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So much has happened in the world of Star Trek these last few weeks, it’s difficult to decide where to start and what to report on!

But before that, I had an e-mail from a fan of this site asking me why I recapped news reports. He appreciated it, but was curious. It’s simple. When big news happens, we get disjointed drips of it from con reports, media releases and various interviews happening all over the place. Sometimes it’s put together afterwards by various sites, but that’s rare. It frustrates me, so I group it all together for other fans like me who enjoy and appreciate the reports we read, but would love to see them encapsulated in one article because it’s easy to lose track of them all thanks to the fact we all live busy lives. So, thanks for the question and hopefully this puts it all into perspective!

Now, back to this news update.

Thanks to the San Diego Comic Con and Star Trek Las Vegas, a lot of news has come to light: a new Klingon look for Disco season two, new Trek shows, a push to have Trek on CBS All Access all the time, casting announcements, the DS9 documentary, pay disputes for Kelvin-verse Trek IV and more.

I’ve chosen to focus exclusively on news related to the proposed new series’, and the upcoming Trek feature films.

So.  Proposed new shows?  Yes.  First up is a brand new set of mini-episodes called Short Treks, that have been created to give us some Trek content while we wait for season two of Star Trek: DiscoveryShort Treks is also a part of CBS‘s recently announced desire to have Star Trek content on CBS All Access 24 hours a day.

But that’s not it.  There has also been talk of a new animated series and, most incredibly, a new Star Trek project that brings Sir Patrick Stewart back as fan favourite Jean-Luc Picard.

Before we dive in to any of that, we need to look at couple of important casting announcements.  The first is the announcement we have a new Number One (the role originated by Majel Barrett-Roddenberry in 1964).

Rebecca Romijn, best known for her role as Mystique alongside Patrick Stewart in X-Men, X2 and X-Men: The Last Stand, has been cast as the new Number One.  She joins Anson Mount on the Enterprise for the second season of Star Trek: Discovery.

She and Anson are joined by Ethan Peck, the grandson of Hollywood Legend Gregory Peck, who will be playing Spock.

Spock?!

Though producers said they would not cast another Spock because it would be too hard to find another actor capable of following in the footsteps of Leonard Nimoy and Zachary Quinto, it appears they have found a story and an actor that they believe will do justice to Spock and the two exceptional actors who have played him.  Spock is definitely in season two, and I admit I am excited about that.

Some have decried this as fan service, but I don’t have a problem with fan service if it’s done well, and if a wonderful story can be brought to life as a result.  Star Trek has a rich history full of exciting and compelling characters, why can’t we see them?  Why wouldn’t we?  If you were a writer or producer on a new Trek series, wouldn’t you want to use those characters if you could?

Some fan commentators have decried the implausibility of the Enterprise and Discovery being anywhere near each other, but that’s a rubbish observation.

Within the in-universe history of Star Trek, there were not that many ships out there in the earlier days of the Federation, and when you think about it, we actually don’t know the mission profile of the Enterprise in that time period.  Plus, there was a war that bled into Federation space and you can bet the Federation wanted its best ships nearby protecting people and assets.

What do we know about Pike’s mission in that time period?

Star Trek The Cage Poster

We know that he and his ship were returning from a battle, before intercepting the Talos distress signal that led to the events we have seen in “The Cage.”

The Enterprise was a heavy cruiser, and Constitution Class starships were the premier front line vessels of Starfleet.  The ships became known for their exploration missions, but Gene Roddenberry had a multipurpose role in mind for them when he conceived the series.  As every Trek fan knows, the concept for the show was based on a “wagon train to the stars” idea, with the Enterprise pushing the boundaries of known space, while also serving as a diplomatic vessel, a peace-keeping force and even, at times, a special escort for dignitaries.  As a premier front line vessel, there is every reason for it to be within warping distance of the Discovery, which, at the time the two ships come across each other, had only recently left Earth.

But, I digress.  Back to Ethan Peck, our new Spock.

Ethan Peck

The casting of Ethan has been given the seal of approval by the Nimoy family, with Leonard’s son, Adam, and daughter, Jule, along with their spouses Terry Farrell (Jadzia Dax from Star Trek: Deep Space Nine) and David Knight, that we learned about via a post on Instagram.

In that post, Ethan looks pretty damn stoked, and there appears to be genuine warmth shining off of Adam in particular.

The Nimoy Seal of Approval

Ethan started acting as a young man.  He’s 32, and has appeared in the ABC sitcom 10 Things I Hate About You, Madam Secretary, Gossip Girl and That ’70s Show.

His enthusiasm for the role is apparent, and according to his girlfriend both of them will always remember the moment he got the call that he was cast as Spock.  Ethan apparently sat down on a nearby roadside curb and cried.

All of this makes me think that the appearance of the Enterprise, Pike, Number One and Spock in Star Trek: Discovery is a way of launching a sort of soft-backdoor pilot for a new series that focuses on Christopher Pike and his crew.  CBS wants more Star Trek on TV and has put Alex Kurtzman and his production company, Secret Hideout, in charge of that on a multi-year deal, so why wouldn’t they explore one of the least seen but most beloved Captain’s in Trek history?

Fans have been interested in Pike and Number One for many many years, and it’s a period of Star Trek history that would be interesting to do a deep dive into.  Star Trek: Five Year Mission, or whatever they would call it, would be a beautiful companion to Star Trek: Discovery and it would honour Gene’s original vision by giving life to the first characters he created.

When you think about it, Anson Mount is doing a LOT of publicity work for Star Trek: Discovery, and with two other actors now cast in two incredibly important and historic roles, why wouldn’t CBS take advantage of that and create something amazing?

If they didn’t, it would be a real waste of talent and time.

But, enough of my suppositions.   You probably want to know about the news that really has fandom going crazy.

Jean-Luc Picard is back.

Patrick Stewart and Alex Kurtzman announced the news at Star Trek Las Vegas.  They didn’t tell us a lot, because it’s very early days, but what we do know is:

  • Kirsten Beyer, it seems, had the idea.
  • Akiva Goldsman will Executive Produce the show.
  • It takes place approximately 20 years after Star Trek: Nemesis.
  • Pulitzer prize-winning author, Michael Chabon, is on staff.
  • James Duff will also Executive Produce.
  • Kirsten will be a writer on the show.
  • Patrick initially turned them down, but with some persistence from Alex and his team fell in love with the idea, remembering just how impactful Star Trek had been and still is in the lives of millions.
  • Patrick will be an Executive Producer on the series.
  • Picard might not be a Captain anymore.

This is what Patrick had to say, live on stage at STLV18:

Jean-Luc Picard is back.

He went on to talk a little about the older Picard we may meet.

He may not, and I stress may not, be a captain anymore.  He may not be the Jean-Luc that you recognise and know so well.  It may be a very different individual.  Someone who has been changed by his experiences.  Twenty years will have passed, which is more or less exactly the time between the last movie – Nemesis – and today.

He followed this with a guarantee.

It will be, I promise you, I guarantee it, something very, very different.  It will come to you with the same passion, and determination and love of the material and love of our followers and our fans, exactly as we had it before.

We don’t know whether or not Gates McFadden, Jonathan Frakes, Marina Sirtis, Brent Spiner, LeVar Burton or Michael Dorn will be in the new show, but it is almost certain one or two or maybe even all of them will appear at some point.

LeVar, Gates, Patrick, Marina, Brent and Michael

Will this new Star Trek be an ongoing series?  It’s unlikely.  Patrick is in his late ’70s and in a couple of years time will turn 80.  Committing to an ongoing series as complicated as Star Trek would probably not be something he’d do.

It’s more likely this will be a mini-series, or limited special series of maybe six to ten episodes.

More news is certain to come over the next few months, but for now we don’t know much else. One of the best things about this announcement is that maybe, finally, these incredible, beloved characters will get the send off they deserve. I’m okay with Nemesis, but it’s not a great film and Picard and crew deserved a better on screen farewell. This new show might do that.

The new animated series?  Nothing has been disclosed about this but it has garnered a lot of interest from fans, because it can happen, literally, at any time in Star Trek‘s expansive history.  We could continue the five-year mission of Kirk and his crew.  We could discover brand new adventures on the Enterprise D.  We could even fill in the blanks for the crew of the USS Equinox after they were trapped in the Delta Quadrant, before the Voyager found them.  The possibilities are endless, which is why fandom is super-excited.

For now, we’ll just have to wait for news on that project and hope that something can be produced that is at least as good as Star Wars‘s successful foray into animation.

Lastly, the next Star Trek feature film has hit a hurdle.

Chris Pine and Chris Hemsworth are reportedly holding up the fourth feature outing for our Kelvin-verse crew.

Why?  There is a little contention over their salaries.  Both Chris’s are blockbuster stars now thanks to films like Wonder Woman and the Thor series.  Their salary expectations are, as a result, a little different to what they probably were.

Star Trek: Beyond, while well received by fans, only made $343 million world wide.  That’s a decent profit when compared to the cost of the film ($185 million to produce, though this doesn’t include the film’s marketing budget), but it’s not enough to warrant a massive investment in a sequel.  Tent pole summer blockbusters need to make at least double of what they cost to be considered profitable.

This means Paramount will be looking to produce the as yet untitled Trek film for less, and part of that will be offering less money to its stars.  Which should be interesting.  There is not one of the main cast whose careers have not taken off since the release of the first Kelvin-verse film.  Some of their careers have gone stratospheric – particularly Chris Pine, Zoe Saldana and Simon Pegg.

All three actors are in demand, with Zoe in particular lined up for movie after movie after movie.

Karl Urban (Doctor Leonard McCoy) is confident both Chris’s will sort out the pay dispute, and that the movie will go ahead.  Paramount, however, have a very narrow window available to them to get the movie into production because of actor availability.  If it doesn’t happen soon, the planned fourth film will be abandoned, and we’ll have to wait another couple of years for Tarantino Trek, which is currently slated to be the fifth outing for the crew of the Kelvin-verse USS Enterprise.

What do we know about the new movie?  A few things.

SJ Clarkson

  • The basic premise is unclear, but we do know it unites James and George Kirk in some way.  There is a script, but it’s details are under wraps.
  • The film will be the first to be directed by a woman, with S.J. Clarkson being given that honour.  Clarkson is a British film and television director, best know to the rest of the world for Life on Mars, Dexter, Heroes, Ugly Betty, Bates Motel, Jessica Jones, Orange is the New Black and The Defenders.
  • The film will be the first Star Trek movie to be shot in the United Kingdom.

That’s pretty much it, for what we know about the next film, and major events in Trek.

As news breaks we’ll keep you updated here.

If you’d like to check out more Star Trek news, we encourage you to visit our two “go to” sites, TrekMovie and TrekCore.

Until the next update, Live Long and Prosper.

LCARS Interface

Episode 10 Recap and Review

Despite Yourself

Well.  Holy crap.  That was one intense episode.

It should be obvious by now that these recaps are full of spoilers, but just to be on the safe side… be warned, there are some major spoilers ahead!

If you haven’t seen Star Trek: Discovery Episode 10 “Despite Yourself” and want to remain unspoiled, do not read on.  You’ll regret it.  Really big stuff happens in this episode.

First things first:

The Facts
Episode Number: 110
Episode Title: “Despite Yourself”
Written By: Sean Cochran
Directed By: Jonathan Frakes

Quotable
Michael to Tilly, Lorca, Saru and Ash: The Terrans appear to be the antithesis of us in every way.  They’re an oppressive, racist, xenophobic culture that dominates all known space.  And they’re ruled by a faceless Emperor.”

Lorca to Michael, Tilly, Saru and Ash:No way we’re asking these neighbours for a cup of sugar.

Tilly to everyone, at one major reveal in the episode:Tha… ah… that’s me.  That’s me!
Lorca in response:That’s absurd.

Lorca to Tilly:You just get rid of them as fast as possible, and you talk as little as possible.
Tilly to Lorca:That’s ah… that might be a little hard.  Have you noticed that I talk a lot?
Lorca in response:Defy your every instinct.

Tilly to the USS Cooper:Hello, this is Captain Tilly.  What the heck?  Heck?  Hell… what the Hell?  Hold your horses!

Michael to Tilly and Saru as she reads off Captain Tilly’s nicknames:And finally…
Saru, reading over Michael’s shoulder:Captain ‘Killy’?  Well that’s not very clever.

Burnham to Lorca:Destiny didn’t get me out of prison, captain.  You did that.

Burnham to Tilly: “…You have the strength of an entire crew that believes in you.  Fortify yourself with our faith in you.  That’s what a real captain does.

Tilly as Captain Tilly, to Captain Danby Connor: “The only pleasure I take is from the blood of my enemies staining my uniform.

Tilly as Captain Tilly, to Captain Danby Connor:If you greeted me that way, Connor, I’d cut your out tongue and use it to lick my boots!

If you hadn’t noticed, Tilly gets all of the best lines this episode.

And now… RED ALERT!

Spoiler Alert

Interesting Bits and Pieces
– For the first time, Saru’s threat ganglia respond to Ash Tyler.
– The Agony Booths we see on the Shenzhou look like a natural evolution of the ones we saw on Star Trek: Enterprise.
– It looks like the starbase they were meant to be jumping to is in orbit of a famous Star Trek planet, Organia!

The Recap and Review
After a quick look back at the season so far, we pick up right where Episode 9 concluded with an intense, emotional, sometimes funny and at times tongue-in-cheek episode.

In case the events of last episode are a little fuzzy in your head after the two-month hiatus, at the end of Episode 9 Lorca meddled with the spore jump coordinates, things went bad for Paul in the reaction chamber, and the USS Discovery found itself lost after an “incomplete” jump.

We're Not In Kansas Anymore

As the crew try to figure out why they’re where they wanted to be after the jump from Pahvo, but nothing else is, Vulcan rebels appear and attack the ship!  Taken by surprise, they’re rescued by the starship Cooper.  We quickly learn something is up thanks to a testosterone laden message from the captain of that vessel.  We also learn that Stamets is stable but unresponsive and the spore-drive is down, stranding the Discovery.

It’s then that Saru discovers that the quantum signatures of that ship and the Vulcan vessel are off.

That’s not possible,” Burnham says.  “All matter native to our universe resonates with the same quantum signature.  Nothing can change it.

Saru agrees with her as Lorca quickly states the (to us) obvious: “Unless… this is not our universe.”  And we jump to the opening credits.

We rejoin Lorca, Burnham and Saru in Lorca’s Ready Room where Lorca shows them the same map he revealed to Stamets last episode to convince him to make the 133 jumps.

The Mycelial Network

Meanwhile, in Sickbay, Paul has regained consciousness.  He still has his Gary Mitchellesque eyes, and is talking to himself about a ‘palace’ as Tilly tries to “annoy” him into being a little more coherent.

Culber gently tells her that Paul is in a state of neurological-dysregulation, the like of which he’s never seen.

Paul gets up and as Hugh tries to get him back into bed, he mumbles about the palace again and throws Doctor Culber across the room.

Lorca comes in soon after and Tilly takes that as her cue to leave, and Hugh very calmly and very directly tells Lorca off, asking him if he’d planned all of this?

Is Hugh the smartest and most perceptive person on the ship?

Lorca takes Hugh off Paul’s case, much to Hugh’s annoyance, and leaves.

Culber and Lorca

We cut to Ash in a cool little pod thing with arms and he’s trying to extract a data core from one of the wrecked ships.

Now is probably a good time for a little diversion.

Some die-hard Star Trek fans have taken exception to the modernising of vessels and equipment in Star Trek: Discovery.  Some of it I agree with, like the rampant use of holograms and, though I love the new uniforms, I am still a little bewildered by just how different they are.  But, some I don’t agree with.

The creatives behind this series had to update everything otherwise Star Trek would lose all relevance and be nothing more than a homage to a very old television show that was great for its time, but not so much so now.  In 1966 Star Trek was cutting edge. In 2017/2018 it isn’t. That doesn’t mean we dismiss it, but as reasonable human beings it does mean we make some understandable allowances.

To make Star Trek: Discovery more than just a quaint homage, the team had to push everything up a notch.  On The Expanse we have people using their mobile/cell like communications devices for everything – they’re projecting 3-D images from the devices that they can manipulate with their fingers, and they have worker pods that are a step or two up from what we see in the first few Star Trek movies.  We have similar technological advances in Killjoys, Supergirl, the sadly now cancelled Dark Matter and more.

Star Trek: Discovery had to push further, because as much as Star Trek is known for it’s philosophy, excellent characters, ethical approach to everything, inclusion, positive future, and challenging story lines, it’s also known for its future-forward technology.  It set the bar and inspired generations.

This pod that Tyler is flying, is, like many other ‘leaps’ on Star Trek: Discovery, a necessity, and is in keeping with the original series’ ability to imagine the future by extrapolating on the present.  We’re so far beyond what Gene Roddenberry and most everyone else involved with that first Star Trek could have dreamed of in their present, that it is so very right the new people shepherding this series forward, be equally as future focused.

We’ll always have the original series, and many of us will continue to love it, but Star Trek won’t exist for our children and their children, if we don’t adapt it for today.  I, personally, would not want to take that away from future generations.  Star Trek is more important than that.  Very few, if any, millennials, are going to be interested in checking out the original series.  That’s sad, but most likely true. For a generation or two more, the first few films might still hold their attention, but that too will eventually fade because we’re living in the future now and we’re already using devices that appear far more powerful than the communicators and PADDs of Trek’s yesterday.

Enough of my sermon.  I feel passionate about this, because Star Trek has shaped my life.  I want it to help shape the lives of the children of today and tomorrow, because it’s one of the few things we have left that teaches compassion, inclusion and hope.  We need Star Trek more than we ever have.

Back to Tyler and his cool little worker pod.

As he glides between the debris toward his destination he starts to hallucinate, and we see a little more of his torture (?) at the hands of L’Rell.

As the bridge crew watch his pod wobble around, confused by his sudden inability to fly stuff, he snaps out of it and successfully retrieves the data core.

As with everything Star Trek: Discovery does, the entire sequence is slick and looks beautiful.  It’s also carefully and thoughtfully directed by Jonathan Frakes, who uses a series of angles and cuts to show us the intensity of Ash’s experience.

Back on Discovery, Ash confronts L’Rell and this is where things get very interesting.

L'Rell Triggers Ash

As Ash asks L’Rell to tell him what she did to him, she suggests he opens the cell… and he does!  WTF Chief Security Officer?!

Mary Chieffo, throughout her time on the show, has shown she is an incredible actor, but in this simple scene she blows all of her other performances out of the water. It’s subtle and pitch perfect.

How any actor, under that much makeup and that many prosthetics, can convey the seductiveness and complicated emotions of the character in that moment is beyond me.  Why haven’t we heard of this incredible young woman before now?  She may be one of the most under rated actors around.

As she seduces Tyler, he grabs her by the throat.  Her response?  She utters the first few words of T’Kuvma’s prayer: “Who do we seek?

Suddenly Ash is not Ash anymore.  In a perfect copy of Voq’s voice, Ash recites the prayer with her.

Then he snaps out of it.  Much to L’Rell’s shock.  It’s clear she didn’t expect that.

You have another name.  Say it.”  She encourages him.

I know what my name is!” he screams back as he brings his phaser to bear on her.  Looking a little unhinged, he continues with: “If you don’t tell me what you did to my mind, to my soul, I’m going to make you scream it as you die.

The prayer should make you remember, something is wrong!” L’Rell says, sounding surprised, confused and perhaps even a little frightened.

You’re damn right something’s wrong,” he yells.  “Now tell me!

He shakes himself out of it and runs from the Brig as L’Rell affirms to herself that he will return to her.

So, Tyler is Voq.  Now we just need to know one of two things: has he been surgically altered with Ash’s memory engrams layered over the top of his original personality?  Or, has Ash had Voq’s memory engrams layered over his personality and all the torture flashbacks are just that.  Flashbacks?

Starcrossed Lovers

We visit with Ash and Michael for a brief, intimate moment, as Ash tells her that his flashbacks are worse and asks for her help to get through it all.

She suggests he come clean about his PTSD but he begs her to let him handle things his own way.  For now.

She tells him she’ll trust him, and is called away to engineering.  We linger on Ash for a few seconds as he shatters a glass in his hand.  That boy ain’t controlling shit!

In engineering, Tilly shows Michael the now open data core.  They work out they can read it and Michael gets to work.

Next scene, Michael informs Saru, Tilly, Ash and Lorca that they are indeed in a new universe, one where a Terran Empire, not a United Federation, is the greatest power and one where a bunch of non-human species have entered into a rebellion against the Terrans.

They’re all called to the bridge because the Cooper has come back.

As they prepare to respond to the Cooper (because if they don’t, it’s threatening to blow the crap out of them), they learn that the Terran Universe Discovery is most likely now in their universe.

And here, we finally have a Star Trek character refer to the Mirror Universe as the Mirror Universe, as Burnham tells Lorca he can’t respond to the Cooper because he’s not the captain of the “Mirror Discovery.”

Tilly is.

Captain Killy

This is where the fun begins!

Up to this point the episode has been deadly serious.  It maintains its air of intrigue and tension, but from here on in merges it with a taste of the camp and wild abandon we’re all familiar with from the Mirror Universe.

Lorca guides Tilly into the Captains chair and gives her a few handy tips.  She is obviously terrified.

Then, in a scene that shows the brilliant comedy timing of both Mary Wiseman and Jason Isaacs, we’re treated to one of the most unique greetings between starships ever, and what may have been an homage to James Doohan and Scotty with Lorca assuming a Scottish bur.

I laughed out loud at Tilly’s greeting, and I admit my hands went to my face in both shock and amusement because I both felt terrible for her and was just plain delighted by every word she said and every facial expression she conveyed.

Kudos to the casting directors of Star Trek: Discovery.  Did they know how amazing these guys would be in EVERY single episode?  I swear this is the best ensemble cast on television anywhere – and I just came off holidays where I binge watched more television series than is probably healthy.

After they deal with the Cooper, Lorca instructs Saru to get everyone ready – especially Tilly.

We’re treated to a fun montage as they prep Tilly and the Discovery and her crew to pass unnoticed in this strange universe.

Star Trek: Discovery looks cinematic every episode.  It’s production values are outstanding, and everything about the show is beautiful.  This episode it took another step up because it was being directed by someone very familiar with directing major motion pictures.  If “Despite Yourself” has a fault, it’s that too much was packed into its run time, but despite that, Jonathan makes it flow and everything he does is just right.  His direction is dramatic when it needs to be, increasing tension and making the stakes feel high, and he flawlessly meshes in the camp and corn when needed using wonderful devices to transition certain scenes.

Commander Riker Gives the New Guys Some Tips

So how does this version of the Mirror Universe hold up to those seen on Star Trek: Enterprise, Star Trek: Deep Space Nine and Star Trek: The Original Series?

Really, really well.

In fact, it looks how it should.  Rather than just a belt and a cut off uniform to show more mid-rift, they give the uniforms a wonderful makeover with leather and gold plating, and update the Terran Empire logo just enough to make it look gaudily magnificent but still like the symbol we’re used to.

There’s a whole slew of badges and medals and the agony booths look perfect and, I was pleasantly surprised to see, very much like the prototype we saw in the Star Trek: Enterprise episode “In a Mirror, Darkly.”

Back in Lorca’s Ready Room, we learn that Michael was the Captain of the Shenzhou and is presumed dead, and that Lorca is a fugitive wanted for her murder.  Lorca was the Captain of the Buran in this reality also, but lost his crew in an attempted coup against the Emperor.

Lorca asks about the Emperor, but Michael tells him the Emperor is shadowed in mystery.

For those of you who have seen Star Trek: Enterprise, you may remember that Hoshi Sato took over the USS Defiant at the end of “In a Mirror, Darkly,” and laid waste to her enemies using it’s advanced technology and became Empress.  Interestingly, in one of the teaser images from episode 11, it looks like the ‘Emperor’ arrives, and is most definitely an Empress – though we don’t see her face.

The Empress of the Terran Empire

You have no idea how happy I will be if it was Hoshi!  She’d be pretty old, close to 130, but humans in Star Trek are long lived. I’d love to see Linda Park back on Trek, but I admit it is unlikely.  I would, however, settle for Hoshi being mentioned.

We cut to a scene where Lorca talks about the USS Destiny.  Data from the rebels lets the Discovery team know that the Destiny arrived in the Mirror Universe sans spore-drive, but it doesn’t give any specifics.  That data is only available to command level officers.  Lorca and Burnham have hatched a plan, however.  They will lure the Shenzhou to their location, and Lorca, Burnham and Ash will beam over with Ash serving as Michael’s personal guard.  Lorca will be her prisoner.  Michael will try and obtain the information they’re after because that will be their ticket to getting home.

Saru is not happy, but Lorca is insistent.

During this scene we get a look at a wireframe graphic of the USS Defiant.  In shape, she is very similar to the Constitution Class vessels we’ve come to know and love over the years.

USS Defiant Wireframe Image

There have been changes – the saucer has some alterations to it and the warp nacelles have been “enhanced.”  It’s hard to tell if the unusual blocky bulge on the main drive is an addition, or part of the other nacelle.  It will be interesting to see if we actually get to experience the ship on screen as something other than a graphic.

Next we visit with Culber and Ash in Sickbay.  Ash is concerned.  His flashbacks are getting worse and he’s worried.  He wants Culber to do a more detailed examination of him.

Ash is a little volatile but seemingly rational.  Culber starts the deeper scans as Paul shouts out from a nearby bed “Stay out of the palace!

As Culber goes over to soothe his beloved, Paul’s eyes revert to normal and he seems coherant for a moment.  He looks at Hugh and says: “Be careful.  The enemy is here.

This spooks the good doctor.

We jump to Tilly and Michael getting ready for their new roles as Mirror versions of themselves.

Tilly, as per usual, is adorable.

Lorca walks in on both women and seems strangely comfortable and even slightly too knowledgeable about how people act in the Mirror Universe.

I’m still a little on the side of “this is Mirror Universe Lorca,” but admit to not being entirely convinced.  It feels like the Mirror Universe is a huge part of this new Star Trek, but I know we’ll have to wait and see.

Tilly

Lorca, Tilly and Michael go the bridge where Tilly starts snapping out orders, getting herself into character so she can successfully play this harsher, crueller version of herself.  She orders her crew to hail the ISS Shenzhou and we get to see Ensign Danby Connor again – only he’s not an Ensign anymore.  He’s now Captain of the Shenzhou.

Secluded in Lorca’s Ready Room, Burnham is shocked to see Connor.

As Tilly sets up Burnham’s return, Lorca smashes his face into the door to bloody himself up and they enter the bridge.

Connor doesn’t seem too happy to see ‘Captain’ Burnham back.

She pushes Lorca ahead of her and makes him kneel as they further elaborate on their story, telling Connor she faked her death so she could hunt Lorca down.

Despite Yourself

After some snappy reparte between Captain “Killy,” Connor and Burnham, the Shenzhou heads their way.

After the above unfolds, Ash returns to Sickbay for an update from Doctor Culber.  As some of you may remember, I mentioned how he was becoming a favourite character of mine a few reviews ago.  In this episode, he gets a lot of screen time.  Which was wonderful, until this now infamous scene.

Hugh questions Ash about some skeletal and neurological issues he’s found, and Ash can’t recollect anything along those lines having happened to him in the past.  Hugh pushes a little more, talking about the massive scarring to his organs and suggesting there has been a personality “overlay”, and before we know it our beloved Doctor is dead.

With L’Rell’s voice echoing in his head, Ash has snapped Doctor Culber’s neck.

It’s one of the more shocking scenes to ever appear in a Star Trek episode, because it’s entirely unexpected.  You start to sense that Hugh is in danger, but your head doesn’t go straight to the “he’d dead, Jim” thought.  Then… he’s dead, Jim, and you’re left stunned.

Culber’s death created something of a furour.  One of the first openly gay characters in Star Trek, in a meaningful relationship with another crew member, and a gay man of colour as well… lots of accidentally wrong messages being sent there.

It became such a thing – and the writers knew it would be a ‘thing’, so much so they talked to GLAAD about it – then on After Trek they pretty much told us that Culber wasn’t quite dead.  We were told to look into the real Paul Stamets’ work on the mycelial network for some clues about what is to come.

From this shocking moment, we start the wrap up of the episode – and it happens fast.

Captain Burnham and her Bodyguard, Ash

Michael, Lorca and Ash beam to the Shenzhou.

It doesn’t go according to plan.  Lorca gets thrown into an Agony Booth, Connor shows Michael how unhappy he is about her being alive and tries to rectify that by attacking her in the turbo life.

In one of the best staged Star Trek fights ever, Michael is forced to kill Connor, and we’re left wondering if any Danby Connor in any universe anywhere is allowed to live past his early to mid-twenties?

Burnham Faces Off Against Connor

It was great to see Sam Vartholomeos again, and just as sad to see his character wiped off the face of existence.  Again.

“Despite Yourself” ends with Michael sitting in the Captain’s chair of the ISS Shenzhou. It’s quite forbidding and begs the question, just how long will they be there?

This episode is wonderful.  As I said earlier, it’s only real fault is in how much it tries to pack in to less than an hour of viewing.  Somehow, with all of these plot points, and the differing yet complementary tonal shifts, Jonathan Frakes weaves it all together beautifully.

Every performance is excellent, every effect spot on, every music cue perfect, every camera angle carefully thought out and evocative.

It’s the best episode to date (despite Hugh’s death).

Predictions
This is a terrible prediction, because the producers have all but told us Culber isn’t dead.  So, I predict Paul has some special spore-driven power that brings his beloved back.

Ash, if the above prediction is correct, is found out and we start to finally deal with the complexities of this character, and the actual PTSD someone would have whether they were the survivor of Klingon torture or were a Klingon who had been through what Voq has apparently been through.

The Empress of the Terran Empire is Philippa Georgiou (if the ruler in actually female).

The Discovery goes head to head with the Defiant.

Our Lorca is the Mirror Universe Lorca, and the Prime Universe Lorca is a homocidal maniac.

Captain “Killy” gets more awesome lines in Episode 11!

We see a goatee.

Scorecard
Five Starfleet Deltas

The next episode of Star Trek: Discovery airs tonight in Australia, and should have just aired in the US and UK.  It’s called “The Wolf Inside.”

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes appearing on Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET, also on Sundays.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix on a Monday.  8:00am BST in the United Kingdom, and usually at 6:00pm AEDT in Australia, but last week the episode dropped at 7:00pm so it might arrive later than usual again.

See you in a few days for another review.

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CBS Delivers the Goods

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CBS All Access has finally delivered a brand new trailer for Star Trek: Discovery, giving the world it’s first significant glimpse at the highly anticipated new Star Trek series.

It’s beautiful… surprising… and a little jarring in places, and has me thinking CBS might be up to something completely unexpected.  More on that a little later.

First, an important question was answered by the trailer.  Swimming amongst all of the incredibly beautiful visuals was an announcement from CBS.  The series will air in Autumn (in the United States, which is some time in Spring here in Australia).  The latest word since the trailer went live is that the pilot will be on our screens in September.

Fan reaction to the trailer has been mixed.  Some love it, some don’t, and some were underwhelmed but intrigued.

Why is this trailer dividing fandom so?

I guess because it is unexpected.  We’re often told that it’s never wise to have expectations, but we’re human and whether we consciously realise it or not, we often have them.  I think a lot of us were expecting the new Trek series to look more familiar, and for things to resemble (in a modernised way) what we saw in “The Cage” and “The Menagerie”, which fall in the specified time period.  FYI, “The Cage” was set in 2254 and the year 2255 has often been bandied about when discussing when this new show takes place.

That’s not what we got.  There are slight similarities in the overall design of the sets, and there is an echo of Star Trek: EnterpriseStar Trek: The Original Series and even the first six films in the look of the ships, but everything (except for the uniforms) is a little more ‘Kelvinesque’ than I think any of us expected.  Looking at this trailer, you wouldn’t automatically place the new series between the first prequel and the original 1960s show.

As much as I hate to admit it, that’s probably a wise choice because modern audiences are more familiar with the Kelvin-universe Trek.  To survive, our beloved Star Trek needs to keep attracting new fans (and younger fans) and to do so it needs to appeal to a 21st Century aesthetic.  The uniforms and starship sets we saw in “The Cage” or even Kirk’s “Where No Man Has Gone Before” don’t cut it.

The good news is, the sets do look like they belong in the Star Trek universe.

The uniforms?  I don’t know.  They echo, slightly (very slightly), those from Star Trek: Enterprise, but in no way resemble Pike or Kirk’s era.  I have to admit, I love them.  I think they look incredible and are my favourite uniform design to date, but they are very different.  I think many of us were expecting an approach similar to the one taken by J.J. Abrams and his design team when they updated the original uniforms for the 2009 reboot, but… no.

All of these adjustments have me wondering “is CBS planning to reboot Star Trek entirely?”

Lieutenant Commander Burnham - Environment Suit in Deep Space

Those of us who have been fans of Star Trek for a long time love the original 1960s series, and we accept without issue that it’s dated.  We forgive, for example, the sexism, knowing Gene wasn’t a sexist, and we understand that the series was a product of its time.  New viewers not steeped in Star Trek history would find some episodes of TOS quaint at best and mildly offensive at worst, and they would find the ‘look’ of the series silly.  Even Star Trek: The Next Generation and it’s spin-offs are dated now.  Some of the episodes are a little on the sexist side and their desk top computers, for example, are bigger than our current iPads and tablets, and the graphics we see every day on our smartphones are better than the graphics presented in TNG, DS9 and VOY.

Sadly, sometimes science fiction just ages poorly.  One of the few exceptions to that rule is 2001: A Space Odyssey.  Kubrick went to extreme lengths to project forward into the future, and he and his design team did an incredible job.

What I’m about to suggest is pure speculation and I have no evidence or inside information to suggest my theory holds water, but what if they were thinking of rebooting everything?

What if they wanted to modernise Trek in its entirety to ensure it remained relevant well into the future?

Star Trek: Discovery could be the first step.  We’ve just heard that the show’s first season has been extended to 15 episodes (from 13), so if it gets seven seasons (which was once the average for a Star Trek series), that’s a total of 105 episodes if each season is granted 15 episodes.  The creative team could then jump forward to the TOS era, recast Kirk, Spock, McCoy, Uhura, Scotty, Sulu, Chekov, Chapel and Rand (again), select 15 of the best episodes from each of the three seasons, update everything in alignment with this new design aesthetic, and make the original crew’s stories more relevant or at least more palatable to a 21st Century audience.

I know, heresy, but bear with me.  Next, they could do another 30 episodes (two seasons) so Kirk and Co. could finish their historic five-year mission.  That’s not seven seasons, but if the creative team wanted to, they could take a look at what happened to the crew in the years between the end of that mission and the crew confronting V’Ger.  There’s another 30 episodes equalling a unique two seasons of Trek, the likes of which we’ve never seen before.

Then the creative team could jump the series ahead to the USS Enterprise B and look at the adventures of Captain John Harriman, First Officer Janice Rand, and Demora Sulu.  I’d watch that and I’d love it.  Next up, we could finally spend some time with Captain Rachel Garrett and the USS Enterprise C, a captain and a ship that has captured the imaginations of Trek fans since they both first appeared in the TNG episode “Yesterday’s Enterprise”.

By then, we might be ready for a new look at TNG era Trek.  The creative team could select 15 of the best episodes from each season of TNG, DS9 and VOY with new actors playing our favourite characters, and give us something intense and mind-blowing.  Could you imagine DS9 starting out with the necessary world-building required of a series that is still unique when compared with its companion shows, and in those first 15 episodes introduce us to the station and the tragedy of the Bajoran occupation (which is still timely and relevant in today’s terrorism affected world) before shifting into the arrival of the Dominion and that eventual war?  Watching that war build over 90 episodes would be amazing.  Can you imagine correcting some of the mistakes of Star Trek: Voyager?  We could have more conflict with the Maquis as they try to unite the crews, we could redo the Kazon and make them a decent nemesis (with better hair), and we could even dedicate an entire 15 episode season to some of the stronger stories like the “The Year of Hell”.  Finally, just imagine for a moment what the writers could do with Picard, Beverly, Riker, Deanna, Worf, Data, Geordi, Wesley and Guinan in a more condensed and focused set of episodes season after season?  That’s exciting.  Such iconic characters, who often weren’t given the best treatment or the best stories.

Star Trek: Enterprise?  I don’t think they’d need to touch that.  I think it still stands the test of time and fits in with this new vision that is being presented to us.

After that?

As Jean-Luc Picard says in Star Trek: First Contact, “plenty of letters left in the alphabet.”

It’s an intriguing idea.  At the risk of having multiple Trekkies boycott Star Trek: Sentinel forever, I wouldn’t be opposed to it.

However… I digress.

Back to Star Trek: Discovery.

First Impressions?
I seem to be one of the few fans who out and out loved the two trailers I saw.  Two?  Yep.  The first trailer I was able to watch was the CBS All Access version.  I went back to watch it a second time and grab some screencaps only to discover it had been region-blocked.

Just as an aside, region-blocking really pisses me off.  This is the 21st Century.  I should be able to access the content I want to access, regardless of where I am in the world.

In its place, international audiences could watch the Netflix version which came with subtitles.  At least the one I saw did.

That’s the trailer I’ll primarily be reflecting on, because it’s the one I’ve been able to watch multiple times (and grab screencaps from).

With both trailers I was blown away by the cinematic visuals.  They are beautiful and this show looks like a lot of money has been spent on it.  As grumpy as I got with CBS in my last post, I can now see that the extra time has been well spent.

The big thing that grabbed me with both trailers was Sonequa Martin-Green.  Holy %#*@!  She is incredible.  She can and will carry this series and make it something special.  I watched the second trailer multiple times because of her.  Yes, I loved a lot of what I saw, but every time she was on screen I was captivated.

So, having disclosed that I loved the trailer, I do need to say that it was… jarring.

STDSC Screenshot 1

We don’t see the Discovery, but we do get to see a few exterior shots of the Shenzhou and a corridor and the bridge of that ship.  There are, as I mention above, some design elements that place it in the prime timeline, but graphics wise it evokes the Kelvin timeline more than Pike’s era.

In what I think is a clever move, they’ve grounded these changes with a few old school Trek elements – the original communicators are back, we have a jazzed-up original series transporter effect, and desert robes reminiscent of those worn by Sisko and Dax in season seven of DS9.  That’s not original series, but it is Star Trek.

Some critics are saying the desert robes are a bit Star Wars, and they do have a point, but when I first saw the trailer and the below image, I immediately went to season seven of Star Trek: Deep Space Nine in my head.

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The new Statfleet uniforms are beautiful, but instead of the familiar gold, red and blue/teal that we’ve seen in every incarnation of Star Trek, it appears a more metallic theme will delineate the various departments in Starfleet, with gold, silver and bronze shoulder stripes, shirt side panels and pant stripes all the rage ten years before Kirk.

That’s quite a change!

The uniforms and vessel design choices aren’t the most jarring thing though.  They didn’t ‘break’ me out of the trailer.  The Klingons did, and Lieutenant Saru did.

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Lieutenant Saru and Lieutenant Commander Burnham

The Klingons are familiar, but far more bestial than we’re used to.  They look mean and I loved this deepening of their look. Their outfits/uniforms/ceremonial wear(?) is far more elaborate than what we have ever seen before and I didn’t like them.  I hope that what they are wearing is ceremonial only, and that we get to see something appropriately vicious and lethal for their regular uniforms.

Lieutenant Saru?

He looks amazing.  My first thought was “poor Doug”, because that makeup looks like it would take hours.

My second thought, thanks to the dialogue spoken by Saru, was… WTF?!

The dialogue I remember was from the first trailer.  My memory may be a bit off, but Saru tells us that his race was genetically engineered for one purpose, to sense the coming of death.

Why?  Seriously, why??  There is no point to that.

It’s the only part of the trailer that really disappointed me.  Why would someone engineer a race to detect the coming of death?  How limiting is this going to be for the character?  I love Deanna Troi, but is this going to be another case of “Captain… I sense… (cue ominous music) the coming of death!” episode after episode?

I hope they reloop that dialogue to be “one of the things my species was designed to detect is the coming of death…” which still sucks, but sucks way less than the almost nonsensical “we were made to sense death, dude.”

How is that even possible?

Anyway.  I think you get that I don’t like that!  I actually can’t believe that slipped through, considering the quality of the creative team involved.

The Story?

Not a clue.

It seems like it will be epic.  There’s a big Klingon sarcophagus thing, Klingon ships attacking, Sarek training or mentoring our heroine, and the insinuation something big is happening out on the edge of known space.

The only thing we can guess at is that the Shenzhou awakens something that I assume Discovery will have to deal with.  I am worried that whatever the Shenzhou awakens will kill Captain Georgiou.  I hope not.  That would be a waste of such an incredible actor.  Watch the trailer, you’ll see why I’m concerned.  Think about what and who we don’t see.

It looks like it’s the Klingons that have been ‘awakened’ out on the fringe, so I’m wondering if this is a special type of Klingon… perhaps a genetic experiment gone wrong?  Or maybe it’s an exiled colony?  That might explain the different look and the unusual costumes.

The Effects?

Outstanding.  I don’t need to say anything else.  They are feature film quality.  Bravo CBS.  There’s nothing like that on TV right now.

The Characters?

We don’t get to see a lot of them.  We see Captain Philippa Georgiou, Saru, Connor, Burnham and Sarek, and a few of the Klingons, but that’s it.

The only character we get any insight into is Burnham, and then there are only insinuations.

I was left wondering is she Vulcan?  Is she a human adopted by Vulcans?  She seems to have a very close relationship with Sarek.

She also seems a lot more impulsive than your standard Starfleet officer.

Is it True to Star Trek?

I think it is.

There are design choices that are a little disorienting, but overall it ‘feels’ right.  From the tiny bit of dialogue we get, it seems like the writers and producers have tried very hard to honour Gene Roddenberry’s legacy.  You’d expect nothing less with Rod Roddenberry involved.

If you haven’t seen the trailer yet, watch it.  You’re in for a treat.  Try to let go of your expectations, and once you do, you might be surprised by how much you enjoy it.

One more little note, CBS All Access has announced an “aftershow” special that will air after every episode of the series.  It’s called “Talking Trek“.

Now… screencaps.

In the screencaps below, it’s implied that the child Sarek is talking to is Burnham.  The child has a Vulcan haircut, but I don’t know if she’s Vulcan.  We never really get a good look at her ears.

As you can see below, the bridge looks a little Star Trek: Enterprise and a little USS Kelvin too.  The graphics?  Very Kelvin timeline.

Check out how awesome Saru looks!  In the CBS All Access trailer Saru says the thing about his species being designed to sense the coming of death.  Then he pauses for a bit and says “I sense the coming of death.  I sense it coming now.”

The first image below is a Klingon hand.  Nice and savage looking.  Check out the Klingon uniforms… really ornate and unusual.  They look super uncomfortable and not something you’d wear into battle.

That’s it.

It ends with the logo we’ve come to know and love.

In addition to the trailer, CBS have released an official poster for the series.  If you look closely, you’ll see the Discovery.

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If you haven’t seen the trailer or want to watch it again, you can check it out on YouTube here.

It’s so exciting to be getting something concrete from this production.  We should be in for an interesting next few months.

One last thought.  If you look at the poster, it indicates the Vulcans are going to play a big part in this series.  I don’t think Burnham doing the Vulcan salute is without meaning.  Is it a clue to her heritage?  Is it an indication this new series will pick up on some elements from around Archer’s time?

There is still so much to learn about this show, and the trailer has definitely got me primed for more.

As news breaks, we’ll post about it.

Now do what I’m doing and heave a big sigh of relief.  Star Trek: Discovery is really happening.

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A Future To Believe In

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Now that Star Trek is officially 50 years old (having celebrated its actual birthday a few days ago), it’s a good time for a die hard Trekker to reflect on his or her love of that particular universe – and why it continues to mean something to them years after their first exposure to it.

I’ve been in the middle of that process for a few months now, ever since the announcement of Star Trek: Discovery.  The recent release of Star Trek Beyond intensified it for me, and I decided to start talking to other Trekkers to see if I could find a common theme around what makes so many of us love Star Trek and keep loving it.

What I learned was Star Trek does two things really well, and both of those things resonate strongly with long-term fans:

  1. Star Trek shows us a future that’s worth fighting for, that’s worth dreaming about, and that’s worth wanting to help shape, and;
  2. Star Trek is a really intimate and personal experience for every single person who loves it, and that, possibly, is it’s greatest magic.

That second point is a frustrating one if you’re a show runner.  Star Trek does have a formula of sorts, but it’s a really hard one to get right.  Without exception, fans want challenging storylines that are provocative and insightful – which is scary for a show that needs to make money because, as Gene Roddenberry learned the hard way, you’re bound to piss someone off and risk alienating a segment of your audience.  Fans want a meaningful relationship with the characters which means you must get two things right straight off the bat – the writers room and the casting process.  Fans want it a little dark without losing the hopeful future Star Trek promises us… and despite craving intelligent science fiction we want that science fiction all wrapped up with pretty action set pieces that are full of amazing (and expensive) visual effects.

I’ve spoken to a lot of people about Star Trek these last few months, and for every single person there was always a deeply personal story attached to their love… “Star Trek was my ‘safe space’ when I broke up with my husband…” “Star Trek got me through bullying when I was a kid…” “Star Trek is what got me into the military…” “Star Trek was the thing that helped me set my moral compass…”

Those often amazing conversations showed me that while all of the above about challenging storylines and great VFX is true, the actual core ingredients are the characters and their dynamic.

Star Trek has a ‘secret sauce’, and that ‘sauce’ is its characters who are our conduit into that universe and it’s vision for tomorrow.

What I loved most, while talking to fellow fans, was that the characters who resonated with them weren’t always the obvious ones.  Yes, I heard a lot of Kirk love, Spock love, McCoy love, Picard love, Data love, Siski, Kira, Janeway, Seven, Archer, T’Pol and Trip love, but I also heard a lot of Sulu, Uhura, Chekov, Scotty, Geordi, Beverly, Deanna, Wesley, Quark, Jake, Odo, Dax, Chakotay, the Doctor, B’Elanna, Kes, Neelix, Harry, Hoshi, Malcolm, Phlox and Mayweather love.

In the original series, some of those characters never got the chance to say more than “Aye sir,” and “Hailing frequencies open, Captain,” yet they still effected people – and more often than not, deeply.  Why?  Because they were representative.  Sometimes in obvious ways – Uhura was a woman in a position of power and a black woman at that, Sulu was an Asian who wasn’t a normal 1960s stereotype, and Chekov was a Russian at a time when the US and Russia didn’t have a lot of love for each other… but they weren’t just representative in that way.  Uhura was an expert and a woman in command who could come out and honestly say “Captain, I’m frightened.”  Chekov was a whiz kid whose emotions were always written clearly on his face.  Sulu had a cheeky and sometimes sardonic sense of humour that now and again seemed to say “you’re a complete dick, Captain.”  Watch some of the original episodes and listen to Sulu’s responses to Kirk or Scotty when they give a command that seems to defy common sense.  Both Uhura and Chekov do that at times also.  These characters were representative of real emotion, sometimes overtly expressed, sometimes subtlety conveyed, and we fell in love with them because of that.

Those human moments in a show that was so different to anything else on television, delivered by personalities we could relate to, gave us an ‘in’ to Gene Roddenberry’s universe.

For me, it was McCoy, Uhura and Spock.  They were my pathway into the original Star Trek.  Beverly, Deanna, Wesley and Geordi my conduits into Next Gen.  Jadzia and Bashir my way into DS9.  Janeway, Kes, Chakotay and the Doctor my door into Voyager, and T’Pol, Phlox and Malcolm my way into Enterprise.  Each of those characters had qualities I possessed or aspired to possess and they resonated with me and still do today.

I grew up in the sort of neighbourhood where every week someone was stabbed, bashed, and in someway victimised, and as a child I needed something that showed me a future full of intelligent, compassionate people who fought to get rid of those horrific things from people’s lives.

When I was bullied at school, Star Trek was my retreat.  I could lose myself in that world and dream of a future that was brighter than the one I saw for myself.

As I hit my teenage years and then adult years, Star Trek started to shape my morals as a person and many of the idealistic concepts in Star Trek still guide me today – particularly IDIC and the idea that we are stronger together.

I became an actor in my late teens because I wanted to go to Los Angeles and get cast in Star Trek.  I did make it to Los Angeles, but never got the chance to be in Star Trek because I made it there a year or two after Enterprise went off the air.

I became a professional Counsellor because of Deanna Troi.  Even though I’m a guy, Deanna and her profession spoke to me and though we barely ever got to see her do any real work as a psychologist, I still invoke her preternatural calm and warmth when working with clients.

I’ve always known that Star Trek was one of the most important influences in my life, but I’d never really spent a great deal of time wondering why.

This year seemed to demand it, and I’m glad I spent a little time exploring and reflecting on what Star Trek means to me and why it’s still the world I retreat into when I need to recharge.

There are so many quotes and examples I could provide to illustrate all the ways in which Star Trek has affected me, too many actually, so instead I’ll just choose a few…

Kirk’s statement in The Final Frontier, that he needs his pain.  That speech still effects me to this day.  Our pain, our failures, and how we deal with them all, defines us.  There are so many experiences in my life that I wish had never happened to me, but I cannot deny their impact and how they have strengthened and shaped me.

Kira’s dedication to her spiritual life mirrored my own journey to understand some of the indefinable but poignant experiences we all encounter in life.

It was something similar with Chakotay.  His spiritual life and journey, though often mired in stereotype, was beautiful and I loved that it was included, but the fact he was a physically strong and imposing, but deeply spiritual and sensitive man was what hit me like a sledgehammer.  It hit me deeply, in the same way the startlingly beautiful and noble Uhura did and in the same way the generous, calm and gracious Deanna did.  As a 6’2″ guy who’s been described as physically intimidating, but who is softly spoken and by nature a pretty caring bloke, it was fantastic to see a man on TV who was also all of those things, and who chose to use his presence not to constantly threaten and intimidate but to nurture and support.  It was what I needed to see and it came at a time in my life where I was in danger of going off the rails.

You might be thinking… “hold on, what about Riker?”

Will was always a little too ‘big’ a personality for me to connect with.

Star Trek is unique in its ability to craft characters that are universal but speak to each individual viewer.  If there’s one thing the creative teams behind each show and movie did really well, it was creating characters we can relate to.  I don’t know if they consciously tried to do that, but that’s what they did.

Each series and each film had its ups and downs story wise, but the characters were always exceptional.  Yes, Kes didn’t have a lot of room to grow and Neelix had the odd issue and could be pretty damn annoying, but by and large the characters are the thing that makes Star Trek shine.  At least in my opinion.

As we look forward to Star Trek: Discovery, with each of us no doubt carrying a small wish list around in our minds, I personally hope that the creative team behind the new series get the fact that no matter what, the characters are our way into this new version of the universe, and that Star Trek really is an important and intimate experience for each of us and that needs to be respected.

Yes, we want great stories and we want allegory and we want brilliant special effects, but if Star Trek is to succeed it needs incredible characters and it needs a way to inspire hope in us and allow us to link with the show in a way that is meaningful.  It needs to be something that mirrors all of us, in some way, and tries hard to be relevant to this generation of young people as they look around for heroes to aspire to be like.

Star Trek is important.  It’s important to me, it’s no doubt important to you if you’re reading this, and it’s important to the world.

What do we have on television now?  Zombie hunters who are now borderline sociopaths, families warring over a stupid iron throne and committing atrocious acts in their quest for power, families backstabbing each other over musical empires or political ambitions… there’s not a lot of hope, and there aren’t many shows demonstrating a different, better way to be.

Star Trek did that, and it can do it again.

I hope Bryan and Alex and everyone else involved with Star Trek: Discovery truly appreciate just how important Star Trek is at both that personal, intimate level, and that much bigger, aspirational level.

Bryan has said the world needs Star Trek now more than it ever has, so I think he does get it.  I hope he is able to realise his vision with the amazing creative team he’s assembled.

So thank you, Star Trek.  Thank you for shaping me, and for shaping so many amazing people I’ve met, and thank you for not being frightened of shining a light in the darkness – even when shining that light hasn’t been popular.

I’ve had enough of the depressing, sarcastic, angst-filled shows on television these days.  So many are so devoid of hope it’s depressing.  I need and I want something that challenges me intellectually, and I need and I want something that reminds me of just how amazing we are as a species.

The bright future Star Trek describes is the future I want, and it’s a future worth believing in.

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Bryan Fuller Becomes Co-Creator of New Trek Series

Bryan Fuller Produces Star Trek

A couple of weeks ago, The Official Star Trek website let us know who would be co-creating the new Star Trek series alongside Alex Kurtzman.

Bryan Fuller.

Bryan is a Trek veteran, having launched his career writing episodes of both Star Trek: Deep Space Nine and Star Trek: Voyager.

Bryan has been attempting to convince CBS to let him have a go at a new Trek show for years – and finally, his persistence (and enthusiasm) has paid off!

The sixth live action Star Trek television series will follow in the footsteps of the original Star TrekStar Trek: The Next GenerationStar Trek: Deep Space NineStar Trek: Voyager, and Star Trek: Enterprise – we just don’t know where in Trek’s timeline the new series will take place, or whether or not it will even be in the same prime reality as those shows, or the alternate reality launched in 2009 with J.J. Abrams’ Star Trek film.

When you give a bit of thought to this announcement, you can’t help but think it’s an interesting mix.  Bryan’s history is in the prime universe, and Alex’s is in the alternate universe, so can we risk a guess as to which reality this new live series will take place in?  Chances are, this mix is the answer we’ve been looking for.

One of the predominate rumours floating around the internet is that the sixth live series will be an alternate universe version of Star Trek: The Next Generation, and Bryan Fuller definitely understands that time period, having worked on two shows that took place in the 24th Century.

Could bringing Bryan on board mean there’s some merit to that rumour?

I held off on reporting Bryan’s addition to the creative team in the hopes more information on the series would be forthcoming – but it wasn’t, so it looks like CBS will continue drip-feeding us bits and pieces as they see fit.

No matter what, this is a positive move on the part of the production.  Brian’s list of creative credits is impressive, and he has been behind some of the more exciting TV offerings that have shown up on our screens in recent years.

To read the official announcement from CBS click here.

To check out Bryan’s credits as a writer and producer, go to his Wikipedia page here and his IMDb page here.

The best thing about this announcement is that Bryan is a fan.  I feel like his involvement guarantees the material will be treated with the respect we all feel it deserves.

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Terry Farrell Becomes a Renegade

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Over at the Star Trek: Renegades website, their news section is reporting that the lovely Terry Farrell is joining the cast of this brand new independent Trek series.

Terry played Jadzia Dax on Star Trek: Deep Space Nine for six years, before her character was killed off.  Her character was a fan favourite, and her loss was keenly felt by many of us.

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There’s no information on who or what Terry will be playing, or which episode she will make her first appearance in, but you can keep tabs on that by signing up for the Star Trek: Renegades newsletter.  All you need to do is jump over to their site and add your e-mail address to the growing number of Renegades right here.

If you’d like to see what Terry has been up to since leaving DS9, check out her IMDb profile here, or her Wikipedia page right here.

I’m excited to see Terry back in a Trek production – it’s great news.  I’m hoping more Trek alumni become involved, and, I admit, I’m still secretly hoping that both Nichelle Nichols and George Takei make an appearance.

I can’t wait for episode two.

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Star Trek: TNG – The Worf Chronicles

Star Trek Created by Gene Roddenberry

A while ago I made a reference to the various pitches that have gone to CBS in the hopes of becoming the next Star Trek television series.

I’ll take a look at them over the next little while for those of you who haven’t stumbled across them yet.

One of those pitches is for a series set between the end of Star Trek: Deep Space Nine and Star Trek: Nemesis, focusing on everyone’s favourite Klingon, Worf.

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With possibly the longest title in television history: Star Trek: The Next Generation – The Worf Chronicles, the possible series hopes to focus on Worf with some cameos from the Next Gen era actors, which we can assume might also include characters from DS9 and ‘Voyager’.

I can’t actually see a series in this idea. A two or three part mini-series, for sure.  An ongoing, 13 episode, renewable series that might last five to seven years?  Not really.

Thankfully, people disagree with me!

A recent drive to promote Michael Dorn’s pitch to CBS saw close to 70,000 mini-muffins descend on CBS studios.  The push to encourage CBS to put the series to pilot was carried out by Dan Deevy.  Simply titled “We Want Worf”, it is unclear if the muffiny-goodness influenced CBS or not.

Dan is organising another push to get CBS to make a pilot, and you can learn all about his efforts over at 1701News, by clicking here.

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