Episode 14 Review

Star Trek Discovery Recap and Review Banner Episode 14

With possibly one of the best and tensest openings since “The Best Of Both Worlds, Part II” or “The Year Of Hell, Part Two,” Star Trek: Discovery takes a deep breath before the upcoming season finale, but makes sure we don’t get too comfortable in this emotional and, once again, twisty episode.

The Facts
Episode Number: 114
Episode Title: “The War Without, The War Within” or “Cornwell Takes Charge”
Written By: Lisa Randolph
Directed By: David Solomon

Saru: “Admiral!
Cornwell: “Where’s Captain Lorca?
Burnham: “Sarek… please!
Cornwell: “Stand down, specialist.  Now!”  Beat.  “Computer, initiate command level override.  Authorisation: Admiral Katrina Cornwell, pi beta six.
Computer: “Override confirmed.

Cornwell: “The Lorca I came up with was measured, he was reasoned.  I couldn’t have imagined…
Sarek: “That Lorca was an impostor from an alternate universe was not the most obvious conclusion.  We were all deceived.

Cornwell: “All evidence of your recent journey will be classified and destroyed.  We cannot risk the knowledge of this alternate universe leaving the confines of Discovery.”
Burnham: “I don’t understand?
Stamets: “There would be… too many possibilities.
Sarek: “Indeed.  Our people have suffered terrible losses.  What would you do if you thought that your dead wife, your lost child, your murdered parents might be alive on the other side and that the technology exists for you to see them again?  This knowledge must be buried.
Cornwell: “Command will want this locked down.
Saru: “Of course, Admiral.

Cornwell: “I want to be truthful with you.  Your side is winning.  When we met, you had nothing but contempt for the crumbling leadership of the Klingon Empire.
L’Rell: “T’Kuvma sought to strengthen and unify the Great Houses.  If he has succeeded in only this, it is cause for celebration.
Cornwell: “Your ‘Great Houses’ are carving up Federation assets among their factions.  A captured starbase bears the insignia of House D’Ghor, not of the Klingon Empire.  Is that the kind of ‘unity’ your messiah proclaimed.  They think nothing of the collateral damage caused by their brutal attacks.  They target civilians, hospitals, food conveys.  They slaughter innocents, and inspire terror across the quadrant.
L’Rell: “This is war, not a child’s game with rules.  We fight to preserve Klingon identity.
Cornwell: “No one is looking to destroy your culture!  Our laws are founded in equality, freedom.
L’Rell: “T’Kuvma taught us that the Federation cannot help itself.  It seeks universal homoginisation and assimilation.
Cornwell: “T’Kuvma was an ignorant fool, and your people are moving closer and closer to my home planet.  What are you looking for?  More territory?  Conditional surrender?  I mean, your people won’t even make demands.  Why?  How does this war end?
L’Rell: “It doesn’t.  Klingons have tasted your blood.  Conquer us, or we will never relent.
Cornwell: “Thank you.

Georgiou: “Your child is lost.
Sarek: “Do not confuse my ward with yours.
Georgiou: “My daughter was a singular example of brilliance until one foolish choice doomed her world.  Sound familiar?
Sarek: “If I understand correctly, my ward saw through the man who brought down not just your child, but your empire.  Perhaps best not to make comparisons.”  Beat.  “Why have you requested my presence?
Georgiou: “You were summoned, Vulcan, for one reason.  I want to help you end this war.

Sarek: “During my mind meld with Saru I learned of your attachment to the Klingon spy and what he did to you.  Such events are clearly troubling.
Michael: “I’m fine, Sarek.
Sarek: “I remain unconvinced.  There is irony here, of course, the man you fell in love with was a Klingon.
Michael: “He… I don’t know what he was.
Sarek: “There is also grace.  For what greater source for peace exists than our ability to love our enemy.
Michael: “I’ve made foolish choices.  Emotional choices.
Sarek: “Well, you are human.  As is your mother.  There is no telling what any one of us may do where the heart is concerned.  We are at war, logic dictates that each farewell may be our last.”  Beat.  “Do not regret loving someone, Michael.

Disco S1E14 Cornwell Brings Discovery Up To Speed

Moments of Interest
We know from Star Trek: Enterprise that mind meld’s are, in Vulcan years, still relatively new by the time we get to Star Trek: Discovery and Star Trek: The Original Series, but we also know, thanks to Star Trek VI: The Undiscovered Country and multiple TOS episodes, that they’re an intimate and private thing.  Forcing a mind meld on someone can be damaging for both the person undergoing the procedure, and the person initiating it.

In times of war and what sounds like the threat of extinction, it appears they also become a tool for quickly assessing a situation.

Sarek, at Cornwell’s behest, initiates an uninvited mind meld with Saru at the beginning of this episode.  It’s not something any of us would expect of Sarek, but I think it’s a device that’s being used by the writers to let every Star Trek fan know how desperate the Federation’s situation is it at this point in the war.

Another interesting moment is when Admiral Cornwell mentions Captain Jonathan Archer and the crew of the USS Enterprise NX-01 during the episode, reminding everyone that Archer’s trip to the Klingon Homeworld was the only time humans had set foot on that world.  Nice bit of continuity, and one I appreciated (being a Star Trek: Enterprise fan).

The Review
This episode is an acting tour de force for Jayne Brook and Michelle Yeoh in particular.  Both women are outstanding.  In every way.  They drive the plot forward, add remarkable nuance to every scene, and carry the episode effortlessly.

That’s not to say everyone else wasn’t good.  They were, as we’ve come to expect, and as per usual special mention needs to go to Sonequa Martin-Green, Mary Chieffo and Shazad Latif.  They shine in every scene and Mary Chieffo in particular is electric whenever she shares the screen with Jayne Brook.

For me, it’s all of these performances and the little moments that make the episode something special.

Some critics have said they’re not overly fond of “The War Within, The War Without,” and that the writers “dropped the ball” because the episode slowed the momentum of the last third of the season.  I couldn’t disagree more.  This episode was not only necessary as the inevitable prelude to the season finale, it was necessary for our characters as they start to process what has happened to them, and to process the fact that the war has gone terribly in their absence.  I guarantee you that if the writers hadn’t explored some of these issues before the end of the season, many critics would have be up in arms about that.

“The War Without, The War Within” allowed us to see where Tyler and Michael are at after the horrific shocks of a couple of episodes ago – and it’s not a good place.  It also allowed us to enjoy seeing L’Rell and Admiral Cornwell go at each other again, and it allowed us to see more of Emperor Georgiou.  For me, the real pleasure in the episode was watching Georgiou.  Michelle Yeoh was electric and menacing and she owned every scene she was in.  Seeing the character interact with Michael, Sarek and Cornwell left me thinking no one in the Prime Universe would ever stand a chance against her if she chose to act up.

Another highlight of the episode was seeing Katrina Cornwell in the Captain’s chair.  She looks good in it!  Hey, sometimes it’s the small things that make a fan happy.

Disco S1E14 Cornwell Takes Command

The episode began right where the last one ended, with Saru somewhat shocked by the appearance of the Mirror Georgiou in his transporter room.

Georgiou, for her part, is far from impressed an alien is giving orders and quips to Burnham that yesterday they were eating a Kelpian, and now Burnham is taking orders from one.

Yep.  That’s one way to leave an impression!

A not too happy Saru challenges Burnham on her lie (in an earlier episode she had told him she had not seen any Kelpiens in the Mirror Universe), but quickly pushes through that without, thankfully, bringing up the eating bit!

Saru tells Burnham that Tyler is doing well, and that Voq seems to be gone.  Michael tells Saru she’s not ready to see the spy.  And then shit gets serious as phaser wielding Andorians and Tellarites beam aboard, followed by Sarek and Admiral Katrina Cornwell.

It’s a tense, wonderful scene where Cornwell takes control, literally, and brings the Discovery under her command.

Disco S1E14 Sarek and Cornwell Beam Aboard

We quickly learn that the Federation hasn’t lost the war, as Saru initially thought at the end of the last episode, but they are getting smashed.

Cornwell advises certain members of the crew that 20% of Federation space has been lost, and the Klingons have – without rhyme or reason, as Michael points out – slaughtered hundreds of thousands of innocents.

As the episode progresses, the action quickly subsides (without ever completely losing the underlying threat of the defeat of the Federation) to focus instead on meaningful character moments, with one of the most intense being the briefest.  Stamets coming face to face with Ash.

It’s a scene that I’m not sure I’m happy with.  Stamets responded in a very Stamets way, and Ash certainly looked upset, even devastated, but it didn’t resonate with me.  It felt somehow hollow.  I didn’t want Stamets to bop Ash on the nose, but a quick scene of Paul rounding the corner and leaning against a bulkhead with a lone tear trailing down his cheek would have made the moment work.  Hugh and Paul’s relationship has been played up as this great love story, but we haven’t spent enough time seeing the effect on Stamets and I think we need to.  Anything less diminishes that love and Hugh’s time on Discovery.

The majority of the remainder of the episode deals with Georgiou and her manipulations.

Before we look at that though, there were two other important moments where enough time was given to the characters and their plight, that need to be mentioned.

The first is between Michael and Ash.  After initially refusing to see Tyler, at the prompting of Tilly she finally goes to him.

Disco S1E14 Michael Wants To Trust Georgiou

Things don’t start well, and lead Ash to a moment where he lashes out at Michael, pretty much telling Burnham that she got frightened and all of this is a convenient way for her to back out.  She doesn’t take that and fires back, reminding him he had his hands around her throat, and that she looked into the eyes of the man she loved to see nothing but hatred there and a desire to kill her.

That puts him in his place.

She very poignantly ends everything by telling him that his road to redemption, much like hers, will be a solo journey.

It’s a beautiful scene.  I’m constantly astounded by how much meaning Sonequa Martin-Green can squeeze into one sentence, even one word, through a simple change in tone, an unexpected inflection, or the quirk of her mouth.  Shazad Latif is similar.  While Sonequa’s delivery is always very controlled, as you would expect from someone who is playing a character who has been raised by Vulcan’s, Shazad’s delivery is very open with every emotion crossing his face.  What you would expect from someone who is essentially Klingon, a species not known for hiding their emotions.

The juxtaposition of the two is perfect.

The other meaningful moment didn’t play as well.

Before all of this, Ash visits the mess and everything goes quiet.  He grabs his meal and sits down alone while people whisper behind his back and cast him sidelong glances.

Disco S1E14 Tilly Brings Tyler Back Into The Fold

Tilly, echoing how she befriended Michael, moves from her table to sit with him.  He tells her she doesn’t have to, and she sets him straight.  Then Keyla Detmer joins them, offering Ash a warm “welcome back.”  The scene would have been perfect if it ended there, or with Lieutenant Bryce (the Communications Officer) joining them right after Detmer.  But, after Bryce, a whole bunch of people come over and it all seems a bit much.  It crossed from special to corny in seconds.  I want Ash to be forgiven, because we all know it was Voq who did all of those horrible things, but would so many people so easily welcome him back that quickly?  How has he redeemed himself?  He hasn’t?  Has he?  Has the crew had time to process what he did and grieve Doctor Culber’s death?  I don’t think so.  That moment, for me, felt forced and false.

And now, back to Georgiou.

Starfleet in the Prime Universe doesn’t have a chance.  If they don’t keep a close eye on her she’ll be ruling the Federation inside a decade.

There’s not much more I can say about Emperor Georgiou in this episode that I haven’t already.  She walks circles around every character.  While they innocently and naively (and a little warily) attempt to understand her, she is calculating in every moment and looking for an advantage or a way to manipulate things to her will.  And it’s constant.

Disco S1E14 The Emporer Is Unimpressed

Michelle Yeoh is not just a ‘moustache’ twirling villain in this episode, though.  She also shows compassion and even, dare I say, a smidge of love, to Burnham.  It’s fleeting, but it’s there.  Michelle conveys it all perfectly.  Complex characters are so rewarding for the viewer, and they show good writing, and this Georgiou is definitely complex.

Like most people in the western world, I fell in love with her watching Crouching Tiger, Hidden Dragon.  Now I’ve fallen in love with her all over again, first because of her portrayal of Captain Georgiou, and now because of her portrayal of Emperor Georgiou.

I think the joy here is that Georgiou is now a character who has represented the very best of Starfleet, and now the absolute worst in the visage of her Mirror Universe self.

I love how the writers have done that!

Out of all of the interactions between Georgiou and those characters who know she is on board, the best is her private meeting with Sarek.

Disco S1E14 Michael, Cornwell, Georgiou and Sarek

The first time we see her interact with Sarek is after Michael confesses what she’s done.  Cornwell and Sarek go with Michael to visit the Emperor, and Sarek is surprised (as much as a Vulcan can be) by how alike this Georgiou is to his now dead friend.

That quick interaction, though, gives Georgiou an idea.  She picks up on the bond between Sarek and Michael and logs that in her memory for future use.

She sets about setting her trap.  The first step is helping Michael formulate a plan.  Michael shares that plan with Cornwell, who is excited.  Cornwell convinces what’s left of Starfleet’s leadership it will work.

The second step is taking the plan to the next level.  A dark and horrible level.  Georgiou “summons” Sarek and shares her complete idea with him.  It’s something she wouldn’t tell Michael because she didn’t think her “daughter who is not her daughter” could handle it.

During all of this we learn that Starbase One has been occupied by the Klingons (House D’Ghor to be exact) and that all of the Starfleet vessels and personnel are gone, presumed dead.  It’s an horrific moment for Admiral Cornwell, and Jayne Brook plays it oh so well.  I felt terrible for the character.  She obviously lost so many people that she cared for, and in that moment was probably thinking she would lose the Federation too.

It’s this last act by the Klingons, I think, that pushes Sarek to take his next step.

All of this leads to another big twist.  Yes, another twist, because apparently that’s what modern television is all about.

Sarek leaves the Discovery to make some “arrangements” and then, in the penultimate moment of the episode, we see what those arrangements are.

Emperor Georgiou becomes Captain Georgiou and is given command of the USS Discovery for a risky mission to Qo’noS.

She is introduced to the crew of the Discovery as the recently rescued Philippa Georgiou, much to the shock and joy of Keyla Detmer, and the shock and worry of Saru and Michael.

This twist actually took me by surprise.  Of all the things they could have done with the character, this one I did not expect – though it makes so much sense.

Disco S1E14 The Emporer Becomes A Captain

The look that Georgiou gives Michael just before the episode wraps should make us all worried, and it should petrify Burnham.  It’s obvious Philippa is playing them.

This episode works.

It’s not the fastest paced or most action packed, but it is character heavy and full of remarkable performances.

While some of the scenes don’t play out perfectly, the episode is strong and it deserves to be thought of favourably.

I don’t know if I can even hope to work out what the producers’ plan is for this wonderful new Philippa Georgiou, but I’d like to think they will try and make this work.  It’s a brand new take on “the outsider” looking in and commenting on humanity.

Logic suggests Emperor Georgiou won’t live for long, but I hope, in this instance, the logical conclusion does not come to pass.

In other predictions, I firmly believe L’Rell is still up to something with Tyler and that he’s not as free of the Voq personality as we would like to believe.  The producers of Star Trek: Discovery seem to like avoiding happy endings!

Five Starfleet Deltas

An excellent episode, an important breather between the conclusion of one arc and what, we’ve been told, will be the conclusion of the war arc, and a nice episode for character development.

I can’t wait for the finale, which, if the previews are anything to go by, looks outstanding.

Bring on ass-kicking Emperor Georgiou!  I loved Captain Philippa Georgiou, but am really coming to adore this slightly twisted version of her.  Someone give Michelle Yeoh her own Star Trek spin-off.  Now!

LCARS Interface

Episode 11 Recap and Review

Star Trek Discovery Recap and Review Banner 27102017

I’ve been really worried about my inability to find adjectives when reviewing Star Trek: Discovery.  I shouldn’t have been concerned.  This latest episode added a new one to my frequently used list: chilling.

There are moments in “The Wolf Inside” where I went cold watching Shazad Latif’s performance.  Not in a bad way, in a good way.  He was completely compelling and it was unnerving.

But, I’m getting a little ahead of myself.  First…

The Facts
Episode Number: 111
Episode Title: “The Wolf Inside”
Written By: Lisa Randolph
Directed By: T.J. Scott

Ash to Michael
: “You’re my tether.  You bring me back.  You did it before we were stranded in this place, and you’re still doing it now.

Saru to Michael: “An oppressive regime is by nature a fearful regime.

Lorca to Michael: “You have to do it.  Give the order.  You have to wipe them out.
Michael: “But I can’t send hundreds of rebels to their death to save myself.
Lorca in response
: “What about your crew?  The Federation?  Our universe?  Be a massacre by Klingons.  Sometimes, the end justifies… the terrible means.
: “Permission to speak freely sir?”  Lorca nods.  “I fear that your suffering has influenced your judgement.  I will find a way to get what we need to Discovery,  But in the meantime, lives are hanging on my command – here and at home.  And this rebellion against the Terrans, it’s an unshakeable union of species.  Klingons, Vulcans, Andorians, Tellarites.  It’s the closest to a Federation this universe may ever see.
Lorca, in response: “What’s your point?
Michael: “My point is that a Klingon leads the alliance.  A Klingon!  They rally behind him.  If we can walk away from this with the means to successfully negotiate with the Klingon race… that’s real hope for finding peace at home.  Please, sir, I no longer have my pips but I’m still Starfleet.  Don’t force me to slaughter this coalition of hope.

Mirror Voq: “Master Sarek sees all.  His wisdom pierces minds.  If you truly come in peace, he will find it in your heart.”

Tilly to Saru: “The laser photon emissions are comprised entirely of exotic matter found in the mycelial plane, and when that matter integrates with Stamets’ own neural materials, it should restore his cognitive function.
Saru in response: “A scientist saved by his own specimens.
Tilly: “The veins and muscles of the universe.  Fungi are the only organism with the biological apptitude to link death with life.

Though there will obviously be spoilers here, please keep in mind that this is a big, spoilery episode just like the last one and I need to put up that graphic one more time.

Despite the fact most of the spoilers below have been predicted by fans and have been out there for a long time, I’m going to respect those of you who have been avoiding fan speculation and spoilers and give you a chance to click away now…

Spoiler Alert

The Recap and Review
Star Trek: Discovery
has become so much more than a science fiction drama commenting on the sociopolitical landscape of our times.  It’s now a tragic love story for the ages.

That sounds quite melodramatic, but I think it’s true: Paul Stamets and Hugh Culber, and now Michael Burnham and Ash Tyler/Voq.  Perhaps even L’Rell and Voq?

It’s also a show that comments on family.  Star Trek has always done this, but none quite as blatantly as Star Trek: Discovery.

We explore family through the lense of adoption with Michael, Sarak and Amanda.  We explore it through the older role models we all take on in life, with Michael, Philippa Georgiou and Gabrielle Lorca.  We explore it through the discussions the crew have about their own families – most particularly Tilly and her troubled relationship with her mother.  And, of course, we explore it through the fact that this is a crew of people who are close knit out of necessity and have become like family.  That last one we’ve seen in every Star Trek incarnation, and we have had glimpses of some of the others in every series, but I’d argue none have done some of these quite as well as Star Trek: Discovery.

Each previous series will always hold a very special place in my heart, because I love them all, particularly Star Trek: The Original Series and Star Trek: The Next Generation, but Star Trek: Discovery is now my favourite series because of it’s complexity.

Is it perfect Star Trek?  There will never be a perfect anything, but it is Star Trek and it’s the right Star Trek for now.  We live in difficult and, you could say, dark times and this is a Star Trek that responds to that.  For a long time now the creatives behind the series have promised us that we will see the cherished values of the Federation on display, and we have, intermittently, but with this and the last episode they have started to shine.

These adventures in the Mirror Universe will define this crew, I think, in so many ways.

Let’s take a look.  Rather than do a blow by blow recount, which I personally hate (though I do them a lot), here are the important facts:

– Stamets is discovered holding the body of his own personal Imzadi.
– The crew suspects Stamets killed Culber in a spore-induced fit of disorientation.
– Tilly believes that Stamets’ condition is a ‘spore’ related issue and not a medical one, and petitions Saru to let her tend to him.

The Wolf Inside - Saru and Tilly Examine Paul

– Michael reflects on the nature of darkness in all of us, and wonders how long it will take for the Mirror Universe to change them all, irreparably.
– Ash declares Michael is his “tether” to everything good.

The Wolf Inside - A Tragic Romance

– Saru asks Burnham in a secret communication whether or not she has found a Mirror version of him, because in the Prime Universe there are so few of his kind.  She has, and he’s her “servant,” but she can’t bring herself to tell him that so says that she hasn’t.  Saru, for his part, is also a little dishonest and doesn’t tell her that her friend, Hugh Culber, has been murdered. During that conversation she let’s Saru know she has the information about the USS Defiant that they’ve been looking for.
– The Empress orders the Shenzhou to destroy the alien alliances base of operations.
– Michael “adjusts” those orders and beams down with Ash to “obtain information”, while in reality seeking the help of the Klingons, Vulcans, Andorians and Tellarites.  She wants to know why and how these Klingons have all come together to stand against the Empire with a coalition of aliens. Her other equally important goal is to warn them so they can escape.

The Wolf Inside - Michael Negotiates with Mirror Voq

– We get to see a Vulcan with a goatee, and wouldn’t you know it… it’s Sarek!  He is called the Prophet in this universe.
– The leader of the alien resistance, nicknamed “FireWolf,” is Voq Son on None.
– Sarek convinces the resistance that Michael isn’t lying and laying a trap for them.

The Wolf Inside - Houston, We Have a Goatee

– Tilly looks like she’s having some success with her treatment of Stamets… until he flatlines.  I wasn’t sure if he was dead, or, as she warned might happen, was lost in the mycelial network.  All hope, however, is not lost as after a while he shows signs of recovery.
– As Michael negotiates with the resistance, the personality overlay that L’Rell tried to remove from Tyler last episode almost completely dissolves and Voq pushes his way through the Ash personality.  He shouts at Mirror Voq and attacks him.
– This goes as badly as you’d expect, with Ash’s actions almost getting he and Michael killed.
– Sarek brings peace to the explosive moment, and Michael tells Mirror Voq she can give him and his followers an hour to escape before she has to carry out her orders, but she needs something in return to justify her trip to the surface. He provides locations for various coalition assets, saying they will be safe by the time the Empire deciphers the data.

The Wolf Inside - Voq vs Voq

– Michael and Ash beam back to the Shenzhou.  Michael orders Ash into her quarters where we finally receive 100% confirmation he is Voq.  This is the chilling scene.  The change in Tyler is eerie, unsettling and beautifully acted.  The Ash personality is erased as he remembers Burnham killing T’Kuvma. Even though I’ve been on the Ash is Voq team for a while, the shift in personality was so menacing it hit me and I was on the edge of my seat.  If this scene had been performed with a lessor actor, it would not have worked.  Shazad Latif is brilliant as is Sonequa.  Her reaction and shock to his revelation takes the scene to an entirely new level and makes it so real.
– Michael doesn’t believe it at first.  Then Ash/Voq tells her something only he could have known and then tells her he killed Doctor Culber.
– Ash/Voq attacks Michael and overcomes her.  She’s so deeply shocked she can’t fight this man that she thought she new and has fallen in love with.  Moments before he can deliver the death blow, Mirror Saru saves her life and calls for security.  Boy, that Kelpien is STRONG!
– Ash/Voq is dragged to the transporter room to be beamed into space, and Michael slips the Defiant data into his belt without him knowing. Then, with a subtle change of coordinates, hits energise.
– The Discovery rescues Ash/Voq, Saru grabs the disc and places him in the brig.

The Wolf Inside - A Conflicted Lorca

– A little while later Michael tells Lorca she feels adrift in this horrible universe after Tyler’s revelation, and that she has nothing to keep her grounded, or, to use Ash’s words, tethered to the real her.  Lorca tells her she’s wrong.  She has him.  It’s perhaps the most touching scene between these two strong characters yet.  For once, Lorca is not all bluster.  In fact, it’s almost a very different Lorca to the man we’re used to.  I found myself wondering if the Agony Booth had broken him. I also found myself thinking they should take an Agony Booth back to the prime universe to cure Lorca of his grumpiness.
– Our Stamets meets Mirror Stamets somewhere on the mycelial plane in an enigmatic moment that suggests these two will get up to some mischief.
– The Empress arrives and it’s Philippa Georgiou, and she is not happy with Michael.  She bombs the crap out of the resistance base before the allotted time frame Burnham had given them for their escape, and then gets all Empressy with our hero.  How does this version look?  Cruel and forbidding!

The Wolf Inside - Empress Philippa Georgiou

And that’s the episode in a nutshell.

So… next week?

Who knows.  We knew this big reveal about Voq was coming and we knew it would be devastating, but I can’t even begin to anticipate how this will unravel or play out over the next few episodes left in Season One.

Before I finish this review, I want to commend the designers of Star Trek: Discovery for the new Andorian and Tellarite look.  These are the best looking Tellarites I have ever seen, and the Andorian design is beautiful.  Yes, there are changes to what we know, but they are far more subtle than the changes made to the Klingons.  Strangely, when you see the new Klingons side by side with the Tellarites and Andorians they look ‘right.’

The Wolf Inside - New Andorian and Tellarite Designs

Another thing I want to mention is I was wrong about the Empress image in my last review.  The image I posted, thinking it was the Empress arriving, was actually a crew member stumbling over Stamets and Culber.  Sorry about that.  That’ll learn me!

“The Wolf Inside” did not feel as crammed as the last episode, in fact, just the right amount of everything went into this episode.  It was overwhelming because at its heart it was a very emotional story, but everything was wonderfully executed and handled so well by all parties involved.

A few final observations:
– We saw more of the Saru under the Starfleet uniform, and the makeup is exceptional.
– Death by transporter is something these Terrans are quite fond of!  Those scenes were handled very well.
– I loved seeing the USS… sorry, ISS Shenzhou again.  I love the design of both the exterior and interiors of that vessel.
– This episode we felt something that so few episodes of any series ever manage to evoke.  A real sense of jeopardy.  Was Ash going to die?  Was he going to kill Michael?  Was Stamets’ story finally over?

I feel like a broken record, but this is now my favourite episode.

I am desperate for episode 12.

1. I still think our Lorca originates from the Mirror Universe.
2. The Discovery leaves the Mirror Universe next episode, right at the very end, after a particularly devastating personal and physical throw down between Michael and the Empress.  The Mirror Universe has done what it needed to do.  It’s challenged our heroes, it’s outted Voq, it may still out Lorca, and it looks like it will resolve whatever it is that is happening with Stamets.
3. We’ll see a lot of Michelle Yeoh in Episode 12.
4. Stamets and Stamets will save the Discovery from the Mirror Universe.
5. This will be the beginning of the end for the spore-drive.  I believe it’s going to have something to do with the Mirror Universe and the fear the Terran Empire could sweep through, into our Prime Universe, and wreck havoc on an already overwhelmed Federation.
6. Someone will die, and someone will be reborn.  I believe Lorca is going to bite the dust, and Culber will become infused with mycelial “stuff” and brought back to life.

I don’t have any predictions about Ash/Voq at the moment.  I have no idea what is going to happen there.  If you’d asked me before seeing “The Wolf Inside,” I would have thought that his love for Burnham would see him overcome whatever it was that was happening to him (remembering that we still weren’t 100% sure last episode if Voq had been overlaid on Ash, or if Voq had been surgically altered to pass as human).

Ash/Voq seems so completely Voq now, I don’t think there’s any space for Michael’s love to win the day.  I could be wrong.  I doubt that Ash/Voq calling Michael his “tether” was a throw away line, but it could also have been a line designed to highlight to us just how much this is going to hurt her.

Respect to Lisa Randolph.  This is the best written episode to date this season, and that’s saying something because there has not been a clunker among them.

Tips for the Producers
Just one, in this new section I hopefully never have to use again.

Please, no more Klingon titties.

We get it.  You’re on a streaming service now and you can be a little more risque, but we don’t need it.  The gore I’m okay with.  You’ve pushed it a bit, and it’s sad that the use of gore means it excludes children from discovering this show until later in life, but it has always served the story.  The Klingon breasts we’re seeing every few episodes don’t.  I know this sounds prudish, but hear me out.  These shots feel like you’re trying too hard to be Game of Thrones and, frankly, it’s a little pathetic.  Showing them in bed on top of each other (which I seem to remember from a few episodes back) is enough.  We’re not stupid.  Showing Klingon breasts doesn’t enhance the story.  If anything it detracts.

If we want to watch Game of Thrones, we’ll go watch it.  If we want to see breasts, we’ll use Google and find them.  We know Voq/Tyler and L’Rell had sex and constant reminders are little more than shameful and unnecessary titillation.  If you think this will attract people to the show, you’re mistaken.  People don’t watch Star Trek for titties.  They watch it for challenging story lines, beautifully crafted characters, intelligent dialogue, and hope.

Please consider this feedback.

Five Starfleet Deltas

My issue with the above notwithstanding, this is an intelligently crafted episode that is entertaining, thought provoking, inspiring and moving.

I loved it.

I want to make special note of the music this episode.  It was so subtle, but so clever and emotionally charged.  I don’t know if I’ve heard such a careful score before for a television show?  The music was at times threatening and ominous, and then deeply moving.  Jeff Russo outdid himself this outing.  His music has been wonderful the whole series long, but this episode it was so right in every way.

Personal Resonance
More and more this show is affecting me – in good ways, but often profound ways.  I love that a show can do this to me at this stage in my life.

I’ve accidentally found myself quoting lines of dialogue at people – recently I provided professional supervision to some allied health workers, and without meaning to, I quoted Philippa Georgiou: “…take good care of those in your care.

A few weeks later, I accidentally quoted Tilly to my boss after completing a psychological test to measure my ability to be empathic and compassionate.  I was off the chart, and in response said: “I love feeling feelings!”

There have been more instances, but I won’t bore you with them.  I’ve also found myself contemplating the actions of the characters at random moments, wondering what I would have done if I were in their shoes.  I have never done that with any of the J.J. Abrams movies.

This show has swept me up in its embrace and I don’t want it to let go.

If you haven’t checked out Star Trek: Discovery, or if you’re still clinging to a misplaced dislike because of how different it is to past Treks, I implore you to let go and give it a shot.  This is a quality show, and they’re doing good things.

Share this journey with us.  I doubt you’ll regret it.

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes appearing on Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET, also on a Sunday.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix on a Monday at 8:00am in the United Kingdom and usually at either 6pm or 7pm in Australia.

See you in about a week for another review.

Live long and prosper.

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