A Star Trek Update

Star Trek Update April 2018

A lot has been happening in the Star Trek universe of late – including the start of production on Star Trek: Discovery season two, and news on not one but two Kelvin-universe films in development.

Let’s start with Star Trek: Discovery!

In episode three of the first season, when the first half aired last year, we were all suddenly captivated by one tiny, fleeting little moment on screen – a moment that inspired a passionate and excited debate online.

The appearance of the mysterious “black delta.”

Section 31 Black Badge

For a long time, the leading theory was that it and the USS Discovery itself were somehow connected to the enigmatic and paranoid Section 31.

Finally, after months of speculation, one half of that leading fan theory was confirmed by actor Alan Van Sprang.

Alan appeared in the last episode of season one of Star Trek: Discovery, in a scene that was ultimately cut.  That scene appeared online as both a “bonus scene” and a teaser for season two.  The video has disappeared from a few places, but is still available on YouTube.  You can find it here.  Check it out, it is well worth a look.

The scene in question had Alan appearing as a “fake” Trill.  His character, Leland, recruits Mirror Universe Georgiou at a Klingon bar she now seems to be running, and hands her the black badge.  He tells her he is from Section 31 and that they could use someone like her.  So… someone megalomaniacal, devoid of compassion, morally bankrupt and vicious to the core?  Gotta love Section 31!

According to Van Sprang at an appearance he made at WonderCon earlier this year, his character will be featuring prominently in season two, alongside Section 31 and, we can only presume, former Emperor Philippa Georgiou.

So excited by that.  Any opportunity to get Michelle Yeoh back makes me very happy.

The only other piece of information Alan offered was via a later Instagram post where he stated that Leland “heads up” Section 31.

Alan Van Sprang Instagram Post

That’s not all.

With Star Trek: Discovery now about a month into production on season two, more news has come out and it is exciting.

Not one but two casting announcements have been made.

The first, and the one I’ve been waiting for, is that Anson Mount has been cast as Captain Christopher Pike, commanding officer of the original USS Enterprise.

To the joy of many a fan (myself included), Anson took to social media to share his feelings.  Using clips from “The Cage” and even an image of a Pike action figure, Anson showed the world that he is a fan of Trek and super excited to be a part of the family.

You may know Anson from Marvel’s Inhumans and the AMC series Hell on Wheels.

And yes, that is a version of the original series uniform that Anson is wearing in a shot I’ve screen capped from a “production has started” video that CBS released.  Is that Spock in blue off to the side?  Not a clue, we don’t get a good enough look at that character.

Before we get to that video though, click here to visit TrekMovie for more information on Anson’s casting.

The second casting announcement was that Tig Notaro, primarily known for her comedy work, has been cast as Chief Engineer Denise Reno of the USS Hiawatha.

Tig Notaro

Chief Engineer?  Does that mean Discovery gets an engineer?

We don’t know – we still don’t know who her captain will be!  I suspect, however, that something will happen to make Denise Reno board the Discovery and stay there.

In other news, Jonathan Frakes, our very own Commander William T. Riker, will return to direct two episodes this season, and he has let slip on social media that the scripts he has read so far are AMAZING!

Jonathan also had a visit from his former onscreen wife, Marina Sirtis, while on the set of Star Trek: Discovery where he was directing episode two of the second season.

Jonathan and Marina

As you would expect, this set the internet on fire.

Is Marina appearing in Star Trek: Discovery?  Is it just a coincidence?  No one knows, and that’s casting information the production team behind the show would keep close to their chests.

In some of Marina’s social media she called out to Mary Wiseman, which made some fans wonder if she might be following in Majel Barrett-Roddenberry’s footsteps and playing the mother of a major character (Tilly).  Tilly has mentioned her curly-hair-hating mother on more than one occasion, and both Mary and Marina’s comedy-chops are pretty damn good (watch Star Trek: First Contact to see just how hilarious Marina is).  Star Trek: Discovery could get a lot of play out of Mary and Marina on screen together.

My take?  We have a new ship popping up – the USS Hiawatha.  I would love for Marina to be playing that ship’s captain, and for that captain to be Tilly’s mum.  Alternatively, she could be a prominent member of the Enterprise crew who is Tilly’s mum. She could beam over for some quality time with her daughter while the Discovery and Enterprise are hanging around together.

Staying with Star Trek Discovery for the moment, the last thing I want to mention is a recent video treat courtesy of CBS All Access showing us some of what’s going on with the production.

Season 2 First Look 1

One thing, in particular, that was in that video should thrill every fan.  The appearance of the traditional gold, red and blue uniforms.

They have been modernised, but to me they appear to be quite faithful.  Still with a Star Trek: Discovery flair, but familiar and pleasantly so.

You’ll also notice that the rank braids are back, as is the solid badge.

The video also adds in to what Alan Van Sprang has said about Section 31 playing a prominent role in the second season.

The video briefly shows a shot of a sheaf of production drawings labelled “Section 31.”

Section 31 bridge, lab.  At least two designs for that.  An upper floor plan for something that may or may not be Section 31 related.

Season 2 First Look 3

Interesting.

Will we see a Section 31 starship?

The final takeaway from that video is what appears to be a computer interface from the much loved, fan favourite vessel the USS Enterprise.

It’s a graphic, and the style seems to draw a lot from the movie period of Star Trek V, Star Trek VI and Star Trek: Generations (the Kirk, Chekov and Scotty part of that film).

Season 2 First Look 4

There is a very gentle colour nod (one orange and one red touch button) to the original series in the display, but otherwise it is very Star Trek: Discovery with a hint of earlier films.

Last but not least, for some time now Quentin Tarantino’s name has been attached to the fourth Kelvin-verse film.

Quentin Tarantino, you say?  Yes.  He is a big Trek fan and would love a shot at directing one of the films.

Quentin Tarantino

As this story has played out, it appears more likely he wouldn’t be able to do the fourth Kelvin-verse film, but would instead be ready for a fifth were it to be green-lit.

No matter when, I am really excited to see what Tarantino would do with a Trek movie.  Hopefully nothing too bat-shit crazy, but he is a creative and visionary director with a gritty and stylistic approach that is engaging. And sometimes polarising.

The CEO of Paramount Pictures, Jim Gianopulos, has confirmed that not one but TWO Star Trek films are currently in development.

We have absolutely no information on what those two films are about, and to the best of our knowledge neither does anyone else – except for those people actually developing the two ideas.

What we do know is that the Tarantino idea is being written by Mark L. Smith, and the other is being written by J.D. Payne and Patrick McKay and is most likely the much-rumoured return of George Kirk movie.

Mark L. Smith wrote The Revenant, and J.D. Payne and Patrick McKay were apparently uncredited writers on Star Trek: Beyond and did some work on the original Roberto Orci idea that was eventually scrapped in favour of Doug Jung and Simon Pegg’s script.

If you want more information on any of these stories, you can track down a variety of articles through Variety and Deadline, or head on over to TrekMovie or TrekCore – both fan sites have had some excellent coverage on all of the exciting events happening in Star Trek news!

We’ve got some amazing things to look forward to as fans.  Still no news on when season two of Star Trek: Discovery will air, but it looks like it could be later this year.

No news on the release date for the next movies either.

As news unfolds, we’ll chat about it right here.

Live long, and prosper.

LCARS Interface

Episode 10 Recap and Review

Despite Yourself

Well.  Holy crap.  That was one intense episode.

It should be obvious by now that these recaps are full of spoilers, but just to be on the safe side… be warned, there are some major spoilers ahead!

If you haven’t seen Star Trek: Discovery Episode 10 “Despite Yourself” and want to remain unspoiled, do not read on.  You’ll regret it.  Really big stuff happens in this episode.

First things first:

The Facts
Episode Number: 110
Episode Title: “Despite Yourself”
Written By: Sean Cochran
Directed By: Jonathan Frakes

Quotable
Michael to Tilly, Lorca, Saru and Ash: The Terrans appear to be the antithesis of us in every way.  They’re an oppressive, racist, xenophobic culture that dominates all known space.  And they’re ruled by a faceless Emperor.”

Lorca to Michael, Tilly, Saru and Ash:No way we’re asking these neighbours for a cup of sugar.

Tilly to everyone, at one major reveal in the episode:Tha… ah… that’s me.  That’s me!
Lorca in response:That’s absurd.

Lorca to Tilly:You just get rid of them as fast as possible, and you talk as little as possible.
Tilly to Lorca:That’s ah… that might be a little hard.  Have you noticed that I talk a lot?
Lorca in response:Defy your every instinct.

Tilly to the USS Cooper:Hello, this is Captain Tilly.  What the heck?  Heck?  Hell… what the Hell?  Hold your horses!

Michael to Tilly and Saru as she reads off Captain Tilly’s nicknames:And finally…
Saru, reading over Michael’s shoulder:Captain ‘Killy’?  Well that’s not very clever.

Burnham to Lorca:Destiny didn’t get me out of prison, captain.  You did that.

Burnham to Tilly: “…You have the strength of an entire crew that believes in you.  Fortify yourself with our faith in you.  That’s what a real captain does.

Tilly as Captain Tilly, to Captain Danby Connor: “The only pleasure I take is from the blood of my enemies staining my uniform.

Tilly as Captain Tilly, to Captain Danby Connor:If you greeted me that way, Connor, I’d cut your out tongue and use it to lick my boots!

If you hadn’t noticed, Tilly gets all of the best lines this episode.

And now… RED ALERT!

Spoiler Alert

Interesting Bits and Pieces
– For the first time, Saru’s threat ganglia respond to Ash Tyler.
– The Agony Booths we see on the Shenzhou look like a natural evolution of the ones we saw on Star Trek: Enterprise.
– It looks like the starbase they were meant to be jumping to is in orbit of a famous Star Trek planet, Organia!

The Recap and Review
After a quick look back at the season so far, we pick up right where Episode 9 concluded with an intense, emotional, sometimes funny and at times tongue-in-cheek episode.

In case the events of last episode are a little fuzzy in your head after the two-month hiatus, at the end of Episode 9 Lorca meddled with the spore jump coordinates, things went bad for Paul in the reaction chamber, and the USS Discovery found itself lost after an “incomplete” jump.

We're Not In Kansas Anymore

As the crew try to figure out why they’re where they wanted to be after the jump from Pahvo, but nothing else is, Vulcan rebels appear and attack the ship!  Taken by surprise, they’re rescued by the starship Cooper.  We quickly learn something is up thanks to a testosterone laden message from the captain of that vessel.  We also learn that Stamets is stable but unresponsive and the spore-drive is down, stranding the Discovery.

It’s then that Saru discovers that the quantum signatures of that ship and the Vulcan vessel are off.

That’s not possible,” Burnham says.  “All matter native to our universe resonates with the same quantum signature.  Nothing can change it.

Saru agrees with her as Lorca quickly states the (to us) obvious: “Unless… this is not our universe.”  And we jump to the opening credits.

We rejoin Lorca, Burnham and Saru in Lorca’s Ready Room where Lorca shows them the same map he revealed to Stamets last episode to convince him to make the 133 jumps.

The Mycelial Network

Meanwhile, in Sickbay, Paul has regained consciousness.  He still has his Gary Mitchellesque eyes, and is talking to himself about a ‘palace’ as Tilly tries to “annoy” him into being a little more coherent.

Culber gently tells her that Paul is in a state of neurological-dysregulation, the like of which he’s never seen.

Paul gets up and as Hugh tries to get him back into bed, he mumbles about the palace again and throws Doctor Culber across the room.

Lorca comes in soon after and Tilly takes that as her cue to leave, and Hugh very calmly and very directly tells Lorca off, asking him if he’d planned all of this?

Is Hugh the smartest and most perceptive person on the ship?

Lorca takes Hugh off Paul’s case, much to Hugh’s annoyance, and leaves.

Culber and Lorca

We cut to Ash in a cool little pod thing with arms and he’s trying to extract a data core from one of the wrecked ships.

Now is probably a good time for a little diversion.

Some die-hard Star Trek fans have taken exception to the modernising of vessels and equipment in Star Trek: Discovery.  Some of it I agree with, like the rampant use of holograms and, though I love the new uniforms, I am still a little bewildered by just how different they are.  But, some I don’t agree with.

The creatives behind this series had to update everything otherwise Star Trek would lose all relevance and be nothing more than a homage to a very old television show that was great for its time, but not so much so now.  In 1966 Star Trek was cutting edge. In 2017/2018 it isn’t. That doesn’t mean we dismiss it, but as reasonable human beings it does mean we make some understandable allowances.

To make Star Trek: Discovery more than just a quaint homage, the team had to push everything up a notch.  On The Expanse we have people using their mobile/cell like communications devices for everything – they’re projecting 3-D images from the devices that they can manipulate with their fingers, and they have worker pods that are a step or two up from what we see in the first few Star Trek movies.  We have similar technological advances in Killjoys, Supergirl, the sadly now cancelled Dark Matter and more.

Star Trek: Discovery had to push further, because as much as Star Trek is known for it’s philosophy, excellent characters, ethical approach to everything, inclusion, positive future, and challenging story lines, it’s also known for its future-forward technology.  It set the bar and inspired generations.

This pod that Tyler is flying, is, like many other ‘leaps’ on Star Trek: Discovery, a necessity, and is in keeping with the original series’ ability to imagine the future by extrapolating on the present.  We’re so far beyond what Gene Roddenberry and most everyone else involved with that first Star Trek could have dreamed of in their present, that it is so very right the new people shepherding this series forward, be equally as future focused.

We’ll always have the original series, and many of us will continue to love it, but Star Trek won’t exist for our children and their children, if we don’t adapt it for today.  I, personally, would not want to take that away from future generations.  Star Trek is more important than that.  Very few, if any, millennials, are going to be interested in checking out the original series.  That’s sad, but most likely true. For a generation or two more, the first few films might still hold their attention, but that too will eventually fade because we’re living in the future now and we’re already using devices that appear far more powerful than the communicators and PADDs of Trek’s yesterday.

Enough of my sermon.  I feel passionate about this, because Star Trek has shaped my life.  I want it to help shape the lives of the children of today and tomorrow, because it’s one of the few things we have left that teaches compassion, inclusion and hope.  We need Star Trek more than we ever have.

Back to Tyler and his cool little worker pod.

As he glides between the debris toward his destination he starts to hallucinate, and we see a little more of his torture (?) at the hands of L’Rell.

As the bridge crew watch his pod wobble around, confused by his sudden inability to fly stuff, he snaps out of it and successfully retrieves the data core.

As with everything Star Trek: Discovery does, the entire sequence is slick and looks beautiful.  It’s also carefully and thoughtfully directed by Jonathan Frakes, who uses a series of angles and cuts to show us the intensity of Ash’s experience.

Back on Discovery, Ash confronts L’Rell and this is where things get very interesting.

L'Rell Triggers Ash

As Ash asks L’Rell to tell him what she did to him, she suggests he opens the cell… and he does!  WTF Chief Security Officer?!

Mary Chieffo, throughout her time on the show, has shown she is an incredible actor, but in this simple scene she blows all of her other performances out of the water. It’s subtle and pitch perfect.

How any actor, under that much makeup and that many prosthetics, can convey the seductiveness and complicated emotions of the character in that moment is beyond me.  Why haven’t we heard of this incredible young woman before now?  She may be one of the most under rated actors around.

As she seduces Tyler, he grabs her by the throat.  Her response?  She utters the first few words of T’Kuvma’s prayer: “Who do we seek?

Suddenly Ash is not Ash anymore.  In a perfect copy of Voq’s voice, Ash recites the prayer with her.

Then he snaps out of it.  Much to L’Rell’s shock.  It’s clear she didn’t expect that.

You have another name.  Say it.”  She encourages him.

I know what my name is!” he screams back as he brings his phaser to bear on her.  Looking a little unhinged, he continues with: “If you don’t tell me what you did to my mind, to my soul, I’m going to make you scream it as you die.

The prayer should make you remember, something is wrong!” L’Rell says, sounding surprised, confused and perhaps even a little frightened.

You’re damn right something’s wrong,” he yells.  “Now tell me!

He shakes himself out of it and runs from the Brig as L’Rell affirms to herself that he will return to her.

So, Tyler is Voq.  Now we just need to know one of two things: has he been surgically altered with Ash’s memory engrams layered over the top of his original personality?  Or, has Ash had Voq’s memory engrams layered over his personality and all the torture flashbacks are just that.  Flashbacks?

Starcrossed Lovers

We visit with Ash and Michael for a brief, intimate moment, as Ash tells her that his flashbacks are worse and asks for her help to get through it all.

She suggests he come clean about his PTSD but he begs her to let him handle things his own way.  For now.

She tells him she’ll trust him, and is called away to engineering.  We linger on Ash for a few seconds as he shatters a glass in his hand.  That boy ain’t controlling shit!

In engineering, Tilly shows Michael the now open data core.  They work out they can read it and Michael gets to work.

Next scene, Michael informs Saru, Tilly, Ash and Lorca that they are indeed in a new universe, one where a Terran Empire, not a United Federation, is the greatest power and one where a bunch of non-human species have entered into a rebellion against the Terrans.

They’re all called to the bridge because the Cooper has come back.

As they prepare to respond to the Cooper (because if they don’t, it’s threatening to blow the crap out of them), they learn that the Terran Universe Discovery is most likely now in their universe.

And here, we finally have a Star Trek character refer to the Mirror Universe as the Mirror Universe, as Burnham tells Lorca he can’t respond to the Cooper because he’s not the captain of the “Mirror Discovery.”

Tilly is.

Captain Killy

This is where the fun begins!

Up to this point the episode has been deadly serious.  It maintains its air of intrigue and tension, but from here on in merges it with a taste of the camp and wild abandon we’re all familiar with from the Mirror Universe.

Lorca guides Tilly into the Captains chair and gives her a few handy tips.  She is obviously terrified.

Then, in a scene that shows the brilliant comedy timing of both Mary Wiseman and Jason Isaacs, we’re treated to one of the most unique greetings between starships ever, and what may have been an homage to James Doohan and Scotty with Lorca assuming a Scottish bur.

I laughed out loud at Tilly’s greeting, and I admit my hands went to my face in both shock and amusement because I both felt terrible for her and was just plain delighted by every word she said and every facial expression she conveyed.

Kudos to the casting directors of Star Trek: Discovery.  Did they know how amazing these guys would be in EVERY single episode?  I swear this is the best ensemble cast on television anywhere – and I just came off holidays where I binge watched more television series than is probably healthy.

After they deal with the Cooper, Lorca instructs Saru to get everyone ready – especially Tilly.

We’re treated to a fun montage as they prep Tilly and the Discovery and her crew to pass unnoticed in this strange universe.

Star Trek: Discovery looks cinematic every episode.  It’s production values are outstanding, and everything about the show is beautiful.  This episode it took another step up because it was being directed by someone very familiar with directing major motion pictures.  If “Despite Yourself” has a fault, it’s that too much was packed into its run time, but despite that, Jonathan makes it flow and everything he does is just right.  His direction is dramatic when it needs to be, increasing tension and making the stakes feel high, and he flawlessly meshes in the camp and corn when needed using wonderful devices to transition certain scenes.

Commander Riker Gives the New Guys Some Tips

So how does this version of the Mirror Universe hold up to those seen on Star Trek: Enterprise, Star Trek: Deep Space Nine and Star Trek: The Original Series?

Really, really well.

In fact, it looks how it should.  Rather than just a belt and a cut off uniform to show more mid-rift, they give the uniforms a wonderful makeover with leather and gold plating, and update the Terran Empire logo just enough to make it look gaudily magnificent but still like the symbol we’re used to.

There’s a whole slew of badges and medals and the agony booths look perfect and, I was pleasantly surprised to see, very much like the prototype we saw in the Star Trek: Enterprise episode “In a Mirror, Darkly.”

Back in Lorca’s Ready Room, we learn that Michael was the Captain of the Shenzhou and is presumed dead, and that Lorca is a fugitive wanted for her murder.  Lorca was the Captain of the Buran in this reality also, but lost his crew in an attempted coup against the Emperor.

Lorca asks about the Emperor, but Michael tells him the Emperor is shadowed in mystery.

For those of you who have seen Star Trek: Enterprise, you may remember that Hoshi Sato took over the USS Defiant at the end of “In a Mirror, Darkly,” and laid waste to her enemies using it’s advanced technology and became Empress.  Interestingly, in one of the teaser images from episode 11, it looks like the ‘Emperor’ arrives, and is most definitely an Empress – though we don’t see her face.

The Empress of the Terran Empire

You have no idea how happy I will be if it was Hoshi!  She’d be pretty old, close to 130, but humans in Star Trek are long lived. I’d love to see Linda Park back on Trek, but I admit it is unlikely.  I would, however, settle for Hoshi being mentioned.

We cut to a scene where Lorca talks about the USS Destiny.  Data from the rebels lets the Discovery team know that the Destiny arrived in the Mirror Universe sans spore-drive, but it doesn’t give any specifics.  That data is only available to command level officers.  Lorca and Burnham have hatched a plan, however.  They will lure the Shenzhou to their location, and Lorca, Burnham and Ash will beam over with Ash serving as Michael’s personal guard.  Lorca will be her prisoner.  Michael will try and obtain the information they’re after because that will be their ticket to getting home.

Saru is not happy, but Lorca is insistent.

During this scene we get a look at a wireframe graphic of the USS Defiant.  In shape, she is very similar to the Constitution Class vessels we’ve come to know and love over the years.

USS Defiant Wireframe Image

There have been changes – the saucer has some alterations to it and the warp nacelles have been “enhanced.”  It’s hard to tell if the unusual blocky bulge on the main drive is an addition, or part of the other nacelle.  It will be interesting to see if we actually get to experience the ship on screen as something other than a graphic.

Next we visit with Culber and Ash in Sickbay.  Ash is concerned.  His flashbacks are getting worse and he’s worried.  He wants Culber to do a more detailed examination of him.

Ash is a little volatile but seemingly rational.  Culber starts the deeper scans as Paul shouts out from a nearby bed “Stay out of the palace!

As Culber goes over to soothe his beloved, Paul’s eyes revert to normal and he seems coherant for a moment.  He looks at Hugh and says: “Be careful.  The enemy is here.

This spooks the good doctor.

We jump to Tilly and Michael getting ready for their new roles as Mirror versions of themselves.

Tilly, as per usual, is adorable.

Lorca walks in on both women and seems strangely comfortable and even slightly too knowledgeable about how people act in the Mirror Universe.

I’m still a little on the side of “this is Mirror Universe Lorca,” but admit to not being entirely convinced.  It feels like the Mirror Universe is a huge part of this new Star Trek, but I know we’ll have to wait and see.

Tilly

Lorca, Tilly and Michael go the bridge where Tilly starts snapping out orders, getting herself into character so she can successfully play this harsher, crueller version of herself.  She orders her crew to hail the ISS Shenzhou and we get to see Ensign Danby Connor again – only he’s not an Ensign anymore.  He’s now Captain of the Shenzhou.

Secluded in Lorca’s Ready Room, Burnham is shocked to see Connor.

As Tilly sets up Burnham’s return, Lorca smashes his face into the door to bloody himself up and they enter the bridge.

Connor doesn’t seem too happy to see ‘Captain’ Burnham back.

She pushes Lorca ahead of her and makes him kneel as they further elaborate on their story, telling Connor she faked her death so she could hunt Lorca down.

Despite Yourself

After some snappy reparte between Captain “Killy,” Connor and Burnham, the Shenzhou heads their way.

After the above unfolds, Ash returns to Sickbay for an update from Doctor Culber.  As some of you may remember, I mentioned how he was becoming a favourite character of mine a few reviews ago.  In this episode, he gets a lot of screen time.  Which was wonderful, until this now infamous scene.

Hugh questions Ash about some skeletal and neurological issues he’s found, and Ash can’t recollect anything along those lines having happened to him in the past.  Hugh pushes a little more, talking about the massive scarring to his organs and suggesting there has been a personality “overlay”, and before we know it our beloved Doctor is dead.

With L’Rell’s voice echoing in his head, Ash has snapped Doctor Culber’s neck.

It’s one of the more shocking scenes to ever appear in a Star Trek episode, because it’s entirely unexpected.  You start to sense that Hugh is in danger, but your head doesn’t go straight to the “he’d dead, Jim” thought.  Then… he’s dead, Jim, and you’re left stunned.

Culber’s death created something of a furour.  One of the first openly gay characters in Star Trek, in a meaningful relationship with another crew member, and a gay man of colour as well… lots of accidentally wrong messages being sent there.

It became such a thing – and the writers knew it would be a ‘thing’, so much so they talked to GLAAD about it – then on After Trek they pretty much told us that Culber wasn’t quite dead.  We were told to look into the real Paul Stamets’ work on the mycelial network for some clues about what is to come.

From this shocking moment, we start the wrap up of the episode – and it happens fast.

Captain Burnham and her Bodyguard, Ash

Michael, Lorca and Ash beam to the Shenzhou.

It doesn’t go according to plan.  Lorca gets thrown into an Agony Booth, Connor shows Michael how unhappy he is about her being alive and tries to rectify that by attacking her in the turbo life.

In one of the best staged Star Trek fights ever, Michael is forced to kill Connor, and we’re left wondering if any Danby Connor in any universe anywhere is allowed to live past his early to mid-twenties?

Burnham Faces Off Against Connor

It was great to see Sam Vartholomeos again, and just as sad to see his character wiped off the face of existence.  Again.

“Despite Yourself” ends with Michael sitting in the Captain’s chair of the ISS Shenzhou. It’s quite forbidding and begs the question, just how long will they be there?

This episode is wonderful.  As I said earlier, it’s only real fault is in how much it tries to pack in to less than an hour of viewing.  Somehow, with all of these plot points, and the differing yet complementary tonal shifts, Jonathan Frakes weaves it all together beautifully.

Every performance is excellent, every effect spot on, every music cue perfect, every camera angle carefully thought out and evocative.

It’s the best episode to date (despite Hugh’s death).

Predictions
This is a terrible prediction, because the producers have all but told us Culber isn’t dead.  So, I predict Paul has some special spore-driven power that brings his beloved back.

Ash, if the above prediction is correct, is found out and we start to finally deal with the complexities of this character, and the actual PTSD someone would have whether they were the survivor of Klingon torture or were a Klingon who had been through what Voq has apparently been through.

The Empress of the Terran Empire is Philippa Georgiou (if the ruler in actually female).

The Discovery goes head to head with the Defiant.

Our Lorca is the Mirror Universe Lorca, and the Prime Universe Lorca is a homocidal maniac.

Captain “Killy” gets more awesome lines in Episode 11!

We see a goatee.

Scorecard
Five Starfleet Deltas

The next episode of Star Trek: Discovery airs tonight in Australia, and should have just aired in the US and UK.  It’s called “The Wolf Inside.”

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes appearing on Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET, also on Sundays.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix on a Monday.  8:00am BST in the United Kingdom, and usually at 6:00pm AEDT in Australia, but last week the episode dropped at 7:00pm so it might arrive later than usual again.

See you in a few days for another review.

LCARS Interface

Happy Birthday Gene Roddenberry!

Gene Roddenberry

In Australia today, it’s the 19th of August, which means it’s the 18th everywhere else in the world, but you guys will catch up to us soon.

Why is the 19th of any interest to anyone?  Simple.  It’s Gene Roddenberry’s birthday.

So, on behalf of the hundreds of thousands of Star Trek fans in the great land ‘downunder’, I’d like to say HAPPY BIRTHDAY, GENE!  And THANK YOU.

Eugene Wesley Roddenberry was born in El Paso, Texas, in 1921 and lived anything but a boring life.  He grew up in California, flew eighty-nine combat missions in the Army Air Forces during World War II, worked as a commercial pilot, was a police officer, and, of course, a writer.

Before Star Trek, Gene worked on more than twenty television shows in the 1950’s and 60’s, including Highway Patrol, Have Gun – Will Travel and The Detectives.  After the Enterprise’s three year voyage, he went on to develop Star Trek: The Animated Series, Genesis II, Planet Earth, The Questor Tapes, Spectre and of course Star Trek: The Next Generation, which was the last television show he wrote and produced before he journeyed to “the undiscovered country”.

Gene Roddenberry and the Enterprise in Shadow

His creative spark, however, lived on.  Not only in Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, Star Trek: Enterprise and a host of movies, but in two new productions.

After Gene’s passing in 1991, two of his ideas were further developed by his wife and turned into successful television series – Earth: Final Conflict and Andromeda.

In recent years, especially since the passing of Majel Barrett Roddenberry in 2008, a lot of criticism has been leveled at Gene, with the most recent coming via original series star, William Shatner and his documentary Chaos on the Bridge, which takes a look at the dysfunctional first two years of the hit series Star Trek: The Next Generation.

To The Shat’s credit, he does a good job of attempting to create balance within his documentary, but there are certainly elements that do not paint Gene in the best of lights.

Despite the criticism, and despite some missteps, there is no doubt that Gene Roddenberry was onto something, and that he had a passion for human evolution and forcing us to look – sometimes uncomfortably – at ourselves and society.

I could literally write pages on Gene and his impact, but won’t.  Plenty already have, and the only new perspective I can bring is to describe how Gene’s creation influenced my life.  Instead, I encourage you to take a little journey of your own to learn about this remarkable man.

If you’d like to learn more about Gene Roddenberry, whether it be Gene the visionary, Gene the contentious personality, Gene the complex creative person, or Gene the loving husband and father, the source material is almost endless.  A few good places to start can be found below:

Gene Roddenberry’s Wikipedia page.

Gene Roddenberry at Roddenberry.com.

Gene Roddenberry at Memory Alpha.

Regardless of how you feel about Gene, I hope you can join me in remembering the creative human being who gave us Star Trek, as we celebrate his birthday this year.

And, as a double bonus, it’s also the wonderful Jonathan Frakes’ birthday, the man who portrayed Commander William T. Riker (and Lieutenant Thomas Riker) for seven years on Star Trek: The Next Generation, and in ‘Generations’, ‘First Contact’, ‘Insurrection’, ‘Nemesis’ and select episodes of Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise.  If you’d like to read more about Jonathan, then check out his Wikipedia page right here.

As well as being a fine actor, Jonathan grew into an incredibly talented director while working on Star Trek: The Next Generation.

Jonathan is responsible for the best two of the four TNG movies – Star Trek: First Contact and Star Trek: Insurrection.

Some fans don’t like Insurrection for one reason or another, but as a working actor I love it for the beautiful moments it creates between its lead characters, and as a working director I love it because it’s quite simply a beautiful, intimate and gorgeously structured piece of work.  Despite how fans feel about ‘Insurrection’, I feel safe in saying that it stands head and shoulders above Generations and Nemesis.

If you’d like to explore more of Jonathan’s work as an actor and director, then visit his IMDb page right here.

Jonathan Frakes

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