klingons call off their fleet as it’s within striking distance of Earth.  We all live happily ever after as the Discovery heads home.

And Georgiou?  She’s let go.  Set free by Starfleet to wreak havoc in the Prime Universe.  Which is ridiculous.  But, it means she’ll be in season two and I do love Michelle Yeoh, so I can’t really complain too much about that moment.

As we cruise toward the end of the episode, we go to Earth and visit with Amanda and Sarek in Paris.  Which I appreciated.  Mia Kirshner does the role of Amanda proud and is just perfect as the strong human woman who exists in both Michael and Spock’s lives to remind them that though being Vulcan is something to be proud of, so too is being human.

Will You Take My Hand - Amanda, Michael and Sarek

After Michael’s oh-too-brief but beautiful moment with her mother, Sarek steps in to come clean about his role in helping Starfleet make the universe’s stupidest decision.  He’s not just there, though, to show that wise-older-Vulcan’s are fallible too, he’s there for another reason.  He tells Michael her record has been expunged and she has been reinstated as a Commander.

From there we go inside, to Michael and the Discovery crew getting medals for their part in the war.  Which is weird.  Because they were barely in it.  They obtained vital intel, this is true, but then were abducted and taken to an alternate universe to return nine-months later to a devastated Federation.  Their intel didn’t end up doing much, because the Klingons had advanced quite a way into Federation space… and yet they got medals.  They deserve them, because they did end the war thanks to Philippa and her probe-come-bomb, but somehow it felt… unearned?

Will You Take My Hand - Michael Gives A Speech

Throughout the awards ceremony Michael is giving a speech, which, it seems, has actually been going on since the beginning of the episode in snatches that you would have been forgiven for thinking were log entry voiceovers.  The scenes of her giving this speech to the Admiralty are inter cut with the medal presentations and it’s all a little disjointed and questionably put together.  I found it confusing and jarring the first time I saw it, and annoying the second.

I will admit, though, that I felt a tear come to my eye as Michael was embraced back into the arms of Starfleet.  Sonequa Martin-Green conveys so much emotion in those last moments in Paris that you can’t help but be swept away in her moment.  Far out that woman is a great actor!

Now we come to the end of the episode, and the season.

It’s a doozy.

The very last scenes reveal one of the biggest twists (another freaking twist for the season), if not the biggest twist for any Star Trek series.

After Paul talks about why they’re warping to Vulcan instead of jumping, Sarek joins them on the bridge as they clear the Sol system.  There’s some nice banter, everything feels a little weird though – but that’s probably because there’s more light on this bridge than ever before (thank you Mirror-Lorca for all the shadowy stuff), when Lieutenant Bryce announces he’s receiving a distress signal.

Will You Take My Hand - NCC1...

The call is coming from another Federation starship, but Bryce is having some trouble getting a clear signal.  As the communications officer deciphers the vessel’s call sign we see it start to form on one of his displays: N… C… C… 1… 7…

The Discovery drops out of warp, Saru sends a message and we are suddenly told the hail is from Captain Pike.  Captain Christopher Pike.

Disco S1E15 Enterprise Arrives

Michael works it out first and has a knowing look with Sarek as she says… “It’s the USS Enterprise.

Disco S1E15 Enterprise NCC-1701 Approaches

And we see that iconic ship appear.

She’s beautiful.  But, she’s not quite the ship we’re used to.

Disco S1E15 Enterprise and Discovery Meet

As the Enterprise and Discovery come nose to nose, we cut to black.

That moment brought a smile to my face!  If I’m to be completely honest, that, not Michael’s standoff with Cornwell, is my favourite moment of the episode.

Then, to drive the impact home, the closing title sequence features a beautiful and brilliantly faithful rendition of Alexander Courage’s original Star Trek theme.

The episode ended on a high, but it took a really disappointing road getting there.

When we compare this season of Star Trek: Discovery with any other first season of a Trek show, there is no doubt this is the strongest launch out of the gate any previous series has ever had.

Somewhere, though, it went wrong.

Star Trek: Discovery, up until episode three of the four episode long Mirror arc, was building beautifully and seemed to sail by on a clear path toward a massive reckoning and inevitable redemption that would culminate in a devastating clash between the Federation and the Klingon empire.

Only it didn’t.  They spent one or two episodes too many in the Mirror Universe, and then short changed us on the Klingons and the war.

We were promised we would get a deeper insight into the Klingons.  It didn’t happen.

We were told this season was a war-story arc… and it was, we just didn’t get to see more than a few flashes of the war.

We were told so much, and they didn’t deliver on about half of it.

I think what pissed me off the most though, was watching After Trek and seeing the writers so pleased with themselves, and watching Matt Mira avoid any sort of conversation around “so, what happened guys?  Where was the war?”

Is “Will You Take My Hand?” a terrible episode?  Probably not.  Is it the weakest and worst of the season?  You bet.  Is it a wasted opportunity?  Criminally so and it casts a bit of a shadow over the entire season.

All I can do is hope the writers are reading everyone’s reviews.  I’ve read a few, and some people love the episode, but quite a few are just as disappointed and disheartened as I am.

Will I be tuning in for season two?  HELL YES.  As much as I have complained about this episode, the thing I am taking away from this season is how amazing it was.  Most of the time.  It has delivered characters I care about.  Some of the writing has been Emmy level worthy.  The effects have been staggering.  The direction has been beautiful.  The music has been moving.  There’s so much to love about Star Trek: Discovery.  I won’t let “Will You Take My Hand?” ruin the season for me, but I also won’t say “yay!  It was great!” when it wasn’t, just because I love Star Trek and am so happy to have it back.

When I push away my frustrations over this episode, I can’t help but think that two average episodes out of 15 is pretty great.

I should probably talk about the 430 crew strong starship in the room before I go, hey?  What do I think of the redesign?

I like it a lot.  Its a pretty faithful update. It’s a mix of the original design and the refit model from Star Trek: The Motion Picture.  But, despite liking it, I don’t think the changes they made were necessary.  The USS Enterprise is THE most iconic starship in the world, and it is definitely the most iconic starship in science fiction.  No matter what, they had to render the new ship in the Star Trek: Discovery lighting design and colour scheme, and with the level of detail we now expect, but they could have done that without changing the original design as much as they did.

USS Enterprise NCC-1701 Fan Render

To prove that, check out the above incredible render by Carlos Daniel, and visit that same render, in flight, on his Vimeo page here.  Thanks to TrekMovie for sharing this with Trek fandom.

Apart from the spinny bits on the nacelle in the fan version, you have to admit everything else looks beautiful and shows that the original model, with maybe a little more texturing and some spotlight effects like we see on other ships in the show, would work beautifully with the design aesthetic of Star Trek: Discovery.

As I said, I like the new version, but it does make me think, once again, that CBS is thinking of rebooting everything and only leaving Star Trek: Enterprise intact.  If that’s so, I’m not against that – just do it respectfully.  With a little more respect than the creatives behind Star Trek: Discovery have shown.  They’ve been pretty good, but they have taken one or three liberties that they didn’t need to, and they’ve walked a very fine line that they might want to pull back from a bit come season two.

1. It would appear the crew of Christopher Pike’s USS Enterprise will play a role, however large or small, in the next season.

How long will the Enterprise stay around?  I’m giving it four episodes.

2. Georgiou?  She’ll resurface for the mid-season finale.

3. The new Captain?  I have no idea.  I heard someone suggest it might be Number One from “The Cage.”  YES.  PLEASE.  MAKE IT SO!

The Crew of the USS Discovery Season 1


What a roller coaster of a season.  I’ve loved more of the episodes than I’ve disliked, and as I said above there are only two episodes I’m not thoroughly happy with – and one of them I actually enjoyed, except for the unintended (I believe) sexist undertone (“Magic to Make The Sanest Man Go Mad”).

I’ve fallen in love with this crew and can’t wait for season two, but I hope it’s a little tighter and does what it tells us it will do.

I admit feel a little cheated over the Klingon war, and a little disappointed over the rushed ended.  The Klingons are not my favourite Star Trek species, but I was looking forward to an in-depth look at them, juxtaposed with a nascent and growing UFP.

I really enjoyed most of the Mirror Universe arc, but I would have preferred it not happen at all if it had meant seeing a moving story about the horrors of war.  I don’t enjoy war movies, but I am a fan of commentaries on war and with us facing an uncertain future thanks to tensions between the USA, China, Russia and North Korea, now is the right time for those types of stories.

Maybe next year.

As we hear news on Star Trek: Discovery, we’ll update you here.

Until then, and always, Live Long and Prosper.

LCARS Interface

Episode 14 Review

Star Trek Discovery Recap and Review Banner Episode 14

With possibly one of the best and tensest openings since “The Best Of Both Worlds, Part II” or “The Year Of Hell, Part Two,” Star Trek: Discovery takes a deep breath before the upcoming season finale, but makes sure we don’t get too comfortable in this emotional and, once again, twisty episode.

The Facts
Episode Number: 114
Episode Title: “The War Without, The War Within” or “Cornwell Takes Charge”
Written By: Lisa Randolph
Directed By: David Solomon

Saru: “Admiral!
Cornwell: “Where’s Captain Lorca?
Burnham: “Sarek… please!
Cornwell: “Stand down, specialist.  Now!”  Beat.  “Computer, initiate command level override.  Authorisation: Admiral Katrina Cornwell, pi beta six.
Computer: “Override confirmed.

Cornwell: “The Lorca I came up with was measured, he was reasoned.  I couldn’t have imagined…
Sarek: “That Lorca was an impostor from an alternate universe was not the most obvious conclusion.  We were all deceived.

Cornwell: “All evidence of your recent journey will be classified and destroyed.  We cannot risk the knowledge of this alternate universe leaving the confines of Discovery.”
Burnham: “I don’t understand?
Stamets: “There would be… too many possibilities.
Sarek: “Indeed.  Our people have suffered terrible losses.  What would you do if you thought that your dead wife, your lost child, your murdered parents might be alive on the other side and that the technology exists for you to see them again?  This knowledge must be buried.
Cornwell: “Command will want this locked down.
Saru: “Of course, Admiral.

Cornwell: “I want to be truthful with you.  Your side is winning.  When we met, you had nothing but contempt for the crumbling leadership of the Klingon Empire.
L’Rell: “T’Kuvma sought to strengthen and unify the Great Houses.  If he has succeeded in only this, it is cause for celebration.
Cornwell: “Your ‘Great Houses’ are carving up Federation assets among their factions.  A captured starbase bears the insignia of House D’Ghor, not of the Klingon Empire.  Is that the kind of ‘unity’ your messiah proclaimed.  They think nothing of the collateral damage caused by their brutal attacks.  They target civilians, hospitals, food conveys.  They slaughter innocents, and inspire terror across the quadrant.
L’Rell: “This is war, not a child’s game with rules.  We fight to preserve Klingon identity.
Cornwell: “No one is looking to destroy your culture!  Our laws are founded in equality, freedom.
L’Rell: “T’Kuvma taught us that the Federation cannot help itself.  It seeks universal homoginisation and assimilation.
Cornwell: “T’Kuvma was an ignorant fool, and your people are moving closer and closer to my home planet.  What are you looking for?  More territory?  Conditional surrender?  I mean, your people won’t even make demands.  Why?  How does this war end?
L’Rell: “It doesn’t.  Klingons have tasted your blood.  Conquer us, or we will never relent.
Cornwell: “Thank you.

Georgiou: “Your child is lost.
Sarek: “Do not confuse my ward with yours.
Georgiou: “My daughter was a singular example of brilliance until one foolish choice doomed her world.  Sound familiar?
Sarek: “If I understand correctly, my ward saw through the man who brought down not just your child, but your empire.  Perhaps best not to make comparisons.”  Beat.  “Why have you requested my presence?
Georgiou: “You were summoned, Vulcan, for one reason.  I want to help you end this war.

Sarek: “During my mind meld with Saru I learned of your attachment to the Klingon spy and what he did to you.  Such events are clearly troubling.
Michael: “I’m fine, Sarek.
Sarek: “I remain unconvinced.  There is irony here, of course, the man you fell in love with was a Klingon.
Michael: “He… I don’t know what he was.
Sarek: “There is also grace.  For what greater source for peace exists than our ability to love our enemy.
Michael: “I’ve made foolish choices.  Emotional choices.
Sarek: “Well, you are human.  As is your mother.  There is no telling what any one of us may do where the heart is concerned.  We are at war, logic dictates that each farewell may be our last.”  Beat.  “Do not regret loving someone, Michael.

Disco S1E14 Cornwell Brings Discovery Up To Speed

Moments of Interest
We know from Star Trek: Enterprise that mind meld’s are, in Vulcan years, still relatively new by the time we get to Star Trek: Discovery and Star Trek: The Original Series, but we also know, thanks to Star Trek VI: The Undiscovered Country and multiple TOS episodes, that they’re an intimate and private thing.  Forcing a mind meld on someone can be damaging for both the person undergoing the procedure, and the person initiating it.

In times of war and what sounds like the threat of extinction, it appears they also become a tool for quickly assessing a situation.

Sarek, at Cornwell’s behest, initiates an uninvited mind meld with Saru at the beginning of this episode.  It’s not something any of us would expect of Sarek, but I think it’s a device that’s being used by the writers to let every Star Trek fan know how desperate the Federation’s situation is it at this point in the war.

Another interesting moment is when Admiral Cornwell mentions Captain Jonathan Archer and the crew of the USS Enterprise NX-01 during the episode, reminding everyone that Archer’s trip to the Klingon Homeworld was the only time humans had set foot on that world.  Nice bit of continuity, and one I appreciated (being a Star Trek: Enterprise fan).

The Review
This episode is an acting tour de force for Jayne Brook and Michelle Yeoh in particular.  Both women are outstanding.  In every way.  They drive the plot forward, add remarkable nuance to every scene, and carry the episode effortlessly.

That’s not to say everyone else wasn’t good.  They were, as we’ve come to expect, and as per usual special mention needs to go to Sonequa Martin-Green, Mary Chieffo and Shazad Latif.  They shine in every scene and Mary Chieffo in particular is electric whenever she shares the screen with Jayne Brook.

For me, it’s all of these performances and the little moments that make the episode something special.

Some critics have said they’re not overly fond of “The War Within, The War Without,” and that the writers “dropped the ball” because the episode slowed the momentum of the last third of the season.  I couldn’t disagree more.  This episode was not only necessary as the inevitable prelude to the season finale, it was necessary for our characters as they start to process what has happened to them, and to process the fact that the war has gone terribly in their absence.  I guarantee you that if the writers hadn’t explored some of these issues before the end of the season, many critics would have be up in arms about that.

“The War Without, The War Within” allowed us to see where Tyler and Michael are at after the horrific shocks of a couple of episodes ago – and it’s not a good place.  It also allowed us to enjoy seeing L’Rell and Admiral Cornwell go at each other again, and it allowed us to see more of Emperor Georgiou.  For me, the real pleasure in the episode was watching Georgiou.  Michelle Yeoh was electric and menacing and she owned every scene she was in.  Seeing the character interact with Michael, Sarek and Cornwell left me thinking no one in the Prime Universe would ever stand a chance against her if she chose to act up.

Another highlight of the episode was seeing Katrina Cornwell in the Captain’s chair.  She looks good in it!  Hey, sometimes it’s the small things that make a fan happy.

Disco S1E14 Cornwell Takes Command

The episode began right where the last one ended, with Saru somewhat shocked by the appearance of the Mirror Georgiou in his transporter room.

Georgiou, for her part, is far from impressed an alien is giving orders and quips to Burnham that yesterday they were eating a Kelpian, and now Burnham is taking orders from one.

Yep.  That’s one way to leave an impression!

A not too happy Saru challenges Burnham on her lie (in an earlier episode she had told him she had not seen any Kelpiens in the Mirror Universe), but quickly pushes through that without, thankfully, bringing up the eating bit!

Saru tells Burnham that Tyler is doing well, and that Voq seems to be gone.  Michael tells Saru she’s not ready to see the spy.  And then shit gets serious as phaser wielding Andorians and Tellarites beam aboard, followed by Sarek and Admiral Katrina Cornwell.

It’s a tense, wonderful scene where Cornwell takes control, literally, and brings the Discovery under her command.

Disco S1E14 Sarek and Cornwell Beam Aboard

We quickly learn that the Federation hasn’t lost the war, as Saru initially thought at the end of the last episode, but they are getting smashed.

Cornwell advises certain members of the crew that 20% of Federation space has been lost, and the Klingons have – without rhyme or reason, as Michael points out – slaughtered hundreds of thousands of innocents.

As the episode progresses, the action quickly subsides (without ever completely losing the underlying threat of the defeat of the Federation) to focus instead on meaningful character moments, with one of the most intense being the briefest.  Stamets coming face to face with Ash.

It’s a scene that I’m not sure I’m happy with.  Stamets responded in a very Stamets way, and Ash certainly looked upset, even devastated, but it didn’t resonate with me.  It felt somehow hollow.  I didn’t want Stamets to bop Ash on the nose, but a quick scene of Paul rounding the corner and leaning against a bulkhead with a lone tear trailing down his cheek would have made the moment work.  Hugh and Paul’s relationship has been played up as this great love story, but we haven’t spent enough time seeing the effect on Stamets and I think we need to.  Anything less diminishes that love and Hugh’s time on Discovery.

The majority of the remainder of the episode deals with Georgiou and her manipulations.

Before we look at that though, there were two other important moments where enough time was given to the characters and their plight, that need to be mentioned.

The first is between Michael and Ash.  After initially refusing to see Tyler, at the prompting of Tilly she finally goes to him.

Disco S1E14 Michael Wants To Trust Georgiou

Things don’t start well, and lead Ash to a moment where he lashes out at Michael, pretty much telling Burnham that she got frightened and all of this is a convenient way for her to back out.  She doesn’t take that and fires back, reminding him he had his hands around her throat, and that she looked into the eyes of the man she loved to see nothing but hatred there and a desire to kill her.

That puts him in his place.

She very poignantly ends everything by telling him that his road to redemption, much like hers, will be a solo journey.

It’s a beautiful scene.  I’m constantly astounded by how much meaning Sonequa Martin-Green can squeeze into one sentence, even one word, through a simple change in tone, an unexpected inflection, or the quirk of her mouth.  Shazad Latif is similar.  While Sonequa’s delivery is always very controlled, as you would expect from someone who is playing a character who has been raised by Vulcan’s, Shazad’s delivery is very open with every emotion crossing his face.  What you would expect from someone who is essentially Klingon, a species not known for hiding their emotions.

The juxtaposition of the two is perfect.

The other meaningful moment didn’t play as well.

Before all of this, Ash visits the mess and everything goes quiet.  He grabs his meal and sits down alone while people whisper behind his back and cast him sidelong glances.

Disco S1E14 Tilly Brings Tyler Back Into The Fold

Tilly, echoing how she befriended Michael, moves from her table to sit with him.  He tells her she doesn’t have to, and she sets him straight.  Then Keyla Detmer joins them, offering Ash a warm “welcome back.”  The scene would have been perfect if it ended there, or with Lieutenant Bryce (the Communications Officer) joining them right after Detmer.  But, after Bryce, a whole bunch of people come over and it all seems a bit much.  It crossed from special to corny in seconds.  I want Ash to be forgiven, because we all know it was Voq who did all of those horrible things, but would so many people so easily welcome him back that quickly?  How has he redeemed himself?  He hasn’t?  Has he?  Has the crew had time to process what he did and grieve Doctor Culber’s death?  I don’t think so.  That moment, for me, felt forced and false.

And now, back to Georgiou.

Starfleet in the Prime Universe doesn’t have a chance.  If they don’t keep a close eye on her she’ll be ruling the Federation inside a decade.

There’s not much more I can say about Emperor Georgiou in this episode that I haven’t already.  She walks circles around every character.  While they innocently and naively (and a little warily) attempt to understand her, she is calculating in every moment and looking for an advantage or a way to manipulate things to her will.  And it’s constant.

Disco S1E14 The Emporer Is Unimpressed

Michelle Yeoh is not just a ‘moustache’ twirling villain in this episode, though.  She also shows compassion and even, dare I say, a smidge of love, to Burnham.  It’s fleeting, but it’s there.  Michelle conveys it all perfectly.  Complex characters are so rewarding for the viewer, and they show good writing, and this Georgiou is definitely complex.

Like most people in the western world, I fell in love with her watching Crouching Tiger, Hidden Dragon.  Now I’ve fallen in love with her all over again, first because of her portrayal of Captain Georgiou, and now because of her portrayal of Emperor Georgiou.

I think the joy here is that Georgiou is now a character who has represented the very best of Starfleet, and now the absolute worst in the visage of her Mirror Universe self.

I love how the writers have done that!

Out of all of the interactions between Georgiou and those characters who know she is on board, the best is her private meeting with Sarek.

Disco S1E14 Michael, Cornwell, Georgiou and Sarek

The first time we see her interact with Sarek is after Michael confesses what she’s done.  Cornwell and Sarek go with Michael to visit the Emperor, and Sarek is surprised (as much as a Vulcan can be) by how alike this Georgiou is to his now dead friend.

That quick interaction, though, gives Georgiou an idea.  She picks up on the bond between Sarek and Michael and logs that in her memory for future use.

She sets about setting her trap.  The first step is helping Michael formulate a plan.  Michael shares that plan with Cornwell, who is excited.  Cornwell convinces what’s left of Starfleet’s leadership it will work.

The second step is taking the plan to the next level.  A dark and horrible level.  Georgiou “summons” Sarek and shares her complete idea with him.  It’s something she wouldn’t tell Michael because she didn’t think her “daughter who is not her daughter” could handle it.

During all of this we learn that Starbase One has been occupied by the Klingons (House D’Ghor to be exact) and that all of the Starfleet vessels and personnel are gone, presumed dead.  It’s an horrific moment for Admiral Cornwell, and Jayne Brook plays it oh so well.  I felt terrible for the character.  She obviously lost so many people that she cared for, and in that moment was probably thinking she would lose the Federation too.

It’s this last act by the Klingons, I think, that pushes Sarek to take his next step.

All of this leads to another big twist.  Yes, another twist, because apparently that’s what modern television is all about.

Sarek leaves the Discovery to make some “arrangements” and then, in the penultimate moment of the episode, we see what those arrangements are.

Emperor Georgiou becomes Captain Georgiou and is given command of the USS Discovery for a risky mission to Qo’noS.

She is introduced to the crew of the Discovery as the recently rescued Philippa Georgiou, much to the shock and joy of Keyla Detmer, and the shock and worry of Saru and Michael.

This twist actually took me by surprise.  Of all the things they could have done with the character, this one I did not expect – though it makes so much sense.

Disco S1E14 The Emporer Becomes A Captain

The look that Georgiou gives Michael just before the episode wraps should make us all worried, and it should petrify Burnham.  It’s obvious Philippa is playing them.

This episode works.

It’s not the fastest paced or most action packed, but it is character heavy and full of remarkable performances.

While some of the scenes don’t play out perfectly, the episode is strong and it deserves to be thought of favourably.

I don’t know if I can even hope to work out what the producers’ plan is for this wonderful new Philippa Georgiou, but I’d like to think they will try and make this work.  It’s a brand new take on “the outsider” looking in and commenting on humanity.

Logic suggests Emperor Georgiou won’t live for long, but I hope, in this instance, the logical conclusion does not come to pass.

In other predictions, I firmly believe L’Rell is still up to something with Tyler and that he’s not as free of the Voq personality as we would like to believe.  The producers of Star Trek: Discovery seem to like avoiding happy endings!

Five Starfleet Deltas

An excellent episode, an important breather between the conclusion of one arc and what, we’ve been told, will be the conclusion of the war arc, and a nice episode for character development.

I can’t wait for the finale, which, if the previews are anything to go by, looks outstanding.

Bring on ass-kicking Emperor Georgiou!  I loved Captain Philippa Georgiou, but am really coming to adore this slightly twisted version of her.  Someone give Michelle Yeoh her own Star Trek spin-off.  Now!

LCARS Interface

Episode 13 Review

Star Trek Discovery Episode 13 Banner

I’m a little late with the review this week, thanks to contracting a beautiful Aussie summer flu.  Gotta love those unexpected little life hiccups!

It’s almost not worth doing a review for Episode 13, because Episode 14 drops in about an hour here in Australia, but I’m a completionist so here goes.

The Facts
Episode Number: 113
Episode Title: “What’s Past Is Prologue” or “Lorca Chews The Scenery” or “Michelle Yeoh Kicks Ass.”
Written By: Ted Sullivan
Directed By: Olatunde Osunsanmi

Whats Past Is Prologue - Lorca

Mirror Stamets to Lorca: “Gabriel.  I really hoped you were dead.
Lorca, in response: “Well, you can’t always get what you want.

Burnham to Saru: “It’s good to see you, Saru.
Saru: “You as well, my friend.  It appears your situation has become dire.  Is the captain with you?
Burnham: “He’s one of them.  He’s Terran.  He used us, and the Discovery, to jump here to his own universe.  It was his plan all along.

Saru to the crew of the Discovery: “It is well know that my species has the ability to sense the coming of death.  I do not sense it today.  I may not have all the answers, however I do know that I am surrounded by a team I trust.  The finest a Captain could ever hope to command.  Lorca abused our idealism.  And make no mistake, Discovery is no longer Lorca’s.  She is ours.  And today will be her maiden voyage.  We have a duty to perform and we will not accept a no-win scenario.  You have your orders.  On your way.

Whats Past Is Prologue - Discovery Soars Through Space

Moments of Interest
Lorca arrived in the prime universe via an ion storm and a transporter accident that was very similar to the one that sent Kirk, Uhura, McCoy and Scotty to the Mirror Universe.

There are a few obvious parallels with real world issues woven through this episode, including a clever play on a recent US election promise, and a little dig at big industry and their sometimes… careless lack of concern for our environment.

The appearance of Lorca’s minions, as Georgiou goes to confront him, is very similar to the Borg reveal in Star Trek: First Contact.

The Review
I’ve dropped the recap, because if you’ve watched the episode you don’t need me or anyone else giving you a blow by blow description of what’s just happened.  It’s a bit redundant, and probably a little frustrating for the reader.

Instead, I’ll focus on some of the stand out moments of the episode.

The first thing I want to comment on is the direction.  Olatunde Osunsanmi is a very talented individual.  His ability with the camera is uncanny.  There are moments in this episode where it could have become unnecessarily melodramatic, but Osunsanmi never lets it get there.  He manipulates the performances of the actors and the motion and angles of the camera expertly, never allowing anything to go too far, and somehow shapes all of these almost over the top plot points into meaningful, character defining drama.

Ted Sullivan’s script is big.  Motion picture big.  The stakes are shockingly high, perhaps the highest they’ve ever been in any Star Trek episode or movie, and the little character moments are intimate but equally as big and oh so Star Trek.  This man loves Gene Roddenberry’s creation, and he tips his hat to past series’ wherever he can in really beautiful and meaningful ways.

As much as this episode is one big dramatic action piece that barely lets up, it’s also a little fun and self-deprecating and even a little batshit crazy, thanks, in large part, to Jason Isaacs’ scene stealing performance.

Whats Past Is Prologue - Lorca Usurping The Throne

Jason Isaacs chews the scenery like a pro.  You can tell when an actor enjoys the role he or she is playing, and Jason must have loved playing this wolf in sheep’s clothing.  He goes for it, but instead of hamming it up and turning Lorca into a Bond-villain, he gloriously and lovingly portrays a man who is descending into madness and delusion.  Lorca doesn’t just want to be Emporer, he believes he is destined to rule – that the Universe wants him on the throne, and wants him to crush the aliens of the galaxy beneath his boot heel while keeping humanity in a choke-hold under him.

As well as Jason, we see exceptional performances from Michelle Yeoh, Sonequa Martin-Green, Doug Jones and Anthony Rapp who is pulling double duty up until the moment Lorca dispatches Mirror Stamets with a quip and a point blank phaser blast.

Whats Past Is Prologue - Stamets and Landry

This episode puts everything on the line, including the very fate of all universes, everywhere.  Somehow, through all of that, it also tells a couple of intensely personal stories.  We see Saru rise beyond his species’ limitations to abandon fear and embrace hope and courage, and we see Burnham try to redeem herself by saving the woman she loved like a mother, despite the fact that woman is a dark and ruthless reflection of the hero she knew.

There are layers upon layers in this episode, and this is not an episode you should just watch once.

Absent from this action-packed 43 minutes are L’Rell and Tyler, and we barely get to see Tilly, but that’s not a bad thing.  The story needed to narrow down on these characters for a bit and it felt right that this climax be very much about Stamets, Burnham, Saru, Georgiou and Lorca.

Whats Past Is Prologue - Georgiou Gets Ready To Kick Ass

While Ash and L’Rell are missed, we do get to see a little bit more of the crew of the Discovery, working together and becoming a team.  Finally.  With Lorca gone, it seems they can at last be at their best and they more than rise to the occasion.  We also get to see the return of Commander Ellen Landry, which was welcome.

Amusingly, Mirror Landry is very similar to Prime Landry, just a little more trigger happy (believe it or not) and blood thirsty.  She’s also completely committed to Gabriel Lorca in this universe too.

Whats Past Is Prologue - Old Friends Reunite

Every character featured prominently gets a moment to shine, but none more so than our favourite Kelpien.  Saru goes nova in this episode and steals the entire season.

In “Si Vis Pacem Para Bellum” we were shown a Saru who was not ready for command, but once in the Mirror Universe was forced into it. We’ve seen him grow in the position of acting captain, but he hasn’t really been a leader.  In this episode he is, and delivers one of the best speeches we’ve seen in Star Trek in a long time.  It’s above, in Quotable, if you want to check it out.

I really love how Ted just gets these characters and organically advances their personal stories while giving us an hour of entertainment that is just awesome.

It’s no secret I love this show, despite my odd, minor issue.  Two of my biggest issues have been the death of Philippa Georgiou and something I haven’t mentioned to date.  We hardly ever get a really good look at the Discovery.

With Georgiou back, albiet as the Mirror version of herself, we get to feast on Michelle Yeoh’s performance and it’s excellent.  In this episode she gets to rock some of those incredible martial arts moves that she’s known for, and she grabs and holds our attention in every scene she is in.

Whats Past Is Prologue - Lorca and Burnham

This series has some of the finest actors on television in it, and for anyone to stand out in such talented company should be hard, but Ted Sullivan, Olatunde Osunsanmi, and the generosity of each actor in the series lets it happen – whether it’s Sonequa, Jason, Anthony, Doug or Michelle.

On top of the wonderful performances and having Michelle back in such a substantial way, we finally do get to see the Discovery in action and it is excellent.  It’s a special effects tour de force, and just plain satisfying as our gorgeous new vessel shoots the crap out of the Emporers city-ship.

Whats Past Is Prologue - Discovery Attacks

in Star Trek this series namesake vessel (or outpost) is a character, and Discovery is a character we haven’t seen enough of.

Hopefully this is a sign of things to come.

I could keep raving about this great episode, but I won’t, because I want to go and watch the next one.

To wrap up, what I will rave about is the climax.  It is everything you want it to be.  Excellent effects, emotional and intense music, beautiful editing, fast paced and sensitive direction, outstanding acting, phasers, photon torpedoes and explosions galore, and a completely unexpected double twist!

In the climax, as Michael presents Georgiou to Lorca in a faux attempt to save the Discovery, we get to see Georgiou enact her revenge and skewer Lorca with that big ass broadsword of hers, we get to see everyone kick the living crap out of each other (none with as much style and grace as Georgiou), we get to see the mycelial destroying globe of energy at the heart of the Charon blow up, we get to watch Landry die, again, and we get to see Michael save Georgiou, and Paul interacting with Hugh one more beautiful time.

It’s those last two moments that deliver the double twist.

Georgiou returns to the prime universe aboard the Discovery (and isn’t too happy about it), and the Discovery makes it home, but doesn’t make it back in time to save the Federation.  She makes it back nine-months later and the Klingons have won the war.

It all works.

The trip through the mycelial network is beautiful and wonderfully realised by the Visual Effects team, and gives us a moment with Hugh that is meaningful and sweet.  The saving of Georgiou is satisfying, and the unexpected time-jump is surprising in a way that some of the twists on this show haven’t been.

It wraps everything up beautifully and leaves us hungry for more.

In the After Trek preview, we see Admiral Katrina Cormwell and Sarek boarding the Discovery, but not too much else is given away.  I can’t begin to imagine what they will do with Georgiou, but whatever it is, I doubt the Emperor will be survive the season. I see her sacrificing herself for Michael.

A tiny spore lands on Tilly at the end of the episode. Is it, somehow, Hugh? Will it allow Paul to stay in touch with his beloved?

Is this the end of the Mirror Universe in Star Trek: Discovery? It feels like it should be, but I doubt it.

Whats Past Is Prologue - Georgiou and Burnham

Five Starfleet Deltas

This was a great episode, and I can’t wait to see what’s in store for the last two episodes this season.

See you in a day or two with a more prompt review.

Live long and prosper.

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Episode 10 Recap and Review

Despite Yourself

Well.  Holy crap.  That was one intense episode.

It should be obvious by now that these recaps are full of spoilers, but just to be on the safe side… be warned, there are some major spoilers ahead!

If you haven’t seen Star Trek: Discovery Episode 10 “Despite Yourself” and want to remain unspoiled, do not read on.  You’ll regret it.  Really big stuff happens in this episode.

First things first:

The Facts
Episode Number: 110
Episode Title: “Despite Yourself”
Written By: Sean Cochran
Directed By: Jonathan Frakes

Michael to Tilly, Lorca, Saru and Ash: The Terrans appear to be the antithesis of us in every way.  They’re an oppressive, racist, xenophobic culture that dominates all known space.  And they’re ruled by a faceless Emperor.”

Lorca to Michael, Tilly, Saru and Ash:No way we’re asking these neighbours for a cup of sugar.

Tilly to everyone, at one major reveal in the episode:Tha… ah… that’s me.  That’s me!
Lorca in response:That’s absurd.

Lorca to Tilly:You just get rid of them as fast as possible, and you talk as little as possible.
Tilly to Lorca:That’s ah… that might be a little hard.  Have you noticed that I talk a lot?
Lorca in response:Defy your every instinct.

Tilly to the USS Cooper:Hello, this is Captain Tilly.  What the heck?  Heck?  Hell… what the Hell?  Hold your horses!

Michael to Tilly and Saru as she reads off Captain Tilly’s nicknames:And finally…
Saru, reading over Michael’s shoulder:Captain ‘Killy’?  Well that’s not very clever.

Burnham to Lorca:Destiny didn’t get me out of prison, captain.  You did that.

Burnham to Tilly: “…You have the strength of an entire crew that believes in you.  Fortify yourself with our faith in you.  That’s what a real captain does.

Tilly as Captain Tilly, to Captain Danby Connor: “The only pleasure I take is from the blood of my enemies staining my uniform.

Tilly as Captain Tilly, to Captain Danby Connor:If you greeted me that way, Connor, I’d cut your out tongue and use it to lick my boots!

If you hadn’t noticed, Tilly gets all of the best lines this episode.

And now… RED ALERT!

Spoiler Alert

Interesting Bits and Pieces
– For the first time, Saru’s threat ganglia respond to Ash Tyler.
– The Agony Booths we see on the Shenzhou look like a natural evolution of the ones we saw on Star Trek: Enterprise.
– It looks like the starbase they were meant to be jumping to is in orbit of a famous Star Trek planet, Organia!

The Recap and Review
After a quick look back at the season so far, we pick up right where Episode 9 concluded with an intense, emotional, sometimes funny and at times tongue-in-cheek episode.

In case the events of last episode are a little fuzzy in your head after the two-month hiatus, at the end of Episode 9 Lorca meddled with the spore jump coordinates, things went bad for Paul in the reaction chamber, and the USS Discovery found itself lost after an “incomplete” jump.

We're Not In Kansas Anymore

As the crew try to figure out why they’re where they wanted to be after the jump from Pahvo, but nothing else is, Vulcan rebels appear and attack the ship!  Taken by surprise, they’re rescued by the starship Cooper.  We quickly learn something is up thanks to a testosterone laden message from the captain of that vessel.  We also learn that Stamets is stable but unresponsive and the spore-drive is down, stranding the Discovery.

It’s then that Saru discovers that the quantum signatures of that ship and the Vulcan vessel are off.

That’s not possible,” Burnham says.  “All matter native to our universe resonates with the same quantum signature.  Nothing can change it.

Saru agrees with her as Lorca quickly states the (to us) obvious: “Unless… this is not our universe.”  And we jump to the opening credits.

We rejoin Lorca, Burnham and Saru in Lorca’s Ready Room where Lorca shows them the same map he revealed to Stamets last episode to convince him to make the 133 jumps.

The Mycelial Network

Meanwhile, in Sickbay, Paul has regained consciousness.  He still has his Gary Mitchellesque eyes, and is talking to himself about a ‘palace’ as Tilly tries to “annoy” him into being a little more coherent.

Culber gently tells her that Paul is in a state of neurological-dysregulation, the like of which he’s never seen.

Paul gets up and as Hugh tries to get him back into bed, he mumbles about the palace again and throws Doctor Culber across the room.

Lorca comes in soon after and Tilly takes that as her cue to leave, and Hugh very calmly and very directly tells Lorca off, asking him if he’d planned all of this?

Is Hugh the smartest and most perceptive person on the ship?

Lorca takes Hugh off Paul’s case, much to Hugh’s annoyance, and leaves.

Culber and Lorca

We cut to Ash in a cool little pod thing with arms and he’s trying to extract a data core from one of the wrecked ships.

Now is probably a good time for a little diversion.

Some die-hard Star Trek fans have taken exception to the modernising of vessels and equipment in Star Trek: Discovery.  Some of it I agree with, like the rampant use of holograms and, though I love the new uniforms, I am still a little bewildered by just how different they are.  But, some I don’t agree with.

The creatives behind this series had to update everything otherwise Star Trek would lose all relevance and be nothing more than a homage to a very old television show that was great for its time, but not so much so now.  In 1966 Star Trek was cutting edge. In 2017/2018 it isn’t. That doesn’t mean we dismiss it, but as reasonable human beings it does mean we make some understandable allowances.

To make Star Trek: Discovery more than just a quaint homage, the team had to push everything up a notch.  On The Expanse we have people using their mobile/cell like communications devices for everything – they’re projecting 3-D images from the devices that they can manipulate with their fingers, and they have worker pods that are a step or two up from what we see in the first few Star Trek movies.  We have similar technological advances in Killjoys, Supergirl, the sadly now cancelled Dark Matter and more.

Star Trek: Discovery had to push further, because as much as Star Trek is known for it’s philosophy, excellent characters, ethical approach to everything, inclusion, positive future, and challenging story lines, it’s also known for its future-forward technology.  It set the bar and inspired generations.

This pod that Tyler is flying, is, like many other ‘leaps’ on Star Trek: Discovery, a necessity, and is in keeping with the original series’ ability to imagine the future by extrapolating on the present.  We’re so far beyond what Gene Roddenberry and most everyone else involved with that first Star Trek could have dreamed of in their present, that it is so very right the new people shepherding this series forward, be equally as future focused.

We’ll always have the original series, and many of us will continue to love it, but Star Trek won’t exist for our children and their children, if we don’t adapt it for today.  I, personally, would not want to take that away from future generations.  Star Trek is more important than that.  Very few, if any, millennials, are going to be interested in checking out the original series.  That’s sad, but most likely true. For a generation or two more, the first few films might still hold their attention, but that too will eventually fade because we’re living in the future now and we’re already using devices that appear far more powerful than the communicators and PADDs of Trek’s yesterday.

Enough of my sermon.  I feel passionate about this, because Star Trek has shaped my life.  I want it to help shape the lives of the children of today and tomorrow, because it’s one of the few things we have left that teaches compassion, inclusion and hope.  We need Star Trek more than we ever have.

Back to Tyler and his cool little worker pod.

As he glides between the debris toward his destination he starts to hallucinate, and we see a little more of his torture (?) at the hands of L’Rell.

As the bridge crew watch his pod wobble around, confused by his sudden inability to fly stuff, he snaps out of it and successfully retrieves the data core.

As with everything Star Trek: Discovery does, the entire sequence is slick and looks beautiful.  It’s also carefully and thoughtfully directed by Jonathan Frakes, who uses a series of angles and cuts to show us the intensity of Ash’s experience.

Back on Discovery, Ash confronts L’Rell and this is where things get very interesting.

L'Rell Triggers Ash

As Ash asks L’Rell to tell him what she did to him, she suggests he opens the cell… and he does!  WTF Chief Security Officer?!

Mary Chieffo, throughout her time on the show, has shown she is an incredible actor, but in this simple scene she blows all of her other performances out of the water. It’s subtle and pitch perfect.

How any actor, under that much makeup and that many prosthetics, can convey the seductiveness and complicated emotions of the character in that moment is beyond me.  Why haven’t we heard of this incredible young woman before now?  She may be one of the most under rated actors around.

As she seduces Tyler, he grabs her by the throat.  Her response?  She utters the first few words of T’Kuvma’s prayer: “Who do we seek?

Suddenly Ash is not Ash anymore.  In a perfect copy of Voq’s voice, Ash recites the prayer with her.

Then he snaps out of it.  Much to L’Rell’s shock.  It’s clear she didn’t expect that.

You have another name.  Say it.”  She encourages him.

I know what my name is!” he screams back as he brings his phaser to bear on her.  Looking a little unhinged, he continues with: “If you don’t tell me what you did to my mind, to my soul, I’m going to make you scream it as you die.

The prayer should make you remember, something is wrong!” L’Rell says, sounding surprised, confused and perhaps even a little frightened.

You’re damn right something’s wrong,” he yells.  “Now tell me!

He shakes himself out of it and runs from the Brig as L’Rell affirms to herself that he will return to her.

So, Tyler is Voq.  Now we just need to know one of two things: has he been surgically altered with Ash’s memory engrams layered over the top of his original personality?  Or, has Ash had Voq’s memory engrams layered over his personality and all the torture flashbacks are just that.  Flashbacks?

Starcrossed Lovers

We visit with Ash and Michael for a brief, intimate moment, as Ash tells her that his flashbacks are worse and asks for her help to get through it all.

She suggests he come clean about his PTSD but he begs her to let him handle things his own way.  For now.

She tells him she’ll trust him, and is called away to engineering.  We linger on Ash for a few seconds as he shatters a glass in his hand.  That boy ain’t controlling shit!

In engineering, Tilly shows Michael the now open data core.  They work out they can read it and Michael gets to work.

Next scene, Michael informs Saru, Tilly, Ash and Lorca that they are indeed in a new universe, one where a Terran Empire, not a United Federation, is the greatest power and one where a bunch of non-human species have entered into a rebellion against the Terrans.

They’re all called to the bridge because the Cooper has come back.

As they prepare to respond to the Cooper (because if they don’t, it’s threatening to blow the crap out of them), they learn that the Terran Universe Discovery is most likely now in their universe.

And here, we finally have a Star Trek character refer to the Mirror Universe as the Mirror Universe, as Burnham tells Lorca he can’t respond to the Cooper because he’s not the captain of the “Mirror Discovery.”

Tilly is.

Captain Killy

This is where the fun begins!

Up to this point the episode has been deadly serious.  It maintains its air of intrigue and tension, but from here on in merges it with a taste of the camp and wild abandon we’re all familiar with from the Mirror Universe.

Lorca guides Tilly into the Captains chair and gives her a few handy tips.  She is obviously terrified.

Then, in a scene that shows the brilliant comedy timing of both Mary Wiseman and Jason Isaacs, we’re treated to one of the most unique greetings between starships ever, and what may have been an homage to James Doohan and Scotty with Lorca assuming a Scottish bur.

I laughed out loud at Tilly’s greeting, and I admit my hands went to my face in both shock and amusement because I both felt terrible for her and was just plain delighted by every word she said and every facial expression she conveyed.

Kudos to the casting directors of Star Trek: Discovery.  Did they know how amazing these guys would be in EVERY single episode?  I swear this is the best ensemble cast on television anywhere – and I just came off holidays where I binge watched more television series than is probably healthy.

After they deal with the Cooper, Lorca instructs Saru to get everyone ready – especially Tilly.

We’re treated to a fun montage as they prep Tilly and the Discovery and her crew to pass unnoticed in this strange universe.

Star Trek: Discovery looks cinematic every episode.  It’s production values are outstanding, and everything about the show is beautiful.  This episode it took another step up because it was being directed by someone very familiar with directing major motion pictures.  If “Despite Yourself” has a fault, it’s that too much was packed into its run time, but despite that, Jonathan makes it flow and everything he does is just right.  His direction is dramatic when it needs to be, increasing tension and making the stakes feel high, and he flawlessly meshes in the camp and corn when needed using wonderful devices to transition certain scenes.

Commander Riker Gives the New Guys Some Tips

So how does this version of the Mirror Universe hold up to those seen on Star Trek: Enterprise, Star Trek: Deep Space Nine and Star Trek: The Original Series?

Really, really well.

In fact, it looks how it should.  Rather than just a belt and a cut off uniform to show more mid-rift, they give the uniforms a wonderful makeover with leather and gold plating, and update the Terran Empire logo just enough to make it look gaudily magnificent but still like the symbol we’re used to.

There’s a whole slew of badges and medals and the agony booths look perfect and, I was pleasantly surprised to see, very much like the prototype we saw in the Star Trek: Enterprise episode “In a Mirror, Darkly.”

Back in Lorca’s Ready Room, we learn that Michael was the Captain of the Shenzhou and is presumed dead, and that Lorca is a fugitive wanted for her murder.  Lorca was the Captain of the Buran in this reality also, but lost his crew in an attempted coup against the Emperor.

Lorca asks about the Emperor, but Michael tells him the Emperor is shadowed in mystery.

For those of you who have seen Star Trek: Enterprise, you may remember that Hoshi Sato took over the USS Defiant at the end of “In a Mirror, Darkly,” and laid waste to her enemies using it’s advanced technology and became Empress.  Interestingly, in one of the teaser images from episode 11, it looks like the ‘Emperor’ arrives, and is most definitely an Empress – though we don’t see her face.

The Empress of the Terran Empire

You have no idea how happy I will be if it was Hoshi!  She’d be pretty old, close to 130, but humans in Star Trek are long lived. I’d love to see Linda Park back on Trek, but I admit it is unlikely.  I would, however, settle for Hoshi being mentioned.

We cut to a scene where Lorca talks about the USS Destiny.  Data from the rebels lets the Discovery team know that the Destiny arrived in the Mirror Universe sans spore-drive, but it doesn’t give any specifics.  That data is only available to command level officers.  Lorca and Burnham have hatched a plan, however.  They will lure the Shenzhou to their location, and Lorca, Burnham and Ash will beam over with Ash serving as Michael’s personal guard.  Lorca will be her prisoner.  Michael will try and obtain the information they’re after because that will be their ticket to getting home.

Saru is not happy, but Lorca is insistent.

During this scene we get a look at a wireframe graphic of the USS Defiant.  In shape, she is very similar to the Constitution Class vessels we’ve come to know and love over the years.

USS Defiant Wireframe Image

There have been changes – the saucer has some alterations to it and the warp nacelles have been “enhanced.”  It’s hard to tell if the unusual blocky bulge on the main drive is an addition, or part of the other nacelle.  It will be interesting to see if we actually get to experience the ship on screen as something other than a graphic.

Next we visit with Culber and Ash in Sickbay.  Ash is concerned.  His flashbacks are getting worse and he’s worried.  He wants Culber to do a more detailed examination of him.

Ash is a little volatile but seemingly rational.  Culber starts the deeper scans as Paul shouts out from a nearby bed “Stay out of the palace!

As Culber goes over to soothe his beloved, Paul’s eyes revert to normal and he seems coherant for a moment.  He looks at Hugh and says: “Be careful.  The enemy is here.

This spooks the good doctor.

We jump to Tilly and Michael getting ready for their new roles as Mirror versions of themselves.

Tilly, as per usual, is adorable.

Lorca walks in on both women and seems strangely comfortable and even slightly too knowledgeable about how people act in the Mirror Universe.

I’m still a little on the side of “this is Mirror Universe Lorca,” but admit to not being entirely convinced.  It feels like the Mirror Universe is a huge part of this new Star Trek, but I know we’ll have to wait and see.


Lorca, Tilly and Michael go the bridge where Tilly starts snapping out orders, getting herself into character so she can successfully play this harsher, crueller version of herself.  She orders her crew to hail the ISS Shenzhou and we get to see Ensign Danby Connor again – only he’s not an Ensign anymore.  He’s now Captain of the Shenzhou.

Secluded in Lorca’s Ready Room, Burnham is shocked to see Connor.

As Tilly sets up Burnham’s return, Lorca smashes his face into the door to bloody himself up and they enter the bridge.

Connor doesn’t seem too happy to see ‘Captain’ Burnham back.

She pushes Lorca ahead of her and makes him kneel as they further elaborate on their story, telling Connor she faked her death so she could hunt Lorca down.

Despite Yourself

After some snappy reparte between Captain “Killy,” Connor and Burnham, the Shenzhou heads their way.

After the above unfolds, Ash returns to Sickbay for an update from Doctor Culber.  As some of you may remember, I mentioned how he was becoming a favourite character of mine a few reviews ago.  In this episode, he gets a lot of screen time.  Which was wonderful, until this now infamous scene.

Hugh questions Ash about some skeletal and neurological issues he’s found, and Ash can’t recollect anything along those lines having happened to him in the past.  Hugh pushes a little more, talking about the massive scarring to his organs and suggesting there has been a personality “overlay”, and before we know it our beloved Doctor is dead.

With L’Rell’s voice echoing in his head, Ash has snapped Doctor Culber’s neck.

It’s one of the more shocking scenes to ever appear in a Star Trek episode, because it’s entirely unexpected.  You start to sense that Hugh is in danger, but your head doesn’t go straight to the “he’d dead, Jim” thought.  Then… he’s dead, Jim, and you’re left stunned.

Culber’s death created something of a furour.  One of the first openly gay characters in Star Trek, in a meaningful relationship with another crew member, and a gay man of colour as well… lots of accidentally wrong messages being sent there.

It became such a thing – and the writers knew it would be a ‘thing’, so much so they talked to GLAAD about it – then on After Trek they pretty much told us that Culber wasn’t quite dead.  We were told to look into the real Paul Stamets’ work on the mycelial network for some clues about what is to come.

From this shocking moment, we start the wrap up of the episode – and it happens fast.

Captain Burnham and her Bodyguard, Ash

Michael, Lorca and Ash beam to the Shenzhou.

It doesn’t go according to plan.  Lorca gets thrown into an Agony Booth, Connor shows Michael how unhappy he is about her being alive and tries to rectify that by attacking her in the turbo life.

In one of the best staged Star Trek fights ever, Michael is forced to kill Connor, and we’re left wondering if any Danby Connor in any universe anywhere is allowed to live past his early to mid-twenties?

Burnham Faces Off Against Connor

It was great to see Sam Vartholomeos again, and just as sad to see his character wiped off the face of existence.  Again.

“Despite Yourself” ends with Michael sitting in the Captain’s chair of the ISS Shenzhou. It’s quite forbidding and begs the question, just how long will they be there?

This episode is wonderful.  As I said earlier, it’s only real fault is in how much it tries to pack in to less than an hour of viewing.  Somehow, with all of these plot points, and the differing yet complementary tonal shifts, Jonathan Frakes weaves it all together beautifully.

Every performance is excellent, every effect spot on, every music cue perfect, every camera angle carefully thought out and evocative.

It’s the best episode to date (despite Hugh’s death).

This is a terrible prediction, because the producers have all but told us Culber isn’t dead.  So, I predict Paul has some special spore-driven power that brings his beloved back.

Ash, if the above prediction is correct, is found out and we start to finally deal with the complexities of this character, and the actual PTSD someone would have whether they were the survivor of Klingon torture or were a Klingon who had been through what Voq has apparently been through.

The Empress of the Terran Empire is Philippa Georgiou (if the ruler in actually female).

The Discovery goes head to head with the Defiant.

Our Lorca is the Mirror Universe Lorca, and the Prime Universe Lorca is a homocidal maniac.

Captain “Killy” gets more awesome lines in Episode 11!

We see a goatee.

Five Starfleet Deltas

The next episode of Star Trek: Discovery airs tonight in Australia, and should have just aired in the US and UK.  It’s called “The Wolf Inside.”

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes appearing on Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET, also on Sundays.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix on a Monday.  8:00am BST in the United Kingdom, and usually at 6:00pm AEDT in Australia, but last week the episode dropped at 7:00pm so it might arrive later than usual again.

See you in a few days for another review.

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Episode 8 Recap and Review

Episode 8 Recap and Review

Episode 8 is a welcome return to form, and is the most Star Trek episode of Star Trek: Discovery to date in story and theme.

It feels nice saying that, because I’ve said it almost every review now, which means (to me, anyway) that the writers are on the right track and the show is growing stronger every week.

It needs to be said, Kirsten Beyer wrote the crap out of this episode.  Kirsten is a Star Trek novelist, and this is her first television writing credit.

You couldn’t tell.

If this episode has a flaw, it’s in its run time.  There was so much story and not enough time was given to some aspects of it, but, more on that later.

The Facts
Episode Number:
Episode Title: “Si Vis Pacem, Para Bellum”
Written By: Kirsten Beyer
Directed By: John S. Scott

Lorca to Rhys
: “Mr Rhys, could I trouble you to fire at something?

Stamets to Tilly: “What are you doing down here, captain?

Michael to Ash and Saru: “We can’t touch that transmitter now.
Ash to Michael: “General Order One?
Michael, in response: “No, Order One restricts us from revealing ourselves to sentient beings that aren’t warp capable.  We’re well beyond that.  Now our duty is to follow First Contact Protocol, and we can’t borrow or alter their property without them understanding our objective, and agreeing to it.

Michael to Ash: “The needs of the many…
Ash to Michael: “Are worth fighting for… are worth dying for… but so are the needs of the few.
Michael, in response: “Or the one?

Tilly to Stamets: “Okay.  What is going on with you?
Stamets, in response: “Excuse me?
Tilly back to Stamets: “At first, the tardigrade DNA booster seemed like a good thing, but now you’re back to your old persnickety, grumpy self.  So what’s the deal?

L’Rell to Cornwell: “What happens to those who Starfleet captures?
Cornwell, in response: “In war?  They’re imprisoned.  Interrogated – humanely.  Eventually, they’re returned to their people as part of any final peace settlement.
L’Rell, in response: “So, you do not… execute them?
Cornwell: “The Federation has no death penalty.
L’Rell: “I wish to defect.

L’Rell: “First, I am ensuring the end of Kol’s days.  He neglected T’Kuvma’s message.  He desecrated this vessel with his fetid presence.  Before we depart, I will set the ship’s warp core to overload.
Cornwell: “He really disappointed you!
L’Rell: “He disgusts me.  My only regret is that I will not be able to see his pretty painted face as he takes his final breath.

Interesting Bits and Pieces
– “Si Vis Pacem Para Bellum” was originally slated to be the last episode of the first half of the first season.  Episode 9 was made the last episode for the first half a few episodes into the current run.
– The USS Gagarin, we assume, is named for the Russian cosmonaut, Yuri Alekseyevich Gagarin.
– Kelpiens can run at up to 80 kilometres per hour!
– This was Kirsten Beyer’s first professional television or film credit, as mentioned above.  Prior to being recruited by Bryan Fuller to work on Star Trek: Discovery, she was (and still is) the author of 10 Star Trek novels, with two more on the way.  Eight of those novels are based on Star Trek: Voyager.  For information on Kirsten, see her Memory Alpha page here.
– We get some insight into what is happening to Lieutenant Paul Stamets via an exchange in the mess hall with Tilly:
Okay.  I’ll admit that something has been happening to me.  One minute I know where I am, who you are, what I’m doing, and then, all of a sudden, what I know… changes… it gets jumbled…

The Recap and Review
We kick off with a bang after another cold open (no teaser before the credits), with a brand new Starfleet vessel, the USS Gagarin, in a fierce battle with the Klingons.

Sadly, the Gagarin is getting its warp nacelles kicked.

The USS Gagarin

The Discovery drops in to save the day… but can’t, and the Gagarin is blown to pieces.

It’s a demoralising moment for the crew as they engage the spore drive and jump out of the battle to safety, with Lorca (almost showing a drop of compassion) telling them there will be a time to grieve, but later.

Star Trek: Discovery throws together a nice battle sequence.  The effects are always top notch, though at times there are some unusual direction choices that are made that don’t quite allow the scenes to ‘pop’ as much as they could.

I do miss the more traditional phaser fire of past series – sustained beams of light rather than the more Star Wars like bolts of energy, but that’s a small thing.

This entire opening shows Lorca in his element.  He’s a dynamic captain who looks like he wants to jump through the viewer into the midst of the battle, and physically beat the Klingon ships into oblivion.  This is no Kirk or Picard, calmly or with restrained intensity, commanding an engagement from the captain’s chair.  Lorca paces like a caged animal, unleashing the fury of his ship on the enemy.  Jason Isaacs makes you believe it’s personal and he is convincing as a man who has lost a lot to the Klingons and wants to deal them a decisive blow.  He is such an excellent choice for this new Starfleet captain.

Even though Lorca doesn’t get a lot to do in this episode, every shot he’s in adds to his character – and that’s all thanks to Jason’s acting ability.  Last episode he was the fall guy for Mudd’s craziness, but every line delivery imbued Lorca with personality.  I love watching this very talented man work.

If Ash is Voq, Lorca is going to lose it and watching Jason Isaacs chew the scenery over that one will be an Emmy-winning moment.

Stamets Connected to the Spore Drive

After the destruction of the Gargarin, we visit with Stamets and Tilly and quickly learn that the spore-drive has more of an effect on Stamets than we were initially led to believe.  He staggers out of the reaction chamber like a man waking from sleep.  He’s confused, disoriented and says to Tilly “what are you doing here, captain?

Is he jumping timelines?

Tilly has stated that she intends to be a captain.  Has becoming “unstuck” in time thanks to the tardigrade DNA allowed Stamets to see or even actually visit future or alternate timelines?  He’s in a chamber infused with spores… is he actually IN that chamber?  Is something else mysterious going on while he’s hooked up to the machine?  This brief scene was very nicely set up last episode, and you can bet this one is also planting a seed or two that will bear fruit in episodes to come.

As Paul pulls himself together, he goes from confused to snappy in a heart beat.  Shroom-happy, huggy Stamets is gone.  Not-so-happy and eternally grumpy Stamets is back.

We leave Tilly and Stamets to visit with Lorca and a Vulcan admiral, where Lorca once again shows his disdain for the chain of command, walking through the hologram image and speaking abruptly, even dismissively, to the Vulcan (sometimes he’s more respectful with his subordinates).

The Vulcan admiral tells Lorca that they need to find a way to defeat the Klingon cloaking technology, or all might be lost.

We quickly leave the ship and FINALLY visit a planet, Pahvo, where a Landing Party of Saru, Ash Tyler and Michael Burnham are trekking through a forest that gives a slight nod to the very first episode of Star Trek ever, “The Cage”, with blue tinted foliage and an eerie, ethereal, ever-present background musical noise that sounds like it incorporates old school Trek sound effects.

Ash, Michael and Saru on Pahvo

This is the first planet a Landing Party has visited since the Shenzhou Landing Party in the very first episode… and it is beautiful.  Everything about Pahvo is interesting and thought provoking.  I had a really visceral reaction, and was swept away and engaged on every level by the scenes on the mystical world.

The team are trekking through the wilderness in search of a giant crystal spire that ‘sings’ in the hope it can help them detect cloaked Klingon vessels.  Saru is a bit annoyed, because, compared to a Kelpien, human’s are physically quite slow – also, the constant hum and vibration of the planet is doing Saru’s head in.  His senses are more refined than a human’s and he’s struggling through the background ‘noise’ of Pahvo.

We eventually learn that the whole planet may be sentient, as that sentience manifests itself as a beautiful, slowly undulating and swirling cloud of blue/white energy.  The manifestations/emanations choose to communicate with Saru and end up having quite an effect on the Kelpien First Officer.

Ash Tyler and Michael Burnham on Pahvo

More on that later!

Alongside this main plot, we have a secondary plot that involves the Klingons (with the odd visit back to the Discovery).

Yes.  When I saw the Klingons I groaned and looked away, wondering if I should just hit pause and come back to the episode later or go grab a coffee while they growled and pontificated at each other, but thankfully the stilted dialogue and posturing ended quickly and we got to see Admiral Katrina Cornwell again, a character I’ve really come to enjoy.

The Klingon scenes start with L’Rell convincing Kol she can be of use to him as an interrogator, and he sets her the task of getting information out of the Admiral.  She pays a visit to Katrina with a collection of nasty looking weapons in tow, and after getting the Admiral to scream, quite quickly asks to defect.

L'Rell and Cornwell Face Off

L’Rell and Admiral Katrina Cornwell need their own spin-off.  Both Mary Chieffo and Jayne Brook are excellent together.  The scenes between both women sparkle.

In the first exchange between L’Rell and Cornwell, we learn L’Rell hates Kol.

I mean really HATES Kol.

I believe her.  I believe the character’s contempt is genuine.

Does she want to defect though?  That, I’m not so certain of.  I want her to.  I’d love to see more of her and I’d love her to hate Kol so much she works with the Federation to destroy him, then double-crosses our heroes in an attempt to rebuild the Empire.

L'Rell and Cornwell Bond

I don’t know if that could ever happen… but it’s a tiny little fanboy fantasy I have!

Sadly, the exchanges between these two powerful women are too brief, and eventually end with the apparent death of Admiral Cornwell.  In the last half of the episode, L’Rell is taking the Admiral to her ship when they’re discovered by Kol.  In that moment, there’s yet another nice exchange between both as they confirm neither is what the other expected, and then Katrina grabs a weapon from L’Rell’s belt, attacks her, and L’Rell pushes her into a power conduit after some nifty hand-to-hand combat.  Being held against the conduit as it sparks and flashes seems to kill the Admiral.

I’m hoping, desperately, that Cornwell isn’t dead, but I’m honestly not sure.  L’Rell’s statement to her when Kol sees them together in the corridor suggests otherwise – “At least you won’t die in a cage, Admiral.”  So either she killed her, or she’s alluding to their eventual escape that is yet to come.

It is telling that L’Rell offers to get rid of the body… so, who knows?

The scenes between L’Rell, Kol and Cornwell are the best scenes to feature Klingons to date.

Back on the planet Saru gets high on sparkly happy dust and, we eventually learn, loses all fear.  Sort of.  He seems to maintain the fear of losing his loss of fear – if that confusing sentence makes sense?

Saru is Given a Gift From the Pahvo

I don’t know if Saru goes native or not, but he definitely changes.  He crushes communicators, deceives his colleagues, and donkey-kicks Burnham in an attempt to stay on the planet.

Very un-Saru behaviour, and definitely not behaviour that is becoming of an officer.

Before that craziness though, we see Burnham and Tyler take a step closer in their relationship in what is ultimately an awkward scene.  This was a perfect example of how this episode needed more time.  A few scenes needed just one more minute each to make this entire episode something outstanding.

With Ash and Michael, one minute they’re talking about trout, the next Burnham is saying she’s probably going back to prison, and then there’s a touching exchange that evokes Suraks’ teachings (and Star Trek II: The Wrath of Khan), that turns into a kiss.

The scene works, and our head-canon can say that stuff has been building off-screen, but it would have been so much better to see that build.  As it was presented, the scene seems wedged in because the writers thought we needed to have these characters kiss because their last kiss got wiped out of existence.

Thanks, Harry!

Ash and Michael Kiss

So, nice moment, then craziness.  It all ends in Saru once again expressing his frustration and anger at Burnham for, in his opinion, ruining his life.

It’s a powerful moment, but not as powerful as it could have been.

This episode was touted as an immensely emotional outing, and wasn’t.  While it was emotional it didn’t live up to the hype – which made me certain I’d shed a tear or two.  Unfortunately, it just didn’t quite rise to the occasion.

The episode starts to wrap up with a beautiful scene between Saru and Michael that continues the theme of healing that’s been subtle but present in most of their interactions since Burnham’s invitation to join Discovery.  It takes place in Sickbay and goes a little something like this:
Saru.  Please look at me.  Are you alright?
I lied to you… and Lieutenant Tyler.  I attacked you.  I could have killed you.”
“You weren’t yourself.
But I was.”  Beat.  “We are born afraid, we Kelpiens.  It’s how we survive.  As such, my whole life I have never known a moment without fear.  The freedom of it.  Not one moment… until Pahvo.

This is what I meant when I mentioned earlier that Saru found himself devoid of fear, but ultimately still acted out of fear.

This scene also makes me wonder about Saru’s suitability for command.

The last scene is an exchange on the bridge where they learn that the Pahvo have invited the Klingons to come chat… and they take up the invitation, warping in.  The Pahvo are dedicated to harmony, and want to make Starfleet and the Klingons play nice together.  I think we know that that isn’t going to end well!

Saru in Sickbay

So… all in all, a really satisfying episode.

Next week’s episode is “Into The Forest I Go.”

I don’t think Lorca and Stamets are going to make it out of the series alive.  A few weeks ago I said I didn’t think Lorca would be alive by the end of the season, and now I’m no longer sure about Stamets.  He’s “unstuck” in time.  His story feels like it’s going to end in tragedy.  He might make it into the next season, and possibly others, but we know the spore-drive doesn’t work and no doubt Paul’s fate will be tied to it.

I am now almost completely convinced Ash is Voq.  Listening to Ash’s voice, listening to Voq’s.  The vague similarity in facial features.  The simple fact that this would really hurt Michael and writers like to torture their main characters!  There would be no more cruel or shocking way to torment Michael than to have her fall in love with a representative of the race that killed her parents – AND her surrogate mother (Georgiou).

Saru will step down as First Officer.  Ash will succeed him (because Lorca makes non-traditional choices, as we’ve seen).  Ash will be revealed as Voq, Burnham will receive a battlefield promotion and her sentence will be commuted, and she’ll become the new First Officer.

In the wishful fanboy category… Cornwell is alive.


4 Deltas

This was an exceptional episode, whose only weakness was in its length – it needed to be longer, and not just because I loved it.

It loses a delta for how “crammed” the story felt.  The story was excellent, and by and large the pacing was good – we just needed more in some scenes because really big things happened in this episode… the possible death of Admiral Cornwell, the kiss between Michael and Ash, L’Rell wanting to defect, the exploration of Saru and the healing journey he and Burnham are on… these are all huge, and just as important, the dynamic between all of these characters, like Michael and Ash, Cornwell and L’Rell and Michael and Saru, deserved more time.

The episode was only 41 minutes long.  That might be the shortest live-action Star Trek episode in history?  They could have included more.  I don’t know if they thought they’d bore us if they extended those scenes, but if so – hear us, oh writers room, you wouldn’t have!  Trek fans love that stuff.  We’re not paying to see this show to watch special effects, we’re paying to be a part of these characters’ journeys.  What’s more, modern viewing audiences love character and story too.  Excellent production values are important, but we want to know and walk side by side with these characters.  Don’t rob us of the opportunity.

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes available Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8:00am BST Monday mornings, and in Australia at 6:00pm AEDT, Monday evenings.

One more episode left before the mid-season break.

By the way, what torturous, horrible person thought up mid-season breaks?  Not a fan.

Join us in a few days time for another review, the last one for a few months.  Until then (and always), Live Long, and Prosper.

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Episode 5 Recap and Review

Episode 5 Recap and Review

Episode 5 went by in a flash.

I started watching it, ‘girding my loins’ for way too many Klingons and subtitles, and before I knew it the credits were rolling.  The episode flew by in what felt like 20 minutes, not 47.

Every week this show gets better.

The Facts
Episode Number: 105 (Season 1, Episode 5)
Episode Title: “Choose Your Pain”
Story: Aaron Harberts, Gretchen J. Berg and Kemp Powers
Writer: Kemp Powers
Director: Lee Rose

Tilly to Michael
: “I love feeling feelings.

Stamets to Michael: “What are you doing with your mouth?
Burnham, in response: “I am swallowing the urge to set the record straight.

Mudd (in reference to his pet arachnid): “Apologies, Lieutenant.  Stewart has boundary issues.

Interesting Bits and Pieces
Some people called it fan service, I thought it was awesome.  Context?  When Saru is having a bit of a command crisis, he calls up a list of some of Starfleets most decorated Captains.  Who?
– Captain Robert April
– Captain Matt Decker (later, Commodore Decker and the father of Commander Willard Decker from Star Trek: The Motion Picture)
– Captain Philippa Georgiou
– Captain Christopher Pike

Also, we saw a map that included some very familiar locations:
– The K-7 Space Station
– Rura Penthe
– the Mempa Sector
– Khitomer

I didn’t see Khitomer, but according to some fans it can be seen up in the corner of the map.

These call outs work – a lot better than the Gorn skeleton, the Horta in the corner, and a neutered Tribble on Lorca’s desk.  They’re nice additions that link directly to continuity and make sense in the context of the episode.

If the team behind Star Trek: Discovery want to reward us fans, this is the way to do it.  It’s not gratuitous.

The Recap and Review
We kick off the episode with a dream sequence and it quickly becomes clear our favourite mutineer has been deeply affected by Ripper the tardigrade’s situation.

Michael wakes to Tilly’s gentle snores and decides to pay Doctor Culber a visit.  She needs Hugh’s help to determine whether or not they really are causing the tardigrade pain.

Hugh points out that they can’t know whether or not they’re hurting Ripper, because they simply don’t know enough about his biology – Michael agrees that she could be anthropomorphising Ripper, but when the doctor says he’ll help she is thankful for his assistance.

Ripper’s reaction to the spore-drive was one of the most troubling things about last week’s episode and I personally found it difficult to watch.  It was a relief to see them dealing with the ethics of using another life form against its will.

Credit where credit is due, the animators did an incredible job of showing us Ripper was in pain and confused, Ripper came to life under their care.  Sonequa Martin-Green’s performance added to the impact and made every scene she shared with Ripper meaningful and let us know that maybe we weren’t misinterpreting his reaction.

While Hugh starts his tests, we jump over to a space station located somewhere near the Klingon border where Lorca is addressing a small group of Admirals.  Starfleet is impressed with the DASH drive (Displacement-Activated Spore Drive) and the success Discovery has had with it since the disaster on the Glenn.  They want to roll it out to every ship in the fleet, but they need more tardigrades.

Lorca with the Admirals - Episode 5

Until they find more, they want Lorca to pull back on his attacks because they believe the Klingons now know about the DASH-drive and are super keen to take the Discovery no matter the cost.

Lorca is not happy.

Back on Discovery, Tilly and Michael have lunch.  Tilly, as usual, is being adorable and Michael is unusually distracted.  Tilly takes Michael’s distraction to be a rejection of her friendship in a telling exchange of dialogue that gives us some interesting and simultaneously heart-breaking insight into her character.  The subtext is that people find her a bit too much, and as a result she doesn’t have many (or any) friends.  Michael slowly realises what’s going on, and assures Sylvia that that is not what is happening.

Michael brings Tilly into her confidence and tells her about her concerns regarding Ripper.

Back on the Starbase/Space Station, Lorca and Admiral Katrina Cornwell (Jayne Brook) discuss Michael Burnham.  Cornwell expresses her concerns around Lorca taking Michael on board, and he pretty much tells her to take a leap into a matter/antimatter reactor.  He reminds Katrina that Starfleet gave him “the fullest latitude” to fight the war his way… and he isn’t all that nice about it.  Katrina reminds him they’re friends, but Lorca brushes it off.

We also learn, in this exchange, that Lorca and Cornwell might have been something more than friends.

Thanks to AfterTrek we also find out that Cornwell was a psychiatrist in her previous Starfleet life.  This is alluded to on screen when Katrina and Lorca have a tense exchange about doctors, after she suggests he get his eyes fixed.  Lorca pointedly tells her he “doesn’t trust doctors.”

Leaving the Admiral, Lorca boards a shuttle to return to his ship but the Klingons have other ideas.  They’d like to invite Lorca to a party where every time a Klingon says “choose your pain” you have to take a shot of blood wine.

A D-7 Klingon cruiser that doesn’t look like a D-7 Klingon cruiser warps right in on top of the shuttle, and things go from bad to bloody in a matter of moments.

The Klingon’s board Lorca’s shuttle, pretty much gut the shuttle pilot and leave us with the revelation that there are now two jobs in Starfleet that you don’t ever want to do – security AND shuttle pilot.

Then we jump to the main title sequence.

Admiral Cornwell - Episode 5 Recap and Review

After the main titles, we return to Discovery where a holographic Admiral Cornwell tells the bridge crew that Lorca has been captured – and they’re tasked with rescuing him.

Starfleet believes the Klingons have learned about the new drive, and are after Lorca to get more information.

Saru, the acting-captain in Lorca’s absence, sets to work issuing orders when, suddenly, his threat ganglia poke out.  The turbo-lift doors open – revealing Michael.  She tells Saru that she’s looking for the captain, and Saru fills her in.  She cuts right to the point, and expresses her concerns about Ripper.  Saru, as someone who once described his species as, essentially, “cattle”, is surprisingly unsympathetic.

He retreats to Lorca’s ready room and consults the computer about leadership, with issues about Burnham at the forefront of his mind.  This is where we get the shot of Starfleets’ most decorated captains, mentioned above in our “Interesting Bits and Pieces” section.

During Saru’s introspection, the computer pretty much suggests he jettison Burnham out an airlock.  Thankfully he doesn’t.

It’s really interesting how much Burnham effects Saru.  We’re not given long to think about that, because we jump to the Klingon ship and meet…

Mudd - Episode 5 Recap and Review

Harcourt Fenton Mudd, played by Rainn Wilson.

Way too much fuss was made about Harry Mudd’s inclusion in Star Trek: Discovery, with some people thinking it was unnecessary and some having an issue with Rainn Wilson stepping into the role.

I hope all of that fuss has now been put to rest, because it works, and Rainn is excellent.

Thanks to Harry, we learn that the Klingon vessel is a prison ship.  We also learn that the Klingons like to group their prisoners into shared cells.

Lorca asks Harry what a civilian is doing on a Klingon prison ship, and Harry tells him he has no idea and that his only crime is the crime of love – then, in a nice monologue that evokes the original series, talks about his beloved Stella.  As Mudd waxes lyrical, Lorca checks out their cell and finds a Starfleet officer broken and huddled in a corner.

We quickly learn why this officer is so broken.

The Klingons walk in and ask Harry to “choose his pain.”  He points at the huddled Starfleet officer and the Klingons go to town on him, beating him senseless.  They end his life with a brutal and shocking, skull cracking stomp to the head and then drag the body out.

Lorca stares on in shock as Harry tells him the rules.  They can either accept the beating themselves, or pass it to someone else in the cell.

Lorca is stunned, and, judging by the look on his face, disgusted.

Lorca - Episode 5 Recap and Review

We leave Lorca and Harry to visit with Stamets, Culber and Burnham.  Burnham wants to enlist Stamets’ help with Ripper and tries to charm him… which doesn’t work.  Hugh takes the more direct approach and tells Stamets that they’re there to talk about the effects of the spore-drive on the tardigrade.

They convince Stamets and he agrees with the both of them.  They need a solution, and can’t continue to use a potentially sentient life form against its will.

It’s taken this version of Trek a while to give us this side of Starfleet.  It’s so indescribably wonderful to see these conversations taking place, and to see a glimpse of the Starfleet and Federation I love.

If I have one issue with Star Trek: Discovery, it’s that since the death of Captain Georgiou we haven’t seen anyone expressing or ‘living’ the ideals of Starfleet and the Federation.  Yes, Star Trek fans love special effects and compelling story lines and new species, but a lot of us are dreamers too: we want to believe that this shitty period in history that we’re all stuck in will end, and that something beautiful and amazing will come out of the mess of the last few centuries.  Our new Trek has kind of been saying… yeah, everything is still sorta shit.

Back on the prison ship, Lorca continues to explore his cell, probably in an attempt to stay as far away from Harry Mudd as he can.  He stumbles across Lieutenant Ash Tyler.

Tyler is excited to see a Starfleet captain, and tries to feed Lorca, who refuses, while Stewart, Harry Mudd’s cute little arachnid pet, steals the food for Harry who smugly eats it in front of both men.

Mudd and Tyler - Episode 5 Recap and Review

Mudd is entirely unsympathetic.  He’s a prick and I love Rainn’s gleeful but restrained portrayal of the character.

We learn that Tyler was on board the USS Yeager and has been on the prison ship since the Battle of the Binary Stars.

We also learn that L’Rell, the captain of the prison ship, has taken a… liking to Tyler.  There is subtext here that suggests he has been sexually assaulted by her.

Tyler and Lorca end up in an argument with Mudd, who challenges both men, telling them that they started the war by bothering to “boldy go”.  He tells them he can understand why the Klingons don’t want them in their ‘front yard.’

At this point, our overly bloodthirsty Klingons return.  They take Lorca to L’Rell.  No “choose your pain,” they just drag him out.

We probably need to talk about Tyler here – because fandom has gone bonkers about his character.

On my first watch, a few things Tyler said didn’t ‘drop’ in my mind.  I didn’t find myself analysing it all too deeply until my second watch.

In my first watch, I came away thinking “Manchurian Candidate.”  Klingons are crazy-strong.  It’s canon.  We see it in this episode.  They throw their human victims about like they’re sacks of potatoes, and the human skull is pretty strong.  One stomp shouldn’t shatter a grown man’s head – but one Klingon stomp does.  But, a tortured Lorca and an exhausted, repeatedly beaten, undernourished Tyler take a few out in a couple of scenes time.  Not once, but twice, and then they steal a fighter and escape.  Everything pointed to them being let go.

Inbetween my first and second watches of the episode, I listened to a podcast where it was suggested Ash Tyler was Voq, our Albino Klingon.  I’m now 98% convinced he is.  This article, from TrekMovie, was what pushed me from my Manchurian Candidate theory to the Ash is Voq theory.  Visit TrekMovie here.

There’s only one fault with the analysis – nothing in the episode tells us how long L’Rell has been in command of the prison ship.  She could have taken a liking to him in recent days, or of course it’s all a lie to deceive Lorca.  Time will tell, as will whether or not we see Voq in any future episodes.

One last thing, was the officer who had his head stomped the real Ash Tyler?

Back on the Discovery, Tilly, Stamets and Burnham are working together, trying to find a solution to Ripper’s dilemma.

Tilly - Episode 5 Recap and Review

Tilly suggests creating a virtual Ripper.  Stamets talks about his earlier research and how he tried to use software to fix the problem but it only enabled small jumps.  He points out that things only started to work to their fullest potential when a sentient creature was interfaced with the mycelium network.

He suggests they find something or someone else, who is willing and can fully understand the choice they’re making.

It’s at this point we have another first for Star Trek.

Tilly says: “You guys, this is so fucking cool!”  She quickly realises that might not have been the best or most professional thing to say in front of her boss.  Stamets stares at her, eyebrow raised for a moment, and then with a small sly smile, agrees.  “No cadet, it is fucking cool.

So… the f-bomb.  I admit it grated, but in that scene it worked.  It would have worked better if Stamets hadn’t used the f-bomb too.

We leave our intrepid trio of Ripper-savers to jump over to L’Rell, who has captain Lorca strapped into a nasty looking chair.

She talks to him about torture, he compliments her English, she talks about being descended from spies and then asks him about his ship and its mode of transport.

Mary Chieffo is, as per usual, extraordinary.  I don’t have words to describe how much I admire this young actor.  What she can do under all those prosthetics is amazing.

L’Rell tells Lorca in an almost seductive way, that she knows about his photo-sensitivity and then forces his eyes open with a device straight out of a horror movie and uses bright light to torture him.  Some fans have suggested this scene is reminiscent of Picard’s torture at the hands of the Cardassians in the episode “Chain of Command.”  It did pop into my mind briefly when I was watching, but I don’t really see a similarity past the fact it featured bright lights.

I’ve been heavily critical of the Klingons, primarily because of the distracting subtitles and heavy makeup that makes their vocalisations hard to understand.  So how about a positive?  This episode was, from memory, subtitle free and it made a difference.  It let me really pay attention to the Klingon scenes within the flow of the episode – no rewinding and rewatching, breaking me out of the moment.  I came away from that simple experience excited by them.  What I do love about these Klingons is how deep we’re going into their culture and the effort the writers are going to, to make these guys feel real and not just ‘different.’  They’re starting to come across like a real, multifaceted species, rather than the stereotype and caricature they turned into in the TNG era.  They’re more nuanced in this Trek.  That’ll probably piss off some fans, but after an intriguing start with Worf, everything became “honour” this and “honour” that and “I’ll drink blood wine on the corpses of my enemies.”  In this show they have so many different dimensions to them.  Different houses with different perspectives and physical characteristics – just like us and the many different races that make up humanity, and this very real and very current fear of multiculturalism.  I love this aspect.  The Klingons are interesting and forbidding again and they are finally starting to grow on me.

We leave Lorca, screaming, in the capable and malicious hands of L’Rell to return to the Discovery.

Staments, Burnham and Tilly are unable to find a compatible species in the database that is capable of working the spore-drive.  At that point, Saru walks in, and he’s pissed.

Michael tells Saru that they have a sample of tardigrade DNA and could use it to empower a human to work the spore-drive.  Saru reminds her that Eugenics is not allowed.  The discussion quickly goes down hill, heating up when Saru accuses Michael of treating him like one of her anthropology subjects.

Refusing to hear anymore, he orders Stamets to bring the drive on line and to use the tardigrate.  Turning on Burnham, he confines her to quarters.

Saru and Burnham - Episode 5 Recap and Review

We jump back to the prison ship where Lorca confronts Mudd and accuses him of being a spy for the Klingons.  Lorca sprinkled some things in his initial conversation with Mudd which was parroted back at him during his interrogation, making it likely Mudd told his jailers and is working with them.  But was it Harry or Ash?

Mudd goes in for a very distracting attack and turns the tables on Lorca.  He brings up Lorca’s last command, the USS Buran.

It’s here that we start to get a deeper glimpse into Lorca, and some indication of why he’s as hard-ass as he is.  We learn that Lorca survived a Klingon attack, but his crew did not.

Rather than let Mudd continue, Lorca takes back control of the conversation and in an unusually candid moment tells Mudd he only knows half the story.  He tells Mudd and Ash Tyler that he blew his crew up to avoid them being captured by the Klingons.

Ash Tyler lowers his head and the scene switches to a black alert on the Discovery.

Stamets beams the tardigrade into the reaction chamber.  Tilly watches, distressed, as Michael, in her quarters, worries about Ripper.  It is obvious Stamets is not happy with how things are transpiring either and in a nice, beautifully filmed moment we watch our heroes realise that they really have been thoughtlessly torturing Ripper.

As they jump, the tardigade screams in pain and collapses.

Stamets and Tilly rush into the chamber, but they’re too late to do anything.  Ripper curls into a ball, shedding all of his water and breaking my heart in the process.  We quickly learn, thanks to Doctor Culber, that Ripper has gone into a state of extreme cryptobiosis.

Saru dispassionately orders Doctor Culber to rehydrate the tardigrade and hook it back into the engine.

More than anything, from stomped heads to tardigrade torture, this was one of the most shocking scenes in this episode.  Saru knows what it’s like to be used against his will by a more powerful predator, yet he mercilessly orders his crew to commit a crime, telling them that if they’re right, and Ripper is sentient, he’ll be judged in accordance with his actions.

Culber refuses to participate.

Saru Culber and Barnham - Episode 5 Recap and Review

Saru doesn’t appear to care.  I expect he does, and I expect, deep down, this is hurting him quite badly.  Saru orders Stamets to do it.  There’s a quirk in Paul’s voice as he agrees to get the drive working.

Back on the prison ship, the Klingons turn up in the cell and ask Lorca to “choose your pain.”  Ash tells Lorca to choose him.  Lorca, after some resistance, does.

It’s a trick.  Ash and Lorca overpower the Klingons all too easily.

Both men dash out of the prison, with Harry begging to be taken with them.  Disgusted by Mudd, Lorca doesn’t let him come.  Harry angrily tells Lorca he hasn’t seen the last of him.

In a nearby corridor they have another fight with the Klingons, and these ones are also surprisingly easy to defeat.

Ash gets injured in the scuffle and Lorca uses a disrupter to blow a Klingon into a cool looking green smoke before the lieutenant is killed.  Ash can’t continue and suggests Lorca come back for him.  Lorca hesitatingly agrees and disappears.

Suddenly, L’Rell is there and Ash finds some kind of inner strength and gets up and starts to punch her.  He lets loose, and it looks like she’s taking one heck of a pummelling.  If this is all a ruse to deceive Lorca and the Federation, is Voq (Ash) unleashing on L’Rell because he has been surgically altered to look like the very species he hates?  The species that killed his Messiah?

In the middle of this very violent act, Lorca returns, melts off half of L’Rell’s face with a disruptor blast and drags Ash to a Klingon raider.

The next scene is both men in the fighter, and they’ve escaped.  Way too easily.

As they fight off their pursuit, we learn that Lorca’s sensitivity to light was caused by the destruction of the Buran, and that he suffers through the pain of damaged eyes in memory of his former crew.

The escape scene is beautifully directed and acted and is visually stunning.  The space battle scenes look GREAT!  Everything Star Trek: Discovery is doing is feature film quality.  This series looks better than the Kelvin-timeline films.

The USS Discovery

We don’t spend nearly enough time with Lorca, Ash and the space battle and find ourselves back on the Discovery.  They detect the raiders and Saru works out Lorca is on one of them.

Discovery contacts him and beams both he and Ash aboard, just as their fighter gets blown apart.

Saru asks Stamets if the tardigrade is hooked up.  Stamets noncommittally advises they are “able to jump.”

They jump.

In the transporter room, Lorca helps Ash up and welcomes him back to the war.

On the bridge, Saru is trying to get in touch with Stamets.  He’s advised Stamets’ life signs are in distress and in a scene reminiscent of Star Trek II: The Wrath of Khan, Saru races to engineering and finds Stamets collapsed in the reaction chamber.

Tilly tells Saru that Stamets injected himself with the tardigrade DNA.

For a fleeting moment it looks like Paul Stamets is dead, but suddenly, Stamets comes to and starts to laugh hysterically.

We cut to Burnham’s quarters.  Saru comes in and they finally have it out.  Saru tells Michael that’s he’s angry with her and that she’s taken a great deal from him.

Saru wanted what Michael threw away.  He had hoped Michael would get promoted to her own command, and that he would become Georgiou’s first officer.  He’d hoped to learn under Georgiou’s guidance.  He’s angry at Michael for destroying her own life, for destroying his dreams, and for, in his opinion, getting their captain killed.

Michael takes it and apologises.  Then, in a sweet moment, she tells Saru that he did well as acting captain, and gives him Georgiou’s telescope.

Hopefully, now, their healing can begin.

Michael finds Tilly and together, in what is a beautiful scene, they set the tardigrade free.  He uses some spores Michael poured over him and jumps toward a distant nebula.

Culber and Stamets - Episode 5 Recap and Review

The episode ends with Stamets and Culber together in their bathroom, brushing their teeth in what is a very simple but poignant scene.  Culber is worried about the DNA injection, and gently lectures his partner.

Stamets tells him that he had to do something because Culber was in danger.

He tries to describe his experience with the spores, but can’t quite find the words, describing it as “unspeakably beautiful.”

Hugh tells his partner to never do that again, because though Stamets might not care about Stamets, he does.

As Culber goes to bed, Stamets lingers for a couple of seconds and then turns away.  As he does, his reflection stays in the mirror and smiles.

Stamets Reflection - Episode 5 Recap and Review

It’s a wonderfully creepy way to finish the episode.

This is the most Star Trek episode to date.  I loved it.  It was action packed, it was full of drama, the performances from every cast member were outstanding.

It was shocking, revelatory and poignant.  My only complaint is that it went too fast.  I do not know how they squeezed all of that in.

This series is really taking flight.  It didn’t exactly have a bumpy start, but it did take it’s time bringing us to the mystery – and it feels like we’re finally there.

Is Ash Voq in human disguise?  There is precedent for this.  In the original series episode “The Trouble with Tribbles”, the character of Arne Darvin was revealed to be a Klingon.

What did Lorca do?  Why didn’t he go down with his ship?  What’s the story behind him killing his crew, but somehow surviving?

Will we see Ripper again?

Have Saru and Michael finally started their path toward becoming friends again?

What is going on with that reflection in Hugh and Stamets’ mirror?

Most people out there in fandom think this is hinting at an upcoming Mirror Universe episode.  We do know one is coming.  Will it be next episode?

I don’t care.  I’m just enjoying the ride.

There is no question.  I LOVE THIS SERIES.

Acting: 10/10
Direction: 10/10
Writing: 10/10
Editing: 10/10
Special Effects/VFX: 10/10
Story: 10/10

Overall, five Starfleet deltas out of five.

The next episode of Star Trek: Discovery is called “Lethe”.

Star Trek: Discovery airs in the United States on CBS All Access with new episodes released Sundays at 8:30pm ET.  In Canada the show airs on the Space Channel at 8:00pm ET.  Outside of the USA and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8am BST Mondays, and in Australia at 6pm Mondays AEDT.

Live long, and prosper.  See you in about a week.

LCARS Interface

Episode 3 Recap and Review

Star Trek Discovery Update 22062017

I am so conflicted.

I really enjoyed this episode, but there were a couple of things that gave me pause.  More on that later in the review.  First… the basics:

The Facts
Episode Number
: 103 (Season 1, Episode 3)
Episode Title: “Context Is For Kings”
Writers: Aaron Harberts, Gretchen J. Berg and Craig Sweeny
Story: Bryan Fuller, Aaron Harberts and Gretchen J. Berg
Director: Akiva Goldsman

Interesting Bits and Pieces
We get to see our first Jefferies Tube!
There is a different Starfleet delta badge worn by some officers on the Discovery.  It’s all black.
A boarding party is a boarding party, not an away team (like on TNG).
Amanda is mentioned, and Spock is hinted at when Burnham talks to Tilly about her childhood.
Lorca has a Tribble.  That is hopefully neutered!
Lorca has a Gorn skeleton in his private area.  This is a little annoying, because I’m pretty sure we don’t officially meet the Gorn until the TOS era?
The robot is called Airiam and appears to be a Lieutenant Commander or full Commander?  I hope they explain this soon.  It looks like Data may have been the first “human-looking” android and not the first android in Starfleet.
The Discovery uses “breath” ID scans to access sensitive parts of the ship.  It actually looks kind of silly.
Last, but not least, Lorca and Landry are up to something together, and seem to have a relationship that goes back a while.

The Recap and Review
The first few minutes of “Context Is For Kings” did not grab me on the first watch.  On the second watch, I was far more interested because I knew what was coming and the scene made more sense.

We start on a prisoner transfer shuttle six-months after the events of “Battle At The Binary Stars.”

Burnham is in old school command mustard-gold, though it’s not a Starfleet uniform she is wearing, it’s prison garb.  She’s not in a good head space.

Sharing the shuttle with her are three not very nice individuals, one woman, two men, all human.  They’re unpleasant in every way, and this works.  The scene does a few things.  It shows us we’re not yet in the utopia that the Federation will become in the Picard-Sisko-Janeway era and it shows us that, as a species, humanity is still working itself out and is still trying to cast off some of its less desirable traits.

We quickly learn that Burnham is infamous as one of the prisoners tells her, with considerable anger, that she lost a family member in that battle.

Before things get violent, some kind of life form that feeds on energy starts to drain the shuttle of all power.  The pilot does an emergency EVA to try and fix the problem, but her tether breaks and she shoots off into the distance.  It’s all a little weird.  The scene is filmed in a very flat and undramatic way.  It’s devoid of intensity and energy.  Even the pilots death lacks drama.  She just shoots by a window.  I think that’s Akiva (the Director) helping us to climb into Michael’s mind – but initially I didn’t like it.

The prisoners go into a panic but Burnham sits there, quietly, almost with an air of relief, accepting her fate.  Perhaps even looking forward to it.

That, the second time around, was actually quite powerful.  It’s as if Burnham wanted to die and thought she deserved it.

Suddenly, a beautiful looking starship drifts languidly into shot, tractor beam extended, to save them.

USS Discovery

After two episodes, we finally get to see the USS Discovery.

I know the Discovery‘s design has divided fandom, but I love it.  It’s recognisably Starfleet, but is it’s own thing – and it’s stunning.  It’s design influence is a little alien, and I wonder at that.  I don’t recognise any particular Star Trek race’s ‘fingerprints’ on the design, but find that I want to know who developed her and whether or not they were guided by an alien aesthetic.

That’s the Trek geek in my coming out!

From the moment Discovery sails in to save the day, the episode kicks into high gear and we finally get to meet most of the principle cast.

Rekha Sharma as Commander Ellen Landry is entirely unlikeable.  She doesn’t seem to like or dislike Burnham, but treats everyone with what feels like contempt.  Equally.  Except for Gabriel Lorca.

Jason Isaacs plays our new Captain and you never know, from one moment to the next, whether or not Lorca is a good guy or a bad guy.  He is entirely mysterious, almost menacing, and completely compelling.

Mary Wiseman’s Ensign Sylvia Tilly is fantastic in every way.  She’s someone a lot of us can relate to.  This show is serious and tense, and Tilly brings a lighter touch which is needed.  I admit, I adore her.  She’s awkward, a ball of anxiety, allergic to almost everything, and is just a really good and really sweet human being.

Anthony Rapp’s Lieutenant Paul Stamets is arrogant, dismissive and entirely obsessed with his work.  He’s going to be an amazing character.  He doesn’t seem to like Lorca, and I’m not sure if he’s Starfleet or civilian?  It seems, from his dialogue, that he might have been drafted.

We reunite with Doug Jones’ Saru, and there’s also a brief, dialogue free reunion with a cybernetically altered Lieutenant Keyla Detmer from the Shenzhou, played by Emily Coutts.

Neither reunion goes well.  Gone is the brother/sister vibe between Saru and Burnham.  Saru is now the first officer of the Discovery, and he makes it clear that he considers Michael dangerous.

Keyla?  She just stares at Michael with barely constrained hatred and turns away.

Michael is temporarily put to work in Engineering with Stamets and Tilly while the shuttle is repaired.  It’s made clear she’ll ship out with the other prisoners and resume her journey when the transport is fixed.

As she gets to work, and gets a little break-and-entery, the mystery that is Discovery and her mission starts to unfold.

We learn that the Discovery has a sister ship, the USS Glenn, and the Glenn goes silent after upping their mycelial propulsion experiment.

Discovery shoots off to investigate.

Burnham, Tilly, Stamets, Landry and our first red-shirt (sorry… bronze-shirt), Ensign Ricky, shuttle over to what turns out to be a ship of horrors.

The experimental propulsion system on the Glenn has done something terrible to the biological lifeforms on the ship, and we go from Star Trek to horror-Trek in a matter of moments.  Disfigured, dismembered crew litter the ship, and it appears the Klingons tried to board her as we see one – before he’s quickly eaten by some kind of slug/beetle hybrid.

It’s a scene that is both amusing and horrifying.  One moment the Klingon is “shushing” the Discovery crew, the next he’s set upon by the monster and sucked into its toothy maw.

After a tense chase scene, that includes Michael reciting lines from an Alice in Wonderland book, our heroes escape, and, we learn, so too does the monster… though escape is probably the wrong word.  It ends up in some sort of menagerie aboard the Discovery thanks to Commander Landry.

The episode ends with Lorca asking Burnham to stay on as a consultant.  She declines, saying she committed mutiny and deserves her punishment, giving context to her despondency in the first scene.  She also doubts Lorca can over rule Starfleet.  He tells her he has a wide latitude in his mission, and insists she’s someone he needs.

She initially thinks its to engage in clandestine, barely legal activities in the name of the war effort and challenges him on this.

In a moment that gives us some welcome insight into Lorca’s cold and suspicious behaviour, he says it’s not.  He needs people who think on their feet, and are capable of doing what is necessary to save lives.

Burnham accepts his offer, affected by Lorca’s argument: “you helped start a war, don’t you wanna help me end it?”

What will her role be?  We’ll have to tune in to the next episode to find out.

“Context Is For Kings” is an excellent episode.  Akiva Goldsman really can direct.

The entire episode is tight, though there is a lot of treknobabble it doesn’t get in the way, and the exposition is light.

The performance of every single actor is superb.  There isn’t one weak actor in this show.

The writing… well, it feels like it’s been written by a committee and suffered as a result.  Previous Trek shows have an almost lyrical narrative flow, but Star Trek: Discovery hasn’t found that yet – and I think it’s because so many people have their fingers in each script.

That might eventually prove to be a good thing, but right now it is clear the writers are still trying to find their groove.

What gave me pause?

This new way of flying.  Unless I’m missing something, the Discovery appears to be mushroom-powered.  Which is okay.  In my day job, one part of the business I work for is looking into the science of mushrooms and how they can purify water and reclaim waste – and I am almost convinced mushrooms might save our planet, but there are four Trek series set in the future where there is zero mention of or reference to mushroom powered vessels.

Also, Lorca.  I admit I love his character, but I can’t work out if he’s a genius or a sociopath.

It rubs me the wrong way that Starfleet has given this man carte blanche to find a way to defeat the Klingons.

Context may be for kings, but I need more context.  We all do.  Is the war going so badly after six-months, that Starfleet is willing to consider chemical weapons or some other horrific tool as a means of stopping the Klingons?  Is this a Section 31 thing?  Are the black markings on the Discovery a symbol it is somehow different from other Starfleet vessels?

Lorca’s moral ambiguity is both fascinating and disquieting.

The shows writers and producers have gone to great pains to assure us it will all make sense, so I’m happy to suspend my concerns and enjoy the ride, but I do hope things become a little clearer soon.

Overall, this is an intense and enjoyable third episode… or actual pilot, if you prefer to see it that way.

This series is shaping up to be something very different and uniquely wonderful.  Four delta’s out of five!
4 Deltas

The next episode of Star Trek: Discovery has the second longest title in Trek history (I think).  It’s called “The Butcher’s Knife Cares Not for the Lamb’s Cry.”

The longest episode title in Trek history?  To my knowledge, it’s “For The World Is Hollow, and I Have Touched the Sky.”

We’ll be back with another review in a few days time.

Star Trek: Discovery continues to look incredible, and while the show still feels a little uneven I have no doubt it will find its voice soon, and its place in Star Trek canon.

Live Long, and Prosper.

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A Brave New Adventure

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We’ve been a little quiet here at Star Trek: Sentinel because there has been so much Star Trek: Discovery news coming out that we kind of just wanted to enjoy it and let it wash over us, and didn’t feel the need to comment on it.

Now we stand on the eve of the launch of a brand new series and a bold new experiment in Star Trek.

Since the new series was first announced and up until today, we’ve all seen people expressing hope and excitement for the show and people nit-picking everything and heaping disdain on this new series every Trek fan should be looking forward to.

Georgiou and Burnham

It’s probably no secret that I am incredibly excited about the show.  I love Sonequa Martin-Green as an actor, I’m a huge fan of Kirsten Beyer, Akiva Goldsman and many other behind the scenes creatives, and I admire the risks everyone has taken to make this version of Star Trek relevant.

I’ve been disappointed, even upset by some of the negative coverage coming from some sites.  The amount of it coming from one particular sci-fi site (not a Trek one) has caused me to delete it from my favourites and move on.

Now that we’re literally only hours away from the first brand new episode of Star Trek television in 12 years, I thought it might be a good idea to point you guys toward a handful of excellent articles out there right now on websites staffed by professionals who are genuinely excited to see Star Trek: Discovery.

There are two sites in particular that have had extensive and exceptional coverage over these last few weeks:

TrekMovie and TrekCore.

TrekMovie, in particular has suddenly become one of the best, if not the best, Trek site ever.  Their coverage of Star Trek: Discovery has been spectacular.

TrekCore have always been amazing, and though they may be following a close second behind TrekMovie, their coverage has still been excellent.

Inside the Discovery

Here are some great articles from both sites.

Let’s start with the coverage of the recent Premiere, held a couple of days ago in Los Angeles – attended by many of the cast and crew of Star Trek: Discovery, and Star Trek royalty, Nichelle Nichols and William Shatner.

Nichelle, Sonequa and Bill

Sonequa and the cast get a blessing from one of the most significant women in modern science fiction, Nichelle Nichols.

TrekMovie gives us some photos from the Hollywood Premiere.

TrekCore‘s coverage of the Premiere.

For more on the “blue carpet” premiere event, visit both TrekMovie and TrekCore and look through their most recent articles.

Of particular interest to fans, the Season One Press Kit for Star Trek: Discovery has finally been released.

It’s beautiful.  The images above, and one a little earlier on in this article are from that kit.

TrekCore got the scoop on this one, so go check out their article focusing on the kit here.

Some of the things we’ve learned over the last few weeks are that the Klingon War with the Federation will play a major part in Season One of Star Trek: Discovery.

We’ve also learned that the war story will be wrapped up by the end of the 15 episode first season arc.

We don’t know what Season Two might hold, but it’s interesting that the Klingon conflict will fade out to be replaced by something else.

I think that’s a good idea.  Multiple years focusing on a war might get a bit a much – plus, there’s a lot more to Star Trek than Klingons and the war-arc has already been done and done well in Trek’s illustrious history.

Star Trek Discovery EW Photoshoot 1

If you want to catch up with all of the Star Trek: Discovery news, visit those two wonderful sites.

Right now, I am eagerly counting down the hours to Star Trek: Discovery‘s release on Netflix.

If I could have one wish over these next few days, it would be for my fellow Trek fans to give this show a chance.

A great deal of incredible talent has been brought together to bring this show to us, and a lot of love and care has gone into it.  Yes, it looks different to Star Trek: The Original Series and probably shares more in common with Star Trek: Enterprise and the J.J. Abrams Trek movies, but that’s superficial and necessary if we want to attract new viewers and keep Stat Trek alive.  The show and it’s producers are doing everything they can to be faithful to canon and to make us something we will love.

The internet has become an horrifically nasty place where people seem to think it’s acceptable, even ‘cool’ and funny, to be negative and sometimes even abusive, but Star Trek fans are better than that, and the worst of us are nothing more than a vocal minority.

I hope other fans who love all things Trek for everything that the shows stand for, and respect and attempt to live the ideals of Star Trek, embrace this new show and love it and ensure it continues for many years to come.

We’ll be back in a couple of days with a review of the pilot episode, which is titled “The Vulcan Hello.”

Until then, may we all and may Star Trek: Discovery especially, live long and prosper.

In the United States, Star Trek: Discovery premieres on CBS on the 24th of September with all subsequent episodes airing on CBS All Access.  In Canada Star Trek: Discovery will premiere on the 24th of September also, on Bell Media’s CTV and the Space Channel.  For the rest of us, Star Trek: Discovery will launch on Netflix on Monday the 25th of September.

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Discovery News Hits Warp Speed

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We’ve purposefully held off on posting any of the ‘new’ news about Star Trek: Discovery that’s been coming out, because we were pretty sure SDCC (San Diego Comic-Con) would drop a lot of information.  And we were right.  And then EW did also, which means there is a fair bit to catch up on.

Where to start?

The first place would be with the new trailer that was released.  It is… fantastic.  Despite what some science fiction news sites have said.  They haven’t said it’s bad, but one or two have given it a less than warm reception.

I’ve been really disappointed with some of the comments made by these sites, but on the up side I have been really impressed with the cautious optimism and enthusiasm coming from Trek-specific news sites.

When it comes to the new Star Trek show a couple of these online genre news outlets have an overly negative attitude going on, and appear to feel that unnecessary nitpicking is the way to go.  One or two of their points have merit and some are downright ridiculous and poorly researched.  Example?  Gene’s vision of a future where Starfleet officers don’t argue or have conflict of any sort.  This is true for the TNG era, but not for what came before it.  In TOS and the first six films, there was plenty of conflict.  Anyone remember Star Trek: The Undiscovered Country?  Kirk was not happy with Spock for volunteering him and the Enterprise to escort the Klingon High Chancellor to Khitomer, and in TOS Spock and McCoy went at it almost every chance they got.  For that matter, Kirk and McCoy could get pretty testy with each other now and again.

Another example of the nitpicking?

There was an article a couple of days ago on io9, one of my favourite sites, by my favourite writer on that site, taking exception to Kirsten Beyer asking Jason Isaacs to avoid saying the word “God” (in an ad lib) because Gene had envisioned a world where religion didn’t have a great deal of influence on human beings.  Not a world/universe where there was no religion, but one where it’s impact wasn’t as wide felt.  The writer of that article was annoyed by this, and said (I’m paraphrasing) that it was just another ‘thing’ she didn’t get about the show.

She kind of has a point, ad libbing in a “God” is a small thing, but then she went and ruined her point by citing Star Trek: The Final Frontier and Star Trek: Deep Space Nine, saying the correction was silly because the “g” word had been used before in Star Trek.

In the fifth feature, Kirk doesn’t ask the question “what does God need with a starship?” because he believes in God, he asks it because if there was a God, he or she or it would not need a ship to get anywhere, and the line isn’t an ad lib, but an integral part of the story.

And DS9?  For almost the whole seven years of that series, Benjamin Sisko fought against his appointment as The Emissary, and believed the Bajoran Gods were nothing more than wormhole aliens.

I might be wrong, it’s been a long time since I watched season seven of DS9, but I don’t think Sisko ever truly believed the wormhole occupants were Gods or a representative of God or a God.  They were extra-dimensional beings with a command and understanding of space-time far different to our own.

Lorca is a Starfleet officer and is part of an organisation dedicated to scientific research and exploration (alongside a joint mission to defend and protect the United Federation of Planets).  While many scientists are still people of faith in today’s world, and no doubt will be in the future, it’s not a big enough thing to nitpick about.  I don’t know why Kirsten’s correction of an ad libbed line has earned her that journalists ire?  My question is, do we know enough about the context of that conversation (between Kirsten and Jason) to be getting upset about this?  Probably not.

Also, I really don’t know why this particular situation is another ‘choice’, apparently amongst many, that is hard to understand?

Some of the decisions the writers have made have been contraversial, but they’re understandable.  The series needed to be updated if it was going to have a chance against the juggernauts of Game of Thrones and The Walking Dead.  The creative team has made mostly cosmetic changes, and where things may upset canon have promised us an in-Universe explanation.

Star Trek Discovery EW Photoshoot 5

A lot of the snipes coming from these sites are silly and they are getting really annoying.  Hundreds of thousands, if not more, Star Trek fans around the world have been waiting for a new series, and a lot of us are over-joyed and excited about this show and are holding out hope it will be brilliant.  If you don’t want anything to do with the show or aren’t coping with the changes that have been made, keep your opinions to yourself unless they have some balance and substance.

Instead, focus on THE most diverse cast in Trek history and how that lives up to Gene’s vision, a vision he wanted to show but couldn’t while he was alive because of the resistance he faced over the years.

Don’t forget, his son, the keeper of Trek now that Majel has left us, is intimately involved with this series.  Show some respect, and give this show a chance before ‘bagging’ it across the internet.

Sorry for that digression.  Those two examples above are only some of a number of articles that have really irked me.  But!  Back to the trailer!!

If you’d like to watch it, jump over to the official Star Trek site here.  The music is “I’d Love To Change The Workd”, by Jetta.

This show is, from the look of both trailers (the first one released and this newest trailer), aiming to be an intense and exciting, epic exploration of a time before Kirk and after Archer, and it’s trying to be a deep and thoughtful exploration of the ‘self’ and the journey we all go through on this roller-coaster ride we call life.

The over-arching story is starting to take shape thanks to the trailers and interviews we’ve seen, heard and read, but I have no doubt there will be more to the series and I also have no doubt that the creative team will throw us a few red-herrings!

What is that story?  A war between the Federation and the Klingon Empire.  It’s been hinted at, but never shown, so now we may get some context around why the Organians were so insistent on implementing that treaty way back in TOS’s first season (2267), and ending that war.

A few days after the trailer hit, EW released some beautiful photos from a behind-the-scenes interview and photoshoot they did.  Some of them are peppered throughout this article.

If you’d like to see all of these really gorgeous shots, visit Entertainment Weekly here.  Even better, buy their latest edition featuring the new crew, here.  I have, and I don’t regret it.


If, for whatever reason, you can’t view the trailer, below are some screenshots from it.  Because I’m in Australia, I have only seen the Netflix version, and I have no idea how different it is from any trailer that was released by CBS or Space (in Canada).

When you see the release date screen grab pop up at the end, don’t freak out.  In the United States and Canada Star Trek: Discovery will still air on the 24th of September, but in Australia and most other countries it will air on the 25th.

Here are the trailer shots, with a tiny bit of commentary.  The trailer I saw had subtitles.

Warning… there are a LOT of images.  Apologies for the quality, at times the internet was holding up beautifully, and at others it wasn’t.  Australia is a great country, but our internet service providers and internet speeds are a joke.

Just a quick aside first.  Some people have thought the Shenzhou leaves behind ‘graffiti’ on the desert world Georgiou and Burnham visit, in the form of a Starfleet Delta.  I really doubt that is something that happens ‘in-show’, and I’m pretty certain it’s a creative effect by CBS.  Time will tell if I’m wrong.

As I said above, it really feels like the creative team are setting up something thoughtful, and hopefully epic… “All life is born from chaos…”  Those are portentious words!

It’s clear there’s some sort of battle, and it looks like the USS Shenzhou doesn’t come out of it in one piece – and it looks like that’s thanks to our old friends, the Klingons.

Throughout the trailer it’s insinuated that our lead character, Michael Burnham, makes a decision or is involved in a decision that starts a war with a fractured Klingon Empire.

It also seems like Burnham is reporting back to Sarek.  It’s unclear if Sarek is an Ambassador at this time?  I looked him up on Memory Alpha but it doesn’t talk about his career in the 2250’s so who knows what this legendary individual is up to at this point in his life?!  Is it his handling of this affair which makes him an Ambassador?

Next we see a series of images that seem to depict the very beginnings of what becomes a war between the still relatively young United Federation of Planets (the UFP was founded in 2161) and the ancient Klingon Empire.

We don’t know who fires first, but from the first trailer where Georgiou says “Starfleet doesn’t fire first”, we can guess it’s the Klingons.

Then we get some random stuff.  Space mushrooms maybe?

I don’t know what these shots indicate, but my guess would be it’s Michael Burnham exploring the Discovery after being assigned there.

If it’s not space mushrooms she’s seeing, then perhaps the Discovery is the first starship to have it’s own large garden area and she’s amazed and impressed by the sight?

Those images are quickly followed by more combat images and what seems to be the Shenzhou under attack.

As you can see, things don’t look good for the Shenzhou.

A lot of fans have been predicting Captain Georgiou doesn’t make it out alive and that Michelle Yeoh only guests for the first two episodes.  I’m hoping against hope that isn’t true, because she’s an incredible actor and because it would be nice to see a competent female captain who doesn’t die in the first thirty-minutes of a Trek-show, other than Janeway of course, but I have to concede that those fans may be right in this case.

Following from the above, as you’ll see below, it looks like the Shenzhou doesn’t just get the crap shot out of it, it looks like she gets boarded too.

Rather than evacuating in escape pods, Burnham and some of the crew flee in a small shuttle craft of some kind.

Then we get random again, and the storyline hints at a mystery of some sort?

What the hell is going on on this ship?” Burnham asks.

For those of you who don’t know, the fifth image of a young woman in bed is Cadet Sylvia Tilly.  She bunks with Burnham and from interviews with the actor (Mary Wiseman) playing Tilly, she and Burnham become friends.

We get more images of people running, then Captain Lorca talking about the USS Discovery.

We finally get to see the first in-trailer image of the Discovery, though only very very briefly.  The ship has longer nacelles than the original earlier design, which I like.  She looks more graceful and powerful as a result.

We are shown how Sarek and Michael meet.  In later interviews we learn that Sarek rescues Michael Burnham from a world that has been attacked, and he and Amanda adopt her when it’s discovered her parents are dead.

Yes.  Michael is Spock and Sybok’s adopted sister.

Cue outraged fans.

Don’t worry, the creative team have said they will address this hiccup in continuity.

Then everything shifts again and we get our first look at Harry Mudd.  He seems to be putting Burnham through some kind of obstacle course, and if she doesn’t complete it something goes “boom”!  Either that, or he is rescuing her.  Later on, there is an image that is either a jail cell or a section of a corridor on the Shenzhou that is protected from losing atmosphere by forcefields, and Burnham is trapped in that tiny space.

It’s unclear if these images are from the pilot, or the second, third, fourth or fifth episode filmed, but if Harry is rescuing her, he might be in the first two episodes.

The way the announcements dropped earlier in the year, it seemed like we wouldn’t see Harry Mudd until close to the middle of the 15 episode season… but this production has kept its secrets pretty well so Harry may be popping up early!

Then more images of destruction.  Is the Shenzhou being side swiped by a Klingon vessel?

We also get another interaction with Mudd, with a dialogue exchange that is a little cheesy, but is guaranteed to bring a smile to the faces of long-term fans.

We switch to Lorca talking to Burnham: “You chose to do the right thing…”

This is cut with images of Georgiou and Burnham beaming into what looks like a Klingon vessel.  The fifth image is of poor quality, but it’s someone leaping out and tackling Burnham.

We get random again for the next images, but in them Lorca has a voice over where he continues on from his previous comment, saying to Burnham “…even at a great cost, to yourself.”  The images end on Georgiou facing something bright on the viewscreen of her ship.

The “great cost” might be the death of this woman, who we have learned is very important to Burnham, or it could be the war Lorca mentions and the punishment Burnham received.

Here’s the image I was talking about earlier.  Does that look like a futuristic jail cell in the second image?  Or is it a sectioned off part of a ship that’s lost containment and she’s trapped in that area?

We see Georgiou standing in front of the viewscreen of the Shenzhou as something explodes.

In voice over, Lorca says: “You helped start a war.”  In the next scene he asks her, in an almost Lucious Malfoy kind of way: “Don’t you wanna help me end it?

The last image in this set is random.  Lorca is touching a forcefield of some kind.

The last live action images show us escape pods ejecting from the Shenzhou, and Burnham in an environmental suit that is pretty badly damaged, spinning off into space.

Looks like that Klingon she faces off with (from the first main trailer) gets the upper hand.

This is a better trailer than the first one.

The first one definitely got me excited, but this one gave me chills and continues to every time I watch it.

As I said up above, some science fiction news sites have been dismissive of this new footage because being negative is ‘cool’, but a number of Star Trek news sites have been very excited!

Watch the trailer and let me know what you think.  Depending on where you live in the world, you’ll see either the CBS version or the Netflix version.  I wish I could tell you if there are any differences, but I don’t know.  I’m sure a site will find a way to access both and do a comparison.  TrekCore, for example, has correspondents in various countries around the world.

So what have we learned since the last update?

So much.

Here are all the major bits as dot points:

  • As mentioned above, Michael Burnham is Spock and Sybok’s adopted sister, and was raised by Sarek and Amanda after losing her parents;
  • The USS Discovery possesses a ‘new way’ to ‘fly’, so perhaps some prototype warp engine?  In Star Trek: Enterprise a lot of fuss was made about the warp 5 engine, perhaps this is the beginning of the warp 8 engine we see Kirk’s Enterprise using?
  • A couple of weeks ago, some news came out about Saru’s race – his species was one of the few things I had issues with from the first trailer, because they are apparently genetically designed to “sense the coming of death” and that didn’t make any sense to me.  While chatting with EW, Doug Jones revealed a little more about his species: “On Saru’s planet, there’s a dominant predator species that constantly imperils another weaker species called Kelpiens.  As part of the latter group, Saru has evolved with heightened survival instincts.”  To read more about Kelpiens, check out the TrekMovie article here.  We also learned that Kelpiens have hooves;
  • We’ve been told that Harry Mudd is more edgy than the more mature version we see in TOS, which makes sense – he’s a younger version in Star Trek: Discovery, and perhaps his interactions with the Discovery crew ‘mellow’ him;
  • We learned that Captain Lorca is not your run-of-the-mill Starfleet captain, and has “a lot of sharp edges.”  This fits with his reputation as a tactical genius, and someone like that, you would imagine, would not always feel it was necessary to obey the standard social niceties;
  • A new character was announced, and it’s a boyfriend for Lieutenant Stamets, the first openly gay character in Star Trek television.  The new character is Doctor Hugh Culber, played by Wilson Cruz;
  • The creative team behind Star Trek: Discovery went to great lengths to assure fans at SDCC that they are always mindful of canon, and that despite the fact it feels like a lot has changed (the uniforms, the look of the Klingons and the ship designs), a lot more than we might think is the same and is very Star Trek.  A bit of a codicil was added to that, saying that one of the aims of Discovery is to excite existing fans while allowing the show to bring in brand new fans to ensure Star Trek‘s longevity;
  • This new Trek is designed to be as much an emotional journey for the characters and us as the audience, as it will be a physical journey of discovery and exploration for the ship and her crew;
  • The Klingons will speak Klingon when talking to each other, and those scenes will be subtitled for our benefit;
  • The show has been designed with diversity in mind, and the casting choices have been purposeful.  The best actor was always chosen for the role, but one of the aims of the show was to give as many people in the audience as was possible someone to relate to – and this has always been an important part of Trek.  One of the greatest compliments given to Nichelle Nichols and Uhura was that people of colour saw themselves ‘in’ her, and thanks to that, saw a future for themselves.  This diversity, of course, doesn’t just extend to people of different nationalities, it extends to people who are thoughtful, who are focused and driven, who are GLBTQI+, to people who are more action oriented in life, and to people who are experiencing difficult emotional journeys thanks to a mental illness – with one character suffering from Post Traumatic Stress Disorder (Lieutenant Ash Tyler who is a former prisoner of war);
  • The Klingons are no longer a proxy for the Russians, as they were when Gene originally envisioned the race.  That’s not to disrespect Gene’s vision, it’s to do what Gene always did, try to reflect the times we live in – and the times we live in are full of isolationist rhetoric, an understandable and warranted fear of terrorism, and general paranoia.  The Klingons are now a proxy for us, and what fear has and is doing in this world;
  • One thing that has stuck out for me is the frequent mention of ‘being mindful of timelines’.  Bryan Fuller’s original pitch, we have recently learned, was to have the show jump timelines each season – starting in the 2250s, hitting Kirk’s era, and then going to the TNG era and beyond.  I don’t know if this is what is being referred to, or if another alternate timeline is being created?
  • Space mushrooms just might save the galaxy!
  • Not everyone is going to make it out of Season One alive.

So that’s most of the news that has dropped since the last time I did an update.

If you’d like to go into more detail on any of these items, visit the following sites to read every tiny bit of information that has been released to date on the new series:

TrekMovie, here, and TrekCore, here.  These two sites have had the best, and the most comprehensive, coverage.

That’s it for now!

We’re less than two months away from the debut of Star Trek: Discovery.  We can expect more information to be released very soon, and most likely at Star Trek: Las Vegas, which starts on the 2nd of August.

This new series is shaping up to be very exciting and something that modern Trek needs.  I hope you’re as excited to see it as I am.

Live long, and prosper.

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We have more casting news out of CBS, but still no news on when the next Trek series will air.

And it’s driving me nuts!

With these latest casting announcements, the group of actors closely associated with the new show grows to 18.

First, before I have a wee bit of a whinge, the casting news – which includes one existing actor changing roles!

CBS have announced that Rekha Sharma, Damon Runyan, Clare McConnell and Kenneth Mitchell have joined the cast of Star Trek: Discovery.

Rekha is well known to genre fans, having put in an outstanding performance in SyFy‘s phenomenal Battlestar Galactica re-imagining from a few years ago.  Rekha will be playing Security Officer Commander Landry.

Damon is coming on board as a Klingon named Ujilli.

Kenneth has joined the cast as Kol, the Klingon Shazad Latif was originally slated to play.  Don’t worry, if you’re a fan of Mr Latif, he’s still in the show.  He will now be playing a Federation Science Officer called Lieutenant Tyler.  Why this change?  That’s a really good question, and one that will hopefully be answered at some point.

Last, but certainly not least, Clare McConnell has joined the team as another Klingon, Dennas.

Um… do you get the feeling the Klingons are going to play a really big part in this show?

Of the 18 actors announced over the last few months, we’re not sure who will be members of the regular cast, other than the obvious, and who are guest stars like (I assume) James Frain and Rainn Wilson.

It’s starting to look like the Klingons will be regulars, but we don’t know how regular.  Chris Obi gave us a hint about that recently when he posted to social media about leaving Canada until he was needed on set again.

If we attempt to apply some logic to what appears to be a very chaotic process, six out of the 18 actors are well known, with four having a considerable following.  It’s safe to assume they will have sizeable roles.  In the past, the main casts of Star Trek have been made up of between seven and nine main characters, so it’s possible those four could make up part of that group, mixed in with some of the less famous faces to round it out.  The big question is, can we assume that this show will focus on a similar sized group of characters?  If we do, does that mean that all of the other actors are only filming guest spots?

The original announcement for the series promised “new crews”, and many of us wondered what that might mean.  It’s starting to look like it could mean at least two Federation vessels, and one Klingon ship!

New Crews.

If that’s so, then maybe all of the actors that have been announced, with the exception of James Frain and Rainn Wilson, will be main characters based on three different vessels and that we will be following three main stories that interweave and intersect throughout each episode or every couple of episodes.

Your guess is as good as mine!

Creatively, having three interweaving stories is smart.  As an audience, we’ll be exposed to different perspectives, unique insights and entertaining character dynamics.  It will also give the writers something fresh and innovative to play with every week, increasing the possibility of the series lasting past its first season.

It will be interesting to watch this series unfold.  Right now, using past Treks as a template, the cast is too big so I don’t think we can judge this series on anything that has gone before it.  Big casts can work.  Babylon 5 juggled an enormous cast, as did Star Trek: Deep Space Nine and the aforementioned Battlestar Galactica, and each of those shows was excellent.

We can probably bet that this series will not be your run-of-the-mill Star Trek with an A-Plot and B-Plot story and a ship encountering a new “challenge of the week” every time the show airs.

That’s exciting, but the excitement is starting to dampen a little for me with the lack of information around a release date.

I read a tongue-in-cheek article on io9 recently where one of my favourite writers from that site, Katharine Trendacosta, was saying that she and many of her colleagues were starting to think the series was never going to happen.

I read the article and chuckled, not yet at that point.  I was patiently waiting and believing they’d nail down a date soon but they haven’t.  It’s taken me a long time, but I am now officially concerned.

Seriously.  WTF, CBS?

I get that they want to make this the best Star Trek it can be, but there’s one element to this Trek that has never existed before: they’re asking people to pay to see it, rather than view it via more traditional media.  I was fine with that, as an Australian I’ve been paying to see Star Trek most of my life because it would take forever to reach our screens, and then would often disappear.  Those Trekkers who aren’t used to paying and weren’t keen on the idea, were slowly coming around, but the date changes or refusal to set a date is starting to get us all worried.

It’s been suggested that CBS suspected the possible upcoming Writers Strike, and that that is why they’re being so coy.  They’re safeguarding the series.  If that is so, then tell us.

CBS, PLEASE.  Get it together.  Either explain why all of these delays are happening, and be open and honest with the people you’re asking to pay for this, or just set a date and stick to it.

A new rumour that has sprung up in recent days suggests that CBS All Access has bitten off more than it can chew.  Star Trek is nothing like regular television, and it’s only vaguely similar to most other science fiction television.  Maybe the new rumour has substance to it, and CBS are being forced to go slow because of how complicated the series is.

Let’s hope that the next media release from CBS includes a firm release date or at the very least an explanation as to why the goal posts have shifted so often.

Star Trek: Discovery is being produced by CBS All Access and stars Sonequa Martin-Green, Michelle Yeoh, Jason Isaacs, Chris Obi, Shazad Latif, Anthony Rapp, Doug Jones, Mary Chieffo, Mary Wiseman, Rekha Sharma, Damon Runyan, Kenneth Mitchell, Clare McConnell, Maulik Pancholy, Sam Vartholomeos, Terry Serpico, James Frain and Rainn Wilson.

It’s due to be released some time this year.

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