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So much has happened in the world of Star Trek these last few weeks, it’s difficult to decide where to start and what to report on!

But before that, I had an e-mail from a fan of this site asking me why I recapped news reports. He appreciated it, but was curious. It’s simple. When big news happens, we get disjointed drips of it from con reports, media releases and various interviews happening all over the place. Sometimes it’s put together afterwards by various sites, but that’s rare. It frustrates me, so I group it all together for other fans like me who enjoy and appreciate the reports we read, but would love to see them encapsulated in one article because it’s easy to lose track of them all thanks to the fact we all live busy lives. So, thanks for the question and hopefully this puts it all into perspective!

Now, back to this news update.

Thanks to the San Diego Comic Con and Star Trek Las Vegas, a lot of news has come to light: a new Klingon look for Disco season two, new Trek shows, a push to have Trek on CBS All Access all the time, casting announcements, the DS9 documentary, pay disputes for Kelvin-verse Trek IV and more.

I’ve chosen to focus exclusively on news related to the proposed new series’, and the upcoming Trek feature films.

So.  Proposed new shows?  Yes.  First up is a brand new set of mini-episodes called Short Treks, that have been created to give us some Trek content while we wait for season two of Star Trek: DiscoveryShort Treks is also a part of CBS‘s recently announced desire to have Star Trek content on CBS All Access 24 hours a day.

But that’s not it.  There has also been talk of a new animated series and, most incredibly, a new Star Trek project that brings Sir Patrick Stewart back as fan favourite Jean-Luc Picard.

Before we dive in to any of that, we need to look at couple of important casting announcements.  The first is the announcement we have a new Number One (the role originated by Majel Barrett-Roddenberry in 1964).

Rebecca Romijn, best known for her role as Mystique alongside Patrick Stewart in X-Men, X2 and X-Men: The Last Stand, has been cast as the new Number One.  She joins Anson Mount on the Enterprise for the second season of Star Trek: Discovery.

She and Anson are joined by Ethan Peck, the grandson of Hollywood Legend Gregory Peck, who will be playing Spock.

Spock?!

Though producers said they would not cast another Spock because it would be too hard to find another actor capable of following in the footsteps of Leonard Nimoy and Zachary Quinto, it appears they have found a story and an actor that they believe will do justice to Spock and the two exceptional actors who have played him.  Spock is definitely in season two, and I admit I am excited about that.

Some have decried this as fan service, but I don’t have a problem with fan service if it’s done well, and if a wonderful story can be brought to life as a result.  Star Trek has a rich history full of exciting and compelling characters, why can’t we see them?  Why wouldn’t we?  If you were a writer or producer on a new Trek series, wouldn’t you want to use those characters if you could?

Some fan commentators have decried the implausibility of the Enterprise and Discovery being anywhere near each other, but that’s a rubbish observation.

Within the in-universe history of Star Trek, there were not that many ships out there in the earlier days of the Federation, and when you think about it, we actually don’t know the mission profile of the Enterprise in that time period.  Plus, there was a war that bled into Federation space and you can bet the Federation wanted its best ships nearby protecting people and assets.

What do we know about Pike’s mission in that time period?

Star Trek The Cage Poster

We know that he and his ship were returning from a battle, before intercepting the Talos distress signal that led to the events we have seen in “The Cage.”

The Enterprise was a heavy cruiser, and Constitution Class starships were the premier front line vessels of Starfleet.  The ships became known for their exploration missions, but Gene Roddenberry had a multipurpose role in mind for them when he conceived the series.  As every Trek fan knows, the concept for the show was based on a “wagon train to the stars” idea, with the Enterprise pushing the boundaries of known space, while also serving as a diplomatic vessel, a peace-keeping force and even, at times, a special escort for dignitaries.  As a premier front line vessel, there is every reason for it to be within warping distance of the Discovery, which, at the time the two ships come across each other, had only recently left Earth.

But, I digress.  Back to Ethan Peck, our new Spock.

Ethan Peck

The casting of Ethan has been given the seal of approval by the Nimoy family, with Leonard’s son, Adam, and daughter, Jule, along with their spouses Terry Farrell (Jadzia Dax from Star Trek: Deep Space Nine) and David Knight, that we learned about via a post on Instagram.

In that post, Ethan looks pretty damn stoked, and there appears to be genuine warmth shining off of Adam in particular.

The Nimoy Seal of Approval

Ethan started acting as a young man.  He’s 32, and has appeared in the ABC sitcom 10 Things I Hate About You, Madam Secretary, Gossip Girl and That ’70s Show.

His enthusiasm for the role is apparent, and according to his girlfriend both of them will always remember the moment he got the call that he was cast as Spock.  Ethan apparently sat down on a nearby roadside curb and cried.

All of this makes me think that the appearance of the Enterprise, Pike, Number One and Spock in Star Trek: Discovery is a way of launching a sort of soft-backdoor pilot for a new series that focuses on Christopher Pike and his crew.  CBS wants more Star Trek on TV and has put Alex Kurtzman and his production company, Secret Hideout, in charge of that on a multi-year deal, so why wouldn’t they explore one of the least seen but most beloved Captain’s in Trek history?

Fans have been interested in Pike and Number One for many many years, and it’s a period of Star Trek history that would be interesting to do a deep dive into.  Star Trek: Five Year Mission, or whatever they would call it, would be a beautiful companion to Star Trek: Discovery and it would honour Gene’s original vision by giving life to the first characters he created.

When you think about it, Anson Mount is doing a LOT of publicity work for Star Trek: Discovery, and with two other actors now cast in two incredibly important and historic roles, why wouldn’t CBS take advantage of that and create something amazing?

If they didn’t, it would be a real waste of talent and time.

But, enough of my suppositions.   You probably want to know about the news that really has fandom going crazy.

Jean-Luc Picard is back.

Patrick Stewart and Alex Kurtzman announced the news at Star Trek Las Vegas.  They didn’t tell us a lot, because it’s very early days, but what we do know is:

  • Kirsten Beyer, it seems, had the idea.
  • Akiva Goldsman will Executive Produce the show.
  • It takes place approximately 20 years after Star Trek: Nemesis.
  • Pulitzer prize-winning author, Michael Chabon, is on staff.
  • James Duff will also Executive Produce.
  • Kirsten will be a writer on the show.
  • Patrick initially turned them down, but with some persistence from Alex and his team fell in love with the idea, remembering just how impactful Star Trek had been and still is in the lives of millions.
  • Patrick will be an Executive Producer on the series.
  • Picard might not be a Captain anymore.

This is what Patrick had to say, live on stage at STLV18:

Jean-Luc Picard is back.

He went on to talk a little about the older Picard we may meet.

He may not, and I stress may not, be a captain anymore.  He may not be the Jean-Luc that you recognise and know so well.  It may be a very different individual.  Someone who has been changed by his experiences.  Twenty years will have passed, which is more or less exactly the time between the last movie – Nemesis – and today.

He followed this with a guarantee.

It will be, I promise you, I guarantee it, something very, very different.  It will come to you with the same passion, and determination and love of the material and love of our followers and our fans, exactly as we had it before.

We don’t know whether or not Gates McFadden, Jonathan Frakes, Marina Sirtis, Brent Spiner, LeVar Burton or Michael Dorn will be in the new show, but it is almost certain one or two or maybe even all of them will appear at some point.

LeVar, Gates, Patrick, Marina, Brent and Michael

Will this new Star Trek be an ongoing series?  It’s unlikely.  Patrick is in his late ’70s and in a couple of years time will turn 80.  Committing to an ongoing series as complicated as Star Trek would probably not be something he’d do.

It’s more likely this will be a mini-series, or limited special series of maybe six to ten episodes.

More news is certain to come over the next few months, but for now we don’t know much else. One of the best things about this announcement is that maybe, finally, these incredible, beloved characters will get the send off they deserve. I’m okay with Nemesis, but it’s not a great film and Picard and crew deserved a better on screen farewell. This new show might do that.

The new animated series?  Nothing has been disclosed about this but it has garnered a lot of interest from fans, because it can happen, literally, at any time in Star Trek‘s expansive history.  We could continue the five-year mission of Kirk and his crew.  We could discover brand new adventures on the Enterprise D.  We could even fill in the blanks for the crew of the USS Equinox after they were trapped in the Delta Quadrant, before the Voyager found them.  The possibilities are endless, which is why fandom is super-excited.

For now, we’ll just have to wait for news on that project and hope that something can be produced that is at least as good as Star Wars‘s successful foray into animation.

Lastly, the next Star Trek feature film has hit a hurdle.

Chris Pine and Chris Hemsworth are reportedly holding up the fourth feature outing for our Kelvin-verse crew.

Why?  There is a little contention over their salaries.  Both Chris’s are blockbuster stars now thanks to films like Wonder Woman and the Thor series.  Their salary expectations are, as a result, a little different to what they probably were.

Star Trek: Beyond, while well received by fans, only made $343 million world wide.  That’s a decent profit when compared to the cost of the film ($185 million to produce, though this doesn’t include the film’s marketing budget), but it’s not enough to warrant a massive investment in a sequel.  Tent pole summer blockbusters need to make at least double of what they cost to be considered profitable.

This means Paramount will be looking to produce the as yet untitled Trek film for less, and part of that will be offering less money to its stars.  Which should be interesting.  There is not one of the main cast whose careers have not taken off since the release of the first Kelvin-verse film.  Some of their careers have gone stratospheric – particularly Chris Pine, Zoe Saldana and Simon Pegg.

All three actors are in demand, with Zoe in particular lined up for movie after movie after movie.

Karl Urban (Doctor Leonard McCoy) is confident both Chris’s will sort out the pay dispute, and that the movie will go ahead.  Paramount, however, have a very narrow window available to them to get the movie into production because of actor availability.  If it doesn’t happen soon, the planned fourth film will be abandoned, and we’ll have to wait another couple of years for Tarantino Trek, which is currently slated to be the fifth outing for the crew of the Kelvin-verse USS Enterprise.

What do we know about the new movie?  A few things.

SJ Clarkson

  • The basic premise is unclear, but we do know it unites James and George Kirk in some way.  There is a script, but it’s details are under wraps.
  • The film will be the first to be directed by a woman, with S.J. Clarkson being given that honour.  Clarkson is a British film and television director, best know to the rest of the world for Life on Mars, Dexter, Heroes, Ugly Betty, Bates Motel, Jessica Jones, Orange is the New Black and The Defenders.
  • The film will be the first Star Trek movie to be shot in the United Kingdom.

That’s pretty much it, for what we know about the next film, and major events in Trek.

As news breaks we’ll keep you updated here.

If you’d like to check out more Star Trek news, we encourage you to visit our two “go to” sites, TrekMovie and TrekCore.

Until the next update, Live Long and Prosper.

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A Star Trek Update

Star Trek Update April 2018

A lot has been happening in the Star Trek universe of late – including the start of production on Star Trek: Discovery season two, and news on not one but two Kelvin-universe films in development.

Let’s start with Star Trek: Discovery!

In episode three of the first season, when the first half aired last year, we were all suddenly captivated by one tiny, fleeting little moment on screen – a moment that inspired a passionate and excited debate online.

The appearance of the mysterious “black delta.”

Section 31 Black Badge

For a long time, the leading theory was that it and the USS Discovery itself were somehow connected to the enigmatic and paranoid Section 31.

Finally, after months of speculation, one half of that leading fan theory was confirmed by actor Alan Van Sprang.

Alan appeared in the last episode of season one of Star Trek: Discovery, in a scene that was ultimately cut.  That scene appeared online as both a “bonus scene” and a teaser for season two.  The video has disappeared from a few places, but is still available on YouTube.  You can find it here.  Check it out, it is well worth a look.

The scene in question had Alan appearing as a “fake” Trill.  His character, Leland, recruits Mirror Universe Georgiou at a Klingon bar she now seems to be running, and hands her the black badge.  He tells her he is from Section 31 and that they could use someone like her.  So… someone megalomaniacal, devoid of compassion, morally bankrupt and vicious to the core?  Gotta love Section 31!

According to Van Sprang at an appearance he made at WonderCon earlier this year, his character will be featuring prominently in season two, alongside Section 31 and, we can only presume, former Emperor Philippa Georgiou.

So excited by that.  Any opportunity to get Michelle Yeoh back makes me very happy.

The only other piece of information Alan offered was via a later Instagram post where he stated that Leland “heads up” Section 31.

Alan Van Sprang Instagram Post

That’s not all.

With Star Trek: Discovery now about a month into production on season two, more news has come out and it is exciting.

Not one but two casting announcements have been made.

The first, and the one I’ve been waiting for, is that Anson Mount has been cast as Captain Christopher Pike, commanding officer of the original USS Enterprise.

To the joy of many a fan (myself included), Anson took to social media to share his feelings.  Using clips from “The Cage” and even an image of a Pike action figure, Anson showed the world that he is a fan of Trek and super excited to be a part of the family.

You may know Anson from Marvel’s Inhumans and the AMC series Hell on Wheels.

And yes, that is a version of the original series uniform that Anson is wearing in a shot I’ve screen capped from a “production has started” video that CBS released.  Is that Spock in blue off to the side?  Not a clue, we don’t get a good enough look at that character.

Before we get to that video though, click here to visit TrekMovie for more information on Anson’s casting.

The second casting announcement was that Tig Notaro, primarily known for her comedy work, has been cast as Chief Engineer Denise Reno of the USS Hiawatha.

Tig Notaro

Chief Engineer?  Does that mean Discovery gets an engineer?

We don’t know – we still don’t know who her captain will be!  I suspect, however, that something will happen to make Denise Reno board the Discovery and stay there.

In other news, Jonathan Frakes, our very own Commander William T. Riker, will return to direct two episodes this season, and he has let slip on social media that the scripts he has read so far are AMAZING!

Jonathan also had a visit from his former onscreen wife, Marina Sirtis, while on the set of Star Trek: Discovery where he was directing episode two of the second season.

Jonathan and Marina

As you would expect, this set the internet on fire.

Is Marina appearing in Star Trek: Discovery?  Is it just a coincidence?  No one knows, and that’s casting information the production team behind the show would keep close to their chests.

In some of Marina’s social media she called out to Mary Wiseman, which made some fans wonder if she might be following in Majel Barrett-Roddenberry’s footsteps and playing the mother of a major character (Tilly).  Tilly has mentioned her curly-hair-hating mother on more than one occasion, and both Mary and Marina’s comedy-chops are pretty damn good (watch Star Trek: First Contact to see just how hilarious Marina is).  Star Trek: Discovery could get a lot of play out of Mary and Marina on screen together.

My take?  We have a new ship popping up – the USS Hiawatha.  I would love for Marina to be playing that ship’s captain, and for that captain to be Tilly’s mum.  Alternatively, she could be a prominent member of the Enterprise crew who is Tilly’s mum. She could beam over for some quality time with her daughter while the Discovery and Enterprise are hanging around together.

Staying with Star Trek Discovery for the moment, the last thing I want to mention is a recent video treat courtesy of CBS All Access showing us some of what’s going on with the production.

Season 2 First Look 1

One thing, in particular, that was in that video should thrill every fan.  The appearance of the traditional gold, red and blue uniforms.

They have been modernised, but to me they appear to be quite faithful.  Still with a Star Trek: Discovery flair, but familiar and pleasantly so.

You’ll also notice that the rank braids are back, as is the solid badge.

The video also adds in to what Alan Van Sprang has said about Section 31 playing a prominent role in the second season.

The video briefly shows a shot of a sheaf of production drawings labelled “Section 31.”

Section 31 bridge, lab.  At least two designs for that.  An upper floor plan for something that may or may not be Section 31 related.

Season 2 First Look 3

Interesting.

Will we see a Section 31 starship?

The final takeaway from that video is what appears to be a computer interface from the much loved, fan favourite vessel the USS Enterprise.

It’s a graphic, and the style seems to draw a lot from the movie period of Star Trek V, Star Trek VI and Star Trek: Generations (the Kirk, Chekov and Scotty part of that film).

Season 2 First Look 4

There is a very gentle colour nod (one orange and one red touch button) to the original series in the display, but otherwise it is very Star Trek: Discovery with a hint of earlier films.

Last but not least, for some time now Quentin Tarantino’s name has been attached to the fourth Kelvin-verse film.

Quentin Tarantino, you say?  Yes.  He is a big Trek fan and would love a shot at directing one of the films.

Quentin Tarantino

As this story has played out, it appears more likely he wouldn’t be able to do the fourth Kelvin-verse film, but would instead be ready for a fifth were it to be green-lit.

No matter when, I am really excited to see what Tarantino would do with a Trek movie.  Hopefully nothing too bat-shit crazy, but he is a creative and visionary director with a gritty and stylistic approach that is engaging. And sometimes polarising.

The CEO of Paramount Pictures, Jim Gianopulos, has confirmed that not one but TWO Star Trek films are currently in development.

We have absolutely no information on what those two films are about, and to the best of our knowledge neither does anyone else – except for those people actually developing the two ideas.

What we do know is that the Tarantino idea is being written by Mark L. Smith, and the other is being written by J.D. Payne and Patrick McKay and is most likely the much-rumoured return of George Kirk movie.

Mark L. Smith wrote The Revenant, and J.D. Payne and Patrick McKay were apparently uncredited writers on Star Trek: Beyond and did some work on the original Roberto Orci idea that was eventually scrapped in favour of Doug Jung and Simon Pegg’s script.

If you want more information on any of these stories, you can track down a variety of articles through Variety and Deadline, or head on over to TrekMovie or TrekCore – both fan sites have had some excellent coverage on all of the exciting events happening in Star Trek news!

We’ve got some amazing things to look forward to as fans.  Still no news on when season two of Star Trek: Discovery will air, but it looks like it could be later this year.

No news on the release date for the next movies either.

As news unfolds, we’ll chat about it right here.

Live long, and prosper.

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Episode 15 Review

Star Trek Discovery Review Banner Episode 15

It’s taken me a long time to write this review, because, sadly, I didn’t like this episode.  I was so disappointed by it that I didn’t know how to put my feelings into words and I wasn’t inspired to put fingers to keyboard.

To be fair, I should point out that there are elements of “Will You Take My Hand?” that are great, but only elements – and only two or three that I can easily recall.  As a whole, it just doesn’t work and it is not a fitting end to what has been a remarkable season, and an outstanding first season.

As usual, the acting is brilliant and the special effects are impressive and these are the things that carry the episode.  The story doesn’t, and the writing is some of the worst this season has seen – which is surprising, considering who wrote it and the quality we know they can produce.

The other thing that really lets this episode down is the boring and suspense-less resolution to the Klingon war arc. This resolution makes you question the entire season and how well it was thought out, and it makes you question everything the writing team has been telling us because so many things seem unfulfilled.

Before I dive in further, spoilers ahead.  I’m only putting this warning up because of the last few scenes… so, Red Alert!

Spoiler Alert

The Facts
Episode Number: 115
Episode Title: “Will You Take My Hand?” or “Wasted Opportunities”
Written By: Gretchen J. Berg and Aaron Harberts
Story By: Akiva Goldsman, Gretchen J. Berg and Aaron Harberts
Directed By: Akiva Goldsman

Quotable
Georgiou to Saru: “What’s wrong?  Are you scared, Number One?”  Beat.  “Where I’m from there’s a saying: ‘scared Kelpien makes for tough Kelpien’.  Have you gotten tough since we served together on the Shenzhou, Mr Saru?
Saru: “Affirmative, captain.  Very tough.  So much so that many find me simply unpalatable.

L’Rell: “You?  How!?  Our Lord pierced your heart… House T’Kuvma feasted on your flesh.
Georgiou: “You have the wrong Philippa Georgiou.
L’Rell: “Either way, I can tell you require seasoning.

Michael to Cornwell: “Is this how Starfleet wins the war?  Genocide?!
Cornwell: “You want to do this here?  Fine.  Terms of atrocity are convenient after the fact.  The Klingons are on the verge of wiping out the Federation.
Michael: “Yes, but ask yourself, why did you put this mission in the hands of a Terran, and why the secrecy?  It’s because you know it’s not who we are.
Cornwell: “It very soon will be.  We do not have the luxury of principles…
Michael: “That’s all we have, Admiral!”  Beat.  “A year ago, I stood alone.  I believed that our survival was more important than our principles.  I was wrong.”  Beat.  “Do we need a mutiny today to prove who we are?
Saru: (Standing) “We are Starfleet.
The entire bridge crew stands to join Michael and Saru.

Moments of Interest
Familiar Aliens
The Orions make an appearance in this episode and they’re just as fond of debauchery and hedonism as ever!  Though… they do appear a little paler than we’re used to!

Familiar Faces
Clint Howard, who made his first Star Trek appearance in the Star Trek: The Original Series episode “The Corbomite Maneuver,” makes another appearance in Trek, this time playing a very stoned Orion who tries to dupe Tilly.

Clint Howard DISCO

If you’re thinking Clint looks familiar, he has also appeared in the Star Trek: Deep Space Nine episode “Past Tense, Part II” and the Star Trek: Enterprise episode “Acquisition.”

Clint is also the brother of actor and legendary director Ron Howard, and is a regular at Star Trek conventions.

A Klingon Moon
During a confrontational moment on the Discovery after Michael works out what Starfleet is up, we see a hologram of Qo’nos blowing up (thanks to bad science and a lack of research around volcanos), and, I’m pretty sure, orbiting Qo’nos there in the background might be Praxis.

Extra Appendages
Speaking of Klingons, it would appear our favourite ridge-headed aliens have a little more going for them than redundant internal organs.  In another attempt to leave their  mark on Star Trek canon, the producers have given Klingon males two penises… peni?

Does this disturb anyone else?  I can’t help but think of poor Deanna and Jadzia!

Please believe me when I say I’m not being prudish here, merely practical.  How the heck does that work?  I get redundant internal organs, that has been canon since Star Trek: The Next Generation, but why would those redundancies also be external?  If we follow that logic, Klingon women should have two vaginas and four breasts and all Klingons should probably have two heads (and brains), two anuses and an extra arm each.

This addition to canon feels poorly thought out and completely unnecessary.

Will You Take My Hand - Planning to Infiltrate Qo'Nos

The Review
As I’m typing this, I’m watching the episode to catch quotes and re-familiarise myself with what happened, and for the first time I’m not paying rapt attention to the screen, forcing myself to type.  I’m listening, half-heartedly, and that bothers me.  It bothers me because I wish I didn’t have to re-watch this episode, and it’s rare that I want an episode of Star Trek to be over.

We begin this particular voyage with a look back at what’s come before, with L’Rell providing the “last time…” announcement in Klingon.

After the flashbacks, we go to an absolutely terrible scene on the bridge that serves no purpose whatsoever.  In it, Empress Philippa Georgiou does everything in her power to show everyone around her that she is not Captain Georgiou, devolving from a nuanced, intelligent villain into a stereotype – complete with clunky dialogue and bad attitude as she snaps at everyone from Owosekun to Detmer.  Michelle Yeoh is wonderful to watch, usually, but I didn’t enjoy these scenes.  Michelle did not do a bad job, but she was given rubbish lines that were silly and a waste of a talented actor.  We did not need to be reminded that this Georgiou is evil.  I can’t help but think that if she had pulled off a good impression of Captain Georgiou it would have been chilling – for us, and in particular for Michael and Saru.  To add insult to injury, she has a go at Michael for trying to expose her when she’s been doing everything she can to say “I’m not your Georgiou” – short of wearing a sign.

Evil Elmo

These first few scenes would have been better used showing us some of the war we’ve heard about but rarely seen.  Wasn’t it meant to be amping up this episode?  Or, it could have been used to show Cornwell and Sarek, back at Starfleet Headquarters, agonising over their decision to enlist a Mirror Universe tyrant to do the unthinkable.  Instead, we get moustache twirling and scenes that insult our intelligence as an audience.

From that dump of disappointment we head into the opening credits sequence and then a delightful little visit with L’Rell, where Georgiou continues to remind us of just how evil she is.

It was nice to see L’Rell again, but this is another scene that we didn’t need and the time would have been better spent addressing some of the loose threads from throughout the season – like what’s going to happen with the spore drive?  Has Vulcan been attacked?  Has Andor or Tellar fallen to the Klingon advance?  How is Stamets going with the death of the love of his life?  Is he miraculously healed now or is he still having mycelial inspired flashbacks?  Is Mirror-Georgiou a three-dimensional human being, or just a cardboard cut-out bad guy?  How are some of the lower decks guys we were supposed to be seeing more of coping with the whole war/Mirror Universe/war/stabby-McStabby-neck-snappy Ash?

We get none of that, as another missed opportunity passes us by at warp 8.

Fresh off watching Georgiou kick L’Rell around, we visit with Ash in what might be the worst scene of the entire season.  Georgiou gets her moustache out again and twirls it, as Michael looks on and Ash talks about knots.

Ash does share some useful stuff but really, all I can remember is the knots?  Knots.  He’s not even Ash.  Really.  Can we have this guy deal with being a Klingon in a false body-suit with a set of memories that have overridden who and what he originally was before we talk about a false memory from another guy who is probably dead?  There’s real meat in that.  But no.  We can’t.  Because knots.  Perhaps that’s a metaphor I’m not clever enough to get?

Disco S1E15 Tilly in the Orion Quarter

With Ash’s info in hand, we cut to the briefing room and the plot to jump inside the Klingon Homeworld so they can “map” it.  *Wink wink.*

Georgiou chooses her landing party, which consists of knot-loving Ash, Michael and Tilly, giving Mary Wiseman a chance to show off her incredible comic timing again, and then tells the guys to go dress like reprobates.

How do you do that?  You don black or dark brown leather and straighten your hair.  Nothing says evil like leather and people who usually have curly or wavy hair suddenly having straight hair.

The scene isn’t terrible.  Thanks to Mary Wiseman, it’s actually pretty good.  She takes what would have been an info dump, and turns it into something delightful.

Seriously, someone give the casting directions a pay rise.

From there we jump inside Qo’nos in one of the best special effects shots of the season.  It’s beautiful, and Discovery looks magnificent!  As you know, I’ve been in love with this ship and its design since before we saw the finalised model, thanks to being a fan of Ralph McQuarrie’s original NCC-1701 refit sketches for Star Trek: Phase II and Star Trek: The Motion Picture.  Seeing Discovery inside one of the Qo’nos caverns was pretty damn special and it gave us a really good look at this graceful, gorgeous ship.

The Discovery Inside Qo'nos

After that breathtaking moment we visit with Georgiou’s team as they beam into the Orion sector on Qo’nos.  FYI, the Klingons allow the Orions to have space (an ’embassy’) on their world, inhabiting an area that was once a shrine to a Klingon deity prior to Kahless’s rise to power.  Why?  Well, it actually makes sense.  Every country (more or less) has embassies, so too would most, if not all, worlds in space that had some sort of a relation with other planets.  If anyone was going to take that offered space and turn into a bizarre, sexy, over the top mess, it would be the Orions.  Or the Ferengi!

Sadly, this was more stuff we didn’t need.

I don’t know if I just have my cranky pants on or what, but really, was any of this necessary?  Couldn’t we have spent the time better?

We play around in Orion town for a good chunk of what’s left of the episode, watching Ash gamble with Klingons (freaking Michael out in the process), Georgiou getting her sexy on in a bisexual romp that plays into the “all bisexuals are evil” trope we’ve seen in way too many movies and television series, and Tilly getting stoned.

Disco S1E15 Georgiou Teaches the Orions a Thing or Two

*Yawn.*

All the while, Michael looks serious and none too happy with what’s going on.  We do get some character development for Michael, though, as we learn what happened to her parents in an unpleasant and disturbing disclosure to Ash that helps us (and him) understand why she is struggling with what has happened to (been revealed about) him.

It’s a moving scene, but one that’s a little out of place.  I wish we’d learned these facts earlier, perhaps in the second episode of the Mirror arc.  We would have felt the impact of Ash’s betrayal more if that had been the case.

Eventually, we learn what we already knew was true.  The probe is a bomb and Georgiou is super evil (SURPRISE!) and is out to blow Qo’nos into tiny little pieces.  All with the blessing of Starfleet.

This leads to a face off between Michael and Admiral Cornwell that produces one of the best scenes in the entire episode.  The face off almost turns into another mutiny, led by Michael, because… “book end.”  I was okay with that but wonder if we needed it?  Book ends are nice, but a little uncomfortable when you’re beaten over the head with them!

The best thing about the confrontation is that it provides a nice moment for the crew of Discovery, taking what we saw last episode and building on it, and showing just how close this team has gotten, and how much of a family they have become.

I think it’s my favourite scene in the episode and it’s played beautifully by everyone.  It makes Cornwell look weak and frightened, which isn’t great, and it makes Starfleet and the Federation look completely inept, which is really disappointing, but Jayne Brook plays it perfectly and sells it with genuine emotion, adding in enough bluster and eventual shame and regret to show us that no one is happy with the steps Starfleet has taken.  Sadly, it’s not enough to explain why this decision was agreed to in the first place, but at least they tried.  I guess.

After that strong scene we jump back to Georgiou twirling her moustache as she and Michael face off over the probe that’s not a probe, and was always a bomb.

Michael wins.  L’Rell beams down.  L’Rell gets the bomb.  L’Rell gets convinced to go bring the Klingon High Council to it’s knees under her rule.  Ash decides to stay with L’Rell.  The Klingons call off their fleet as it’s within striking distance of Earth.  We all live happily ever after as the Discovery heads home.

And Georgiou?  She’s let go.  Set free by Starfleet to wreak havoc in the Prime Universe.  Which is ridiculous.  But, it means she’ll be in season two and I do love Michelle Yeoh, so I can’t really complain too much about that moment.

As we cruise toward the end of the episode, we go to Earth and visit with Amanda and Sarek in Paris.  Which I appreciated.  Mia Kirshner does the role of Amanda proud and is just perfect as the strong human woman who exists in both Michael and Spock’s lives to remind them that though being Vulcan is something to be proud of, so too is being human.

Will You Take My Hand - Amanda, Michael and Sarek

After Michael’s oh-too-brief but beautiful moment with her mother, Sarek steps in to come clean about his role in helping Starfleet make the universe’s stupidest decision.  He’s not just there, though, to show that wise-older-Vulcan’s are fallible too, he’s there for another reason.  He tells Michael her record has been expunged and she has been reinstated as a Commander.

From there we go inside, to Michael and the Discovery crew getting medals for their part in the war.  Which is weird.  Because they were barely in it.  They obtained vital intel, this is true, but then were abducted and taken to an alternate universe to return nine-months later to a devastated Federation.  Their intel didn’t end up doing much, because the Klingons had advanced quite a way into Federation space… and yet they got medals.  They deserve them, because they did end the war thanks to Philippa and her probe-come-bomb, but somehow it felt… unearned?

Will You Take My Hand - Michael Gives A Speech

Throughout the awards ceremony Michael is giving a speech, which, it seems, has actually been going on since the beginning of the episode in snatches that you would have been forgiven for thinking were log entry voiceovers.  The scenes of her giving this speech to the Admiralty are inter cut with the medal presentations and it’s all a little disjointed and questionably put together.  I found it confusing and jarring the first time I saw it, and annoying the second.

I will admit, though, that I felt a tear come to my eye as Michael was embraced back into the arms of Starfleet.  Sonequa Martin-Green conveys so much emotion in those last moments in Paris that you can’t help but be swept away in her moment.  Far out that woman is a great actor!

Now we come to the end of the episode, and the season.

It’s a doozy.

The very last scenes reveal one of the biggest twists (another freaking twist for the season), if not the biggest twist for any Star Trek series.

After Paul talks about why they’re warping to Vulcan instead of jumping, Sarek joins them on the bridge as they clear the Sol system.  There’s some nice banter, everything feels a little weird though – but that’s probably because there’s more light on this bridge than ever before (thank you Mirror-Lorca for all the shadowy stuff), when Lieutenant Bryce announces he’s receiving a distress signal.

Will You Take My Hand - NCC1...

The call is coming from another Federation starship, but Bryce is having some trouble getting a clear signal.  As the communications officer deciphers the vessel’s call sign we see it start to form on one of his displays: N… C… C… 1… 7…

The Discovery drops out of warp, Saru sends a message and we are suddenly told the hail is from Captain Pike.  Captain Christopher Pike.

Disco S1E15 Enterprise Arrives

Michael works it out first and has a knowing look with Sarek as she says… “It’s the USS Enterprise.

Disco S1E15 Enterprise NCC-1701 Approaches

And we see that iconic ship appear.

She’s beautiful.  But, she’s not quite the ship we’re used to.

Disco S1E15 Enterprise and Discovery Meet

As the Enterprise and Discovery come nose to nose, we cut to black.

That moment brought a smile to my face!  If I’m to be completely honest, that, not Michael’s standoff with Cornwell, is my favourite moment of the episode.

Then, to drive the impact home, the closing title sequence features a beautiful and brilliantly faithful rendition of Alexander Courage’s original Star Trek theme.

The episode ended on a high, but it took a really disappointing road getting there.

When we compare this season of Star Trek: Discovery with any other first season of a Trek show, there is no doubt this is the strongest launch out of the gate any previous series has ever had.

Somewhere, though, it went wrong.

Star Trek: Discovery, up until episode three of the four episode long Mirror arc, was building beautifully and seemed to sail by on a clear path toward a massive reckoning and inevitable redemption that would culminate in a devastating clash between the Federation and the Klingon empire.

Only it didn’t.  They spent one or two episodes too many in the Mirror Universe, and then short changed us on the Klingons and the war.

We were promised we would get a deeper insight into the Klingons.  It didn’t happen.

We were told this season was a war-story arc… and it was, we just didn’t get to see more than a few flashes of the war.

We were told so much, and they didn’t deliver on about half of it.

I think what pissed me off the most though, was watching After Trek and seeing the writers so pleased with themselves, and watching Matt Mira avoid any sort of conversation around “so, what happened guys?  Where was the war?”

Is “Will You Take My Hand?” a terrible episode?  Probably not.  Is it the weakest and worst of the season?  You bet.  Is it a wasted opportunity?  Criminally so and it casts a bit of a shadow over the entire season.

All I can do is hope the writers are reading everyone’s reviews.  I’ve read a few, and some people love the episode, but quite a few are just as disappointed and disheartened as I am.

Will I be tuning in for season two?  HELL YES.  As much as I have complained about this episode, the thing I am taking away from this season is how amazing it was.  Most of the time.  It has delivered characters I care about.  Some of the writing has been Emmy level worthy.  The effects have been staggering.  The direction has been beautiful.  The music has been moving.  There’s so much to love about Star Trek: Discovery.  I won’t let “Will You Take My Hand?” ruin the season for me, but I also won’t say “yay!  It was great!” when it wasn’t, just because I love Star Trek and am so happy to have it back.

When I push away my frustrations over this episode, I can’t help but think that two average episodes out of 15 is pretty great.

I should probably talk about the 430 crew strong starship in the room before I go, hey?  What do I think of the redesign?

I like it a lot.  Its a pretty faithful update. It’s a mix of the original design and the refit model from Star Trek: The Motion Picture.  But, despite liking it, I don’t think the changes they made were necessary.  The USS Enterprise is THE most iconic starship in the world, and it is definitely the most iconic starship in science fiction.  No matter what, they had to render the new ship in the Star Trek: Discovery lighting design and colour scheme, and with the level of detail we now expect, but they could have done that without changing the original design as much as they did.

USS Enterprise NCC-1701 Fan Render

To prove that, check out the above incredible render by Carlos Daniel, and visit that same render, in flight, on his Vimeo page here.  Thanks to TrekMovie for sharing this with Trek fandom.

Apart from the spinny bits on the nacelle in the fan version, you have to admit everything else looks beautiful and shows that the original model, with maybe a little more texturing and some spotlight effects like we see on other ships in the show, would work beautifully with the design aesthetic of Star Trek: Discovery.

As I said, I like the new version, but it does make me think, once again, that CBS is thinking of rebooting everything and only leaving Star Trek: Enterprise intact.  If that’s so, I’m not against that – just do it respectfully.  With a little more respect than the creatives behind Star Trek: Discovery have shown.  They’ve been pretty good, but they have taken one or three liberties that they didn’t need to, and they’ve walked a very fine line that they might want to pull back from a bit come season two.

Predictions
1. It would appear the crew of Christopher Pike’s USS Enterprise will play a role, however large or small, in the next season.

How long will the Enterprise stay around?  I’m giving it four episodes.

2. Georgiou?  She’ll resurface for the mid-season finale.

3. The new Captain?  I have no idea.  I heard someone suggest it might be Number One from “The Cage.”  YES.  PLEASE.  MAKE IT SO!

The Crew of the USS Discovery Season 1

Scorecard
3-Deltas

What a roller coaster of a season.  I’ve loved more of the episodes than I’ve disliked, and as I said above there are only two episodes I’m not thoroughly happy with – and one of them I actually enjoyed, except for the unintended (I believe) sexist undertone (“Magic to Make The Sanest Man Go Mad”).

I’ve fallen in love with this crew and can’t wait for season two, but I hope it’s a little tighter and does what it tells us it will do.

I admit feel a little cheated over the Klingon war, and a little disappointed over the rushed ended.  The Klingons are not my favourite Star Trek species, but I was looking forward to an in-depth look at them, juxtaposed with a nascent and growing UFP.

I really enjoyed most of the Mirror Universe arc, but I would have preferred it not happen at all if it had meant seeing a moving story about the horrors of war.  I don’t enjoy war movies, but I am a fan of commentaries on war and with us facing an uncertain future thanks to tensions between the USA, China, Russia and North Korea, now is the right time for those types of stories.

Maybe next year.

As we hear news on Star Trek: Discovery, we’ll update you here.

Until then, and always, Live Long and Prosper.

LCARS Interface

Episode 6 Recap and Review, and an Announcement from CBS

Star Trek Discovery Recap and Review Banner 27102017

Before we jump into everything, CBS made an important announcement earlier in the week: Star Trek: Discovery has been renewed for a second season!

Congratulations to everyone involved.  So much love, time, care and attention to detail has gone into the show and this is a fitting reward for all of that exceptional effort.  As a fan, I am over the moon happy!

Thank you CBS.

Okay.  Let’s dive into this weeks episode.

Lethe was the mystical underworld river of oblivion, and the Greek Spirit of forgetfulness and oblivion, after which the river was named.

The shades of the dead used to drink from her waters to forget their mortal lives.

Star Trek: Discovery, episode six, “Lethe”, draws from that inspiration as it plays with the idea of memory and the things we might want to forget.

This was another episode that went by in a flash.  It’s also another episode that will challenge those Trekkers among us who choose to stick rigidly to perceived canon.

I say perceived, because canon doesn’t mean “this is it, and this is all there can be,” it means “this is what we know for now.”  In Star Trek, canon is what we see on screen.

Personally, I enjoy having my own perceptions of canon expanded and in most cases Star Trek: Discovery treads just this side of going too far.  Where they have crossed the line, most of the time they’ve had to.  What worked in 1966 will not work in 2017.  Choices had to be made, and while some of those choices are a bit mystifying right now we’ve been told they’ll make sense.  Eventually.  Of course, having said that, there are some things we’ll just have to deal with – the most noticeable being the design aesthetic of the 21st Century vs the design aesthetic of an era where colour TV was brand new, and the world had never heard of things like the internet, cloud computing, and 3D printing.

After watching “Lethe”, I found myself both excited by the things I had learned in the episode, and I found myself thinking back over an article I wrote a few months back where I wondered if CBS was purposefully rebooting the entire television franchise, just like Paramount rebooted the movies.

Back when Star Trek: Discovery was still teasing us with a non-committal release date, I began thinking “is this a reboot of everything, using Star Trek: Enterprise as the jumping off point?

I’m pretty sure that’s not an original thought, by the way.

Now and again, watching this new iteration of Star Trek, I wonder if that is indeed what is happening.  Back when I first wrote about that idea, I encouraged the new creative team behind Star Trek to take the 15 best episodes of each season of the existing Treks (post Star Trek: Discovery) and redo them.  That’s sacrilege to a lot of Trekkers, I know, but I keep thinking of how deeply Star Trek both changed and defined my life, and keep hoping that it will do the same for children in this and following generations.  I grew up with TNG and its impact on my life and the way I live it is still significant today.

I also keep worrying that the earlier versions of Star Trek will become niche memories for a faithful few.  When we look back at the older iterations of Trek we see moments of sexism and we see a visual style that is… kind of flat and boring.  Even TNG and more recent Trek’s fail to live up to the dynamic and visual style of today’s event television.  Using Star Trek: Enterprise as a jumping off point, and then rebooting the entire franchise from there, isn’t a terrible idea if the reboot is faithful to the original.  So… not a Battlestar Galactica reboot.  Not even a J.J. Abrams Kelvin-timeline reboot.  An update of the original where certain things can be ‘tweaked’, like the sexism, like the ship’s computer in TOS which has already been surpassed by Siri, and like many of the props and effects that just don’t hold up today.  As much as many of us probably don’t like admitting it, Star Trek: Discovery is a more faithful imagining of the future than we were capable of in the 1960s.  Even the 1980s.

What made me think back over those things?  The Holodeck (?) battle simulation Ash and Lorca went through, and the simple realism of the set of the Discovery and the shows props and visuals.  We see things in this episode that are going to give the more strict among us reason to complain, but they make sense when held up against the reality and wider audience expectations of today.

Sometimes I think these changes come down to one question: do we want Star Trek to live long and prosper?

But, enough of my musing (heretical ramblings?).  Let’s get into the recap and review.

Sarek Looks Across Vulcan - Lethe

The Facts
Episode Number: 106
Episode Title: “Lethe”
Written By: Ted Sullivan and Trek alumni Joe Menosky
Directed By: Doug Aarniokoski

Quotable
Sarek to his assistant
: “In times of crisis, ignorance can be beneficial.

Tilly to Michael: “It’s been my experience, that what I lack in athletic ability I more than make up for in intelligence and personality.  We may want to focus on those attributes.
Michael to Tilly: “Everyone applying to the command training program will be smart.  Personality doesn’t count.
Tilly, in response: “That’s just something people with no personality say… wait!  Which in… which in no way means you… ah… you, you absolutely have a personality!

Tilly to the computer: “Computer, green juice.  Extra green.

Interesting Bits and Pieces
In the second scene of the episode, Michael is trying to help Tilly achieve her dream of one day becoming a captain.  In that scene, she name drops the Constitution Class and the USS Enterprise, recommending that Tilly aim to get on a ship like the Enterprise to help with her career aspirations.

In this same scene, both women are wearing an awesome little t-shirt with one word printed on it: Disco.  Disco has long been an internal production nickname for the show.

According to After Trek, the producers had no idea the t-shirts were going to appear!  Now, they’re canon, and you can bet you’ll be able to buy them some time soon.  That is, if you can’t already!  I admit, I haven’t done that search on the official website, eBay or Amazon yet.

In this episode, we also learn that the food synthesiser likes to comment on the nutritional quality of your order!  I like that… though I could see me telling the computer to shut up after a while!  I can’t stand my fridge beeping at me when I’ve had the door open for too long.  If my fridge started talking to me I’d probably unplug it.

We also learn, thanks to Admiral Cornwell, that the Discovery is the most advanced starship in the fleet.

The Recap and Review
After “last time on Star Trek: Discovery,” the episode jumps into a scene on Vulcan, which is beautiful.

The visuals are evocative of past glimpses of the planet, while bringing something new.  There is no doubting it’s Vulcan you’re visiting.  We find Sarek is looking out across a dessert locked, red tinged city scape as a ship hovers into view.

Sarek and an assistant board the vessel and take off across the surface of the planet, into space.

The ship is a new design but looks Vulcan, and, like Starfleet vessels, has an excellent heads up display that I really like.

We don’t know where Sarek and his companion are going.

That scene transitions beautifully into a shot of the Discovery sailing through the void, and then moves seamlessly to an interior shot of Michael and Tilly jogging along one of the spokes that connects the two halves of the saucer section of the Discovery.

Michael is helping Tilly develop some strategies and habits that will benefit her in her pursuit of command.

According to After Trek, this scene took eight hours to shoot because the corridors were only long enough to permit ten seconds of dialogue as the actors ran the full length.  So, the slight exhaustion you see on Sylvia Tilly’s face might actually be more than good acting.

The interchange between both characters is wonderful.  These two actors play off each other really well, and the chemistry is so easy to see on the screen.  While the dialogue is excellent, you can’t fake chemistry.  I often find myself silently congratulating everyone involved in the casting process.

As Tilly responds to Michael’s mentorship, dashing on ahead of the show’s leading lady, we cut to a scene of Lorca and Ash Tyler zapping Klingons.

Lorca, being Lorca, has a deep and meaningful (D&M) with Tyler as they run around in armour shooting stuff.  Seriously, this ship needs Deanna Troi.  If these two men ooze out any more testosterone and repressed rage the whole ship will drown in it.

In their macho-D&M session, we learn that Ash is from Seattle and has lost both parents.  He had a challenging relationship with his father, which might hint at Lorca being a bit of a surrogate for him – just like he seems to be for Michael.

Lorca and Ash - Lethe

In an interesting exchange where Ash lies to Lorca to help his captain save a bit of face we learn that Lorca really does want to be surrounded by the best.  And probably needs a hobby like knitting or yoga to avoid going absolutely batshit crazy.  This guy is wound so tight he’s going to snap at some point and Michael is going to have to trot out the mutiny card again.  Lorca chews Ash out and tells him he wants his Chief of Security to shoot better than he does.  Chief of Security?  Ash, DO NOT take that job!  The last one got mangled by an unhappy tardigrade!!

This exchange surprises Ash, who asks Lorca if he’s giving him a job?  In a potentially telling moment (if you go by the Ash is Voq theory), Lorca says: “Well, I figure I’ve seen you fly, shoot… fight like a Klingon…”  Fight light a Klingon.  Way to screw with our heads, Star Trek: Discovery writing team.

Ash brushes that off, saying that he learned a thing or two from the Klingons beating on him for seven months.

Lorca then affirms Ash’s appointment.

We jump back to Sarek and his assistant, who shoots himself up with a funky little needle that starts tracing a burning pattern up his arm.

Sarek quickly realises that his assistant knows just what it is he’s planning to do and isn’t happy about it.

The assistant turns out to be a fanatic – a “logic extremist” who believes that humans are inferior.

It’s a nice tip of the hat to Star Trek: Enterprise and the less than pro-human sentiment often expressed by the Vulcans of that era, and it’s a nice nod to what we’re going through as a world today with extremists threatening our way of life, and the pro-nationalist views of some.

The assistant’s mission?  To draw attention to Vulcan purity, and to encourage Vulcan as a world to withdraw from the “…failed experiment known as the Federation.”  With that, he blows himself up.  Sarek erects a forcefield between the two men just in time, but that doesn’t stop the explosion from sending Sarek’s shuttle spinning out of control, and it doesn’t stop Sarek from being wounded.

We cut to the credit sequence.  Which, I have to say, is really growing on me.

And then we return to the Discovery where Tilly is ordering a green juice.  That’s extra green.

She and Michael order breakfast, with Michael over ruling Tilly’s choice.  The ships computer backs Michael up, reading out the nutritional value of burritos.

Ash Tyler walks in, and the girls have a bit of a gossip about how he kicked Klingon ass.  Six asses, to be exact.  It’s an interesting exchange because Michael makes the same comment many of us have been making since the last episode… Klingons are tough.  How could one human over power so many single handedly?  This is such a throw away comment in the context of the scene that you just know it means something.

Tilly also observes that Lorca wants to adopt Ash.  Michael challenges that, but Tilly reminds her that Lorca did the same to her.

Michael Tilly and Ash

Tilly, proving she has no filter, then sits down at Ash’s table and blurts out “Scuttlebut is that you took out six Klingon warriors in hand to hand combat.

Ash tells her not to believe everything she hears, and then asks Michael to sit.  We have an exchange between Ash and Michael that is really nice as he refuses to judge her on her past actions, and prefers instead to make up his mind based on what he sees.  That impresses Michael and makes her look at this new crew member in a different light.

Then, Michael collapses in pain!

In a katra-contact moment, Michael is plunged into one of Sarek’s memories.

We’re on Vulcan watching Vulcan’s wander serenely through a pristine plaza.  It’s beautiful, and full of familiar little touches, including examples of the Vulcan alphabet.  We zero in on a family gathering and finally meet Amanda, played beautifully by Mia Kirshner.  She’s arguing with Sarek over what appears to be Michael’s rejection from the Vulcan Expeditionary Group.  A young Michael watches on.  As does the current Michael, observing the memory as an outsider.

Mia Kirshner as Amanda Grayson

Sarek becomes aware of the older Michael, and challenges her, forcing her out of the memory.

They appear in a neutral mental space, where Sarek tells her that ever since the bombing of the learning centre his Katra has been with her.

She wakes up in Sickbay before we get to go any deeper into that little addition to canon.

Doctor Culber is trying to work out what is wrong as Lorca watches on.  Michael opens her eyes.

She tells them Sarek is in trouble.  Lorca challenges her, and she reveals that she shares part of Sarek’s katra.  Lorca wants to know more, so she reminds him that after her parents were killed at a Vulcan outpost that was attacked by the Klingons, she was raised by Vulcans to be Vulcan.  She says that Sarek hoped she could serve as a bridge to show other Vulcan’s the potential in humanity.

She then reveals something new.  A group of logic extremists, who did not want humans in their culture, attempted to kill her a few years later, while she was at the Vulcan Learning Academy.  It was then, to save her life, that Sarek shared his katra with her.

She was dead for three minutes.  Sarek’s katra had healing powers and his life force saved her life.  She tells them it is a rare procedure, and frowned upon.  It’s this gift that enables a form of long term telepathy between both Sarek and Michael.

She tells Lorca that Sarek is in danger and asks him to rescue her adopted father.

Lorca checks the facts with Starfleet, and they confirm Michael’s claims.  Sarek was on a diplomatic mission to try and stop the war.

Lorca says he’ll rescue Sarek, but Starfleet forbids it.  Lorca, being Lorca, ignores them.

They jump to the nebula that was the last known location of Sarek’s shuttle.  Saru tells them that they can’t scan for the shuttle because of all of the interference in the nebula and that it will take months to search it because of its size.

Lorca and Michael visit Stamets to see if he can help by creating a device that will enhance Michael’s connection to Sarek.

Stamets says “yes” – and it is clear we have a brand new Stamets.  His interaction with the spore-drive has really changed him.  He’s more relaxed, almost euphoric.

After some discussion, he says he can create something for Burnham and gets to work.

We also learn he has a bit of an implant that enables him to safely (?) engage with the drive.

Lorca tells Burnham to get a team ready to help her with locating Sarek.

Lorca and Ash on Shuttle - Lethe

Michael asks Lorca to assign Tilly to help her, because she’s a genius, and, in a telling moment, because Michael needs her emotional support.

Daw… friendship.  I LOVE IT!

Lorca agrees, and then assigns Ash Tyler to help.

As Tilly, Ash and Michael load up the shuttle and get it ready to enter the nebula, Lorca visits Ash and orders Ash to bring Michael back in one piece… or to not come back at all.

Hmmm… what does Lorca want from Michael?  She’s brilliant.  She’s extraordinary in many ways, but what are Lorca’s plans for her?

We leave our intrepid rescuers for a moment to cut to Lorca examining a star chart as Admiral Katrina Cornwell warps in for a visit.  She boards the Discovery and proceeds to rip Lorca a new one for disobeying orders.

She’s also not happy that one of his crew experimented with eugenics.

Behind all of this anger from Cornwell, we learn, is genuine concern for an old friend.  Lorca is not the Lorca Cornwell remembers.

We leave them in that moment and jump to the shuttle where Michael is preparing to send a katra ‘jolt’ to Sarek to wake him up so that he’ll activate his ships transponder so that the Discovery can find him.

In a nice character moment, Michael is nervous and anxious.  She shares her feelings with Tilly and Ash and tells them how affected she is by the memory she was dragged into in her initial psychic contact with Sarek.  She believes he is reliving that memory in his dying moments because she is his greatest disappointment.

As she goes under, she tells them not to pull her out of the katra connection, no matter what happens.

And… we’re back in the Vulcan plaza, in the same memory.

Sarek - Lethe

Young Michael is talking to Amanda, who gives her a gift – an old fashioned copy of Alice in Wonderland.  Going back to “Context is for Kings”, it’s obvious Amanda had as much of an impact on Michael as Sarek did.

Sarek intrudes and tells them that Michael’s application to the Expeditionary Group was rejected.

Older Michael interjects, and Sarek breaks from the memory to do some kick-ass Vulcan martial arts on Michael.

Back in the shuttle, Michael is showing the effects of being psychically beaten up.

Ash orders Tilly to wake Michael, and as she comes to with a gasp we jump to Discovery and a dinner between Lorca and Cornwell.

They’re reminiscing.

Lorca and Cornwell - Lethe

She tells him she’s worried about him.

He justifies his behaviours using the excuse of war.  She’s not going to be put off and tells him he’s unfairly pushing his crew.

Eventually, she tells him that he’s changed since the destruction of the Buran.

He says he’s passed every test and is fine.  She’s smarter than that and suggests that maybe he’s suffering from PTSD (post traumatic stress disorder).  So… he seduces her, because he’s either got PTSD or there’s something else going on.

She falls for it.  Maybe?  I’m not sure if Katrina lets it happen in a calculated attempt to further test Lorca, or lets him seduce her because she still carries a flame for this complicated man, but she takes off her badge and smiles at him…

And we’re back on the shuttle.

Michael is deeply affected by the memory she keeps seeing.

Ash gives Michael a reality check, and says that maybe the memory isn’t about her failure – but Sareks?

Michael dives back into the katra-connection.

We’re back in the same memory and Michael has had enough.  She challenges Sarek on the memory-scape, asking him what he’s hiding.  He attacks her and she holds her own.  She asks him what he doesn’t want her to see, and begs him to let her in.

He does.

He also affirms what Ash said.  He’s not fixated on Michael’s failure.  He’s focused on his own.

We learn that Michael was accepted into the Vulcan Expeditionary Group, but that the Vulcan’s were concerned.  Were Spock to apply and be accepted, there would be two non-Vulcans in what had once been a Vulcan only institution – one human raised to be a Vulcan, whom Sarek says he has crafted into a being of exquisite logic, and one half-human, half-Vulcan who is still (it seems) at school.

The Vulcan elder tells Sarek that what he has done is extraordinary, and that he applauds Sarek’s efforts to integrate humans into Vulcan culture, but that his attempts need to be titrated.

Sarek has to choose between Michael and Spock.

Michael learns that Sarek chose Spock.  This adds a beautiful, extra layer to the historic distance between Sarek and Spock.  It always seemed petty that Sarek was so ‘pissed’ with his son for choosing Starfleet, this adds another welcome dimension and gives that history more impact.

Michael tells Sarek that her rejection from the Vulcan Expeditionary Group hurt her deeply.

Sarek says he didn’t realise the impact then, but does now.  He apologises, as only a Vulcan can: “I failed you, Michael Burnham.”

As he collapses on the memory-scape, he admits his shame.

Michael asks him to show her how to save him, like he saved her.  He helps her initiate a mind-meld and she wakes Sarek up.  He activates the transponder.

We cut to Lorca and Cornwell in bed.  She traces the scars on his back, which wakes him up.  Instead of snuggle time, he grabs a phaser from under his bed and rolls on top of her holding it to her face.

She loses her shit… and rightfully so.

She tells him he lied on his psyche evaluation and that his behaviour is pathological.  She finishes with the worst thing she could say: “I can’t leave Starfleets most powerful weapon in the hands of a broken man.

This illicits a genuine response from Lorca as he begs to keep his ship.  He admits his lie, admits that he needs help.  She tells him that she hates that she can’t tell if this is the real Lorca or not, and leaves.

Saru interrupts to tell Lorca that the crew are back from their mission.  Sarek is going to be alright, but he can’t finish his mission of peace.  Lorca says that Cornwell can.

Burnham thanks Lorca and in return he gives her a real assignment.  On the bridge.  She’s now the science specialist.

As Lorca leaves, she goes to visit Sarek.  He initially tries to dodge her question about what he remembers of the rescue, but she’s not having any of it.  Michael asks him to help her understand why he did what he did, so that they can come closer rather than be pushed further apart, because that’s what families do.  He says that technically they’re not related, and she tells him he can do better than that, but she won’t push him.  She tells him “We’ll have this conversation one day… father,” and leaves Sarek, looking a little lost, perhaps even a little shamed, in Sickbay.

Admiral Cornwell takes up the challenge of completing Sareks mission.  Lorca is waiting for her in the shuttlebay as she gets ready to leave.  She tells him that she doesn’t want to ruin his career, but adds that when she returns they will talk about how he steps down.  There’s compassion in her voice and it’s clear she believes her decision to be the right one – for Lorca, for the Discovery and her crew, and for Starfleet.

Lorca can’t find a response, and instead wishes her luck in her negotiations.

Just a side note, I love the new shuttlebay.  It’s magnificent.  It looks real, and it looks used.  It looks like it belongs on a ship like Discovery that has been busy both with a mission of science and exploration (previously), and now a mission of defence. The shuttle bays on the original Enterprise and Enterprise-D always bugged me because they looked… plastic and totally unused.  Even with transporters, those ships would have been busy with freight transfer and various visitors but they just looked lifeless.

We change scenes at this point to an interaction between Tilly and Michael.  Tilly is running through the corridors again.  Michael tells her, “I gave you bad advice.  There are a million ways to get to the captain’s chair.  Find your own.”  Tilly responds with, “I have,” and keeps running.

We follow Michael to the mess hall where she sits down with Ash Tyler.  Michael, obviously affected by her chats with both Sarek and Tilly, is in a reflective space.  She opens up to Ash, and we see a woman who is slowly coming to terms with the complicated relationship she has with her adopted father, and maybe even the internal conflict she feels as a human who has spent a great deal of her life trying too hard to be a Vulcan rather than a balanced amalgam of both.

To close the scene, Michael introduces herself to Ash, who is a bit confused at first because they know each other, but then gets it.  Michael has had an epiphany, or perhaps even a little bit of a rebirth and with a smile he takes her extended hand.

We leave this budding friendship? romance? to visit with Admiral Cornwell.  Let’s just say things go bad.  Her guards are killed.  The meeting hosts are killed.  Kol pops up as a hologram and Cornwell is taken prisoner.

In the last scene, Saru reports to Lorca, telling him Cornwell has been captured.  Prick-Lorca is in full swing as Saru tells Lorca they can start to calculate a jump to rescue her and Lorca says no.  Saru is taken aback.  Lorca rationalises his sudden “by the book” caution beautifully.

He orders Saru to notify Starfleet Command and to seek guidance.  Saru is surprised, but no doubt relieved by this change in his captain.  Saru is awesome, but he’s not a great first officer.

As he leaves to follow orders, Lorca closes the door of his quarters and the episode ends with him staring out the window as we focus on his reflection.

Is his reflection smiling?

Is this another hint at the upcoming Mirror-Universe episode?

I just know we’re going to have to wait a while and see.

USS Discovery in Flight

I really enjoyed this episode on so many levels.  I love the additional context to Sarek’s disappointment with Spock’s decision to go into Starfleet, as I mentioned earlier in the recap, and I’m intrigued by where the whole cloaking technology thing is going with the Klingons.

Historically, according to canon, the Klingons obtained their cloaking technology from the Romulans.  So… did T’Kuvmar negotiate that and then Kol meter it out through the Empire as he demanded loyalty from the various Houses?

Quite a few questions were raised in this episode.  Is the need for eugenic experimentation on humans what kills the spore-drive?  Does that mean we’re going to lose Stamets?

Is Ash Voq?  I keep trying to determine from Shazad Latif’s performance if he is, but can’t yet.

One the things I like most about this series, is the growth we’re starting to see in the characters.  They’re not fully realised.  They’re “becoming.”  We’re really seeing it in Michael’s character – and it’s a beautiful thing and very measured.  The writers have paced it beautifully, certainly a lot better than Star Trek: Voyager‘s writing team paced the integration of the Maquis and Tom Paris back into Starfleet.

Lorca’s character also continues to grow (or perhaps, more appropriately, be revealed), and it is evident he is a very damaged human being.  Did he recommend Admiral Katrina Cornwell go to the Klingons because he was hoping she’d be captured or killed?  Does winning the war mean that much to him?

We haven’t seen much of Saru recently, which is a little disappointing, but I get it.  The writers needed to set up Ash Tyler.  This will change, I believe, with Michael now on the bridge.

I like the addition to canon of the katra-communication.  There’s a parallel here to the mycelial network.  If there’s a bunch of spores spread throughout the universe that can be used as a source of navigation, why couldn’t a psychic ability have that kind of range?  I’m just not sure what the writers are getting it?  There’s a definite but very subtle spiritual aspect to this show, that hints at the interconnection of life.  Starfleet represents that and always has.  We’re all ‘star stuff’ and our commonalities are more interesting and meaningful than our differences, and so we should come together and celebrate that infinite diversity in its infinite combinations.

Though the Vulcan’s are best known for that philosophy of diversity, it’s interesting to see them still struggling with Surak’s teachings.  It is a nice echo from Star Trek: Enterprise, and I loved seeing Sarek be the main proponent of that concept with his attempts to unite the Vulcan people and humanity.  He will, of course, continue to do that kind of work throughout the history of Star Trek as he seeks to unite other disparate peoples.  Spock, of course, will eventually follow in his father’s footsteps.

All of this stuff also gives merit to Sybok.  Imagine being the oldest child growing up in such a mixed household?  You have a human step-mother, a human adopted sister and a half-human younger brother.  You can imagine Sybok sitting back and observing the strengths in both as his father seeks to bring two important worlds together.  All of this actually helps make sense of Sybok, but it also paints Sarek, always one of my favourite characters, as a vital part of the Federation.

By the time we really get to know Sarek, in the movie-era and in TNG, he’s an elder statesman who is held in high regard by everyone.  Star Trek: Discovery is helping us see why and how – despite his stubborn streak!

It’s just one opinion, but my opinion is that Star Trek: Discovery gives more to Star Trek than some of the other spin-off series.  It’s giving the entire collection of series’ and films a level of depth that I really appreciate.

Last but not least, there is not one bad performance.  Again.  Particular praise needs to be heaped on Sonequa Martin-Green, Jason Isaacs and James Frain.

How lucky are we to have such amazing actors bringing these characters to life?

Scorecard

Five Starfleet Deltas
Five out five Starfleet Deltas.  This was another exceptional outing.

Star Trek: Discovery airs in the United States on CBS All Access with new episodes available Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET.  Outside the USA and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8:00am BST on Mondays, and in Australia at 6:00pm AEDT, also on Mondays.  We only have three more episodes until the mid-season break, so make sure you tune in.

Live long, and prosper.  See you next episode for “Magic to Make the Sanest Man Go Mad.”

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A Future To Believe In

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Now that Star Trek is officially 50 years old (having celebrated its actual birthday a few days ago), it’s a good time for a die hard Trekker to reflect on his or her love of that particular universe – and why it continues to mean something to them years after their first exposure to it.

I’ve been in the middle of that process for a few months now, ever since the announcement of Star Trek: Discovery.  The recent release of Star Trek Beyond intensified it for me, and I decided to start talking to other Trekkers to see if I could find a common theme around what makes so many of us love Star Trek and keep loving it.

What I learned was Star Trek does two things really well, and both of those things resonate strongly with long-term fans:

  1. Star Trek shows us a future that’s worth fighting for, that’s worth dreaming about, and that’s worth wanting to help shape, and;
  2. Star Trek is a really intimate and personal experience for every single person who loves it, and that, possibly, is it’s greatest magic.

That second point is a frustrating one if you’re a show runner.  Star Trek does have a formula of sorts, but it’s a really hard one to get right.  Without exception, fans want challenging storylines that are provocative and insightful – which is scary for a show that needs to make money because, as Gene Roddenberry learned the hard way, you’re bound to piss someone off and risk alienating a segment of your audience.  Fans want a meaningful relationship with the characters which means you must get two things right straight off the bat – the writers room and the casting process.  Fans want it a little dark without losing the hopeful future Star Trek promises us… and despite craving intelligent science fiction we want that science fiction all wrapped up with pretty action set pieces that are full of amazing (and expensive) visual effects.

I’ve spoken to a lot of people about Star Trek these last few months, and for every single person there was always a deeply personal story attached to their love… “Star Trek was my ‘safe space’ when I broke up with my husband…” “Star Trek got me through bullying when I was a kid…” “Star Trek is what got me into the military…” “Star Trek was the thing that helped me set my moral compass…”

Those often amazing conversations showed me that while all of the above about challenging storylines and great VFX is true, the actual core ingredients are the characters and their dynamic.

Star Trek has a ‘secret sauce’, and that ‘sauce’ is its characters who are our conduit into that universe and it’s vision for tomorrow.

What I loved most, while talking to fellow fans, was that the characters who resonated with them weren’t always the obvious ones.  Yes, I heard a lot of Kirk love, Spock love, McCoy love, Picard love, Data love, Siski, Kira, Janeway, Seven, Archer, T’Pol and Trip love, but I also heard a lot of Sulu, Uhura, Chekov, Scotty, Geordi, Beverly, Deanna, Wesley, Quark, Jake, Odo, Dax, Chakotay, the Doctor, B’Elanna, Kes, Neelix, Harry, Hoshi, Malcolm, Phlox and Mayweather love.

In the original series, some of those characters never got the chance to say more than “Aye sir,” and “Hailing frequencies open, Captain,” yet they still effected people – and more often than not, deeply.  Why?  Because they were representative.  Sometimes in obvious ways – Uhura was a woman in a position of power and a black woman at that, Sulu was an Asian who wasn’t a normal 1960s stereotype, and Chekov was a Russian at a time when the US and Russia didn’t have a lot of love for each other… but they weren’t just representative in that way.  Uhura was an expert and a woman in command who could come out and honestly say “Captain, I’m frightened.”  Chekov was a whiz kid whose emotions were always written clearly on his face.  Sulu had a cheeky and sometimes sardonic sense of humour that now and again seemed to say “you’re a complete dick, Captain.”  Watch some of the original episodes and listen to Sulu’s responses to Kirk or Scotty when they give a command that seems to defy common sense.  Both Uhura and Chekov do that at times also.  These characters were representative of real emotion, sometimes overtly expressed, sometimes subtlety conveyed, and we fell in love with them because of that.

Those human moments in a show that was so different to anything else on television, delivered by personalities we could relate to, gave us an ‘in’ to Gene Roddenberry’s universe.

For me, it was McCoy, Uhura and Spock.  They were my pathway into the original Star Trek.  Beverly, Deanna, Wesley and Geordi my conduits into Next Gen.  Jadzia and Bashir my way into DS9.  Janeway, Kes, Chakotay and the Doctor my door into Voyager, and T’Pol, Phlox and Malcolm my way into Enterprise.  Each of those characters had qualities I possessed or aspired to possess and they resonated with me and still do today.

I grew up in the sort of neighbourhood where every week someone was stabbed, bashed, and in someway victimised, and as a child I needed something that showed me a future full of intelligent, compassionate people who fought to get rid of those horrific things from people’s lives.

When I was bullied at school, Star Trek was my retreat.  I could lose myself in that world and dream of a future that was brighter than the one I saw for myself.

As I hit my teenage years and then adult years, Star Trek started to shape my morals as a person and many of the idealistic concepts in Star Trek still guide me today – particularly IDIC and the idea that we are stronger together.

I became an actor in my late teens because I wanted to go to Los Angeles and get cast in Star Trek.  I did make it to Los Angeles, but never got the chance to be in Star Trek because I made it there a year or two after Enterprise went off the air.

I became a professional Counsellor because of Deanna Troi.  Even though I’m a guy, Deanna and her profession spoke to me and though we barely ever got to see her do any real work as a psychologist, I still invoke her preternatural calm and warmth when working with clients.

I’ve always known that Star Trek was one of the most important influences in my life, but I’d never really spent a great deal of time wondering why.

This year seemed to demand it, and I’m glad I spent a little time exploring and reflecting on what Star Trek means to me and why it’s still the world I retreat into when I need to recharge.

There are so many quotes and examples I could provide to illustrate all the ways in which Star Trek has affected me, too many actually, so instead I’ll just choose a few…

Kirk’s statement in The Final Frontier, that he needs his pain.  That speech still effects me to this day.  Our pain, our failures, and how we deal with them all, defines us.  There are so many experiences in my life that I wish had never happened to me, but I cannot deny their impact and how they have strengthened and shaped me.

Kira’s dedication to her spiritual life mirrored my own journey to understand some of the indefinable but poignant experiences we all encounter in life.

It was something similar with Chakotay.  His spiritual life and journey, though often mired in stereotype, was beautiful and I loved that it was included, but the fact he was a physically strong and imposing, but deeply spiritual and sensitive man was what hit me like a sledgehammer.  It hit me deeply, in the same way the startlingly beautiful and noble Uhura did and in the same way the generous, calm and gracious Deanna did.  As a 6’2″ guy who’s been described as physically intimidating, but who is softly spoken and by nature a pretty caring bloke, it was fantastic to see a man on TV who was also all of those things, and who chose to use his presence not to constantly threaten and intimidate but to nurture and support.  It was what I needed to see and it came at a time in my life where I was in danger of going off the rails.

You might be thinking… “hold on, what about Riker?”

Will was always a little too ‘big’ a personality for me to connect with.

Star Trek is unique in its ability to craft characters that are universal but speak to each individual viewer.  If there’s one thing the creative teams behind each show and movie did really well, it was creating characters we can relate to.  I don’t know if they consciously tried to do that, but that’s what they did.

Each series and each film had its ups and downs story wise, but the characters were always exceptional.  Yes, Kes didn’t have a lot of room to grow and Neelix had the odd issue and could be pretty damn annoying, but by and large the characters are the thing that makes Star Trek shine.  At least in my opinion.

As we look forward to Star Trek: Discovery, with each of us no doubt carrying a small wish list around in our minds, I personally hope that the creative team behind the new series get the fact that no matter what, the characters are our way into this new version of the universe, and that Star Trek really is an important and intimate experience for each of us and that needs to be respected.

Yes, we want great stories and we want allegory and we want brilliant special effects, but if Star Trek is to succeed it needs incredible characters and it needs a way to inspire hope in us and allow us to link with the show in a way that is meaningful.  It needs to be something that mirrors all of us, in some way, and tries hard to be relevant to this generation of young people as they look around for heroes to aspire to be like.

Star Trek is important.  It’s important to me, it’s no doubt important to you if you’re reading this, and it’s important to the world.

What do we have on television now?  Zombie hunters who are now borderline sociopaths, families warring over a stupid iron throne and committing atrocious acts in their quest for power, families backstabbing each other over musical empires or political ambitions… there’s not a lot of hope, and there aren’t many shows demonstrating a different, better way to be.

Star Trek did that, and it can do it again.

I hope Bryan and Alex and everyone else involved with Star Trek: Discovery truly appreciate just how important Star Trek is at both that personal, intimate level, and that much bigger, aspirational level.

Bryan has said the world needs Star Trek now more than it ever has, so I think he does get it.  I hope he is able to realise his vision with the amazing creative team he’s assembled.

So thank you, Star Trek.  Thank you for shaping me, and for shaping so many amazing people I’ve met, and thank you for not being frightened of shining a light in the darkness – even when shining that light hasn’t been popular.

I’ve had enough of the depressing, sarcastic, angst-filled shows on television these days.  So many are so devoid of hope it’s depressing.  I need and I want something that challenges me intellectually, and I need and I want something that reminds me of just how amazing we are as a species.

The bright future Star Trek describes is the future I want, and it’s a future worth believing in.

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Star Trek: Discovery Update

Star Trek Discovery Update Banner

A surprising amount of information has dropped recently about Star Trek: Discovery, with more news due to hit in October – though there has been a suggestion we could learn a tiny bit more in early September.

For international viewers, like myself, we recently learned that Netflix has secured the international airing rights for the series – which has upset our American friends, and understandably so, but as someone who has spent his entire Star Trek loving life having to wait months for episodes, it’s nice to not be facing that particular barrier with this incarnation of my favourite series.

As well as word on how the rest of the world will be able to watch the new series, the following exciting teasers were delivered by the man himself, Bryan Fuller:

  • The new lead character won’t be the Captain, it will be the First Officer of the Discovery.  The First Officer, called simply “Number One” (in fine Star Trek tradition) for now, will get a name eventually;
  • Number One will be female and she will hold the rank of Lieutenant Commander;
  • The show is definitely in the Prime timeline, and will be set ten years before James T. Kirk takes command of the Enterprise;
  • The ship we saw in the preview shown a few weeks ago is still being tweaked and that design is not the final design;
  • The show will ‘bounce off’ of an event that was spoken about in the original series, but never explored.  That event isn’t the Kobyashi Maru, nor is is the Battle of Axanar or the Earth-Romulan War… guesses anyone?
  • There will be robots and more aliens that we’ve ever seen before… whether those aliens and robots are on the ship or just appearing throughout the series we don’t know right now;
  • The first season will have a 13 episode order, with Bryan’s preference for following seasons to be 10 episodes in length;
  • Section 31 might make an appearance;
  • Each episode will run about 48 minutes – slightly longer than the 44 minutes most modern versions of Star Trek have run;
  • There will be an openly gay character;
  • Traditional aliens from the original series will get a bit of a revamp;
  • The uniforms will be different to those seen in “The Cage”, but no word on how similar they will be to the uniforms worn by Kirk and crew in the Original Series;
  • The music is still being figured out with a good chance some of it will be reminiscent of the Original Series scores.

A really interesting theory from Joseph Baxter, a writer for SciFi news site Blastr, had me really excited recently – because I love it, and I so want it to be true!  Okay, I’m still excited about it!

He theorises we might already know the lead character.  He wonders, in a very well reasoned argument, if this mysterious Lieutenant Commander is none other than Majel Barrett Roddenberry’s character from “The Cage”, known only to us fans as Number One.

That would be AWESOME!

Despite only appearing in “The Cage” and the re-edited version of that episode called “The Menagerie” parts one and two, Number One has a huge fan following.  That character sparked something in fans that has not faded in 50 years.

Bryan has said that this Number One is an homage to the original character created by Gene and his wife, but he hasn’t confirmed whether or not it is that character.

I hope so.  That would be poetic.

Bryan has said that the next main “info dump” will come in October, but Nicholas Meyer and Kirsten Beyer are holding a discussion panel at the upcoming Mission: New York convention in a few days time and they might be authorised to drop a few more details.

Otherwise, we’re going to have to wait about a month for more news.

This is all pretty exciting stuff!  The pilot starts filming any day now (sometime in September) so there’s a chance we’ll get tantalising stills from the sets as January draws closer.

What information will come out next?  The best guess most of us who are monitoring Trek news can come up with, is that the next news items will be focused on casting.

We might get to learn who the new lead is, or if not, at the very least we might hear about some of her shipmates.  I think we’ll also get another look at the ship soon, probably not the final design, but another evolution.

As more news comes to light, I’ll be sure to post it here.

There are a couple of really good articles covering Bryan’s announcements over at the wonderful TrekCore.  To read them, click here and here.

Keep an eye out on Twitter.  Bryan sometimes drops teasers from his Twitter account, and if we see one we’ll repost it on our Twitter @SciFiSitesAus.  If it’s a big teaser, we’ll post it here on Star Trek: Sentinel.

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Warp Speed Ahead…

Star Trek Beyond Reviews and Updates

Days before it is officially released, Star Trek Beyond has been declared a critical success… at least as far as most critics are concerned.

There are, of course, some who have expressed a little disappointment, but thankfully there are only a few of them.

To date (July 19), Beyond has a 91% “fresh” rating on trusted review site Rotten Tomatoes – which is pretty damn good!

HAPPY 50th, STAR TREK!

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If you’d like to read some of the reviews, see below.  Most are spoiler free, and those that aren’t contain minimal information.

TrekCore review

io9 review

TrekMovie review

TrekNews review

Blastr has a collection of comments/review snippets from various sources.

I haven’t seen the movie yet, but will rectify that in… oh… two days.  It’s probably safe to say I cannot wait!

So… how good is the movie?  So good Paramount have already announced a sequel – that will, apparently, feature Chris Hemsworth (yes, that Chris Hemsworth).

For those of you who don’t remember, Chris starred as the father of James T. Kirk in 2009’s Star Trek.  He broke our hearts, valiantly sacrificing his life to save his wife, his son (who was being born literally as the USS Kelvin was ripped apart by Nero’s vessel), and many of his fellow crew.

That sacrifice would become a turning point for a young James Kirk, thanks in no small part to Christopher Pike, who uttered these now immortal words: “…your father was captain of a starship for twelve minutes.  He saved 800 lives, including your mother’s and yours.  I dare you to do better.

We don’t know how George Kirk will return in the as yet untitled Star Trek IV, and I doubt we’ll find out for quite some time, but there are many ways in which a deceased character can make an appearance… via flashback (which is unlikely), as a recorded message, through a little time travel, or maybe even a crossover between the Prime Reality and the Kelvin timeline… it’s Star Trek, so the possibilities are endless.

To me, the most exciting possibility would be a crossover… so much potential in that one!

Star Trek Beyond is premiering in various locations around the world, and officially hits cinemas in three or four days – depending on which part of the world you live in.

According to a number of the reviews, it’s a worthy film to celebrate Star Trek‘s 50th birthday, effectively combining nostalgia and an old school Trekness with epic summer movie spectacle.

The latest film has been directed by Justin Lin and has been produced by J.J. Abrams from a screenplay by Simon Pegg and Doug Jung, and stars Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, the late Anton Yelchin, Sofia Boutella and Idris Elba.

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First Preview for Star Trek Beyond

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Over the weekend, a trailer for Star Trek Beyond leaked online (dubbed in German) and started popping up all over social media.  In response to that, Paramount released the official trailer (in English) for our viewing pleasure soon after.

We’re assuming it was a German who leaked the trailer, because it was in German… so all we can say is… “Thank you Germany, for this early Christmas present!”

The trailer is not what I expected – it’s not bad in any way, but I admit I was expecting something a little more nostalgic because the film is released in a very important year in Trek’s history.

Having said that, the trailer is one heck of a romp, and it’s obvious that Justin Lin has definitely brought a bit of The Fast and The Furious to the 23rd century.  Whether that is a good or a bad thing remains to be seen!

Spoiler Alert

The preview is one minute and thirty-four seconds of action, including what appears to be the destruction of the Enterprise, the imprisonment of the Enterprise crew, and a never before seen bad guy (who looks a bit like Ambassador G’Kar from Babylon 5).

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To watch it, click here to be taken to Paramount’s YouTube channel.

As you can see from those snapshots I took while watching the trailer for the second time, the whole gang is there, and stuff looks like it gets pretty serious.  A lot of people are saying that the Enterprise is destroyed – but I have to point out that the ID on the crew uniforms says the name of a completely different starship… so is it the Enterprise that crashes, or is it a sister ship?  What’s also of interest is that Roberto Orci, John D. Payne and Patrick McKay’s names’ are still in the credits so maybe some elements of the original script were kept by Simon and Doug during their rewrite.

I have the strangest feeling this trailer might polarise Star Trek fans as it has a completely different feel to the series’ and the TOS and TNG films that have gone before it, and even to the first two reboot features.

I wasn’t overwhelmed by it – but I wasn’t disappointed by it either.  I think the Star Wars: The Force Awakens trailer is to blame for that.  The main trailers we’ve seen for the seventh Star Wars film have blown me away and transported me back to my childhood.  Those previews of the new Star Wars film have been majestic, nostalgic, emotional and beautiful in every way, and in comparison, the Star Trek Beyond trailer was raucous, a little confusing, and… a little small… for want of a better word!

Having said that, I have faith in Simon Pegg and the creative team behind the new film, and I have no doubt they have tried to create a movie worthy of Trek’s 50th Anniversary.

As you take a look at the trailer, please keep in mind that it’s almost impossible to get the story of a film or assess its quality from less than two minutes worth of footage.  This trailer is obviously just to whet our appetites and, I think, to show fans that we’ve been listened to.  We wanted a Star Trek film that wasn’t Earth-centric, we wanted more action, and we wanted new alien encounters… and it looks like all of those boxes have been ticked.

io9 have a break down of the trailer here, by the very lovely and always amusing Katharine Trendacosta, which includes a series of screen grabs, gifs and guesses at what might be going on.  Check it out.

We’re still a little more than seven months away from the release of the film, so more previews will come.

It will be interesting to see how they compare to this first glimpse of the third reboot film.

Enjoy!

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Star Trek: Renegades Update

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There was a wonderful little surprise awaiting me in my inbox this morning, as I checked my e-mails after staggering out of bed and fortifying myself with some coffee:

Nichelle Joins Renegades

If you’ve been reading this blog, you’ve probably caught onto the fact that Uhura (alongside Doctor McCoy and Sulu) is one of my favourite Star Trek characters, and that Nichelle, in particular, is a personal hero.

Finding that e-mail this morning was like having someone drop a beautiful early Christmas present in my lap.  Having the first lady of science fiction join the cast of Star Trek: Renegades just feels right – and it’s wonderful to see that every Trekker’s favourite Communications Officer is now an Admiral.

If you would like to read the official announcement, visit the Renegades Kickstarter page here, and as well as that announcement, you’ll also see that the Renegades team have surpassed their funding goal of $350,000 and are sitting pretty on $378,181.

Nichelle’s return to the Star Trek universe is something to be excited about, though I admit I am also a little worried.  The e-mail suggests (it doesn’t clearly say) that the next two episodes won’t just be Chekov’s swan song, but Uhura’s as well.

I can (just barely) deal with losing one beloved TOS character, but two?

All I can say, is that the Renegades guys had better send me tissues along with my reward for helping to fund episode two if they kill off both characters, because there will be tears if we lose both Admiral Chekov and Admiral Uhura!

If you haven’t yet become an investor in Renegades, I encourage you to do so.

Why?  Well… apart from it being Star Trek that actually takes place in the prime universe, and apart from the fact it’s REALLY good, there are 16 words, or eight names, that should convince you:

Terry Farrell
Robert Beltran
Nichelle Nichols
Cirroc Lofton
Aron Eisenberg
Hana Hatae
Tim Russ
Walter Koenig.

Not since Star Trek: Of Gods and Men have we had such a stellar cast of Trek characters all appearing on screen together.

It’s phenomenal.

If that’s not worth a few dollars, then I do not know what is.

My heartfelt thanks to the Renegades team for bringing such an outstanding cast together.  I do not know how they’re going to give all of these amazing characters the screen time they deserve, but I’m looking forward to finding out.

Here’s to “Requiem” parts 1 and 2.  THESE episodes will be a 50th Anniversary gift worth celebrating.

As much as I’m looking forward to Star Trek Beyond, I’m looking forward to Star Trek: Renegades “Requiem” more.

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Tour the USS Enterprise D!

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While we can’t jump on a shuttle or step into a transporter and be transported to the USS Enterprise D in real life… we will soon be able to do it virtually.

TrekMovie are reporting that thanks to the “Enterprise 3D Project” fans will soon be able to walk down the halls of that famous ship and duck onto the bridge while they’re at it.

The project is still a work in progress, but if you visit TrekMovie right here you will see it’s shaping up pretty nicely.

If you would like to learn more about the project, you can go straight to the Enterprise D Construction Project website here and discover all the different ways in which the artist is working to make this as memorable an experience for fans as is possible.

Visit the site, and share some love for this fan who is using his talent and no doubt a great deal of patience, to make this project something special for all of us.

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