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So much has happened in the world of Star Trek these last few weeks, it’s difficult to decide where to start and what to report on!

But before that, I had an e-mail from a fan of this site asking me why I recapped news reports. He appreciated it, but was curious. It’s simple. When big news happens, we get disjointed drips of it from con reports, media releases and various interviews happening all over the place. Sometimes it’s put together afterwards by various sites, but that’s rare. It frustrates me, so I group it all together for other fans like me who enjoy and appreciate the reports we read, but would love to see them encapsulated in one article because it’s easy to lose track of them all thanks to the fact we all live busy lives. So, thanks for the question and hopefully this puts it all into perspective!

Now, back to this news update.

Thanks to the San Diego Comic Con and Star Trek Las Vegas, a lot of news has come to light: a new Klingon look for Disco season two, new Trek shows, a push to have Trek on CBS All Access all the time, casting announcements, the DS9 documentary, pay disputes for Kelvin-verse Trek IV and more.

I’ve chosen to focus exclusively on news related to the proposed new series’, and the upcoming Trek feature films.

So.  Proposed new shows?  Yes.  First up is a brand new set of mini-episodes called Short Treks, that have been created to give us some Trek content while we wait for season two of Star Trek: DiscoveryShort Treks is also a part of CBS‘s recently announced desire to have Star Trek content on CBS All Access 24 hours a day.

But that’s not it.  There has also been talk of a new animated series and, most incredibly, a new Star Trek project that brings Sir Patrick Stewart back as fan favourite Jean-Luc Picard.

Before we dive in to any of that, we need to look at couple of important casting announcements.  The first is the announcement we have a new Number One (the role originated by Majel Barrett-Roddenberry in 1964).

Rebecca Romijn, best known for her role as Mystique alongside Patrick Stewart in X-Men, X2 and X-Men: The Last Stand, has been cast as the new Number One.  She joins Anson Mount on the Enterprise for the second season of Star Trek: Discovery.

She and Anson are joined by Ethan Peck, the grandson of Hollywood Legend Gregory Peck, who will be playing Spock.

Spock?!

Though producers said they would not cast another Spock because it would be too hard to find another actor capable of following in the footsteps of Leonard Nimoy and Zachary Quinto, it appears they have found a story and an actor that they believe will do justice to Spock and the two exceptional actors who have played him.  Spock is definitely in season two, and I admit I am excited about that.

Some have decried this as fan service, but I don’t have a problem with fan service if it’s done well, and if a wonderful story can be brought to life as a result.  Star Trek has a rich history full of exciting and compelling characters, why can’t we see them?  Why wouldn’t we?  If you were a writer or producer on a new Trek series, wouldn’t you want to use those characters if you could?

Some fan commentators have decried the implausibility of the Enterprise and Discovery being anywhere near each other, but that’s a rubbish observation.

Within the in-universe history of Star Trek, there were not that many ships out there in the earlier days of the Federation, and when you think about it, we actually don’t know the mission profile of the Enterprise in that time period.  Plus, there was a war that bled into Federation space and you can bet the Federation wanted its best ships nearby protecting people and assets.

What do we know about Pike’s mission in that time period?

Star Trek The Cage Poster

We know that he and his ship were returning from a battle, before intercepting the Talos distress signal that led to the events we have seen in “The Cage.”

The Enterprise was a heavy cruiser, and Constitution Class starships were the premier front line vessels of Starfleet.  The ships became known for their exploration missions, but Gene Roddenberry had a multipurpose role in mind for them when he conceived the series.  As every Trek fan knows, the concept for the show was based on a “wagon train to the stars” idea, with the Enterprise pushing the boundaries of known space, while also serving as a diplomatic vessel, a peace-keeping force and even, at times, a special escort for dignitaries.  As a premier front line vessel, there is every reason for it to be within warping distance of the Discovery, which, at the time the two ships come across each other, had only recently left Earth.

But, I digress.  Back to Ethan Peck, our new Spock.

Ethan Peck

The casting of Ethan has been given the seal of approval by the Nimoy family, with Leonard’s son, Adam, and daughter, Jule, along with their spouses Terry Farrell (Jadzia Dax from Star Trek: Deep Space Nine) and David Knight, that we learned about via a post on Instagram.

In that post, Ethan looks pretty damn stoked, and there appears to be genuine warmth shining off of Adam in particular.

The Nimoy Seal of Approval

Ethan started acting as a young man.  He’s 32, and has appeared in the ABC sitcom 10 Things I Hate About You, Madam Secretary, Gossip Girl and That ’70s Show.

His enthusiasm for the role is apparent, and according to his girlfriend both of them will always remember the moment he got the call that he was cast as Spock.  Ethan apparently sat down on a nearby roadside curb and cried.

All of this makes me think that the appearance of the Enterprise, Pike, Number One and Spock in Star Trek: Discovery is a way of launching a sort of soft-backdoor pilot for a new series that focuses on Christopher Pike and his crew.  CBS wants more Star Trek on TV and has put Alex Kurtzman and his production company, Secret Hideout, in charge of that on a multi-year deal, so why wouldn’t they explore one of the least seen but most beloved Captain’s in Trek history?

Fans have been interested in Pike and Number One for many many years, and it’s a period of Star Trek history that would be interesting to do a deep dive into.  Star Trek: Five Year Mission, or whatever they would call it, would be a beautiful companion to Star Trek: Discovery and it would honour Gene’s original vision by giving life to the first characters he created.

When you think about it, Anson Mount is doing a LOT of publicity work for Star Trek: Discovery, and with two other actors now cast in two incredibly important and historic roles, why wouldn’t CBS take advantage of that and create something amazing?

If they didn’t, it would be a real waste of talent and time.

But, enough of my suppositions.   You probably want to know about the news that really has fandom going crazy.

Jean-Luc Picard is back.

Patrick Stewart and Alex Kurtzman announced the news at Star Trek Las Vegas.  They didn’t tell us a lot, because it’s very early days, but what we do know is:

  • Kirsten Beyer, it seems, had the idea.
  • Akiva Goldsman will Executive Produce the show.
  • It takes place approximately 20 years after Star Trek: Nemesis.
  • Pulitzer prize-winning author, Michael Chabon, is on staff.
  • James Duff will also Executive Produce.
  • Kirsten will be a writer on the show.
  • Patrick initially turned them down, but with some persistence from Alex and his team fell in love with the idea, remembering just how impactful Star Trek had been and still is in the lives of millions.
  • Patrick will be an Executive Producer on the series.
  • Picard might not be a Captain anymore.

This is what Patrick had to say, live on stage at STLV18:

Jean-Luc Picard is back.

He went on to talk a little about the older Picard we may meet.

He may not, and I stress may not, be a captain anymore.  He may not be the Jean-Luc that you recognise and know so well.  It may be a very different individual.  Someone who has been changed by his experiences.  Twenty years will have passed, which is more or less exactly the time between the last movie – Nemesis – and today.

He followed this with a guarantee.

It will be, I promise you, I guarantee it, something very, very different.  It will come to you with the same passion, and determination and love of the material and love of our followers and our fans, exactly as we had it before.

We don’t know whether or not Gates McFadden, Jonathan Frakes, Marina Sirtis, Brent Spiner, LeVar Burton or Michael Dorn will be in the new show, but it is almost certain one or two or maybe even all of them will appear at some point.

LeVar, Gates, Patrick, Marina, Brent and Michael

Will this new Star Trek be an ongoing series?  It’s unlikely.  Patrick is in his late ’70s and in a couple of years time will turn 80.  Committing to an ongoing series as complicated as Star Trek would probably not be something he’d do.

It’s more likely this will be a mini-series, or limited special series of maybe six to ten episodes.

More news is certain to come over the next few months, but for now we don’t know much else. One of the best things about this announcement is that maybe, finally, these incredible, beloved characters will get the send off they deserve. I’m okay with Nemesis, but it’s not a great film and Picard and crew deserved a better on screen farewell. This new show might do that.

The new animated series?  Nothing has been disclosed about this but it has garnered a lot of interest from fans, because it can happen, literally, at any time in Star Trek‘s expansive history.  We could continue the five-year mission of Kirk and his crew.  We could discover brand new adventures on the Enterprise D.  We could even fill in the blanks for the crew of the USS Equinox after they were trapped in the Delta Quadrant, before the Voyager found them.  The possibilities are endless, which is why fandom is super-excited.

For now, we’ll just have to wait for news on that project and hope that something can be produced that is at least as good as Star Wars‘s successful foray into animation.

Lastly, the next Star Trek feature film has hit a hurdle.

Chris Pine and Chris Hemsworth are reportedly holding up the fourth feature outing for our Kelvin-verse crew.

Why?  There is a little contention over their salaries.  Both Chris’s are blockbuster stars now thanks to films like Wonder Woman and the Thor series.  Their salary expectations are, as a result, a little different to what they probably were.

Star Trek: Beyond, while well received by fans, only made $343 million world wide.  That’s a decent profit when compared to the cost of the film ($185 million to produce, though this doesn’t include the film’s marketing budget), but it’s not enough to warrant a massive investment in a sequel.  Tent pole summer blockbusters need to make at least double of what they cost to be considered profitable.

This means Paramount will be looking to produce the as yet untitled Trek film for less, and part of that will be offering less money to its stars.  Which should be interesting.  There is not one of the main cast whose careers have not taken off since the release of the first Kelvin-verse film.  Some of their careers have gone stratospheric – particularly Chris Pine, Zoe Saldana and Simon Pegg.

All three actors are in demand, with Zoe in particular lined up for movie after movie after movie.

Karl Urban (Doctor Leonard McCoy) is confident both Chris’s will sort out the pay dispute, and that the movie will go ahead.  Paramount, however, have a very narrow window available to them to get the movie into production because of actor availability.  If it doesn’t happen soon, the planned fourth film will be abandoned, and we’ll have to wait another couple of years for Tarantino Trek, which is currently slated to be the fifth outing for the crew of the Kelvin-verse USS Enterprise.

What do we know about the new movie?  A few things.

SJ Clarkson

  • The basic premise is unclear, but we do know it unites James and George Kirk in some way.  There is a script, but it’s details are under wraps.
  • The film will be the first to be directed by a woman, with S.J. Clarkson being given that honour.  Clarkson is a British film and television director, best know to the rest of the world for Life on Mars, Dexter, Heroes, Ugly Betty, Bates Motel, Jessica Jones, Orange is the New Black and The Defenders.
  • The film will be the first Star Trek movie to be shot in the United Kingdom.

That’s pretty much it, for what we know about the next film, and major events in Trek.

As news breaks we’ll keep you updated here.

If you’d like to check out more Star Trek news, we encourage you to visit our two “go to” sites, TrekMovie and TrekCore.

Until the next update, Live Long and Prosper.

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Episode 6 Recap and Review, and an Announcement from CBS

Star Trek Discovery Recap and Review Banner 27102017

Before we jump into everything, CBS made an important announcement earlier in the week: Star Trek: Discovery has been renewed for a second season!

Congratulations to everyone involved.  So much love, time, care and attention to detail has gone into the show and this is a fitting reward for all of that exceptional effort.  As a fan, I am over the moon happy!

Thank you CBS.

Okay.  Let’s dive into this weeks episode.

Lethe was the mystical underworld river of oblivion, and the Greek Spirit of forgetfulness and oblivion, after which the river was named.

The shades of the dead used to drink from her waters to forget their mortal lives.

Star Trek: Discovery, episode six, “Lethe”, draws from that inspiration as it plays with the idea of memory and the things we might want to forget.

This was another episode that went by in a flash.  It’s also another episode that will challenge those Trekkers among us who choose to stick rigidly to perceived canon.

I say perceived, because canon doesn’t mean “this is it, and this is all there can be,” it means “this is what we know for now.”  In Star Trek, canon is what we see on screen.

Personally, I enjoy having my own perceptions of canon expanded and in most cases Star Trek: Discovery treads just this side of going too far.  Where they have crossed the line, most of the time they’ve had to.  What worked in 1966 will not work in 2017.  Choices had to be made, and while some of those choices are a bit mystifying right now we’ve been told they’ll make sense.  Eventually.  Of course, having said that, there are some things we’ll just have to deal with – the most noticeable being the design aesthetic of the 21st Century vs the design aesthetic of an era where colour TV was brand new, and the world had never heard of things like the internet, cloud computing, and 3D printing.

After watching “Lethe”, I found myself both excited by the things I had learned in the episode, and I found myself thinking back over an article I wrote a few months back where I wondered if CBS was purposefully rebooting the entire television franchise, just like Paramount rebooted the movies.

Back when Star Trek: Discovery was still teasing us with a non-committal release date, I began thinking “is this a reboot of everything, using Star Trek: Enterprise as the jumping off point?

I’m pretty sure that’s not an original thought, by the way.

Now and again, watching this new iteration of Star Trek, I wonder if that is indeed what is happening.  Back when I first wrote about that idea, I encouraged the new creative team behind Star Trek to take the 15 best episodes of each season of the existing Treks (post Star Trek: Discovery) and redo them.  That’s sacrilege to a lot of Trekkers, I know, but I keep thinking of how deeply Star Trek both changed and defined my life, and keep hoping that it will do the same for children in this and following generations.  I grew up with TNG and its impact on my life and the way I live it is still significant today.

I also keep worrying that the earlier versions of Star Trek will become niche memories for a faithful few.  When we look back at the older iterations of Trek we see moments of sexism and we see a visual style that is… kind of flat and boring.  Even TNG and more recent Trek’s fail to live up to the dynamic and visual style of today’s event television.  Using Star Trek: Enterprise as a jumping off point, and then rebooting the entire franchise from there, isn’t a terrible idea if the reboot is faithful to the original.  So… not a Battlestar Galactica reboot.  Not even a J.J. Abrams Kelvin-timeline reboot.  An update of the original where certain things can be ‘tweaked’, like the sexism, like the ship’s computer in TOS which has already been surpassed by Siri, and like many of the props and effects that just don’t hold up today.  As much as many of us probably don’t like admitting it, Star Trek: Discovery is a more faithful imagining of the future than we were capable of in the 1960s.  Even the 1980s.

What made me think back over those things?  The Holodeck (?) battle simulation Ash and Lorca went through, and the simple realism of the set of the Discovery and the shows props and visuals.  We see things in this episode that are going to give the more strict among us reason to complain, but they make sense when held up against the reality and wider audience expectations of today.

Sometimes I think these changes come down to one question: do we want Star Trek to live long and prosper?

But, enough of my musing (heretical ramblings?).  Let’s get into the recap and review.

Sarek Looks Across Vulcan - Lethe

The Facts
Episode Number: 106
Episode Title: “Lethe”
Written By: Ted Sullivan and Trek alumni Joe Menosky
Directed By: Doug Aarniokoski

Quotable
Sarek to his assistant
: “In times of crisis, ignorance can be beneficial.

Tilly to Michael: “It’s been my experience, that what I lack in athletic ability I more than make up for in intelligence and personality.  We may want to focus on those attributes.
Michael to Tilly: “Everyone applying to the command training program will be smart.  Personality doesn’t count.
Tilly, in response: “That’s just something people with no personality say… wait!  Which in… which in no way means you… ah… you, you absolutely have a personality!

Tilly to the computer: “Computer, green juice.  Extra green.

Interesting Bits and Pieces
In the second scene of the episode, Michael is trying to help Tilly achieve her dream of one day becoming a captain.  In that scene, she name drops the Constitution Class and the USS Enterprise, recommending that Tilly aim to get on a ship like the Enterprise to help with her career aspirations.

In this same scene, both women are wearing an awesome little t-shirt with one word printed on it: Disco.  Disco has long been an internal production nickname for the show.

According to After Trek, the producers had no idea the t-shirts were going to appear!  Now, they’re canon, and you can bet you’ll be able to buy them some time soon.  That is, if you can’t already!  I admit, I haven’t done that search on the official website, eBay or Amazon yet.

In this episode, we also learn that the food synthesiser likes to comment on the nutritional quality of your order!  I like that… though I could see me telling the computer to shut up after a while!  I can’t stand my fridge beeping at me when I’ve had the door open for too long.  If my fridge started talking to me I’d probably unplug it.

We also learn, thanks to Admiral Cornwell, that the Discovery is the most advanced starship in the fleet.

The Recap and Review
After “last time on Star Trek: Discovery,” the episode jumps into a scene on Vulcan, which is beautiful.

The visuals are evocative of past glimpses of the planet, while bringing something new.  There is no doubting it’s Vulcan you’re visiting.  We find Sarek is looking out across a dessert locked, red tinged city scape as a ship hovers into view.

Sarek and an assistant board the vessel and take off across the surface of the planet, into space.

The ship is a new design but looks Vulcan, and, like Starfleet vessels, has an excellent heads up display that I really like.

We don’t know where Sarek and his companion are going.

That scene transitions beautifully into a shot of the Discovery sailing through the void, and then moves seamlessly to an interior shot of Michael and Tilly jogging along one of the spokes that connects the two halves of the saucer section of the Discovery.

Michael is helping Tilly develop some strategies and habits that will benefit her in her pursuit of command.

According to After Trek, this scene took eight hours to shoot because the corridors were only long enough to permit ten seconds of dialogue as the actors ran the full length.  So, the slight exhaustion you see on Sylvia Tilly’s face might actually be more than good acting.

The interchange between both characters is wonderful.  These two actors play off each other really well, and the chemistry is so easy to see on the screen.  While the dialogue is excellent, you can’t fake chemistry.  I often find myself silently congratulating everyone involved in the casting process.

As Tilly responds to Michael’s mentorship, dashing on ahead of the show’s leading lady, we cut to a scene of Lorca and Ash Tyler zapping Klingons.

Lorca, being Lorca, has a deep and meaningful (D&M) with Tyler as they run around in armour shooting stuff.  Seriously, this ship needs Deanna Troi.  If these two men ooze out any more testosterone and repressed rage the whole ship will drown in it.

In their macho-D&M session, we learn that Ash is from Seattle and has lost both parents.  He had a challenging relationship with his father, which might hint at Lorca being a bit of a surrogate for him – just like he seems to be for Michael.

Lorca and Ash - Lethe

In an interesting exchange where Ash lies to Lorca to help his captain save a bit of face we learn that Lorca really does want to be surrounded by the best.  And probably needs a hobby like knitting or yoga to avoid going absolutely batshit crazy.  This guy is wound so tight he’s going to snap at some point and Michael is going to have to trot out the mutiny card again.  Lorca chews Ash out and tells him he wants his Chief of Security to shoot better than he does.  Chief of Security?  Ash, DO NOT take that job!  The last one got mangled by an unhappy tardigrade!!

This exchange surprises Ash, who asks Lorca if he’s giving him a job?  In a potentially telling moment (if you go by the Ash is Voq theory), Lorca says: “Well, I figure I’ve seen you fly, shoot… fight like a Klingon…”  Fight light a Klingon.  Way to screw with our heads, Star Trek: Discovery writing team.

Ash brushes that off, saying that he learned a thing or two from the Klingons beating on him for seven months.

Lorca then affirms Ash’s appointment.

We jump back to Sarek and his assistant, who shoots himself up with a funky little needle that starts tracing a burning pattern up his arm.

Sarek quickly realises that his assistant knows just what it is he’s planning to do and isn’t happy about it.

The assistant turns out to be a fanatic – a “logic extremist” who believes that humans are inferior.

It’s a nice tip of the hat to Star Trek: Enterprise and the less than pro-human sentiment often expressed by the Vulcans of that era, and it’s a nice nod to what we’re going through as a world today with extremists threatening our way of life, and the pro-nationalist views of some.

The assistant’s mission?  To draw attention to Vulcan purity, and to encourage Vulcan as a world to withdraw from the “…failed experiment known as the Federation.”  With that, he blows himself up.  Sarek erects a forcefield between the two men just in time, but that doesn’t stop the explosion from sending Sarek’s shuttle spinning out of control, and it doesn’t stop Sarek from being wounded.

We cut to the credit sequence.  Which, I have to say, is really growing on me.

And then we return to the Discovery where Tilly is ordering a green juice.  That’s extra green.

She and Michael order breakfast, with Michael over ruling Tilly’s choice.  The ships computer backs Michael up, reading out the nutritional value of burritos.

Ash Tyler walks in, and the girls have a bit of a gossip about how he kicked Klingon ass.  Six asses, to be exact.  It’s an interesting exchange because Michael makes the same comment many of us have been making since the last episode… Klingons are tough.  How could one human over power so many single handedly?  This is such a throw away comment in the context of the scene that you just know it means something.

Tilly also observes that Lorca wants to adopt Ash.  Michael challenges that, but Tilly reminds her that Lorca did the same to her.

Michael Tilly and Ash

Tilly, proving she has no filter, then sits down at Ash’s table and blurts out “Scuttlebut is that you took out six Klingon warriors in hand to hand combat.

Ash tells her not to believe everything she hears, and then asks Michael to sit.  We have an exchange between Ash and Michael that is really nice as he refuses to judge her on her past actions, and prefers instead to make up his mind based on what he sees.  That impresses Michael and makes her look at this new crew member in a different light.

Then, Michael collapses in pain!

In a katra-contact moment, Michael is plunged into one of Sarek’s memories.

We’re on Vulcan watching Vulcan’s wander serenely through a pristine plaza.  It’s beautiful, and full of familiar little touches, including examples of the Vulcan alphabet.  We zero in on a family gathering and finally meet Amanda, played beautifully by Mia Kirshner.  She’s arguing with Sarek over what appears to be Michael’s rejection from the Vulcan Expeditionary Group.  A young Michael watches on.  As does the current Michael, observing the memory as an outsider.

Mia Kirshner as Amanda Grayson

Sarek becomes aware of the older Michael, and challenges her, forcing her out of the memory.

They appear in a neutral mental space, where Sarek tells her that ever since the bombing of the learning centre his Katra has been with her.

She wakes up in Sickbay before we get to go any deeper into that little addition to canon.

Doctor Culber is trying to work out what is wrong as Lorca watches on.  Michael opens her eyes.

She tells them Sarek is in trouble.  Lorca challenges her, and she reveals that she shares part of Sarek’s katra.  Lorca wants to know more, so she reminds him that after her parents were killed at a Vulcan outpost that was attacked by the Klingons, she was raised by Vulcans to be Vulcan.  She says that Sarek hoped she could serve as a bridge to show other Vulcan’s the potential in humanity.

She then reveals something new.  A group of logic extremists, who did not want humans in their culture, attempted to kill her a few years later, while she was at the Vulcan Learning Academy.  It was then, to save her life, that Sarek shared his katra with her.

She was dead for three minutes.  Sarek’s katra had healing powers and his life force saved her life.  She tells them it is a rare procedure, and frowned upon.  It’s this gift that enables a form of long term telepathy between both Sarek and Michael.

She tells Lorca that Sarek is in danger and asks him to rescue her adopted father.

Lorca checks the facts with Starfleet, and they confirm Michael’s claims.  Sarek was on a diplomatic mission to try and stop the war.

Lorca says he’ll rescue Sarek, but Starfleet forbids it.  Lorca, being Lorca, ignores them.

They jump to the nebula that was the last known location of Sarek’s shuttle.  Saru tells them that they can’t scan for the shuttle because of all of the interference in the nebula and that it will take months to search it because of its size.

Lorca and Michael visit Stamets to see if he can help by creating a device that will enhance Michael’s connection to Sarek.

Stamets says “yes” – and it is clear we have a brand new Stamets.  His interaction with the spore-drive has really changed him.  He’s more relaxed, almost euphoric.

After some discussion, he says he can create something for Burnham and gets to work.

We also learn he has a bit of an implant that enables him to safely (?) engage with the drive.

Lorca tells Burnham to get a team ready to help her with locating Sarek.

Lorca and Ash on Shuttle - Lethe

Michael asks Lorca to assign Tilly to help her, because she’s a genius, and, in a telling moment, because Michael needs her emotional support.

Daw… friendship.  I LOVE IT!

Lorca agrees, and then assigns Ash Tyler to help.

As Tilly, Ash and Michael load up the shuttle and get it ready to enter the nebula, Lorca visits Ash and orders Ash to bring Michael back in one piece… or to not come back at all.

Hmmm… what does Lorca want from Michael?  She’s brilliant.  She’s extraordinary in many ways, but what are Lorca’s plans for her?

We leave our intrepid rescuers for a moment to cut to Lorca examining a star chart as Admiral Katrina Cornwell warps in for a visit.  She boards the Discovery and proceeds to rip Lorca a new one for disobeying orders.

She’s also not happy that one of his crew experimented with eugenics.

Behind all of this anger from Cornwell, we learn, is genuine concern for an old friend.  Lorca is not the Lorca Cornwell remembers.

We leave them in that moment and jump to the shuttle where Michael is preparing to send a katra ‘jolt’ to Sarek to wake him up so that he’ll activate his ships transponder so that the Discovery can find him.

In a nice character moment, Michael is nervous and anxious.  She shares her feelings with Tilly and Ash and tells them how affected she is by the memory she was dragged into in her initial psychic contact with Sarek.  She believes he is reliving that memory in his dying moments because she is his greatest disappointment.

As she goes under, she tells them not to pull her out of the katra connection, no matter what happens.

And… we’re back in the Vulcan plaza, in the same memory.

Sarek - Lethe

Young Michael is talking to Amanda, who gives her a gift – an old fashioned copy of Alice in Wonderland.  Going back to “Context is for Kings”, it’s obvious Amanda had as much of an impact on Michael as Sarek did.

Sarek intrudes and tells them that Michael’s application to the Expeditionary Group was rejected.

Older Michael interjects, and Sarek breaks from the memory to do some kick-ass Vulcan martial arts on Michael.

Back in the shuttle, Michael is showing the effects of being psychically beaten up.

Ash orders Tilly to wake Michael, and as she comes to with a gasp we jump to Discovery and a dinner between Lorca and Cornwell.

They’re reminiscing.

Lorca and Cornwell - Lethe

She tells him she’s worried about him.

He justifies his behaviours using the excuse of war.  She’s not going to be put off and tells him he’s unfairly pushing his crew.

Eventually, she tells him that he’s changed since the destruction of the Buran.

He says he’s passed every test and is fine.  She’s smarter than that and suggests that maybe he’s suffering from PTSD (post traumatic stress disorder).  So… he seduces her, because he’s either got PTSD or there’s something else going on.

She falls for it.  Maybe?  I’m not sure if Katrina lets it happen in a calculated attempt to further test Lorca, or lets him seduce her because she still carries a flame for this complicated man, but she takes off her badge and smiles at him…

And we’re back on the shuttle.

Michael is deeply affected by the memory she keeps seeing.

Ash gives Michael a reality check, and says that maybe the memory isn’t about her failure – but Sareks?

Michael dives back into the katra-connection.

We’re back in the same memory and Michael has had enough.  She challenges Sarek on the memory-scape, asking him what he’s hiding.  He attacks her and she holds her own.  She asks him what he doesn’t want her to see, and begs him to let her in.

He does.

He also affirms what Ash said.  He’s not fixated on Michael’s failure.  He’s focused on his own.

We learn that Michael was accepted into the Vulcan Expeditionary Group, but that the Vulcan’s were concerned.  Were Spock to apply and be accepted, there would be two non-Vulcans in what had once been a Vulcan only institution – one human raised to be a Vulcan, whom Sarek says he has crafted into a being of exquisite logic, and one half-human, half-Vulcan who is still (it seems) at school.

The Vulcan elder tells Sarek that what he has done is extraordinary, and that he applauds Sarek’s efforts to integrate humans into Vulcan culture, but that his attempts need to be titrated.

Sarek has to choose between Michael and Spock.

Michael learns that Sarek chose Spock.  This adds a beautiful, extra layer to the historic distance between Sarek and Spock.  It always seemed petty that Sarek was so ‘pissed’ with his son for choosing Starfleet, this adds another welcome dimension and gives that history more impact.

Michael tells Sarek that her rejection from the Vulcan Expeditionary Group hurt her deeply.

Sarek says he didn’t realise the impact then, but does now.  He apologises, as only a Vulcan can: “I failed you, Michael Burnham.”

As he collapses on the memory-scape, he admits his shame.

Michael asks him to show her how to save him, like he saved her.  He helps her initiate a mind-meld and she wakes Sarek up.  He activates the transponder.

We cut to Lorca and Cornwell in bed.  She traces the scars on his back, which wakes him up.  Instead of snuggle time, he grabs a phaser from under his bed and rolls on top of her holding it to her face.

She loses her shit… and rightfully so.

She tells him he lied on his psyche evaluation and that his behaviour is pathological.  She finishes with the worst thing she could say: “I can’t leave Starfleets most powerful weapon in the hands of a broken man.

This illicits a genuine response from Lorca as he begs to keep his ship.  He admits his lie, admits that he needs help.  She tells him that she hates that she can’t tell if this is the real Lorca or not, and leaves.

Saru interrupts to tell Lorca that the crew are back from their mission.  Sarek is going to be alright, but he can’t finish his mission of peace.  Lorca says that Cornwell can.

Burnham thanks Lorca and in return he gives her a real assignment.  On the bridge.  She’s now the science specialist.

As Lorca leaves, she goes to visit Sarek.  He initially tries to dodge her question about what he remembers of the rescue, but she’s not having any of it.  Michael asks him to help her understand why he did what he did, so that they can come closer rather than be pushed further apart, because that’s what families do.  He says that technically they’re not related, and she tells him he can do better than that, but she won’t push him.  She tells him “We’ll have this conversation one day… father,” and leaves Sarek, looking a little lost, perhaps even a little shamed, in Sickbay.

Admiral Cornwell takes up the challenge of completing Sareks mission.  Lorca is waiting for her in the shuttlebay as she gets ready to leave.  She tells him that she doesn’t want to ruin his career, but adds that when she returns they will talk about how he steps down.  There’s compassion in her voice and it’s clear she believes her decision to be the right one – for Lorca, for the Discovery and her crew, and for Starfleet.

Lorca can’t find a response, and instead wishes her luck in her negotiations.

Just a side note, I love the new shuttlebay.  It’s magnificent.  It looks real, and it looks used.  It looks like it belongs on a ship like Discovery that has been busy both with a mission of science and exploration (previously), and now a mission of defence. The shuttle bays on the original Enterprise and Enterprise-D always bugged me because they looked… plastic and totally unused.  Even with transporters, those ships would have been busy with freight transfer and various visitors but they just looked lifeless.

We change scenes at this point to an interaction between Tilly and Michael.  Tilly is running through the corridors again.  Michael tells her, “I gave you bad advice.  There are a million ways to get to the captain’s chair.  Find your own.”  Tilly responds with, “I have,” and keeps running.

We follow Michael to the mess hall where she sits down with Ash Tyler.  Michael, obviously affected by her chats with both Sarek and Tilly, is in a reflective space.  She opens up to Ash, and we see a woman who is slowly coming to terms with the complicated relationship she has with her adopted father, and maybe even the internal conflict she feels as a human who has spent a great deal of her life trying too hard to be a Vulcan rather than a balanced amalgam of both.

To close the scene, Michael introduces herself to Ash, who is a bit confused at first because they know each other, but then gets it.  Michael has had an epiphany, or perhaps even a little bit of a rebirth and with a smile he takes her extended hand.

We leave this budding friendship? romance? to visit with Admiral Cornwell.  Let’s just say things go bad.  Her guards are killed.  The meeting hosts are killed.  Kol pops up as a hologram and Cornwell is taken prisoner.

In the last scene, Saru reports to Lorca, telling him Cornwell has been captured.  Prick-Lorca is in full swing as Saru tells Lorca they can start to calculate a jump to rescue her and Lorca says no.  Saru is taken aback.  Lorca rationalises his sudden “by the book” caution beautifully.

He orders Saru to notify Starfleet Command and to seek guidance.  Saru is surprised, but no doubt relieved by this change in his captain.  Saru is awesome, but he’s not a great first officer.

As he leaves to follow orders, Lorca closes the door of his quarters and the episode ends with him staring out the window as we focus on his reflection.

Is his reflection smiling?

Is this another hint at the upcoming Mirror-Universe episode?

I just know we’re going to have to wait a while and see.

USS Discovery in Flight

I really enjoyed this episode on so many levels.  I love the additional context to Sarek’s disappointment with Spock’s decision to go into Starfleet, as I mentioned earlier in the recap, and I’m intrigued by where the whole cloaking technology thing is going with the Klingons.

Historically, according to canon, the Klingons obtained their cloaking technology from the Romulans.  So… did T’Kuvmar negotiate that and then Kol meter it out through the Empire as he demanded loyalty from the various Houses?

Quite a few questions were raised in this episode.  Is the need for eugenic experimentation on humans what kills the spore-drive?  Does that mean we’re going to lose Stamets?

Is Ash Voq?  I keep trying to determine from Shazad Latif’s performance if he is, but can’t yet.

One the things I like most about this series, is the growth we’re starting to see in the characters.  They’re not fully realised.  They’re “becoming.”  We’re really seeing it in Michael’s character – and it’s a beautiful thing and very measured.  The writers have paced it beautifully, certainly a lot better than Star Trek: Voyager‘s writing team paced the integration of the Maquis and Tom Paris back into Starfleet.

Lorca’s character also continues to grow (or perhaps, more appropriately, be revealed), and it is evident he is a very damaged human being.  Did he recommend Admiral Katrina Cornwell go to the Klingons because he was hoping she’d be captured or killed?  Does winning the war mean that much to him?

We haven’t seen much of Saru recently, which is a little disappointing, but I get it.  The writers needed to set up Ash Tyler.  This will change, I believe, with Michael now on the bridge.

I like the addition to canon of the katra-communication.  There’s a parallel here to the mycelial network.  If there’s a bunch of spores spread throughout the universe that can be used as a source of navigation, why couldn’t a psychic ability have that kind of range?  I’m just not sure what the writers are getting it?  There’s a definite but very subtle spiritual aspect to this show, that hints at the interconnection of life.  Starfleet represents that and always has.  We’re all ‘star stuff’ and our commonalities are more interesting and meaningful than our differences, and so we should come together and celebrate that infinite diversity in its infinite combinations.

Though the Vulcan’s are best known for that philosophy of diversity, it’s interesting to see them still struggling with Surak’s teachings.  It is a nice echo from Star Trek: Enterprise, and I loved seeing Sarek be the main proponent of that concept with his attempts to unite the Vulcan people and humanity.  He will, of course, continue to do that kind of work throughout the history of Star Trek as he seeks to unite other disparate peoples.  Spock, of course, will eventually follow in his father’s footsteps.

All of this stuff also gives merit to Sybok.  Imagine being the oldest child growing up in such a mixed household?  You have a human step-mother, a human adopted sister and a half-human younger brother.  You can imagine Sybok sitting back and observing the strengths in both as his father seeks to bring two important worlds together.  All of this actually helps make sense of Sybok, but it also paints Sarek, always one of my favourite characters, as a vital part of the Federation.

By the time we really get to know Sarek, in the movie-era and in TNG, he’s an elder statesman who is held in high regard by everyone.  Star Trek: Discovery is helping us see why and how – despite his stubborn streak!

It’s just one opinion, but my opinion is that Star Trek: Discovery gives more to Star Trek than some of the other spin-off series.  It’s giving the entire collection of series’ and films a level of depth that I really appreciate.

Last but not least, there is not one bad performance.  Again.  Particular praise needs to be heaped on Sonequa Martin-Green, Jason Isaacs and James Frain.

How lucky are we to have such amazing actors bringing these characters to life?

Scorecard

Five Starfleet Deltas
Five out five Starfleet Deltas.  This was another exceptional outing.

Star Trek: Discovery airs in the United States on CBS All Access with new episodes available Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET.  Outside the USA and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8:00am BST on Mondays, and in Australia at 6:00pm AEDT, also on Mondays.  We only have three more episodes until the mid-season break, so make sure you tune in.

Live long, and prosper.  See you next episode for “Magic to Make the Sanest Man Go Mad.”

LCARS Interface

A Future To Believe In

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Now that Star Trek is officially 50 years old (having celebrated its actual birthday a few days ago), it’s a good time for a die hard Trekker to reflect on his or her love of that particular universe – and why it continues to mean something to them years after their first exposure to it.

I’ve been in the middle of that process for a few months now, ever since the announcement of Star Trek: Discovery.  The recent release of Star Trek Beyond intensified it for me, and I decided to start talking to other Trekkers to see if I could find a common theme around what makes so many of us love Star Trek and keep loving it.

What I learned was Star Trek does two things really well, and both of those things resonate strongly with long-term fans:

  1. Star Trek shows us a future that’s worth fighting for, that’s worth dreaming about, and that’s worth wanting to help shape, and;
  2. Star Trek is a really intimate and personal experience for every single person who loves it, and that, possibly, is it’s greatest magic.

That second point is a frustrating one if you’re a show runner.  Star Trek does have a formula of sorts, but it’s a really hard one to get right.  Without exception, fans want challenging storylines that are provocative and insightful – which is scary for a show that needs to make money because, as Gene Roddenberry learned the hard way, you’re bound to piss someone off and risk alienating a segment of your audience.  Fans want a meaningful relationship with the characters which means you must get two things right straight off the bat – the writers room and the casting process.  Fans want it a little dark without losing the hopeful future Star Trek promises us… and despite craving intelligent science fiction we want that science fiction all wrapped up with pretty action set pieces that are full of amazing (and expensive) visual effects.

I’ve spoken to a lot of people about Star Trek these last few months, and for every single person there was always a deeply personal story attached to their love… “Star Trek was my ‘safe space’ when I broke up with my husband…” “Star Trek got me through bullying when I was a kid…” “Star Trek is what got me into the military…” “Star Trek was the thing that helped me set my moral compass…”

Those often amazing conversations showed me that while all of the above about challenging storylines and great VFX is true, the actual core ingredients are the characters and their dynamic.

Star Trek has a ‘secret sauce’, and that ‘sauce’ is its characters who are our conduit into that universe and it’s vision for tomorrow.

What I loved most, while talking to fellow fans, was that the characters who resonated with them weren’t always the obvious ones.  Yes, I heard a lot of Kirk love, Spock love, McCoy love, Picard love, Data love, Siski, Kira, Janeway, Seven, Archer, T’Pol and Trip love, but I also heard a lot of Sulu, Uhura, Chekov, Scotty, Geordi, Beverly, Deanna, Wesley, Quark, Jake, Odo, Dax, Chakotay, the Doctor, B’Elanna, Kes, Neelix, Harry, Hoshi, Malcolm, Phlox and Mayweather love.

In the original series, some of those characters never got the chance to say more than “Aye sir,” and “Hailing frequencies open, Captain,” yet they still effected people – and more often than not, deeply.  Why?  Because they were representative.  Sometimes in obvious ways – Uhura was a woman in a position of power and a black woman at that, Sulu was an Asian who wasn’t a normal 1960s stereotype, and Chekov was a Russian at a time when the US and Russia didn’t have a lot of love for each other… but they weren’t just representative in that way.  Uhura was an expert and a woman in command who could come out and honestly say “Captain, I’m frightened.”  Chekov was a whiz kid whose emotions were always written clearly on his face.  Sulu had a cheeky and sometimes sardonic sense of humour that now and again seemed to say “you’re a complete dick, Captain.”  Watch some of the original episodes and listen to Sulu’s responses to Kirk or Scotty when they give a command that seems to defy common sense.  Both Uhura and Chekov do that at times also.  These characters were representative of real emotion, sometimes overtly expressed, sometimes subtlety conveyed, and we fell in love with them because of that.

Those human moments in a show that was so different to anything else on television, delivered by personalities we could relate to, gave us an ‘in’ to Gene Roddenberry’s universe.

For me, it was McCoy, Uhura and Spock.  They were my pathway into the original Star Trek.  Beverly, Deanna, Wesley and Geordi my conduits into Next Gen.  Jadzia and Bashir my way into DS9.  Janeway, Kes, Chakotay and the Doctor my door into Voyager, and T’Pol, Phlox and Malcolm my way into Enterprise.  Each of those characters had qualities I possessed or aspired to possess and they resonated with me and still do today.

I grew up in the sort of neighbourhood where every week someone was stabbed, bashed, and in someway victimised, and as a child I needed something that showed me a future full of intelligent, compassionate people who fought to get rid of those horrific things from people’s lives.

When I was bullied at school, Star Trek was my retreat.  I could lose myself in that world and dream of a future that was brighter than the one I saw for myself.

As I hit my teenage years and then adult years, Star Trek started to shape my morals as a person and many of the idealistic concepts in Star Trek still guide me today – particularly IDIC and the idea that we are stronger together.

I became an actor in my late teens because I wanted to go to Los Angeles and get cast in Star Trek.  I did make it to Los Angeles, but never got the chance to be in Star Trek because I made it there a year or two after Enterprise went off the air.

I became a professional Counsellor because of Deanna Troi.  Even though I’m a guy, Deanna and her profession spoke to me and though we barely ever got to see her do any real work as a psychologist, I still invoke her preternatural calm and warmth when working with clients.

I’ve always known that Star Trek was one of the most important influences in my life, but I’d never really spent a great deal of time wondering why.

This year seemed to demand it, and I’m glad I spent a little time exploring and reflecting on what Star Trek means to me and why it’s still the world I retreat into when I need to recharge.

There are so many quotes and examples I could provide to illustrate all the ways in which Star Trek has affected me, too many actually, so instead I’ll just choose a few…

Kirk’s statement in The Final Frontier, that he needs his pain.  That speech still effects me to this day.  Our pain, our failures, and how we deal with them all, defines us.  There are so many experiences in my life that I wish had never happened to me, but I cannot deny their impact and how they have strengthened and shaped me.

Kira’s dedication to her spiritual life mirrored my own journey to understand some of the indefinable but poignant experiences we all encounter in life.

It was something similar with Chakotay.  His spiritual life and journey, though often mired in stereotype, was beautiful and I loved that it was included, but the fact he was a physically strong and imposing, but deeply spiritual and sensitive man was what hit me like a sledgehammer.  It hit me deeply, in the same way the startlingly beautiful and noble Uhura did and in the same way the generous, calm and gracious Deanna did.  As a 6’2″ guy who’s been described as physically intimidating, but who is softly spoken and by nature a pretty caring bloke, it was fantastic to see a man on TV who was also all of those things, and who chose to use his presence not to constantly threaten and intimidate but to nurture and support.  It was what I needed to see and it came at a time in my life where I was in danger of going off the rails.

You might be thinking… “hold on, what about Riker?”

Will was always a little too ‘big’ a personality for me to connect with.

Star Trek is unique in its ability to craft characters that are universal but speak to each individual viewer.  If there’s one thing the creative teams behind each show and movie did really well, it was creating characters we can relate to.  I don’t know if they consciously tried to do that, but that’s what they did.

Each series and each film had its ups and downs story wise, but the characters were always exceptional.  Yes, Kes didn’t have a lot of room to grow and Neelix had the odd issue and could be pretty damn annoying, but by and large the characters are the thing that makes Star Trek shine.  At least in my opinion.

As we look forward to Star Trek: Discovery, with each of us no doubt carrying a small wish list around in our minds, I personally hope that the creative team behind the new series get the fact that no matter what, the characters are our way into this new version of the universe, and that Star Trek really is an important and intimate experience for each of us and that needs to be respected.

Yes, we want great stories and we want allegory and we want brilliant special effects, but if Star Trek is to succeed it needs incredible characters and it needs a way to inspire hope in us and allow us to link with the show in a way that is meaningful.  It needs to be something that mirrors all of us, in some way, and tries hard to be relevant to this generation of young people as they look around for heroes to aspire to be like.

Star Trek is important.  It’s important to me, it’s no doubt important to you if you’re reading this, and it’s important to the world.

What do we have on television now?  Zombie hunters who are now borderline sociopaths, families warring over a stupid iron throne and committing atrocious acts in their quest for power, families backstabbing each other over musical empires or political ambitions… there’s not a lot of hope, and there aren’t many shows demonstrating a different, better way to be.

Star Trek did that, and it can do it again.

I hope Bryan and Alex and everyone else involved with Star Trek: Discovery truly appreciate just how important Star Trek is at both that personal, intimate level, and that much bigger, aspirational level.

Bryan has said the world needs Star Trek now more than it ever has, so I think he does get it.  I hope he is able to realise his vision with the amazing creative team he’s assembled.

So thank you, Star Trek.  Thank you for shaping me, and for shaping so many amazing people I’ve met, and thank you for not being frightened of shining a light in the darkness – even when shining that light hasn’t been popular.

I’ve had enough of the depressing, sarcastic, angst-filled shows on television these days.  So many are so devoid of hope it’s depressing.  I need and I want something that challenges me intellectually, and I need and I want something that reminds me of just how amazing we are as a species.

The bright future Star Trek describes is the future I want, and it’s a future worth believing in.

LCARS Interface

Star Trek Beyond Review

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“We will find hope in the impossible…”
Spock

I was pretty keen… okay, I was borderline desperate to see the new Star Trek movie on its day of release here in Australia, but life conspired against me – as it does for all of us now and again, and I had to put it off.  After some thought, I decided to torture myself and wait until Gene Roddenberry’s birthday to see it.  I liked the idea of watching this particular movie, released to celebrate the 50th Anniversary of my favourite television and movie series, on the birthday of the phenomena’s creator.

The wait was agonising.

Thankfully today (in Australia at least) is the Great Bird of the Galaxy’s birthday, and I watched the film, cheering on Gene’s creation throughout.

So first…  HAPPY BIRTHDAY, GENE!

If he were alive today, the Great Bird of the Galaxy would have turned 95.  I’m fairly certain, if he were still with us, that he would have been chuffed (maybe even quietly surprised) to see that his little show that could was still going strong 50 years on.  I think he would also be feeling proud of his son, and in particular Rob’s involvement in bringing a new Trek to another generation alongside some of the brightest lights in Star Trek and modern television production.

Star Trek Beyond?  If he had had the chance to watch the film I’m certain he would have enjoyed it.  He would have loved the character moments and the dynamics, and many of the choices Justin, Simon and Doug made.

So, again, happy birthday Gene.  You gave us such a wonderful gift, and in return many people are still doing their utmost to honour your incredible vision.

As much as the wait to see Beyond drove me a little crazy, I was right, watching the film on the 19th of August added extra layers to the experience, and it was worth the delay.

The movie?

I LOVED IT!

I know a few reviewers have not enjoyed the film, or only enjoyed bits and pieces of it, but I enjoyed at least 121 of the 122 minutes it was on screen.  From those first unique but beautiful shots of the Enterprise to the last credit as it rolled and the lights came on in the cinema, I felt like I was in the final frontier.

It’s nothing like 2009’s Star Trek, or 2013’s Star Trek Into Darkness.  It’s nothing like any Star Trek film that’s gone before it.  If I were forced to try and find a comparison, I’d say it’s most like Star Trek IV: The Voyage Home, but only in it’s execution because it does split our characters up and give them all a slight chance to shine, just like that film did.  But the comparison ends there.

The film is funny, like The Voyage Home, but it’s also moving and poignant just like The Wrath of Khan, The Search for Spock, and parts of The Undiscovered Country.

There are shades of The Wrath of Khan in the conversations between McCoy and Kirk, and there’s a very slight echo of Star Trek: Insurrection in the way Krall callously disregards the lives of others to lengthen his own, but despite those familiar notes, Beyond is it’s own film.

It’s not a perfect movie, but it’s faults are minor.

One such fault is with the amount of time the big seven get on screen.  We didn’t see anywhere near enough of Uhura, Chekov or Sulu.  Despite that, thankfully, the movie wasn’t dominated by Kirk, Spock, Scotty or McCoy.  I believe it’s just about as balanced as it could be.

Another fault was with the build up to, and actual revelation of Krall’s story and motivation.

It seemed rushed to me.  It needed and deserved more focus.

None of that detracted from my enjoyment of the film.  Those criticisms are minor, and they don’t “throw you out” of the movie.

Star Trek Beyond is a journey that wraps you up in its narrative and doesn’t let you go.

The standout moments in the film are the simply beautiful, perfect performances of the entire cast and the really wonderful and meaningful interactions between the main seven characters.  Those are what make Beyond shine.  The best of those happen between Spock and McCoy (who actually steal the entire movie).  Why has it taken three films to discover the remarkable chemistry between Zachary Quinto and Karl Urban?

The remainder of this review is going to have a few spoilers in it, so if you haven’t seen the film yet and don’t want to know anything about it, don’t keep reading!

Oh… and GO SEE IT!!

Spoiler Alert

“To the Enterprise… and to absent friends.”
James T. Kirk

The Direction and Vision

I didn’t know what to expect from Justin Lin.  Unlike a lot of other people I wasn’t expecting The Fast and The Furious with phasers.  I had researched Justin and knew he wasn’t a Michael Bay whose movies are all so similar regardless of their story or genre.  He has some impressive films under his belt, which to me just meant I couldn’t go in expecting any particular visual style.

And I was right.  What I got was something unexpected and new and very welcome.

Justin has crafted a film that is nothing like any other Star Trek.  His visual signature is unique for this series of movies, and it’s predecessors, and it works.

Justin’s direction was marred, just a tiny bit, by one or two editing choices, but his style is beautiful, expansive and dynamic.  It flows and makes sense, and doesn’t treat the audience like they’re idiots who need every bridging moment in a film spelled out for them.

Justin’s camera is almost always in motion, and this brings a fluidity to the movie that makes it feel majestic and epic.

On top of the visual style of the film, Justin’s overall vision for this instalment of Star Trek was BIG, and he delivered that in spades – and in some very subtle ways: our glimpses of the crew at day 966 in deep space, Kirk’s obvious exhaustion during a diplomatic meeting and his tired comment “I ripped my shirt again”, the progression of the crew’s relationships (in particular Spock and Uhura’s).  These simple scenes conveyed the passage of time, and by doing that the massive distances the crew would have travelled.  Justin also presented the ‘hugeness’ of space in some very obvious ways: the big and beautiful, panoramic shots of the Enterprise at the start of the film, the new warp effect, and just how small our favourite ship was against the vastness of space.

Apart from making space feel big and dangerous again, Justin, Simon and Doug wanted to challenge the very founding principles of the Federation in this film and asked some interesting questions, while presenting an age old argument.

The questions?  Does the Federation live up to its high ideals?  Was it founded on those ideals, or was it founded on (in Krall’s belief) a lie?

The age old argument?  “War, chaos and struggle breeds strength.”

These were good questions and a good premise to build the film on for this, the 50th year of Star Trek‘s life.  I don’t know if they pulled off what they wanted to pull off to the depth they would have liked, but the ideas were raised and as a long time fan, were appreciated.

Above the ideas though, was the way the movie made me feel.

Justin’s directing style made me smile so many times.  And maybe that’s the key?  I wasn’t just blown away by the visuals, I was carried away by the story and swept up in the lives of the characters in a way that made me feel good.  The emotion in the movie connected with me on a really deep level, more than any special effect ever could.

Justin brought so many different things to the table as the Director of this film, and he didn’t shy away from putting his own design stamp on the Kelvin timeline Trek.  One such stamp was the design of Starbase Yorktown… it is simply incredible.  Photos do not do it justice.   Everything about the Yorktown is stunning.  The design is astounding – a confusion of glass and steel that wends and winds its way through the interior of an enormous glass sphere in space, and every inch of her makes you believe this place is real.

We pretty much start the movie at the starbase (after an hilariously disastrous diplomatic mission), and the starbase plays a major part in the film’s tense climax.  We also get to see, at the very end of the film, that the Yorktown is more than just a deep space base of operations for the Federation, it’s also the birth place of the brand new USS Enterprise A.

There’s so much to love about this film.  I now know why so many reviewers have compared Beyond to an original series episode.  It doesn’t feel like an overblown Star Trek episode on steroids like so many Next Gen movies did, but it most definitely has an original series sensibility and energy that makes it more Star Trek than any of the Kelvin timeline films to date.

I swear I picked multiple music and visual homages from the original series and original series films, and even the new uniforms are more original series than those seen in the first two films.  I didn’t think I was going to like the new uniforms, because they looked a little bland in the production stills, but I loved them.  They’re quite smart, and they look good on our heroes.

Justin Lin did an incredible job.  Star Trek Beyond is a strong film and it’s set a new standard for Star Trek movies.  I hope he gets to do Star Trek IV.

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“Mr. Sulu… you can… fly this thing, right?”
James T. Kirk

The Editing

For most of the movie, it’s good to flawless… but there were times where it was jarring, and you were momentarily knocked out of the movie by an editing choice that didn’t match the flow of the film.

Like I indicated above, that might just be because Justin made a movie that was so fluid, when an obvious scene cut happens it’s so unexpected you do a double take.  I’ll have to see the movie again to better analyse my reaction.

I don’t have anything else to say about the editing, because for 98% of the time it’s excellent, but I would love to speak to the film’s editors to try and understand some of their choices… were they artistic decisions?  Were they meant to create an emotional reaction?  Were they to cut the film down because it was running too long?  Why were they made?  That was one of the bigger questions I came away with regarding this latest Trek.

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“It isn’t uncommon, you know?  It’s easy to get lost.  In the vastness of space,
there’s only yourself, your ship, your crew.”

Commodore Paris

The Special Effects

I’ve heard a lot of complaints about the effects, but I was happy with them.  Some of them are extraordinary!

As mentioned above, the camera was almost always in motion, and at times that did make certain effects look a little blurred or unrealised, but there were enough outstanding set pieces that were perfect that you just went with it.  In some people’s minds that might have been a poor choice on the filmmakers’ behalf, but I personally enjoyed the way the movie flowed.

Those set pieces?

The Yorktown, and in particular the Enterprise‘s entry into and exit from it, were simply beautiful and actually surprising.  The heart-breaking but spectacular destruction of the Enterprise was another jaw-dropping moment that was gorgeous to watch as it tore your heart out and stomped on it.

The wave of swarm ships that the Franklin “disrupts” toward the end of the movie were also really well done, as were the running phaser fights on the Enterprise as she was boarded and the escape pod sequences looked great too.  I jumped almost every time a swarm ship captured one of the small pods.

There were some corny bits, like the holo-projected Jaylah’s and Kirks, but they were executed flawlessly – so by and large the effects were fun and they worked.  They did exactly what they needed to do and complemented the film and for once, for a blockbuster, did not drown out the story in favour of more flash and bang.

I love watching a movie that dazzles me with amazing effects but doesn’t overwhelm me.  I want to be sucked into a film and to feel like everything in that movie supports the story and its characters, and isn’t there just to provoke a reaction.  I’m personally pretty tired of special effects for the sake of special effects and it was such a relief to see Star Trek Beyond find that perfect balance.

Nothing in Beyond felt superfluous or over done and that’s a real testament to everyone involved.

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“You spent all this time trying to be your father, and now you’re
wondering just what it means to be you.”
Leonard McCoy

The Story and the Acting

For me, the small stories inside the big story were the most enjoyable:
– Kirk’s early mid-life crisis;
– Uhura and Spock’s relationship and Spock struggling between his love for Nyota and his obligation to his species;
– Shipboard life after more than 900 days in space and the ups and downs for the crew;
– Spock and McCoy and their friendship;
– McCoy and Kirk and their friendship, and;
– Spock dealing with the death of his older self.

The big story was good, but it wasn’t as strong as it could have been.  It felt like Star Trek Beyond needed another thirty minutes to get everything just right.

Krall was probably the best villain since Khan and the Borg Queen.  He was magnetic, ruthless, driven and impressive in every way.  His motivations were understandable – but at a stretch, because they weren’t given the due attention they needed to make his narrative sing, and as a result fell a bit flat.

As much as a good film needs a great ‘bad guy’, I think it was clear that this film was not about that conflict and so it’s a little easy to overlook the slight misstep that was taken with Krall’s story.  Beyond was about the family that is the crew of the USS Enterprise, and it was a love letter to us, the fans… and Simon Pegg, Doug Jung and Justin Lin pull those two things off brilliantly.

If I were forced to pick something that disappointed me about the film, there was only one thing that niggled.  The use of Chekov.  We don’t get to spend much time with him, and in a film that was such an ensemble piece that grated on me.

It is a big cast, and that will always mean someone will come off second best, but teaming Chekov with Kirk was a mistake because Kirk is always going to dominate every scene he is in.  That’s got nothing to do with acting talent, but it does have everything to do with character.  Kirk is bigger than life, and he’s the guy in charge so we’re always going to expect him to take charge.

Normally I’d be okay with one or two characters getting a little less, because there’s usually the promise of another film (or in TV Trek another episode) and another chance for that character to grow.  This time, that’s not the case because we lost Anton Yelchin a few short weeks ago.

Justin, Simon and Doug couldn’t have known that was going to happen, and Anton’s death was so close to the release of the film that there was no way a new edit could be done, and so we’re left hoping that a Directors Edition DVD and BluRay may shine a bit more of a light on everyone’s favourite Russian Navigator.

But, back to the positives!  While the story is relatively simple, it was executed in a less than traditional way.  That’s what makes this movie stand head and shoulders above every other previous Trek film.  The Kelvin timeline Star Trek has often been promoted as an ensemble series, but Kirk has always been the hero – he joins the away mission to disable Nero’s drilling platform in the first film and then takes over the Captain’s chair when Pike gets captured.  He works out Khan is about to attack Starfleet HQ in the second film, and flies through debris with Khan in that same movie to stop the Vengeance.

In Beyond, all of that was turned on its head a bit.  Yes, Kirk was heroic, but he wasn’t THE hero.

McCoy got to do a bit of that, so did Spock, but the most heroic act belonged to Uhura when she willingly sacrificed herself to save her friends.

Thankfully, we didn’t lose her, but the character could not have known she would survive that tense moment.

It was a totally unexpected move that had me on the edge of my seat!  Not too far along in the movie, the swarm attack on the Enterprise takes everyone by surprise.  They’re approaching a planet called Altamid on a rescue mission when everything goes to crap!  The ship is ripped apart, the saucer section is falling toward the planet and can’t engage it’s engines because the neck is still attached, so Kirk runs off to try and separate the broken neck from the saucer section so he can save his crew.

Kirk gets way-laid by the movie’s big bad, Krall, and Uhura rushes to help.  While Kirk battles Krall, Uhura fights her way through swarm warriors to discover there is no chance Kirk can perform the manual saucer separation procedure.  In that moment she makes the decision to sacrifice herself and releases the saucer saving Kirk and her friends.  As Kirk looks on, shocked, she and Krall plummet toward Altamid’s surface.

Star Trek Beyond has quite a few of those unexpected turns that give our heroes a chance to actually be heroic.

It’s such a nice change.  While Star Trek IV: The Voyage Home provided similar opportunities, the heroics were often overshadowed by the fish-out-of-water comedy.  Beyond doesn’t do that, it gives the actors some “meat” to chew on and they run with it with gusto and talent.

The Acting?  There’s no need to comment on it.  Chris Pine, Zoe Saldana, Zachary Quinto, Karl Urban, Simon Pegg, John Cho and Anton Yelchin are gifted.  When you add in Shoreh Aghdashloo, Sofia Boutella and Idris Elba, you have one outstanding performance after another.

As mentioned above, Chekov is the only character who doesn’t really get much of an opportunity to shine.

Special mentions:
Sofia Boutella.  She is exquisite as Jaylah.  We all need to watch this young woman because she is going to take Hollywood by storm.
Idris Elba.  I know Idris has quite an acting resume, but he didn’t come to my attention until Thor.  He’s so impressive.  They stuck him under a mountain of latex and it didn’t stop him.  Idris brought Krall to life and he stole every scene he was in.
Chris Pine.  This is his best performance as Kirk to date.  He sells Kirk’s emotional journey beautifully.
Zoe Saldana.  She is fearless as Uhura.  She has a few moments that require some serious acting talent, and she pulls them off beautifully.  It’s not hard to see why Zoe is hot property and in so many films.  Her part in Beyond is smaller than it was in the two previous Treks, but that didn’t deter Zoe one bit.  If anything, she made the most of every second she was on screen.
Zachary Quinto.  I don’t even know where to begin.  His performance is the stand out of the entire movie.  Spock goes on a roller-coaster journey during this film and Zachary is astounding every step of the way.  I have always thought Zach was a fine actor, but he’s better than that.  If he doesn’t get an Academy Award one day, I will be deeply disappointed.  Spock has long been one of my favourite characters, but Zachary deepened my love for the character and I had not thought that was possible.  With Leonard’s death last year, it’s like Zach felt the weight of that one man’s legacy and decided that to honour him and to honour Spock he was going to go to an entirely new level.  His performance is such a beautiful homage and nod of absolute respect to Leonard Nimoy.  I want to watch the movie again, but I REALLY want to watch it again just to focus on his performance and let it carry me away.

An extra special mention needs to go to the duo of Zachary Quinto and Karl Urban.  Together, those men are pure magic.

The only disappointment in the acting department was how little we got to see of the always incredible Shoreh Aghdashloo.

Commodore Paris was a welcome addition and I wish we’d gotten to spend more time with her.

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“Let’s make some noise.”
James T. Kirk

The Music

This can be summed up in one simple sentence: Michael Giacchino has done it again.

Michael has, for all three reboot films, managed to weave in classic Trek compositions and original music to create something special.  This is his best Trek score to date, with some truly unique themes peppered throughout the soundtrack.

The music is atmospheric and memorable.

Enough said!

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“Space: the final frontier.”
James T. Kirk
“These are the voyages of the starship…”
Spock
“…Enterprise.  Its continuing mission…”
Montgomery Scott
“…to explore strange, new worlds…”
Leonard McCoy
“….to seek out new life…”
Hikaru Sulu
“…and new civilisations…”
Pavel Chekov
“…to boldy go where no-one has gone… before.”
Nyota Uhura

Extra Bits and Summing it Up

As most, if not all Star Trek fans know, we lost two shining lights in the Star Trek galaxy recently.  Leonard Nimoy and Anton Yelchin.

To recognise Leonard’s death, a Vulcan delegation approached Spock on the Yorktown to advise him (and us) of Prime Spock’s passing.  Later in the movie, Spock was given his older self’s possessions and in one beautiful scene the whole 50 years of Star Trek was honoured.

For long term fans that scene was full of emotion, both in the moment we saw it onscreen and afterwards as we reflected on it.  On the moment it was a beautiful homage.  In reflection, in that moment we had Spock’s love for his crew mates confirmed for us.  It was something we always suspected, and it was something Spock showed time and again in the series and movies, but it was bang in front of us in those closing moments of Star Trek Beyond.

What am I talking about?  If you haven’t seen the film yet, it appears Spock often travelled with a few possessions that meant a lot to him.  He had those possessions with him when he left on his mission to save the Romulan star in 2009’s Star Trek.  Of those possessions, one item in particular is of interest to fans – a photo of his oldest and dearest friends, Kirk, McCoy, Scotty, Uhura, Sulu and Chekov.  The reveal of the photo (a promotional image from Star Trek V: The Final Frontier) was a moment that brought tears to my eyes, and I’m sure I’m not the only fan who was moved.

One of the most beautiful things about that scene was the glimpse the younger Spock received of just how deep those relationships, which are still relatively new to him, were destined to go.

It was a perfect moment.

STV Enterprise A Crew Photo

For Anton, it was an equally small but perfect moment.

At the the very end of the film we celebrate Jim Kirk’s birthday.  During that, Kirk gives a toast and says the words “…to absent friends…”.  It’s an echo of a scene played out in another reality, after Kirk and crew lost their friend Spock and their ship.

Kirk toasts Spock and the Enterprise in Star Trek III The Search for Spock

As the Kelvin timeline Kirk says those words the camera is moving around the entire cast, but lingers on Anton for a noticeable moment as those words are spoken.  It was beautiful.  The lighting shifted slightly, and Chekov was bathed in a subtle golden aura.

If I had to sum the whole movie up, those two scenes are good examples to use because Star Trek Beyond is nostalgic, sensitive, self-aware without being ironic (and making fun of itself like so many of the Next Gen films seemed to do), and it’s inclusive.  It helped if you knew Star Trek, but if you weren’t familiar with it you could still enjoy the film and feel something special.

Throughout Beyond you feel like the characters you love have grown and changed and developed and become more than archetypes or two-dimensional creations on a screen.  Time has passed, it’s affected them, and it’s brought out the good as well as the not so good in them.  Like every human being (or human Vulcan hybrid), they’re struggling through that and trying to do and be their best.

I can’t wrap up this review without making a comment about the tumult surrounding the revelation that Sulu is gay.

It’s handled beautifully.  As the Enterprise approaches the Yorktown at the beginning of the movie, we see an image of Sulu’s daughter.  In that moment it’s clear he’s a father.  After the ship docks and the crew disembark for shore leave, we see Kirk watching Sulu approach a man and a young girl, and we see Kirk smile warmly and a little wistfully as Sulu’s arm goes around his husband’s waist and he nuzzles his daughter and they walk off together.

It’s a brief scene, but such a perfect one.  The revelation wasn’t treated as a “thing”, and Sulu wasn’t different as a result.  He’s the same Sulu we loved in the 2009 film, and the same Sulu who so effectively took command of the Enterprise in 2013’s Star Trek Into Darkness.  The only thing that changed was that he deepened as a character and that is fantastic.

Rihanna’s “Sledgehammer”?  It sounds wonderful in a cinema.  I liked “Sledgehammer” when I first heard it, but did not go and download it right away.  Then I watched the movie, heard that song on those enormous surround sound speakers and truly appreciated that piece of music.  I also “got” how it helped Zoe Saldana and Zachary Quinto deal with the death of Anton.  It’s a beautiful song, made all the more so by the tragic passing of such a young and talented actor.

If you haven’t seen Star Trek Beyond yet, you need to.  You really need to.

There is so much to love about Star Trek Beyond.  Don’t listen to the critics who have panned it.  It’s obvious something has died inside those people somewhere over the years, because it’s not just a good film, it’s a great film, and it treats Star Trek and it’s fans with the respect we all deserve.

Star Trek Beyond gets five out of five Starfleet Deltas from me.
Five Starfleet Deltas

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Warp Speed Ahead…

Star Trek Beyond Reviews and Updates

Days before it is officially released, Star Trek Beyond has been declared a critical success… at least as far as most critics are concerned.

There are, of course, some who have expressed a little disappointment, but thankfully there are only a few of them.

To date (July 19), Beyond has a 91% “fresh” rating on trusted review site Rotten Tomatoes – which is pretty damn good!

HAPPY 50th, STAR TREK!

STB Rotten Tomotoes

If you’d like to read some of the reviews, see below.  Most are spoiler free, and those that aren’t contain minimal information.

TrekCore review

io9 review

TrekMovie review

TrekNews review

Blastr has a collection of comments/review snippets from various sources.

I haven’t seen the movie yet, but will rectify that in… oh… two days.  It’s probably safe to say I cannot wait!

So… how good is the movie?  So good Paramount have already announced a sequel – that will, apparently, feature Chris Hemsworth (yes, that Chris Hemsworth).

For those of you who don’t remember, Chris starred as the father of James T. Kirk in 2009’s Star Trek.  He broke our hearts, valiantly sacrificing his life to save his wife, his son (who was being born literally as the USS Kelvin was ripped apart by Nero’s vessel), and many of his fellow crew.

That sacrifice would become a turning point for a young James Kirk, thanks in no small part to Christopher Pike, who uttered these now immortal words: “…your father was captain of a starship for twelve minutes.  He saved 800 lives, including your mother’s and yours.  I dare you to do better.

We don’t know how George Kirk will return in the as yet untitled Star Trek IV, and I doubt we’ll find out for quite some time, but there are many ways in which a deceased character can make an appearance… via flashback (which is unlikely), as a recorded message, through a little time travel, or maybe even a crossover between the Prime Reality and the Kelvin timeline… it’s Star Trek, so the possibilities are endless.

To me, the most exciting possibility would be a crossover… so much potential in that one!

Star Trek Beyond is premiering in various locations around the world, and officially hits cinemas in three or four days – depending on which part of the world you live in.

According to a number of the reviews, it’s a worthy film to celebrate Star Trek‘s 50th birthday, effectively combining nostalgia and an old school Trekness with epic summer movie spectacle.

The latest film has been directed by Justin Lin and has been produced by J.J. Abrams from a screenplay by Simon Pegg and Doug Jung, and stars Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, the late Anton Yelchin, Sofia Boutella and Idris Elba.

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It Took 50 Years…

Sulu is Gay Announcement - STB

There is an issue that has been of great importance to a lot of Star Trek fans for a very long time, that has finally been addressed and it feels right that it’s been taken care of in the 50th Anniversary year.

At the Australian premier of Star Trek Beyond in Sydney last night (the 7th of July 2016), John Cho, in an interview with the Herald Sun, gave away a pretty huge spoiler.

If you don’t want to know… don’t read on.

Spoiler Alert

As some of you know by now, Sulu – like his Prime timeline character – has a daughter.  We see her in a photo during the course of the latest adventure.

What we didn’t know, until John told us last night, was that Sulu’s daughter (presumably Demora Sulu) has two dads.

That’s right.  Hikaru Sulu is gay (or bisexual).

To read more about this revelation, and reflections from John, Chris Pine, Justin Lin, Karl Urban and Zachary Quinto on the loss of their friend Anton Yelchin, click here to jump to the Herald Sun article (by Australian journalist James Wigney).

The move to make Sulu gay was to honour all of the Star Trek fans who have been asking for a gay character for way too many years, and it was done in an attempt to honour the legendary George Takei who first played Sulu in the original series and the following six films (and the odd fan production).

George, however, has said he asked the Beyond team to reconsider their decision.

Though George is probably the most famous face consistently advocating for the QUILTBAG (Queer/Questioning, Undecided, Intersex, Lesbian, Transgender/Transsexual, Bisexual, Asexual and/or Gay) community, he reportedly asked everyone to abandon the idea.

He didn’t make this request because he’d suddenly changed his mind about his sexuality, or his desire to see a gay character on Star Trek.  George made the request because he thought tinkering with Sulu would mess with the character Gene created.

As George explained to The Hollywood Reporter, “I’m delighted there’s a gay character… unfortunately, it’s (making Sulu gay) a twisting of Gene’s creation, to which he put in so much thought.  I think it’s really unfortunate.

In his conversations with the Beyond team, George was adamant there should be a gay character in the third movie set in the Kelvin timeline, but suggested they create a new character and make him a big part of the film, and avoid using an established character that had 50 years’ worth of other people’s perceptions connected to him.

To read more, visit the article online at The Hollywood Reporter here.

A lot of discussion has happened online since the revelation, with most of it being in support of Sulu’s “coming out”.  The discussion, interestingly, has been around attempting to confirm whether or not Sulu ever mentioned having a wife or a girlfriend.

To the best of most fans’ memories, he never did (except for in the non-canonical novels and comics).

The fact that this revelation did not interfere with canon seems to have satisfied most people.

George has a point, but Simon Pegg, who also recently addressed this addition to Sulu’s character, also has a point when he says (via io9) here, that he doesn’t “…believe Gene Roddenberry’s decision to make the prime timeline’s Enterprise crew straight was an artistic one, more a necessity of the time. Trek rightly gets a lot of love for featuring the first interracial kiss on US television, but ‘Plato’s Stepchildren’ was the lowest rated episode ever.

What’s interesting is that last year in an article I posted here, George suggested that Gene didn’t have a gay character in the crew, and hadn’t put a spotlight on gay issues, because he knew ‘they’d’ take his show off the air.  ‘They’ being the censors.

I have a sneaking suspicion Gene would have been okay with what Simon, Doug and Justin have done, and I know he’d love George for asking this question, and taking a stand for the characters Gene created 50 years ago.

Sadly, we’ll never really know how Gene feels about this deepening of Sulu’s character, but one thing I do know for certain is that no one went and did this with the intention of purposefully dishonouring Gene’s creation.

On a side note, why Sulu?  Every other character in the original series was shown chasing or having feelings for a member of the opposite sex – all of them, Kirk, Uhura, Spock, McCoy, Scotty, Chekov, Chapel and Rand.  Everyone except Sulu (although evil Sulu in “Mirror, Mirror” was shown to have a less than polite interest in Uhura).

Star Trek Beyond was written by Simon Pegg and Greg Jung, and directed by Justin Lin.

The film stars Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, John Cho and the late Anton Yelchin.

Star Trek Beyond is in the process of opening in various locations around the world.  Hopefully, everyone who sees it loves it and either likes, or at the very least respects, this revelation about Sulu. 

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Star Trek Beyond Update

Star Trek Beyond Update Banner 03062016

There’s a little over a month until the international release of Star Trek Beyond, and we’re starting to get a decent amount of information on the new movie.

Star Wars fans everywhere will slap me for this, but my anticipation for Star Trek Beyond has hit the same level it hit (for me) in the lead up to Star Wars: The Force Awakens.  That level of anticipation was pretty huge.

So… with more news coming out about the film than ever before, where to begin?

TrekCore, one of the best Star Trek news sites out there, has a brilliant look at the new uniforms in Star Trek Beyond right here, and they are beautiful.  I really like the biker style get up that Kirk and Chekov wear in the previews – the detail in those two costumes is fantastic.

Three new TV spots have also recently been released by Paramount pictures, and you can watch them on YouTube herehere and here.  While you’re checking them out, show some love to ComicBook.com and their YouTube channel for posting the previews.

What else?

Well… the wonderfully talented Karl Urban recently came clean on some of his favourite things about Star Trek, including his favourite film.

I’ve been a fan of Karl’s since I saw him in The Lord of the Rings: The Two Towers.  His portrayal of Leonard McCoy merely cemented that for me.  Now, I respect him even more – because we both love one particular Trek movie, despite the fact it’s one of the least liked out there.

To read that interview with Karl, visit IGN here.  You can quickly see he is a true fan of Star Trek and is pretty damn knowledgable about that universe.

Lastly, the two actors playing Star Trek‘s couple of the decade, Zoe Saldana and Zachary Quinto, spoke to EW about the upcoming feature film, where Uhura and Spock’s relationship is at, and just how much this new enemy will challenge the Enterprise crew and the United Federation of Planets.

It’s similar to a lot of what we’ve heard in recent months, but Zoe and Zachary do dive a little more into Spock’s journey and how he loves Uhura deeply, but feels conflicted because he wonders if he should be with a Vulcan woman, helping rebuild his homeworld’s civilisation after it was almost wiped out in 2009’s Star Trek.

To read the article over at Screenrant, click here.

That’s pretty much all of the major news that’s come out in recent weeks.

There are some other bits and pieces of news available out there, and if you’re in the mood to navigate through a few sites for some additional information, I highly recommend TrekCoreTrekMovie and TrekNews.

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Star Trek Beyond and Series VI Trailers

Star Trek Update Banner - Beyond and Series VI

As anticipation builds for the release of Star Trek Beyond and the sixth live action Star Trek television series, two new trailers have dropped in the space of two days to remind us all that Star Trek is definitely alive and well in this, it’s 50th Anniversary year.

As well as two new trailers, there are two new movie posters, with one of them paying homage to the very first Star Trek movie poster ever, 1977’s Star Trek: The Motion Picture.

That poster was created by Bob Peak, a very famous Hollywood artist.  You can check out Bob’s work here.

The official Star Trek website has all the news on the two up and coming Trek productions, as well as a special focus on the recent major fan event that was held in Los Angeles on the 20th of May, featuring J.J. Abrams, Justin Lin and some of the stars of Star Trek Beyond.

You can go directly to the report on the special fan event by clicking here if you’re not in the mood to navigate through the site.

Now, let’s talk about the preview for the next film.

Star Trek Beyond Promotional Posters

The new trailer for Star Trek Beyond, and the second official trailer released by Paramount, is AMAZING.

I could break it all down for you, but that would be a waste of time because you really need to watch it.

As a long time fan, it feels like we might finally have a Star Trek feature film to rival the incredibly poignant and powerful Star Trek II: The Wrath of Khan.

Whereas the first trailer focused on action, action, action and more action, and had a slightly unexpected soundtrack blare out at us when we hit play, the second trailer takes us on a deeper journey, hinting at a movie that has just as much substance to it as it does noise and bluster.

The action is still there, but more importantly so too are the characters we’ve come to love, and for at least one of them, they’re at something of a crossroads in life that has the potential to add a whole other dimension to the film.

I know that Into Darkness was meant to be something of a homage to The Wrath of Khan, and one that fell short and was ultimately a little misguided, but this preview reminded me of the tone and feel of Wrath of Khan and what made that movie great, and it filled me with a new level of anticipation.

What makes Wrath of Khan so special for me and what makes it my gold standard for Star Trek films, is that the movie has grown with me.  When I first saw it, I wasn’t even a teenager.  At that impressionable age, what stood out was the epic space battle, the Ceti-Eels, Khan and how ruthless he was, and how much the crew of the Enterprise seemed like a family.

As the years have passed, I’ve come to appreciate just how multi-layered the movie is.  Kirk’s musings on life and his angst at being desk bound because he’s so experienced and others feel he should be guiding rather than doing, resonated with me when I found myself at a similar point in my career.  Uhura’s objection to Kirk’s comment that roaming the galaxy is a game for the young, speaks to me because I’m still bucking the fact that while I feel young, I’m actually cruising toward middle age.  These insights into something we all endure, the process of ageing and maturing, make me respond to the movie on a whole other level and look at life in a completely different way.  Kirk’s line, “I feel young”, still moves me to this day and reminds me that at every stage of life every single one of us has something invaluable and unique to offer.  Which, thanks to The Wrath of Khan, has become very much a big part of Star Trek‘s overall philosophy of inclusion.

Beyond appears to riff on similar universal experiences.  Kirk is trying to discover who he is, outside of the shadow of his father.  Spock cautions us on fear.  McCoy reminds us that it’s okay to fear death, so long as we remember to live.  The two plus minute trailer packs a whollop of emotion and action into it, from Uhura’s declaration her friend and Captain will come for her and the crew, to Shohreh Aghdashloo’s counsel on how easy it is to get lost, and her reminder that all we can really depend on in life are the people who undertake the journey with us.  Add to that a villain so steeped in hatred for the Federation and the very vision and ideals we as fans so admire, and the promise of an epic but intimately personal movie is made.

To watch the trailer, click here.

Below are a series of screencaps from the preview.  The first five photos show a pensive Kirk as he ponders what it means to ‘be’ Jim Kirk.  There’s also a unique shot of the Enterprise departing what might be the Yorktown, a starbase somewhere far from Earth.  We also see the first real new warp effect since the first movie in the reboot timeline – and it’s beautiful.  The screencap does not do it justice.  In any way.

The next five shots show the crew setting out, the attack by the swarm that cripples or destroys Enterprise, and a fantastic new shot of the deadly new enemy as they board the ship.

The following screencaps show what happens when you piss off a certain Communications Officer, McCoy following Jim’s order to abandon ship, and Kirk on the ground aiming a phaser at someone out of shot.

The next images show us that Uhura and Spock’s relationship is still going strong, that Spock and McCoy continue to rub each other the wrong way, and hints that Uhura and a great many of the Enterprise‘s crew fall into the hands of the film’s new villain, Krall.

The final screencaps show us an enemy learning all he can about James T. Kirk, Uhura warning that villain that their captain will come for them and he won’t be in a merciful mood, and two shots of the new heroine – Jaylah, played by Sofia Boutella.

One of the most surprising things about the new trailer was the ship it appears the Enterprise crew escapes in.

An NX class starship, last seen in Star Trek: Enterprise.  Could it be the USS Franklin?  The images below are grainy, but I swear it’s an NX vessel.  Watch the preview, and let me know if you agree!

All in all, this preview looks incredible.  I think Justin Lin has done it.

I was already excited to see this film, now I’m crazy-impatient to see it.  I can’t wait for the Australian premiere.  I’ll be lining up early and going multiple times.

Thank you, Paramount, Justin Lin, Simon Pegg and Doug Jung for what looks like it will be one of the best Star Trek films in a very long time, and maybe the best Star Trek film ever.

Star Trek Series VI Logo

A couple of days before the second official preview for Beyond broke, equally exciting news hit Star Trek fandom.

A teaser trailer for the new television series.

The trailer doesn’t show us anything, other than the beautiful new logo for the new production and a few gorgeous shots of Earth and deep space.

But, it does possibly answer one question many of us have been asking for a few weeks now – will the new Trek be an anthology show?

The answer is in the screencaps below.

New CREWS?  It doesn’t say, outright, that the new series will be an anthology series, but that’s one heck of a strong hint.

The last four screencaps from the teaser promise us new villains, new heroes and new worlds.

And I can’t wait!

After watching the teaser, I was left thinking that if it is an anthology series, it won’t just jump backward and forwards along one Trek timeline – it will also visit the alternate timeline created in 2009 by J.J. Abrams.

I have nothing to base that on, other than a lense flare effect I saw as I was watching the trailer that made me think of J.J..

When you think about it, it’s a simple way to meet every fans expectations.  A lot of fans prefer what is called the Prime Timeline, and some prefer what’s often called the AbramsVerse.  As well as honouring both, an anthology series opens up some very interesting story ideas as the writers explore Trek’s lengthy prime history across the 22nd, 23rd and 24th centuries, and how similar events might play out differently in the alternate timeline created by Nero.

The more I think about it, the more I hope they go the anthology route.

Things are starting to get very exciting for fans, and finally it’s starting to feel like the 50th Anniversary of Star Trek.

As more news comes to light, I’ll pop it up here… but right now, I’m  just going to pop up that beautiful homage to Star Trek: The Motion Picture one more time because I am in love with the new Beyond poster.

Star Trek Beyond Star Trek The Motion Picture Homage

Star Trek Beyond stars Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Sofia Boutella and Idris Elba, and was written by Simon Pegg and Doug Jung and directed by Justin Lin.

Star Trek Series VI is being developed by Alex Kurtzman, Bryan Singer, Rod Roddenberry, Heather Kadin, Trevor Roth and Nicholas Meyer.

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75 Days and Counting

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As of the 7th of May, it’s only 75 days until the release of Star Trek Beyond.

As we all wait with baited breath to see this movie that is wrapped up with so much hope and weighed down with so many fans’ concerns, the people behind the film are finally starting to give us some additional insight into this third voyage into the alternate timeline created by 2009’s Star Trek.

First, Paramount recently registered the title “Star Trek 4” with the Motion Picture Association of America.

Does this mean there’s already a fourth movie ready to shift into pre-production?

No.

But, it does mean Parmount has faith the new Trek film will do well.  So much so, both Chris Pine and Zachary Quinto are signed for another sequel.

For more information on this, visit TrekMovie here.

Not long after Paramount registered the generic title for a potential fourth movie, a little more news came out – from the film’s new director, the talented franchise saviour Justin Lin, and one of the film’s stars John Cho.

In an interview with 1905.com, an official subsidiary of the China Movie Channel, Justin spoke at length on the efforts he and his fellow creatives went to, to make the new movie about character.  Action remains important, because the film will be a major blockbuster for the studio, but Justin is convinced he’s struck a good balance between spectacular explosions and other action set pieces, and beautiful and meaningful character moments.

To read the article at TrekCore click here.

John Cho also spoke on the character moments that Justin focused on in the new movie, commenting on how – more than any other Star Trek film in the reboot series – Beyond feels truest to the original series.

To read more from John’s interview, visit the always brilliant TrekCore here.

Finally, Sofia Boutella is in the recording booth doing some post production work on the new film, in time for its imminent release.

Sofia recently did some ADR work (Automatic Dialogue Replacement) for the new film, which is common for pretty much every major production.

ADR is used to clean up dialogue that might not have been caught during filming, or might have been spoiled by another sound intruding that either wasn’t picked up by the sound people, or was picked up with the Director deciding it could be corrected in post without going to the extra expense of resetting a scene and filming yet another in what might have been a long series of takes.

To read a little bit more, visit TrekCore again here.

That’s it for now.  With a little over two months until the movie comes out, we’ll no doubt hear more about the film and see more – especially when the next trailer drops later this month.

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Star Trek Beyond Update – A New Character

Shohreh Aghdashloo Joins Star Trek Beyond

It’s been a little while since we heard anything about the upcoming Star Trek Beyond, due for release in 131 days (as of this writing).

The latest on the film is that reshoots are taking place.  That isn’t unusual for a Hollywood blockbuster, but what is unusual is that they are adding a brand new character into the film months after principal photography finished.

Shohreh Aghdashloo has joined the cast of Star Trek Beyond as a either the CinC of Starfleet or maybe even the President of the United Federation of Planets.  It’s a little unclear, with her character being described by Deadline and a number of Trek sites as the “High Command” of Starfleet.  That’s a sentence that doesn’t make sense.  “High Command” is a designation for an institution or organisation, not a position.

Whomever Shohreh is playing, we’ll no doubt find out soon.  What is important is that she is an incredible actor with some impressive credits to her name.

The 63 year old Iranian born actor has starred in numerous hits, first coming to the notice of audiences back in 2005 in the fourth season of the critically acclaimed 24, where she played a terrorist to chilling effect.

She is currently starring in The Expanse on the SyFy Channel as politician Chrisjen Avasarala.

Shohreh has a Daytime Emmy Award to her name, as well as a nomination for an Academy Award for Best Supporting Actress for her performance in The House of Sand and Fog.

To read more about Shohreh, you can visit her Wikipedia page here.

What other changes are coming to Star Trek Beyond?

We don’t know yet.

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As I mentioned above, it’s not unusual for a film to be tweaked close to its release date, but it is unusual a new character be added and filmed after the completion of principal photography.

Does this mean the 13th Star Trek film is in trouble?

Maybe, but not necessarily so.

The worst thing that might have happened is that a preview audience saw the film and hated a part of it.  What most likely occurred was that the first cut was completed and Justin Lin and everyone else responsible for making the movie, felt it fell short in some area.  That might explain the reshoots and the addition of a new character.  Reshoots are more often than not a good sign and they can be an attempt to add an extra dimension or sense of depth to the story.

There is no doubt this film has everyone a little nervous… a new director, one of the actors co-wrote it, and it’s coming out in the 50th Anniversary year where expectations are higher than usual.  There was also the disappointing performance of the first trailer released a couple of months ago which felt very ‘unTrek’ like.  Justin Lin and Simon Pegg have attempted to assure us the film has not sacrificed story for action, but some fans were left unconvinced.

As more information comes to light, I’ll make sure to toss it up here.

I’m still looking forward to the 22nd of July, and even more so now that Shohreh Aghdashloo is involved.  I’ve been a fan since 2005 and I am thrilled she’s now a part of Star Trek.

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