Episode 9, Mid-Season Finale Recap and Review

Episode 9 Recap and Review Banner

Holy crap.

What an episode!

Lorca is a… PIG.  A manipulative, sociopathic ass!  I had to stop myself from hurling my phone across the room toward the end of this episode because of his actions.

Last week’s “Si Vis Pacem Para Bellum” was touted as the ’emotional’ episode for the first-half season, but for me it was this episode.  I shed tears three times, twice because of the tragedy of a particular situation, and once out of surprise and anger.

“Into the Forest I Go” was (for me at least) a roller coaster ride – and I loved it.  Eight out of nine of the episodes this season have been my favourite for at least a week, but now this and “Lethe” hold equal first place for this ‘chapter’ of the story.

Some reviewers have had issues with the episode, or have been unimpressed.  I was the exact opposite.

It was so so good.

Let’s get into it.

The Facts
Episode Number: 109
Episode Title: “Into the Forest I Go”
Written By: Bo Yeon Kim and Erika Lippoldt
Directed By: Chris Byrne

Quotable
Culber to Lorca
: “Well I’m not ready to play roulette with his brain.

Stamets to Lorca: “You want me to make 133 jumps?!

Lorca to Stamets: “I know what drives you, lieutenant.  You’re not just a scientist, you’re an explorer.  You could’ve just stayed in a lab on Earth, but you chose to go where no one has gone before.” *squee!*

Stamets to Lorca: “You’ve been accumulating this data from my jumps the whole time?  And these scattered pockets of negative mass… it’s… they could indicate alternative parallel universes connected to the mycelial network… and with more jumps we could find a pattern – perhaps even the coordinates to reach them!
Lorca to Stamets: “You showed me this invention could take us to places that we never dreamed we could reach.  This is far beyond our preconceptions of time and space.
Stamets to Lorca: “Captain, I didn’t know you cared.
Lorca to Stamets: “We have to win this war.  But then…
Stamets to Lorca: “Then the journey continues.  (*squee* again)  If we can save Pahvo, defeat the Klingons and do all this… 133 jumps it is.

Lorca to his crew: “We are about to face the most difficult challenge we have ever attempted.  Today we stare down the bow of the Ship of the Dead.  The very same ship that took thousands of our own at the Battle of the Binary Stars.  When I took command of this vessel, you were a crew of polite scientists.  Now, I look at you, and you are fierce warriors all.  No other Federation vessel would have a chance of pulling this off.  Just us.  Because mark my words, you will look back proudly, and tell the world you were there the day the USS Discovery saved Pahvo and ended the Klingon War.

Interesting Bits and Pieces
– In this episode we get the first real indication of the existence of the Mirror Universe for this series.
– Starfleet has ‘pattern simulators’ that can mimic the life signs of other species’.  This is a great idea.  New tech for Trek, but tech that makes sense!
– The 133 jumps are an homage to the Battlestar Galactica Episode “33,” source: After Trek.”
– When the Discovery does it’s ‘last’ jump, for a moment, the ship is split in two, evoking a scene from the TOS episode “Mirror, Mirror.”

The Recap and Review
Before jumping into the episode I need to correct something, last week I wondered if “Si Vis Pacem Para Bellum” was the shortest live-action Trek episode ever, coming in at only 41 minutes.  It wasn’t.  The shortest is actually “Battle at the Binary Stars,” which runs only 39 minutes.

Okay… after a brief orientation to what’s happened across the last few episodes, we go into a teaser!  No cold open this episode.

The Discovery is still at Pahvo, and Lorca is arguing with Vulcan Admiral Terral (via hologram) on the bridge.

Lorca and Admiral Terral

I don’t think that’s a great move.  If I were Terral I would have demanded privacy because he knows how insubordinate Lorca can be.  Discovery‘s bridge crew get to watch their captain argue with a senior officer which doesn’t seem wise to me.

Terral wants Discovery to leave Pahvo and return to Starbase 46.  Lorca wants to stay and protect the Pahvo.

Lorca, eventually, seemingly complies, to the surprise of his crew.  But, this is Gabriel Lorca, he does exactly what he wants to do – and is smart enough, in this circumstance, to at least give the appearance of obeying orders.

He has Discovery warp to Starbase 46, rather than jump using the DASH drive.  At warp, the Starbase is three hours away.  He wants to use those three hours to devise a plan to save the Pahvans.

Using the excuse that Stamets is having issues with his interface for the spore-drive (if only Lorca knew), he rationalises his choice to go to warp, delaying their return.

Lorca orders Stamets to Sickbay for a full examination, so that there is a data trail backing up the decision.

Stamets is not happy to comply, but he does, obviously concerned to discover what Hugh will find.

Doctor Culber Delivers Bad News to Stamets and Lorca

After the opening credits sequence, we return to the bridge where the crew, using some very Trekkian technobabble, find a way to crack the Klingon cloak.

The problem?  To get their attempt to work, they have to beam someone aboard to plant sensors.

Another problem?  It will take days to collect enough data to succeed.

Lorca decides the spore-drive is their best bet because, with enough jumps, they can gather the data at speed.

He leaves the bridge and goes to Sickbay where Culber tells him that Paul Stamets’ brain is being changed by his interaction with the spore-drive.  The scans show that the tracts within the white matter of Paul’s medial temporal lobe are being restructured.

Culber doesn’t want the captain to play games with Stamets’ brain, Lorca is less than concerned with what the doctor wants and orders a report. He’ll decide whether or not to risk Stamets then.

Prick.

Hugh Culber is not a happy doctor and Lorca’s all no nonsense and captainy.  He takes Stamets with him to implement stage one of his heinous efforts to use and manipulate this overly dedicated and naive scientific genius.

Lorca Tempts Stamets

In his private chamber, he shows Paul what they need to do, telling him he needs him to make 133 jumps so they can map the cloak, break it and save the Pahvans.

Stamets is a bit overwhelmed, so Lorca swoops in for the kill, showing Paul a map full of data from every jump made that shows scattered pockets of negative mass that could indicates alternative, parallel universes.

More jumps might let them access these universes.

Paul, like a junkie, is hooked.  Lorca has convinced him to put his life at risk.

Jason Isaacs is amazing in this scene.  So is Anthony Rapp.  Jason is so manipulative and uses his voice so well, you can hear him weaving a spell just for the lieutenant.  He’s both mesmerising and contemptible all in the same moment.

Anthony, for his turn, plays the wide-eyed naive explorer and self-sacrificing scientist to absolute perfection.

It’s a great scene.

Back on the bridge, Lorca orders a boarding party of two, there’s a little back and fourth around who should go, and it ends up being Michael and Ash.

Some fans have been annoyed by this scene, because Michael’s argument is that she is familiar with the vessel.  Of course, she only spent minutes on it in episode two – however, the Shenzhou was taking detailed scans when they first encountered the vessel, and she probably is pretty up on its specs and is able to use her personal memory of the bridge of the Klingon Ship of the Dead and those scans, and any Discovery has made since, to be an effective navigator.

Planning to Attach the Klingon Ship of the Dead

It’s a non-point, and people just need to let go a little and accept that she was trained on Vulcan to survive and thrive in a Vulcan educational institution, and she was accepted into the Expeditionary Group meaning she would have to have an incredible memory and capacity for reasoning.  She was also raised by a species who knows a lot about the Klingons, and has probably done her own research because they killed her parents.  Though she says she’s the right person for the job because of her time on the ship, that’s probably just a quick way for her to circumnavigate a lengthy argument with Lorca because he doesn’t actually know how long she and Georgiou were on the Sarcophagus ship.  This slight bending of the truth doesn’t derail the fact that she most definitely is the best person for the job.  Seriously people, deal with it.

Star Trek: Discovery has gone out of its way to focus on character, and everything we’ve learned about Michael says she is extraordinary in every way – except, of course, for all the emotional stuff.

Lorca’s expression, after giving Burnham permission to go, has me wondering (again) what does Michael mean to him?  It’s clear he doesn’t want to risk her, and despite denying that when she challenges him, it is obvious she is valuable or meaningful to him in some way.

Tilly is Concerned for Stamets

We leave the bridge and visit Engineering where Tilly accidentally lets the Stamets cat out of the spore-drive bag as Hugh hooks a medical-cuff to Paul to allow him to treat the lieutenant while he’s in the chamber.

Symptoms?  What symptoms?  Oh yeah… THOSE symptoms…

Hugh is going to stay and monitor the jumps.

Back on the bridge, Lorca gives a rousing speech which is beautifully inter cut with reaction shots from the crew, the process of readying the DASH drive, and Paul Stamets bravely facing what he knows is a series of jumps that could literally shred his brain.

Far out does Anthony Rapp sell those moments!

The Toll of Jumping Discovery Begins to Show on Stamets

They detect the signature of a cloaked Klingon vessel entering the Pahvo system, and jump back.

We switch to the Klingons.  They do their Klingon thing.  Growl a lot.  Act arrogantly.  Talk about destroying stuff, and decloak to face off against the Discovery.

Michael and Ash beam over, wearing pattern simulators that will mask their human life signs, and carrying the sensors needed to win this engagement and hopefully provide information that will help the war effort.

After placing the first unnecessarily large, bright and vocal sensor, Michael detects a human life sign!  Yay!!  Admiral Katrina Cornwell is alive.  Wasn’t just a fan boy wish after all.

They revive Katrina but she can’t feel her legs.  Not great.

Unfortunately, for Ash, L’Rell is there too and this triggers a pretty devastating Post Traumatic Stress episode for our favourite head of security, and we get the first of some very disturbing flashbacks to his torture (?) at L’Rell’s hands.

Ash See's L'Rell

Burnham shoots L’Rell as she slowly approaches Ash, who is frozen in place, unable to act.

Poor Ash has a total meltdown and collapses, and Michael is forced to leave him in the care of the Admiral, who, thankfully, is a psychiatrist.

Shazad Latif is incredible in this scene.  He so sincerely and so effectively shows Ash’s distress.  The scene affected me with its intensity.

In the real world, I work two jobs, one is as an actor, the main one is as an allied health professional working with people who have mental health issues.  I do a lot of work with people facing trauma, and who are having psychotic breaks right there in front of you.  It’s tough for them, it’s rough for you as their support person, and it’s just not pretty or sane or easy in any way.

I was so impressed by Shazad (and, later, Cornwell) and was happy with Star Trek and how they were handling this issue.  A lot of people experience PTSD in the real world, police officers, soldiers, emergency services personnel, doctors, nurses, teachers, youth workers, social workers, psychologists, and more.  The very fact the writers were finally focusing on Tyler’s PTSD at all impressed me.  We’ve gone here before in the history of Trek (most memorably with Picard), and it’s right we visit this issue again.

Another interesting part of this scene was Cornwell’s reaction to Burnham.  She seemed both surprised to see Michael there, pissed Michael was there, and then impressed with the new science specialist.  You were left with the distinct feeling Michael was not what Cornwell was expecting.

While this is happening, the Discovery is trying to keep the Klingons occupied by engaging them in battle.

Back on the Klingon Ship of the Dead, Burnham has activated the last unnecessarily large, bright and vocal sensor and is listening in to the Klingons.  To the writers’ credit, they have Burnham activate the Universal Translator which means we don’t have to listen to the Klingons growl, and the actors can focus on acting and not on getting their Klingon lines right.

All of these scenes build the tension perfectly.  They’re beautifully paced and as a result you’re on the edge of your seat.

We cut to Stamets at one point and he is not having a good time.  The toll is shown with some remarkable visuals and disturbing camera angles.

I did not think Paul would survive.

Back on the Klingon ship, Cornwell is trying to walk Ash through his episode as he suffers more terrifying flashbacks.  She uses the exact same techniques we use in real world de-escalations, which is great.  If only Deanna Troi had gotten this much meat in her role as a psychologist.

We visit with Culber, Tilly and Stamets as Culber tries to reason with Lorca, begging him to stop the jumps as he watches his partner writhe in the spore chamber.

It’s heart breaking, and one of the times I felt my cheeks get wet from the emotion of it all.

Michael Confronts Kol

We switch back to the Sarcophagus ship.  To buy the Discovery time to complete its 133 jumps, Burnham blows her cover and gets all wonderfully mouthy with Kol.

Kol is arrogant and over confident, Michael challenges his honour, he pretty much tells her human’s don’t understand honour, so Michael goes in for what she knows will be a powerful blow.  She tells Kol she is the human who killed T’Kuvma.

Back in the cell with Katrina and Ash, the Klingons discover them and Admiral Cornwell has to try to protect herself and Ash with a phaser Michael left behind, but unable to feel her legs she can’t move as much or as swiftly as she needs to, to take down both warriors.

Cornwell Defends an Almost Comatose Ash

She implores Ash to get up, and finally breaks through his PTSD episode.

He acts, and helps take out the last Klingon.

Back on the Klingon bridge, Kol thanks Burnham for killing T’Kuvma telling her that when he kills her it will seal his power.

She challenges him to a fight and he takes her up on it.

Throughout all of this, he taunts her with Georgiou’s Starfleet badge and it’s clear Michael wants that last artifact of her friend, captain and mother figure back.

The fight between Kol and Michael doesn’t go well for Michael, but she holds her own, proving that she paid attention while studying Vulcan martial arts.

Michael and Kol Go Head to Head

Kol grabs Michael and for a moment it looks like it’s all over for her.

He growls about becoming absolute ruler of the Klingon Empire, because killing Burnham will make everyone happy, but Michael isn’t too interested in Kols delusions of grandeur.

He pushes her back to cleave her in two, but she takes advantage of this and keeps her balance and fights back, stabbing him with a non-fatal blow, but a blow strong enough to make him stagger.

On Discovery, they locate their crew and start to beam them back.  L’Rell takes advantage of this and hitches a ride on Tyler’s back.

Burnham is Beamed to Safety

Back on the Klingon Ship of the Dead Kol gets over confident.  As he advances on her, Michael is contacted by Discovery and told to get ready to beam out.  In a daring move she lunges forward and grabs Georgiou’s Starfleet Delta badge from Kol, and throws herself over a railing and falls as Discovery‘s transporter beam takes hold and beams her to freedom.

With confirmation everyone is safe, and with the surprise that both Cornwell and L’Rell are on board his ship, Lorca orders a photon torpedo strike on the now cloaked Klingon vessel.

Lorca lets loose the dogs of war, and in a very surprising turn, Kol and the Sarcophagus ship explode.

The Klingon Ship of the Dead Explodes

I did not expect that, I didn’t think Kol would die so early and I didn’t think we’d lose the Klingon Ship of the Dead at the mid-point of the season.

That just leaves L’Rell as our main antagonist… but, what an antagonist she is!

This surprising turn of events gives us a beautiful moment between Saru and Michael.  I think this may have finally given the both of them the closure they needed.

As Michael watches the ship explode in a blinding flash of light, the look on her face is perfect.  Sonequa Martin-Green evokes so many emotions in this scene, relief, shock, satisfaction, regret, sorrow, confusion… it’s a big moment for her character.

Lorca’s reaction to her and Ash’s return is strange.  He doesn’t look happy.  He doesn’t look disappointed.  He looks angry.

I need to make a special mention of the music in this episode, but particularly this scene.  It is epic.  Evocative.  Moving.  Just beautiful.

As the Klingon ship gives it’s last dying shudder, Michael realises Ash isn’t behind her anymore.  She looks worried as we cut to a conversation between Lorca and Admiral Terral, who is telling Lorca that Cornwell’s emergency medical shuttle has arrived safely at Starbase 88.  She’s going to be fine!  Yay!!

Lorca tells Terral to send her his best (yeah, right), and then rattles off his successes, including the almost completed cloak-breaking algorithm to be sent fleet wide once it’s finished.

Terral tells Lorca to get back to the Federation where he’ll receive the Legion of Honour.

Lorca doesn’t look thrilled, even thought this probably means he’ll be able to keep his command, even with Cornwell arguing he needs time to heal.

Meanwhile, Michael has gone to find Ash.  She tracks him down to his cabin, and in a beautiful scene that is full of emotion gets him to talk about his experiences on board the Klingon prison ship.

The interaction between Michael and Ash is handled with such care by the director.  If anything, this first half of the season has been defined by that word.  Care.  Though a lot has changed from what we’re used to as Trek fans, we cannot deny how much care has gone into every aspect of this production.

Michael Comforts Ash as He Comes to Terms with His PTSD

As Ash and Michael sit together, Ash admits he cultivated a relationship with L’Rell to survive.  From the way he glances at Michael throughout the scene, it is clear he is unsure if she will understand what he did and why, or if she will condemn him.

For him, it’s laying everything to do with this new relationship on the line.

Shazad Latif and Sonequa Martin-Green play this perfectly.

Michael gives him the absolution he doesn’t seem to have been able to give himself, and we leave them, holding each other, to visit with Stamets and Lorca in the shuttle bay as the mycelial network traveling scientist stares into space in deep thought.

It’s this scene that made me loathe Lorca without reservation.

Up until now I’d been able to forgive or find a way to understand his machinations, not this time.  To so recklessly and possibly selfishly use another life, one already in pain and one that has already given so much, is reprehensible.

Lorca Manipulates Stamets

Lorca knows what the spore-drive is doing to Stamets, and after setting up the new dangers faced by an approaching Klingon fleet, paints a picture that has Stamets offering to facilitate one more jump to keep the crew safe.

Lorca thanks him, then starts to rabbit on about what they’ll be able to do with the spore-drive once the war is over.

Stamets stops him and tells Lorca that this jump will be it.  The last one.  Disappointment is etched in every line on Lorca’s face.  Eventually, he masks it, knowing it won’t be the last jump.

We cut to Ash, deep in a nightmare.  It’s a series of inter cut scenes that are quite confronting and appear to show Tyler being sexually assaulted by L’Rell.

Tyler wakes with a start.  He was asleep on a couch in his quarters, with Michael.  He leaves her and finds his way to the brig where he approaches L’Rell.

Another flashback causes him to collapse to his knees.

What did you do to me?”  He asks her.

L'Rell Has Something Over Ash

Do not worry, I will never let them hurt you.”  She responds seductively.

This is interrupted by the ships computer calling people to their command stations.

As Ash gets to his feet, L’Rell utters an ominous “Soon.

We cut to Stamets and Culber in Engineering where they are preparing for what both hope is the last jump the lieutenant will ever have to make.

Stamets walks up to Culber and clasps his partners face in both hands, giving Star Trek it’s first ever gay male kiss.  Can you believe that has taken 51 years?

The scene is handled perfectly.  There’s no fuss to it.  There’s no build, there’s no excessive use of emotion or reaction, it’s just there.  It’s just like two straight people kissing before the next part of a big adventure.

Though, for Trek, this is a history making moment, it was treated just right by everyone involved.

Finally, the First Gay Kiss on Star Trek

As Paul enters the spore chamber with Hugh watching on, we cut to Lorca over riding navigation and entering new coordinates into the DASH drive.  The image shows a list of spore-jumps, with the last three entries being:
SPORE-JUMP 132: 071-MARK-898
OVERRIDE-LORCA, G.
SPORE-JUMP 133–UNKNOWN

They jump, Stamets screams, something weird happens in the spore chamber as the walls appear to crystalise.

Tilly announces the computer is calling it an incomplete navigation sequence.

Paul opens the door to the spore chamber and collapses on the floor of engineering as Tilly and Culber rush to his side.

Hugh says Paul is starting to crash.  Paul opens his eyes and they’ve gone white with his pupil and iris barely showing through.  He’s rambling, making no sense, and we’re left wondering if he will survive.

On the bridge, they don’t know where they are.

The camera pulls back, through the bridge window, through a debris field of destroyed ships and fades to the closing credits.

Now that is a cliff-hanger.

Predictions
Weeks ago, Jonathan Frakes (yes, Commander William T. Riker himself) let slip that the Discovery goes to the Mirror Universe this season.  It would seem safe to assume that is where they are now.  I don’t think Lorca realises that, and it will be interesting to see how it all pans out.

That’s not really a prediction, I know, but I only have one for this episode.

Up until I saw “Into The Forest I Go” I had become convinced Ash was Voq.  I don’t believe that anymore.  I think it’s still a possibility, but one that seems less likely.  When I think about it, was there enough time between L’Rell sending Voq away and Ash’s discovery by Lorca on the Klingon prison ship, for Voq to have been fully transformed?

Could he have been surgically altered and healed in that short a space of time and then indoctrinated into Federation culture and taught it’s language, flawlessly, so quickly?

I’m thinking two things now.  Either Voq is meant to replace the real Ash – who is currently on Discovery – at some point, or Ash is a sleeper agent who has been brainwashed to work for the Klingons, who will be triggered later in the war?

Last episode and this episode, L’Rell was keen to get on board the Discovery.  Was it to reunite with Voq, or was it to trigger her sleeper agent?

I think this storyline will play out this season, and I can’t wait to find out what the heck is going on.

Scorecard
Five Starfleet Deltas

This episode was excellent.  I really enjoyed it.  It had me in suspense, it had me in tears, it had me smiling, gasping and even looking away at points.

Excellent acting (as always), incredible music, outstanding directing, brilliant effects, and perfect editing and pacing.

I don’t know if people would have tuned back in with as much excitement as I’m hearing out there in the fan community, if the last episode for this half of the first season had been “Si Vis Pacem Para Bellum.”

This episode was the right choice to wrap up what the producers are calling ‘chapter one.’  “Si Vis Pacem Para Bellum” was a great episode, but it’s cliff-hanger ending wasn’t big enough.

One of the really pleasing things about this episode, is that we’ve discovered two new bright and shining lights in the writing world.  Bo Yeon Kim and Erika Lippoldt.  What an outstanding story and beautifully crafted script.

Star Trek: Discovery returns to CBS All Access on the 7th of January, and returns to Netflix on the 8th of January.

Star Trek: Discovery airs in the United States on CBS All Access, with new episodes appearing on Sundays at 8:30pm ET.  In Canada, the show airs on the Space Channel at 8:00pm ET, also on Sundays.  Outside of the US and Canada, Star Trek: Discovery airs on Netflix on a Monday – 8:00am BST in the UK, and 6:00pm AEDT in Australia.

I hope you enjoyed this episode as much as I did!

Star Trek: Sentinel‘s recaps and reviews will return in early January.

I can’t wait for the next episode.

Until then, and always, live long, and prosper.

LCARS Interface

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Episode 5 Recap and Review

Episode 5 Recap and Review

Episode 5 went by in a flash.

I started watching it, ‘girding my loins’ for way too many Klingons and subtitles, and before I knew it the credits were rolling.  The episode flew by in what felt like 20 minutes, not 47.

Every week this show gets better.

The Facts
Episode Number: 105 (Season 1, Episode 5)
Episode Title: “Choose Your Pain”
Story: Aaron Harberts, Gretchen J. Berg and Kemp Powers
Writer: Kemp Powers
Director: Lee Rose

Quotable
Tilly to Michael
: “I love feeling feelings.

Stamets to Michael: “What are you doing with your mouth?
Burnham, in response: “I am swallowing the urge to set the record straight.

Mudd (in reference to his pet arachnid): “Apologies, Lieutenant.  Stewart has boundary issues.

Interesting Bits and Pieces
Some people called it fan service, I thought it was awesome.  Context?  When Saru is having a bit of a command crisis, he calls up a list of some of Starfleets most decorated Captains.  Who?
– Captain Robert April
– Captain Matt Decker (later, Commodore Decker and the father of Commander Willard Decker from Star Trek: The Motion Picture)
– Captain Philippa Georgiou
– Captain Christopher Pike

Also, we saw a map that included some very familiar locations:
– The K-7 Space Station
– Rura Penthe
– the Mempa Sector
– Khitomer

I didn’t see Khitomer, but according to some fans it can be seen up in the corner of the map.

These call outs work – a lot better than the Gorn skeleton, the Horta in the corner, and a neutered Tribble on Lorca’s desk.  They’re nice additions that link directly to continuity and make sense in the context of the episode.

If the team behind Star Trek: Discovery want to reward us fans, this is the way to do it.  It’s not gratuitous.

The Recap and Review
We kick off the episode with a dream sequence and it quickly becomes clear our favourite mutineer has been deeply affected by Ripper the tardigrade’s situation.

Michael wakes to Tilly’s gentle snores and decides to pay Doctor Culber a visit.  She needs Hugh’s help to determine whether or not they really are causing the tardigrade pain.

Hugh points out that they can’t know whether or not they’re hurting Ripper, because they simply don’t know enough about his biology – Michael agrees that she could be anthropomorphising Ripper, but when the doctor says he’ll help she is thankful for his assistance.

Ripper’s reaction to the spore-drive was one of the most troubling things about last week’s episode and I personally found it difficult to watch.  It was a relief to see them dealing with the ethics of using another life form against its will.

Credit where credit is due, the animators did an incredible job of showing us Ripper was in pain and confused, Ripper came to life under their care.  Sonequa Martin-Green’s performance added to the impact and made every scene she shared with Ripper meaningful and let us know that maybe we weren’t misinterpreting his reaction.

While Hugh starts his tests, we jump over to a space station located somewhere near the Klingon border where Lorca is addressing a small group of Admirals.  Starfleet is impressed with the DASH drive (Displacement-Activated Spore Drive) and the success Discovery has had with it since the disaster on the Glenn.  They want to roll it out to every ship in the fleet, but they need more tardigrades.

Lorca with the Admirals - Episode 5

Until they find more, they want Lorca to pull back on his attacks because they believe the Klingons now know about the DASH-drive and are super keen to take the Discovery no matter the cost.

Lorca is not happy.

Back on Discovery, Tilly and Michael have lunch.  Tilly, as usual, is being adorable and Michael is unusually distracted.  Tilly takes Michael’s distraction to be a rejection of her friendship in a telling exchange of dialogue that gives us some interesting and simultaneously heart-breaking insight into her character.  The subtext is that people find her a bit too much, and as a result she doesn’t have many (or any) friends.  Michael slowly realises what’s going on, and assures Sylvia that that is not what is happening.

Michael brings Tilly into her confidence and tells her about her concerns regarding Ripper.

Back on the Starbase/Space Station, Lorca and Admiral Katrina Cornwell (Jayne Brook) discuss Michael Burnham.  Cornwell expresses her concerns around Lorca taking Michael on board, and he pretty much tells her to take a leap into a matter/antimatter reactor.  He reminds Katrina that Starfleet gave him “the fullest latitude” to fight the war his way… and he isn’t all that nice about it.  Katrina reminds him they’re friends, but Lorca brushes it off.

We also learn, in this exchange, that Lorca and Cornwell might have been something more than friends.

Thanks to AfterTrek we also find out that Cornwell was a psychiatrist in her previous Starfleet life.  This is alluded to on screen when Katrina and Lorca have a tense exchange about doctors, after she suggests he get his eyes fixed.  Lorca pointedly tells her he “doesn’t trust doctors.”

Leaving the Admiral, Lorca boards a shuttle to return to his ship but the Klingons have other ideas.  They’d like to invite Lorca to a party where every time a Klingon says “choose your pain” you have to take a shot of blood wine.

A D-7 Klingon cruiser that doesn’t look like a D-7 Klingon cruiser warps right in on top of the shuttle, and things go from bad to bloody in a matter of moments.

The Klingon’s board Lorca’s shuttle, pretty much gut the shuttle pilot and leave us with the revelation that there are now two jobs in Starfleet that you don’t ever want to do – security AND shuttle pilot.

Then we jump to the main title sequence.

Admiral Cornwell - Episode 5 Recap and Review

After the main titles, we return to Discovery where a holographic Admiral Cornwell tells the bridge crew that Lorca has been captured – and they’re tasked with rescuing him.

Starfleet believes the Klingons have learned about the new drive, and are after Lorca to get more information.

Saru, the acting-captain in Lorca’s absence, sets to work issuing orders when, suddenly, his threat ganglia poke out.  The turbo-lift doors open – revealing Michael.  She tells Saru that she’s looking for the captain, and Saru fills her in.  She cuts right to the point, and expresses her concerns about Ripper.  Saru, as someone who once described his species as, essentially, “cattle”, is surprisingly unsympathetic.

He retreats to Lorca’s ready room and consults the computer about leadership, with issues about Burnham at the forefront of his mind.  This is where we get the shot of Starfleets’ most decorated captains, mentioned above in our “Interesting Bits and Pieces” section.

During Saru’s introspection, the computer pretty much suggests he jettison Burnham out an airlock.  Thankfully he doesn’t.

It’s really interesting how much Burnham effects Saru.  We’re not given long to think about that, because we jump to the Klingon ship and meet…

Mudd - Episode 5 Recap and Review

Harcourt Fenton Mudd, played by Rainn Wilson.

Way too much fuss was made about Harry Mudd’s inclusion in Star Trek: Discovery, with some people thinking it was unnecessary and some having an issue with Rainn Wilson stepping into the role.

I hope all of that fuss has now been put to rest, because it works, and Rainn is excellent.

Thanks to Harry, we learn that the Klingon vessel is a prison ship.  We also learn that the Klingons like to group their prisoners into shared cells.

Lorca asks Harry what a civilian is doing on a Klingon prison ship, and Harry tells him he has no idea and that his only crime is the crime of love – then, in a nice monologue that evokes the original series, talks about his beloved Stella.  As Mudd waxes lyrical, Lorca checks out their cell and finds a Starfleet officer broken and huddled in a corner.

We quickly learn why this officer is so broken.

The Klingons walk in and ask Harry to “choose his pain.”  He points at the huddled Starfleet officer and the Klingons go to town on him, beating him senseless.  They end his life with a brutal and shocking, skull cracking stomp to the head and then drag the body out.

Lorca stares on in shock as Harry tells him the rules.  They can either accept the beating themselves, or pass it to someone else in the cell.

Lorca is stunned, and, judging by the look on his face, disgusted.

Lorca - Episode 5 Recap and Review

We leave Lorca and Harry to visit with Stamets, Culber and Burnham.  Burnham wants to enlist Stamets’ help with Ripper and tries to charm him… which doesn’t work.  Hugh takes the more direct approach and tells Stamets that they’re there to talk about the effects of the spore-drive on the tardigrade.

They convince Stamets and he agrees with the both of them.  They need a solution, and can’t continue to use a potentially sentient life form against its will.

It’s taken this version of Trek a while to give us this side of Starfleet.  It’s so indescribably wonderful to see these conversations taking place, and to see a glimpse of the Starfleet and Federation I love.

If I have one issue with Star Trek: Discovery, it’s that since the death of Captain Georgiou we haven’t seen anyone expressing or ‘living’ the ideals of Starfleet and the Federation.  Yes, Star Trek fans love special effects and compelling story lines and new species, but a lot of us are dreamers too: we want to believe that this shitty period in history that we’re all stuck in will end, and that something beautiful and amazing will come out of the mess of the last few centuries.  Our new Trek has kind of been saying… yeah, everything is still sorta shit.

Back on the prison ship, Lorca continues to explore his cell, probably in an attempt to stay as far away from Harry Mudd as he can.  He stumbles across Lieutenant Ash Tyler.

Tyler is excited to see a Starfleet captain, and tries to feed Lorca, who refuses, while Stewart, Harry Mudd’s cute little arachnid pet, steals the food for Harry who smugly eats it in front of both men.

Mudd and Tyler - Episode 5 Recap and Review

Mudd is entirely unsympathetic.  He’s a prick and I love Rainn’s gleeful but restrained portrayal of the character.

We learn that Tyler was on board the USS Yeager and has been on the prison ship since the Battle of the Binary Stars.

We also learn that L’Rell, the captain of the prison ship, has taken a… liking to Tyler.  There is subtext here that suggests he has been sexually assaulted by her.

Tyler and Lorca end up in an argument with Mudd, who challenges both men, telling them that they started the war by bothering to “boldy go”.  He tells them he can understand why the Klingons don’t want them in their ‘front yard.’

At this point, our overly bloodthirsty Klingons return.  They take Lorca to L’Rell.  No “choose your pain,” they just drag him out.

We probably need to talk about Tyler here – because fandom has gone bonkers about his character.

On my first watch, a few things Tyler said didn’t ‘drop’ in my mind.  I didn’t find myself analysing it all too deeply until my second watch.

In my first watch, I came away thinking “Manchurian Candidate.”  Klingons are crazy-strong.  It’s canon.  We see it in this episode.  They throw their human victims about like they’re sacks of potatoes, and the human skull is pretty strong.  One stomp shouldn’t shatter a grown man’s head – but one Klingon stomp does.  But, a tortured Lorca and an exhausted, repeatedly beaten, undernourished Tyler take a few out in a couple of scenes time.  Not once, but twice, and then they steal a fighter and escape.  Everything pointed to them being let go.

Inbetween my first and second watches of the episode, I listened to a podcast where it was suggested Ash Tyler was Voq, our Albino Klingon.  I’m now 98% convinced he is.  This article, from TrekMovie, was what pushed me from my Manchurian Candidate theory to the Ash is Voq theory.  Visit TrekMovie here.

There’s only one fault with the analysis – nothing in the episode tells us how long L’Rell has been in command of the prison ship.  She could have taken a liking to him in recent days, or of course it’s all a lie to deceive Lorca.  Time will tell, as will whether or not we see Voq in any future episodes.

One last thing, was the officer who had his head stomped the real Ash Tyler?

Back on the Discovery, Tilly, Stamets and Burnham are working together, trying to find a solution to Ripper’s dilemma.

Tilly - Episode 5 Recap and Review

Tilly suggests creating a virtual Ripper.  Stamets talks about his earlier research and how he tried to use software to fix the problem but it only enabled small jumps.  He points out that things only started to work to their fullest potential when a sentient creature was interfaced with the mycelium network.

He suggests they find something or someone else, who is willing and can fully understand the choice they’re making.

It’s at this point we have another first for Star Trek.

Tilly says: “You guys, this is so fucking cool!”  She quickly realises that might not have been the best or most professional thing to say in front of her boss.  Stamets stares at her, eyebrow raised for a moment, and then with a small sly smile, agrees.  “No cadet, it is fucking cool.

So… the f-bomb.  I admit it grated, but in that scene it worked.  It would have worked better if Stamets hadn’t used the f-bomb too.

We leave our intrepid trio of Ripper-savers to jump over to L’Rell, who has captain Lorca strapped into a nasty looking chair.

She talks to him about torture, he compliments her English, she talks about being descended from spies and then asks him about his ship and its mode of transport.

Mary Chieffo is, as per usual, extraordinary.  I don’t have words to describe how much I admire this young actor.  What she can do under all those prosthetics is amazing.

L’Rell tells Lorca in an almost seductive way, that she knows about his photo-sensitivity and then forces his eyes open with a device straight out of a horror movie and uses bright light to torture him.  Some fans have suggested this scene is reminiscent of Picard’s torture at the hands of the Cardassians in the episode “Chain of Command.”  It did pop into my mind briefly when I was watching, but I don’t really see a similarity past the fact it featured bright lights.

I’ve been heavily critical of the Klingons, primarily because of the distracting subtitles and heavy makeup that makes their vocalisations hard to understand.  So how about a positive?  This episode was, from memory, subtitle free and it made a difference.  It let me really pay attention to the Klingon scenes within the flow of the episode – no rewinding and rewatching, breaking me out of the moment.  I came away from that simple experience excited by them.  What I do love about these Klingons is how deep we’re going into their culture and the effort the writers are going to, to make these guys feel real and not just ‘different.’  They’re starting to come across like a real, multifaceted species, rather than the stereotype and caricature they turned into in the TNG era.  They’re more nuanced in this Trek.  That’ll probably piss off some fans, but after an intriguing start with Worf, everything became “honour” this and “honour” that and “I’ll drink blood wine on the corpses of my enemies.”  In this show they have so many different dimensions to them.  Different houses with different perspectives and physical characteristics – just like us and the many different races that make up humanity, and this very real and very current fear of multiculturalism.  I love this aspect.  The Klingons are interesting and forbidding again and they are finally starting to grow on me.

We leave Lorca, screaming, in the capable and malicious hands of L’Rell to return to the Discovery.

Staments, Burnham and Tilly are unable to find a compatible species in the database that is capable of working the spore-drive.  At that point, Saru walks in, and he’s pissed.

Michael tells Saru that they have a sample of tardigrade DNA and could use it to empower a human to work the spore-drive.  Saru reminds her that Eugenics is not allowed.  The discussion quickly goes down hill, heating up when Saru accuses Michael of treating him like one of her anthropology subjects.

Refusing to hear anymore, he orders Stamets to bring the drive on line and to use the tardigrate.  Turning on Burnham, he confines her to quarters.

Saru and Burnham - Episode 5 Recap and Review

We jump back to the prison ship where Lorca confronts Mudd and accuses him of being a spy for the Klingons.  Lorca sprinkled some things in his initial conversation with Mudd which was parroted back at him during his interrogation, making it likely Mudd told his jailers and is working with them.  But was it Harry or Ash?

Mudd goes in for a very distracting attack and turns the tables on Lorca.  He brings up Lorca’s last command, the USS Buran.

It’s here that we start to get a deeper glimpse into Lorca, and some indication of why he’s as hard-ass as he is.  We learn that Lorca survived a Klingon attack, but his crew did not.

Rather than let Mudd continue, Lorca takes back control of the conversation and in an unusually candid moment tells Mudd he only knows half the story.  He tells Mudd and Ash Tyler that he blew his crew up to avoid them being captured by the Klingons.

Ash Tyler lowers his head and the scene switches to a black alert on the Discovery.

Stamets beams the tardigrade into the reaction chamber.  Tilly watches, distressed, as Michael, in her quarters, worries about Ripper.  It is obvious Stamets is not happy with how things are transpiring either and in a nice, beautifully filmed moment we watch our heroes realise that they really have been thoughtlessly torturing Ripper.

As they jump, the tardigade screams in pain and collapses.

Stamets and Tilly rush into the chamber, but they’re too late to do anything.  Ripper curls into a ball, shedding all of his water and breaking my heart in the process.  We quickly learn, thanks to Doctor Culber, that Ripper has gone into a state of extreme cryptobiosis.

Saru dispassionately orders Doctor Culber to rehydrate the tardigrade and hook it back into the engine.

More than anything, from stomped heads to tardigrade torture, this was one of the most shocking scenes in this episode.  Saru knows what it’s like to be used against his will by a more powerful predator, yet he mercilessly orders his crew to commit a crime, telling them that if they’re right, and Ripper is sentient, he’ll be judged in accordance with his actions.

Culber refuses to participate.

Saru Culber and Barnham - Episode 5 Recap and Review

Saru doesn’t appear to care.  I expect he does, and I expect, deep down, this is hurting him quite badly.  Saru orders Stamets to do it.  There’s a quirk in Paul’s voice as he agrees to get the drive working.

Back on the prison ship, the Klingons turn up in the cell and ask Lorca to “choose your pain.”  Ash tells Lorca to choose him.  Lorca, after some resistance, does.

It’s a trick.  Ash and Lorca overpower the Klingons all too easily.

Both men dash out of the prison, with Harry begging to be taken with them.  Disgusted by Mudd, Lorca doesn’t let him come.  Harry angrily tells Lorca he hasn’t seen the last of him.

In a nearby corridor they have another fight with the Klingons, and these ones are also surprisingly easy to defeat.

Ash gets injured in the scuffle and Lorca uses a disrupter to blow a Klingon into a cool looking green smoke before the lieutenant is killed.  Ash can’t continue and suggests Lorca come back for him.  Lorca hesitatingly agrees and disappears.

Suddenly, L’Rell is there and Ash finds some kind of inner strength and gets up and starts to punch her.  He lets loose, and it looks like she’s taking one heck of a pummelling.  If this is all a ruse to deceive Lorca and the Federation, is Voq (Ash) unleashing on L’Rell because he has been surgically altered to look like the very species he hates?  The species that killed his Messiah?

In the middle of this very violent act, Lorca returns, melts off half of L’Rell’s face with a disruptor blast and drags Ash to a Klingon raider.

The next scene is both men in the fighter, and they’ve escaped.  Way too easily.

As they fight off their pursuit, we learn that Lorca’s sensitivity to light was caused by the destruction of the Buran, and that he suffers through the pain of damaged eyes in memory of his former crew.

The escape scene is beautifully directed and acted and is visually stunning.  The space battle scenes look GREAT!  Everything Star Trek: Discovery is doing is feature film quality.  This series looks better than the Kelvin-timeline films.

The USS Discovery

We don’t spend nearly enough time with Lorca, Ash and the space battle and find ourselves back on the Discovery.  They detect the raiders and Saru works out Lorca is on one of them.

Discovery contacts him and beams both he and Ash aboard, just as their fighter gets blown apart.

Saru asks Stamets if the tardigrade is hooked up.  Stamets noncommittally advises they are “able to jump.”

They jump.

In the transporter room, Lorca helps Ash up and welcomes him back to the war.

On the bridge, Saru is trying to get in touch with Stamets.  He’s advised Stamets’ life signs are in distress and in a scene reminiscent of Star Trek II: The Wrath of Khan, Saru races to engineering and finds Stamets collapsed in the reaction chamber.

Tilly tells Saru that Stamets injected himself with the tardigrade DNA.

For a fleeting moment it looks like Paul Stamets is dead, but suddenly, Stamets comes to and starts to laugh hysterically.

We cut to Burnham’s quarters.  Saru comes in and they finally have it out.  Saru tells Michael that’s he’s angry with her and that she’s taken a great deal from him.

Saru wanted what Michael threw away.  He had hoped Michael would get promoted to her own command, and that he would become Georgiou’s first officer.  He’d hoped to learn under Georgiou’s guidance.  He’s angry at Michael for destroying her own life, for destroying his dreams, and for, in his opinion, getting their captain killed.

Michael takes it and apologises.  Then, in a sweet moment, she tells Saru that he did well as acting captain, and gives him Georgiou’s telescope.

Hopefully, now, their healing can begin.

Michael finds Tilly and together, in what is a beautiful scene, they set the tardigrade free.  He uses some spores Michael poured over him and jumps toward a distant nebula.

Culber and Stamets - Episode 5 Recap and Review

The episode ends with Stamets and Culber together in their bathroom, brushing their teeth in what is a very simple but poignant scene.  Culber is worried about the DNA injection, and gently lectures his partner.

Stamets tells him that he had to do something because Culber was in danger.

He tries to describe his experience with the spores, but can’t quite find the words, describing it as “unspeakably beautiful.”

Hugh tells his partner to never do that again, because though Stamets might not care about Stamets, he does.

As Culber goes to bed, Stamets lingers for a couple of seconds and then turns away.  As he does, his reflection stays in the mirror and smiles.

Stamets Reflection - Episode 5 Recap and Review

It’s a wonderfully creepy way to finish the episode.

This is the most Star Trek episode to date.  I loved it.  It was action packed, it was full of drama, the performances from every cast member were outstanding.

It was shocking, revelatory and poignant.  My only complaint is that it went too fast.  I do not know how they squeezed all of that in.

This series is really taking flight.  It didn’t exactly have a bumpy start, but it did take it’s time bringing us to the mystery – and it feels like we’re finally there.

Is Ash Voq in human disguise?  There is precedent for this.  In the original series episode “The Trouble with Tribbles”, the character of Arne Darvin was revealed to be a Klingon.

What did Lorca do?  Why didn’t he go down with his ship?  What’s the story behind him killing his crew, but somehow surviving?

Will we see Ripper again?

Have Saru and Michael finally started their path toward becoming friends again?

What is going on with that reflection in Hugh and Stamets’ mirror?

Most people out there in fandom think this is hinting at an upcoming Mirror Universe episode.  We do know one is coming.  Will it be next episode?

I don’t care.  I’m just enjoying the ride.

There is no question.  I LOVE THIS SERIES.

Scorecard
Acting: 10/10
Direction: 10/10
Writing: 10/10
Editing: 10/10
Special Effects/VFX: 10/10
Story: 10/10

Overall, five Starfleet deltas out of five.

The next episode of Star Trek: Discovery is called “Lethe”.

Star Trek: Discovery airs in the United States on CBS All Access with new episodes released Sundays at 8:30pm ET.  In Canada the show airs on the Space Channel at 8:00pm ET.  Outside of the USA and Canada, Star Trek: Discovery airs on Netflix with new episodes dropping in the UK at 8am BST Mondays, and in Australia at 6pm Mondays AEDT.

Live long, and prosper.  See you in about a week.

LCARS Interface

Episode 4 Recap and Review, and a Discovery Update

Ripper might be my new favourite character!

“Ripper?”  Yep.  That cute, kinda scary, humongous tardigrade.

A lot of Episode 4 focused on Ripper this week and I think I might have fallen in love with the poor guy (gal?).  Burnham does refer to the tardigrade as a “he” part way through the episode, so we’ll go with that.

Tardigrade in Reaction Chamber

Before we get to Ripper’s antics and the news items, here are some basics:

The Facts
Episode Number: 104 (Season 1, Episode 4)
Episode Title: “The Butcher’s Knife Cares Not for the Lamb’s Cry”
Writers: Jesse Alexander and Aron Eli Coleite
Director: Olatunde Osunsanmi

Quotable
Saru to Burnham: “My threat ganglia remain unconvinced.”

Burnham to Stamets: “The phaser will only piss him off.
Stamets to Burnham: “Think of it as a… placebo for my skepticism.

Stamets to Lorca and Doctor Culber: “The frontal lobe is overrated.  It only contains memory and emotional expression.  It’s completely unnecessary.
Doctor Culber, in response to Stamets: “Well, I’ll save it, you know, just in case you want to have a feeling one day.

Burnham to Landry: “You judge the creature by its appearance and by one single incident from its past.  Nothing in its biology suggests it would attack except in self-defence.  Commander, this creature is an unknown alien.  It can only be what it is, not what you want it to be.
Landry, in response to Burnham: “It’s amazing how much I hate Vulcan proverbs.

Georgiou to Burnham: “Take good care, but, more importantly, take good care of those in your care.

Interesting Bits and Pieces
–  Corvan II was first mentioned in Star Trek: The Next Generation, in the episode “New Ground” from the fifth season.
– The USS Discovery has both a Warp Drive and a DASH Drive.  Displacement-Activated Spore Hub drive.

The Recap and Review
This is my favourite episode to date.  It didn’t start out that way, but my opinion shifted faster than a ship powered by a “spore-drive” can pop to another part of the galaxy.

The episode began with what, we eventually learn, was the creation of a uniform for Michael.

I don’t know if I had streaming issues at the beginning of the episode or not, but the effect looked pretty average.  It’s shot in a way that initially makes you wonder if it’s a planetscape you’re seeing, before pulling back to reveal it’s a Discovery uniform under construction.

After my Spock-like eyebrow-raise at that scene, everything got a lot better and pretty much instantly so.

Tilly walks in on Michael trying on her new uniform and examining herself in a very cool holographic mirror.  She’s her adorable awkward self as she delivers a bag to Michael.  The satchel beeps (constantly) and as Michael touches it, it’s revealed to be the last will and testament of Captain Philippa Georgiou.

Michael can’t bring herself to open it and Tilly is momentarily horrified, explaining that she’d not known about the contents of the bag.

The effect on Michael is telling, as she stashes the bleeping satchel under her bed.

Michael leaves her and Tilly’s room and heads to the bridge.  In the turbolift she meets Saru whose threat ganglia are out.  Saru isn’t happy she’s on the ship, nor is he is happy about not having been consulted by the captain.  Michael tries to assure him she’s only there to help.

They walk out onto the bridge into the middle of a confrontation with the Klingons.

TBKCNFTLC5

Obviously, this review contains spoilers.

The Klingon attack is a simulation – that the crew fail at, terribly.

As Lorca instructs Saru to keep running the simulation, Lorca takes Michael into the bowels of the ship where we learn why Lorca wants her on the Discovery.

They arrive at Lorca’s private sanctuary, which, thankfully, isn’t accessed via a breath scan.

The sanctuary contains a lot of weapons – and Ripper.  Lorca tells Michael that he wants her to weaponise the tardigrade.

I had an issue with that, but as the episode progresses we get a little bit more insight into Lorca which may be the start of an explanation for his actions.

All of that happens in the opening teaser.

Opening Credit Sequence 5

From there, we jump to the Klingons.

Snore.

The only things I like about the Klingons are L’Rell and Kol.  If it weren’t for L’Rell and Kol I’d fast forward through the Klingon bits.  They are painful.

I don’t mind the new look, it’s not that.  It’s the pacing and it’s the subtitles.

I get the language thing and the use of subtitles, but they are annoying and unnecessary.  I can’t stare admiringly at the incredible sets, I can’t fully appreciate the actors’ performance, and I can’t appreciate the remarkable makeup.  Makeup that, unfortunately, most of the actors have to fight through in an attempt to articulate their dialogue.  I’m still shocked this wasn’t picked up by the producers.

The Klingon scenes drag and drag and drraaagggg.

The set design, costuming and makeup is a tour de force of design brilliance, but who can enjoy it unless they watch the Klingon scenes multiple times?

I do watch them multiple times, but I don’t want to, because I don’t care.  There is no “in” for me with this species.  I don’t give a crap if the Klingon Houses unite, Voq is not an interesting character to me, and they ate Captain Georgiou which really pissed me off.

Captain Philippa Georgiou

This is going to sound ridiculous to some of you, but she is now my favourite Star Trek captain.  There was something about Michelle Yeoh’s performance that spoke to me, and I’m annoyed she’s gone.  I get the drama of it all, but the same thing could have been achieved with Michael thinking she was dead and her disappearing until Season Two.  Then we’d have the additional drama of Michael picking up the pieces all over again, and being forced to analyse what she did in the aftermath of Georgiou’s perceived death.  We’d also have Georgiou’s recovery from her journey as a prisoner of war to reflect on, which would have been a nice mirror to Ash Tyler’s experience.

I thought that was where the creative’s were going, but I was wrong.

Anyway… if it weren’t for L’Rell and Kol, I would not pay any attention to the Klingon scenes.  I don’t know how Mary Chieffo does it, but she conveys such powerful emotion underneath all of that makeup.  The subtlety of her performance is astounding and she articulates the language effectively.

There’s a mystery set up in the episode between L’Rell and Voq and what looks like the start of a romance, but that’s not enough to make me want more Klingons on my screen.

TBKCNFTLC7

I’ll leave the Klingons there.  I just don’t care enough to return to their scenes – but for the sake of accuracy:
– No dilithium.
– Fight between Voq and L’Rell about the Shenzhou‘s dilithium.
– Kol pops in and wants the cloaking device.
– They take the dilithium from the “vermin’s” ship.
– Kol turns Voq’s people against him with food, because they’ve been stuck in the debris field of the battle (from episode 2) that whole time and were starving.
– L’Rell pulls a swifty.
– Voq gets dumped on the Shenzhou.
– L’Rell rescues him and convinces him to join House Mokai.

Sounds exciting, but no.  Just a lot of growling, subtitles, and poorly paced action intermixed with beautiful visuals you can’t notice because of the subtitles, and outstanding performances from Mary Chieffo and Kenneth Mitchell.

After the first Klingon scene, we return to Discovery.  Commander Ellen Landry walks in on Michael as she applies the scientific method to Ripper (this is the scene where Ripper gets his name).

Landry isn’t interested and takes a pot shot at Michael’s idealism, saying she was sent to keep Burnham on track.

Next we visit Lorca, eating at his standing desk.

His meal is interrupted by a Starfleet Admiral who isn’t an idiot and we learn about Corvan II and a Klingon attack.

In a tried and true (and annoying) Trek trope, the Discovery is the only ship that can get to Corvan II… despite the fact it’s one of Starfleets most valuable dilithium processing areas.  I mean, why protect something that supplies dilithium to 40% of your fleet?  That’d be silly.

Lorca assures the admiral they are ready, and Lorca wanders off to have a verbal joust with Stamets, as Saru looks on.

Lorca tells Stamets to make the DASH drive work because if he doesn’t, people will die.

They activate the DASH-drive, and Michael notices that the tardigrade responds to it.  As the ship does a weird spinny-thing, it pops out of existence and into the gravity well of a star.

Not awesome!  But looks beautiful and is a wonderfully tense scene.

For his troubles, poor old Stamets gets his nose broken and his brain almost punctured by one of the bones.

While Michael tells Landry what she observed, in another scene we get to finally meet Doctor Hugh Culber as he heals Stamets’ injury.

Doctor Hugh Culber

He’s going to be a character I will fall in love with, though we didn’t get to see too much of him.  Regardless of his brief screen time, he had presence and I felt a connection to the character.

It’s clear he loves Stamets, but not in an obvious way, and likewise you can see Stamets soften when he speaks with his partner.

Lorca is there, and just gives it to Stamets who gets a little prickly about his drive and his spores.

Lorca pretty much says get in line, or get off.

TBKCNFTLC4

Lorca is either a complete ass, or a man who has been broken and has come back from that, but as someone different.

I want to believe he cares, and cares deeply, but doesn’t know how to express it anymore.  As he asks the computer to play the audio from the attack on Corvan II you can see something haunted in his eyes.

Something horrible has happened to Lorca, and he’s trying to cope the only way he knows how.  By being a soldier and saving lives.

I’m not great at predictions, but I’m going to call it now – Lorca isn’t making it out of season one alive.

A quick observation.  The saucer section of Discovery spins – fast – in spore-drive, an effect I hated on my first watch of the episode.  Why?  Common sense.  Science.  Canon.  Stuff like that.  Something spinning that fast that had biological entities inside it, would cause those life forms to turn to soup.  There’s not an inertial damper strong enough in existence to stop that from happening.  If there were, no one would get jostled about when the ship hit or got hit by stuff.  On my second viewing, I’m now 99% certain it’s only the plating on the hull that spins – because the windows in the body of both rings stayed still.  That assuaged my frustrations a little, but I am not a fan of the spinning hull.  Why does it spin?  It casts off the heat generated by the spore/DASH drive.

Anyway… as the crew digests what they’ve heard from Corvan II, we visit with Landry, Burnham and Ripper.

Landry is pissed after hearing the recording and wants to do something.  So she pushes a button on the side of her head and ejects her brain (I’m joking, but she might as well have), picks up a phaser rifle she knows Ripper is immune to and a knife of some sort, and tries to cut off Rippers hand.

That goes down about as well as you would expect it to.

No security officer with Landry’s experience would do what she did.  Everything about that scene was silly.  It was filmed beautifully, the effects were awesome, Sonequa and Rekha acted the shit out of it, but it was poor story-telling.

It’s been obvious from the moment we met Landry that she was a dead security officer walking.  That’s lazy writing.  That’s an unforgivably bad use of an actor as good as Rekha Sharma.  Go check out Battlestar Galactica and you’ll see how amazing Rekha is.

If you’re going to kill off characters, don’t do it for the sake of a bit of gore and an MA rating.  Don’t make one-dimensional characters.  Landry’s death could have had so much more of an impact.  It was surprising, but I’m pretty sure no one in the audience cared.  I wanted to like Landry, but never got the chance and her character remained a flat stereotype for her all too short a stay on the Discovery.

So… scratch two red/bronze shirts (one died last episode on the Glenn).

The only good thing about that scene was that we got to see Hugh again.

Oh, and some nice TOS sound effects in sickbay.  That was a beautiful touch.

Not long afterwards, Saru and Burnham have a conversation in Lorca’s sanctuary of horrors.

It’s been said by some that Michael Burnham isn’t a sympathetic character.  I couldn’t disagree more.  Yes, some of the stuff she says and does is a little cold, but she’s a human being struggling to regain her humanity after a life raised as a Vulcan.  More than that, she’s a human being in pain, seeking redemption.

I’ve had moments in my life where decisions I’ve made have led to completely unexpected and sometimes awful outcomes.  Maybe because of that I relate to Michael.  I can see her struggle and appreciate what it’s like to lose everything and try to regain it.  She’s not a perfect human-being, and she’s not a “super” character.  She is very human, and all of her faults are shining out at us every week.  I like this imperfect human, and I’m loving being a part of her journey to “becoming.”

I wish people would give her more of a chance, and try to walk a kilometre (or mile) in her fancy silver-soled boots.  Sonequa Martin-Green’s performance alone should warrant that.  I am totally engaged every time she’s on screen.

Michael upsets Saru by trying to kill two birds with one stone – apologise to him, AND lull him into a contemplative state to see whether or not his threat ganglia react to Ripper.  She doesn’t handle this too well, but I don’t believe she set out to be cruel.

Saru takes it as if she is using him and gives no thought to her apology, but I feel he misjudged her.

In a quick scene cut, Tilly delivers some stolen spores to Michael so she can test an hypothesis.

Tilly gets to show us, once again, that she is bad-ass.  To test her hypothesis, Michael needs to open Rippers containment pen.  Tilly could have gotten out of there, but she stayed with Michael, wanting to help her, despite knowing what happened to Landry.

With Saru, Michael’s cold, Vulcanesque dismissal of his reaction showed us that she’s still struggling to get this whole human thing right – but the empathy she so obviously feels for the tardigrade shows that she is both emotional and capable of compassion.  Her and Saru’s interactions are interesting and, it would appear, full of misunderstanding and miscommunication.

In a very touching scene that had me hugging the crap out of my dog, Ripper kind of hugs Michael as a way of thanking her for feeding him.

Michael takes her findings to Stamets, and as it becomes clear how brilliant she is, we see Stamets’ attitude toward Burnham shift.

They take Ripper for a walk in Stamets’ field of mushrooms and Michael realises the tardigrade can communicate with the spores, possibly making Ripper the perfect navigator for Discovery.

They test their hypothesis and make a successful jump to Corvan II.

It seems to hurt Ripper, which surprises and upsets Michael.

I’m not a fan of the effect where Discovery spins like a coin as it jumps because, again, inertial dampers aren’t that good and everyone on board would have been turned to a splash of red.  It looks great, but is silly.  It’s just another thing where a writer thought “that will look cool”, like that bloody delta in the sand scene in the pilot.  And it doesn’t.  It looks pretty and that’s it.  It has me wondering… is there a teenage boy on the writing team?  It’s makes me think of the Transformers movies – all spectacle, no substance.

The spinning is unnecessary.  A special effect for special effects’ sake is a waste of money.

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The episode ends with Corvan II being saved in what is one of the best battle scenes I’ve ever seen in televised Star Trek, and Michael trying to let Ripper know that they never meant to harm him.  Ripper retreats from the overture, leaving Michael saddened.

The battle scenes are pretty awesome – fantastic camera work, brilliant effects, excellent performances, beautiful editing, great dialogue. The tension builds effectively and the interspersed cuts between the battle and Ripper in pain are poignant.

The last scenes feature Tilly, Michael and a holographic representation of my new favourite captain.

After telling Michael that she’s starting to develop a different kind of reputation, Tilly gently challenges Michael, telling her that she’s not afraid of anything and should open the package.

Tilly is, right now, the heart and soul of this show.

Tilly leaves, and we close on Michael opening up Captain Georgiou’s last will and testament in a very moving, beautiful scene that just makes me miss Michelle Yeoh even more.

Curiously, Georgiou gifts Michael with an ancient family heirloom, a telescope, telling her that she is like a daughter to her.  The last time we saw that telescope it was on the Shenzhou.  It would appear that after the battle, Starfleet went back to retrieve bodies and wills and, it would appear, that telescope.

I have no issue with that.  Voq’s ship was damaged so he and his crew would have stayed hidden, and it makes sense that Starfleet would treat it’s dead with such respect.  They would also want to see if there were any survivors they had missed.

“The Butcher’s Knife Cares Not for the Lamb’s Cry” is a very strong hour of Star Trek, and it’s the most Star Trek like episode yet.

Scorecard
Acting: 10/10
Direction: 10/10
Writing: 8/10
Editing: 10/10
Special Effects/VFX: 9/10
Story: 8/10.

Overall, four Starfleet deltas out of five.
4 Deltas

The News
– The names of all remaining episodes for this season have been released, for more information visit TrekMoviehere.
– Production on Star Trek: Discovery has just finished!  All that is left now is for the episodes to have their effects completed and the music scored.
– Photos from Episode 5 are online.  Harry Mudd makes his first appearance!  For more information and to see the photos visit TrekMovie again here.
– The first half of Season 1 will end with episode 9 now, instead of 8… and…
– According to Les Moonves, another season is “likely.”

The next episode is “Choose Your Pain.”  I get the feeling that may be a Klingon episode.  Great Bird of the Galaxy help me!

Until next week, Live Long and Prosper.

Pilot Episode Recap and Review (Parts One & Two)

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It’s been 12 long years, but finally Star Trek is back on television.  Sort of.  It was on television in the US for a night, and then switched to a streaming service… but you know what I mean!

The event also coincides, give or take a few days, with the 30th anniversary of another Trek show that gave birth to 18 years of science fiction adventure – Star Trek: The Next Generation.

TNG was a ground breaking series for its time and gave birth to a shared universe before the Marvel movies made the idea popular.  Though beloved now by most Star Trek fans, back in the day people were swearing they would not give it a chance because of how different it was: the command uniform colour was red, red-shirts were suddenly gold-shirts, the ships only looked vaguely familiar and Klingons were on the bridge.  Some Trek fans do like to get their knickers in a twist and make a fuss.

A fuss most certainly has been made about Star Trek: Discovery.  For those of us who were in our teens (or older) when the new series was first in production, all this ‘noise’ is annoyingly familiar.  We also saw it when Star Trek: Enterprise went into production.

I’ll give the more rabid among us this though, the job is harder when the new show is a prequel, especially one that is set in a timeframe we all already know so much about.

In Australia, “The Vulcan Hello” and “Battle of the Binary Stars” dropped on Netflix only a few hours after they had premiered in the United States and Canada.  I quickly downloaded both episodes, finished up work for the day and headed to my car, fully intending to watch both episodes when I got home… only I couldn’t resist taking a peek.

Promising myself I’d only watch the first 15 minutes, I turned the car engine on, left it in park, hooked my phone into the car’s speakers, cued the first episode up on my pone and 40 minutes later I had to stop and just drive.

I eventually finished both episodes later that night in the comfort of my own home, with a nice warm feeling inside.  This was the new normal.  Star Trek on tap once a week, once again.

What did I think of the two-part premiere?

I enjoyed them.  I didn’t outright love them.  I was fully prepared to love them, I wanted to love them, but I didn’t quite get there.  I loved a lot of what I saw and I could see with ease the promise of an amazing series (which you might doubt when you read the review below), but it wasn’t there yet.  Nor should it be, it’s a pilot and every series has to find it’s feet, however, having just written that, I loved “The Emissary.”  With that pilot, I was sold.  It remains my favourite introduction to a new Trek series ever – and boy was that series different!

It was the same for Star Trek: Voyager.  I loved “Caretaker.”  That was an excellent pilot and ranks second on my list.

Star Trek: Enterprise‘s “Broken Bow” I enjoyed but had issues with.  The soft porn gel rub down in the decon chamber struck me as gratuitous and ruined that pilot for me.  It still does.

Next Gen?  Well, I was 15.  I loved it, but the adult me now sees how touch and go it was.  I still enjoy it (thanks nostalgia) but we all know it had a lot of issues.

“The Cage” vs “Where No Man Has Gone Before”… I love “The Cage.”  It wins out for me.  I loved Pike and I loved Number One.  Of course, I love Kirk and his crew too, but “The Cage” resonated with me when I first saw it when it was finally released on video many years ago.

Star Trek: Discovery?  I still don’t know.  It’s a little telling that I haven’t watched the two parter since that first night, I will, I just haven’t yet.  I strongly believe it will be an amazing series, but it upsets me that I didn’t immediately love it.

Why didn’t I love it?

I think they made a few mistakes that were avoidable – not Kelvin timeline level mistakes, but mistakes that shouldn’t have happened with that many executive producers nurse-maiding the series to air.

Before I go any further, it’s only fair I give you this warning:

Spoiler Alert

The Recap and Review
Now that that is out of the way, I’m going to go a little spoiler crazy.  This won’t be a blow by blow review, but I will highlight some of what gave me pause.

The first episode starts with the Klingons, and I think that was a mistake.

They look fantastic.  Yes, they are different from the Klingons we’ve known and loved (or been sick of for years because they’re so over used), and that is a little jarring, but they are recognisably Klingon, a more ornate version with very ornate costumes and intricately detailed sets, but they are without doubt Klingon.

The problem is that the makeup/prosthetics are so heavy I couldn’t work out what they were saying.  I don’t understand Klingon, but there is a cadence and familiarity we all have with that language, which was absent.

I wasn’t engaged by any of the Klingon scenes.   Not that opening scene or any subsequent scene.   They were laborious.  Slow, plodding and full of mangled guttural sounds.  I don’t believe that was the fault of the actors, but of the heavy prosthetics, the producers and the two director (part one and two had different directors).

It wasn’t a smart way to start a series.

The second misstep was the scene on the desert world with Georgiou and Burnham.

It was the second scene and it served no purpose.  We weren’t given a chance to be invested in the aliens they’re secretly helping, and though we were given an insight into Georgiou and Burnham’s relationship we get better examples of that later on.  Watching it, it felt like an excuse to mention “General Order One” to reassure us they were playing by the rules, and to set up Burnham’s fall from grace – being told she’s ready to command her own ship, only to have that all fall apart later on.

The worst part of that scene was the Starfleet delta in the sand.  I had hoped it was an insert by CBS that was used only for promos, but no.

Georgiou and Burnham walk a delta in the sand to help the Shenzhou spot them from orbit.

Let’s not even talk about how big that delta would have needed to be.  The biggest sin, besides the stupidity of the delta, was showing the Shenzhou break through the clouds only to jarringly cut to a shot of her hovering over the desert floor.  They wasted what would have been a stunning shot.

BUT, from there, the show really took off.

After a ‘different’ kind of opening credits sequence that is good but derivative, with music that is almost perfect (it dips in the middle which shifts the whole theme from awesome to average) and a list of credits that has us all asking “just how many Executive Producers does one show need?” we jump straight to the Shenzhou and their encounter with a mysterious object.  Suddenly, you forget all the executive producers, the muffled Klingons and the sand-delta because the show becomes Star Trek.  Everything starts to click.

The bridge and design of the Shenzhou owe more to the ships of Star Trek: Enterprise or to the USS Kelvin and USS Franklin of the J.J. Abrams films than to any TOS ship, and the uniforms are unlike anything we’ve ever seen in any Star Trek, but suddenly, for me, it all fit.

The designers have linked the old with the new in a way that works.  They couldn’t ignore the Kelvin timeline, because a smidge of it takes place in the Prime timeline – so it suddenly made sense that we’d see a mix of TOS and Kelvin and Star Trek: Enterprise design aesthetics in the show, mixed harmoniously together.  There wasn’t enough TOS, but we have been told that will come.  We’ve even been told we’ll see the original uniforms in some version.  On that, apparently the new uniforms, as seen on Pike and his crew, are being phased in, like the DS9 and Voyager uniforms were phased in, in Star Trek: Generations before they changed entirely for the eighth film.

It wasn’t just all of those things clicking in my head that made the show take off – it was everything that happened in those first scenes on the Shenzhou.  It worked.  The cast were great.  I’ve read a review or two that suggest the acting was wooden, but I didn’t see it.  There were a couple of moments where I questioned a performance or two, but it was the first episode and that sort of thing is going to happen.

From there, pretty much everything was excellent.  There was one more misstep, and that was in episode two where things happened too fast.  The actual battle with the Klingons and the appearance and almost instant annihilation of the USS Europa and Terry Serpico’s character were a wasted opportunity.  The episode was really building and then suddenly it felt like everything was over far too quickly.

If I have one major issue with these two opening instalments, it’s their pacing.  In places it’s off.

But that’s okay.  By the end of both episodes you realise you haven’t actually seen the pilot.  You’ve seen a prequel to the prequel.

Huh?

The Shenzhou does not make it out.  Georgiou and most of the other characters we’ve been getting to know don’t live.  There is no resolution for the main character, there is life imprisonment for mutiny.  There is no USS Discovery and we don’t meet most of the actual main cast.

I liked that.  I hated it because I was really liking Georgiou and Danby Connor, but I liked it because it was unique and a wonderful device for getting exposition out of the way.

The real pilot we’ve since been told, will be episode three.

So… everyone dies?  Almost.  But yeah, most of the characters we meet don’t make it to the last act.

There are two impactful deaths in this two parter, for me, and both were handled beautifully.

I fell for Georgiou and Ensign Connor immediately, thanks to all the lead up about their characters, and they both go out in style.  Connors’ death is a shock.  But it’s what would happen in a space battle.  It’s so jarring and unexpected I forgot to breathe for a few moments.

Georgiou’s death we knew was coming, there was no way she was making it out alive, but it still surprised me, and Burnham’s reaction was perfect.  It was a heart-breaking, emotionally powerful scene.  Throughout the episode there were hints Philippa Georgiou was like a surrogate mother to Michael Burnham, and we see that play out meaningfully in her death.

Sonequa Martin-Green was incredible.

I won’t go any further into the episode because you need to watch it.  There is one more major death which is completely unexpected, but I don’t want to spoil that one.  It surprised me.

Yes, I’ve been critical of this two-part opener for the new series, but it really is excellent science fiction and it IS Star Trek.  I know I’ve spoiled quite a bit, but there are many more things to discover (no pun intended) that I haven’t talked about.

To wrap up:

Sonequa Martin-Green and Doug Jones (as Burnham and Saru).  AMAZING.  10 out of 10.

Michelle Yeoh.  Why did they kill her off?  She is one of the best Star Trek captains I’ve seen on screen.  10 out of 10.

James Frain as Sarek.  He does it.  He honours Mark Leonard meaningfully, while making the character his own.  The only issue I had with Sarek was when his hologram sat on something in Burnham’s quarters from thousands of light years away, but that’s a nit pick I don’t have the energy to go into.  It’s one more thing the executive producers should have picked up on and didn’t.  Seriously… what do they do on the show?  The sitting hologram is not James’ fault and it didn’t detract from his performance.

The rest of the cast.  Just kick-ass.  I wanted to spend more time with them and am disappointed I didn’t get to.  We were promised “new ships” and got them, but I would have liked to see them stay around for longer.  10 out of 10.

Costumes and sets.  Blew my mind.  These surpass anything we’ve ever seen before on film or television.  10 out of 10.

Writing.  Needs a bit of work.  Some simple plot structure mistakes were made, some dialogue was a bit clunky, and some of what we saw on screen was silly.  Which ever writer or producer thought the delta in the sand was a good idea and that immersing us in the political nonsense of the Klingons was going to be interesting needs to sit out the rest of the season.  7 out of 10.

The overall story.  It’s great.  Personally, I love it and I have no issue with the Spock connection.  10 out of 10.

Music.  The opening theme is beautiful, but strays in the middle which does affect it. The music throughout the show was brilliant.  9 out of 10.

Direction.  Good.  I don’t know why they had to tilt the camera angle all the time, it annoyed the crap out of me.  6 out of 10.

Special Effects.  BEAUTIFUL.  10 out of 10.

Pacing.  Needs a bit of work, especially in the Klingon scenes.  They rushed stuff they shouldn’t have rushed, like most of Episode Two, and set far too languid a pace for some scenes that they should have just smashed through.  7 out of 10.

Editing.  I’ve separated this from pacing, because I think the pacing was a writing, directing and producing issue.  The editing was perfect except for that one scene in the opening with the Shenzhou.  I didn’t feel thrown out of more than that one scene by the editing choices made.  9 out of 10.

Tone.  This was Star Trek.  It felt like Star Trek, it looked like Star Trek, it sounded like Star Trek.  So much so, the strangeness of the uniforms and the Kelvin timeline like effects and sounds faded into the background.  9 out of 10.

Scorecard
4 Starfleet Delta’s out of 5.
4 Deltas

There is room for improvement, but they kicked a goal and I really pleased to say “Star Trek is back.”  I’m proud of what these guys have accomplished and I believe Star Trek is in the right hands.  I’m putting all of what annoyed me down to the reality that this is a new series finding its feet.

Bring on Monday!  I can’t wait for the third episode.

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A Brave New Adventure

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We’ve been a little quiet here at Star Trek: Sentinel because there has been so much Star Trek: Discovery news coming out that we kind of just wanted to enjoy it and let it wash over us, and didn’t feel the need to comment on it.

Now we stand on the eve of the launch of a brand new series and a bold new experiment in Star Trek.

Since the new series was first announced and up until today, we’ve all seen people expressing hope and excitement for the show and people nit-picking everything and heaping disdain on this new series every Trek fan should be looking forward to.

Georgiou and Burnham

It’s probably no secret that I am incredibly excited about the show.  I love Sonequa Martin-Green as an actor, I’m a huge fan of Kirsten Beyer, Akiva Goldsman and many other behind the scenes creatives, and I admire the risks everyone has taken to make this version of Star Trek relevant.

I’ve been disappointed, even upset by some of the negative coverage coming from some sites.  The amount of it coming from one particular sci-fi site (not a Trek one) has caused me to delete it from my favourites and move on.

Now that we’re literally only hours away from the first brand new episode of Star Trek television in 12 years, I thought it might be a good idea to point you guys toward a handful of excellent articles out there right now on websites staffed by professionals who are genuinely excited to see Star Trek: Discovery.

There are two sites in particular that have had extensive and exceptional coverage over these last few weeks:

TrekMovie and TrekCore.

TrekMovie, in particular has suddenly become one of the best, if not the best, Trek site ever.  Their coverage of Star Trek: Discovery has been spectacular.

TrekCore have always been amazing, and though they may be following a close second behind TrekMovie, their coverage has still been excellent.

Inside the Discovery

Here are some great articles from both sites.

Let’s start with the coverage of the recent Premiere, held a couple of days ago in Los Angeles – attended by many of the cast and crew of Star Trek: Discovery, and Star Trek royalty, Nichelle Nichols and William Shatner.

Nichelle, Sonequa and Bill

Sonequa and the cast get a blessing from one of the most significant women in modern science fiction, Nichelle Nichols.

TrekMovie gives us some photos from the Hollywood Premiere.

TrekCore‘s coverage of the Premiere.

For more on the “blue carpet” premiere event, visit both TrekMovie and TrekCore and look through their most recent articles.

Of particular interest to fans, the Season One Press Kit for Star Trek: Discovery has finally been released.

It’s beautiful.  The images above, and one a little earlier on in this article are from that kit.

TrekCore got the scoop on this one, so go check out their article focusing on the kit here.

Some of the things we’ve learned over the last few weeks are that the Klingon War with the Federation will play a major part in Season One of Star Trek: Discovery.

We’ve also learned that the war story will be wrapped up by the end of the 15 episode first season arc.

We don’t know what Season Two might hold, but it’s interesting that the Klingon conflict will fade out to be replaced by something else.

I think that’s a good idea.  Multiple years focusing on a war might get a bit a much – plus, there’s a lot more to Star Trek than Klingons and the war-arc has already been done and done well in Trek’s illustrious history.

Star Trek Discovery EW Photoshoot 1

If you want to catch up with all of the Star Trek: Discovery news, visit those two wonderful sites.

Right now, I am eagerly counting down the hours to Star Trek: Discovery‘s release on Netflix.

If I could have one wish over these next few days, it would be for my fellow Trek fans to give this show a chance.

A great deal of incredible talent has been brought together to bring this show to us, and a lot of love and care has gone into it.  Yes, it looks different to Star Trek: The Original Series and probably shares more in common with Star Trek: Enterprise and the J.J. Abrams Trek movies, but that’s superficial and necessary if we want to attract new viewers and keep Stat Trek alive.  The show and it’s producers are doing everything they can to be faithful to canon and to make us something we will love.

The internet has become an horrifically nasty place where people seem to think it’s acceptable, even ‘cool’ and funny, to be negative and sometimes even abusive, but Star Trek fans are better than that, and the worst of us are nothing more than a vocal minority.

I hope other fans who love all things Trek for everything that the shows stand for, and respect and attempt to live the ideals of Star Trek, embrace this new show and love it and ensure it continues for many years to come.

We’ll be back in a couple of days with a review of the pilot episode, which is titled “The Vulcan Hello.”

Until then, may we all and may Star Trek: Discovery especially, live long and prosper.

In the United States, Star Trek: Discovery premieres on CBS on the 24th of September with all subsequent episodes airing on CBS All Access.  In Canada Star Trek: Discovery will premiere on the 24th of September also, on Bell Media’s CTV and the Space Channel.  For the rest of us, Star Trek: Discovery will launch on Netflix on Monday the 25th of September.

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Discovery News Hits Warp Speed

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We’ve purposefully held off on posting any of the ‘new’ news about Star Trek: Discovery that’s been coming out, because we were pretty sure SDCC (San Diego Comic-Con) would drop a lot of information.  And we were right.  And then EW did also, which means there is a fair bit to catch up on.

Where to start?

The first place would be with the new trailer that was released.  It is… fantastic.  Despite what some science fiction news sites have said.  They haven’t said it’s bad, but one or two have given it a less than warm reception.

I’ve been really disappointed with some of the comments made by these sites, but on the up side I have been really impressed with the cautious optimism and enthusiasm coming from Trek-specific news sites.

When it comes to the new Star Trek show a couple of these online genre news outlets have an overly negative attitude going on, and appear to feel that unnecessary nitpicking is the way to go.  One or two of their points have merit and some are downright ridiculous and poorly researched.  Example?  Gene’s vision of a future where Starfleet officers don’t argue or have conflict of any sort.  This is true for the TNG era, but not for what came before it.  In TOS and the first six films, there was plenty of conflict.  Anyone remember Star Trek: The Undiscovered Country?  Kirk was not happy with Spock for volunteering him and the Enterprise to escort the Klingon High Chancellor to Khitomer, and in TOS Spock and McCoy went at it almost every chance they got.  For that matter, Kirk and McCoy could get pretty testy with each other now and again.

Another example of the nitpicking?

There was an article a couple of days ago on io9, one of my favourite sites, by my favourite writer on that site, taking exception to Kirsten Beyer asking Jason Isaacs to avoid saying the word “God” (in an ad lib) because Gene had envisioned a world where religion didn’t have a great deal of influence on human beings.  Not a world/universe where there was no religion, but one where it’s impact wasn’t as wide felt.  The writer of that article was annoyed by this, and said (I’m paraphrasing) that it was just another ‘thing’ she didn’t get about the show.

She kind of has a point, ad libbing in a “God” is a small thing, but then she went and ruined her point by citing Star Trek: The Final Frontier and Star Trek: Deep Space Nine, saying the correction was silly because the “g” word had been used before in Star Trek.

In the fifth feature, Kirk doesn’t ask the question “what does God need with a starship?” because he believes in God, he asks it because if there was a God, he or she or it would not need a ship to get anywhere, and the line isn’t an ad lib, but an integral part of the story.

And DS9?  For almost the whole seven years of that series, Benjamin Sisko fought against his appointment as The Emissary, and believed the Bajoran Gods were nothing more than wormhole aliens.

I might be wrong, it’s been a long time since I watched season seven of DS9, but I don’t think Sisko ever truly believed the wormhole occupants were Gods or a representative of God or a God.  They were extra-dimensional beings with a command and understanding of space-time far different to our own.

Lorca is a Starfleet officer and is part of an organisation dedicated to scientific research and exploration (alongside a joint mission to defend and protect the United Federation of Planets).  While many scientists are still people of faith in today’s world, and no doubt will be in the future, it’s not a big enough thing to nitpick about.  I don’t know why Kirsten’s correction of an ad libbed line has earned her that journalists ire?  My question is, do we know enough about the context of that conversation (between Kirsten and Jason) to be getting upset about this?  Probably not.

Also, I really don’t know why this particular situation is another ‘choice’, apparently amongst many, that is hard to understand?

Some of the decisions the writers have made have been contraversial, but they’re understandable.  The series needed to be updated if it was going to have a chance against the juggernauts of Game of Thrones and The Walking Dead.  The creative team has made mostly cosmetic changes, and where things may upset canon have promised us an in-Universe explanation.

Star Trek Discovery EW Photoshoot 5

A lot of the snipes coming from these sites are silly and they are getting really annoying.  Hundreds of thousands, if not more, Star Trek fans around the world have been waiting for a new series, and a lot of us are over-joyed and excited about this show and are holding out hope it will be brilliant.  If you don’t want anything to do with the show or aren’t coping with the changes that have been made, keep your opinions to yourself unless they have some balance and substance.

Instead, focus on THE most diverse cast in Trek history and how that lives up to Gene’s vision, a vision he wanted to show but couldn’t while he was alive because of the resistance he faced over the years.

Don’t forget, his son, the keeper of Trek now that Majel has left us, is intimately involved with this series.  Show some respect, and give this show a chance before ‘bagging’ it across the internet.

Sorry for that digression.  Those two examples above are only some of a number of articles that have really irked me.  But!  Back to the trailer!!

If you’d like to watch it, jump over to the official Star Trek site here.  The music is “I’d Love To Change The Workd”, by Jetta.

This show is, from the look of both trailers (the first one released and this newest trailer), aiming to be an intense and exciting, epic exploration of a time before Kirk and after Archer, and it’s trying to be a deep and thoughtful exploration of the ‘self’ and the journey we all go through on this roller-coaster ride we call life.

The over-arching story is starting to take shape thanks to the trailers and interviews we’ve seen, heard and read, but I have no doubt there will be more to the series and I also have no doubt that the creative team will throw us a few red-herrings!

What is that story?  A war between the Federation and the Klingon Empire.  It’s been hinted at, but never shown, so now we may get some context around why the Organians were so insistent on implementing that treaty way back in TOS’s first season (2267), and ending that war.

A few days after the trailer hit, EW released some beautiful photos from a behind-the-scenes interview and photoshoot they did.  Some of them are peppered throughout this article.

If you’d like to see all of these really gorgeous shots, visit Entertainment Weekly here.  Even better, buy their latest edition featuring the new crew, here.  I have, and I don’t regret it.

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If, for whatever reason, you can’t view the trailer, below are some screenshots from it.  Because I’m in Australia, I have only seen the Netflix version, and I have no idea how different it is from any trailer that was released by CBS or Space (in Canada).

When you see the release date screen grab pop up at the end, don’t freak out.  In the United States and Canada Star Trek: Discovery will still air on the 24th of September, but in Australia and most other countries it will air on the 25th.

Here are the trailer shots, with a tiny bit of commentary.  The trailer I saw had subtitles.

Warning… there are a LOT of images.  Apologies for the quality, at times the internet was holding up beautifully, and at others it wasn’t.  Australia is a great country, but our internet service providers and internet speeds are a joke.

Just a quick aside first.  Some people have thought the Shenzhou leaves behind ‘graffiti’ on the desert world Georgiou and Burnham visit, in the form of a Starfleet Delta.  I really doubt that is something that happens ‘in-show’, and I’m pretty certain it’s a creative effect by CBS.  Time will tell if I’m wrong.

As I said above, it really feels like the creative team are setting up something thoughtful, and hopefully epic… “All life is born from chaos…”  Those are portentious words!

It’s clear there’s some sort of battle, and it looks like the USS Shenzhou doesn’t come out of it in one piece – and it looks like that’s thanks to our old friends, the Klingons.

Throughout the trailer it’s insinuated that our lead character, Michael Burnham, makes a decision or is involved in a decision that starts a war with a fractured Klingon Empire.

It also seems like Burnham is reporting back to Sarek.  It’s unclear if Sarek is an Ambassador at this time?  I looked him up on Memory Alpha but it doesn’t talk about his career in the 2250’s so who knows what this legendary individual is up to at this point in his life?!  Is it his handling of this affair which makes him an Ambassador?

Next we see a series of images that seem to depict the very beginnings of what becomes a war between the still relatively young United Federation of Planets (the UFP was founded in 2161) and the ancient Klingon Empire.

We don’t know who fires first, but from the first trailer where Georgiou says “Starfleet doesn’t fire first”, we can guess it’s the Klingons.

Then we get some random stuff.  Space mushrooms maybe?

I don’t know what these shots indicate, but my guess would be it’s Michael Burnham exploring the Discovery after being assigned there.

If it’s not space mushrooms she’s seeing, then perhaps the Discovery is the first starship to have it’s own large garden area and she’s amazed and impressed by the sight?

Those images are quickly followed by more combat images and what seems to be the Shenzhou under attack.

As you can see, things don’t look good for the Shenzhou.

A lot of fans have been predicting Captain Georgiou doesn’t make it out alive and that Michelle Yeoh only guests for the first two episodes.  I’m hoping against hope that isn’t true, because she’s an incredible actor and because it would be nice to see a competent female captain who doesn’t die in the first thirty-minutes of a Trek-show, other than Janeway of course, but I have to concede that those fans may be right in this case.

Following from the above, as you’ll see below, it looks like the Shenzhou doesn’t just get the crap shot out of it, it looks like she gets boarded too.

Rather than evacuating in escape pods, Burnham and some of the crew flee in a small shuttle craft of some kind.

Then we get random again, and the storyline hints at a mystery of some sort?

What the hell is going on on this ship?” Burnham asks.

For those of you who don’t know, the fifth image of a young woman in bed is Cadet Sylvia Tilly.  She bunks with Burnham and from interviews with the actor (Mary Wiseman) playing Tilly, she and Burnham become friends.

We get more images of people running, then Captain Lorca talking about the USS Discovery.

We finally get to see the first in-trailer image of the Discovery, though only very very briefly.  The ship has longer nacelles than the original earlier design, which I like.  She looks more graceful and powerful as a result.

We are shown how Sarek and Michael meet.  In later interviews we learn that Sarek rescues Michael Burnham from a world that has been attacked, and he and Amanda adopt her when it’s discovered her parents are dead.

Yes.  Michael is Spock and Sybok’s adopted sister.

Cue outraged fans.

Don’t worry, the creative team have said they will address this hiccup in continuity.

Then everything shifts again and we get our first look at Harry Mudd.  He seems to be putting Burnham through some kind of obstacle course, and if she doesn’t complete it something goes “boom”!  Either that, or he is rescuing her.  Later on, there is an image that is either a jail cell or a section of a corridor on the Shenzhou that is protected from losing atmosphere by forcefields, and Burnham is trapped in that tiny space.

It’s unclear if these images are from the pilot, or the second, third, fourth or fifth episode filmed, but if Harry is rescuing her, he might be in the first two episodes.

The way the announcements dropped earlier in the year, it seemed like we wouldn’t see Harry Mudd until close to the middle of the 15 episode season… but this production has kept its secrets pretty well so Harry may be popping up early!

Then more images of destruction.  Is the Shenzhou being side swiped by a Klingon vessel?

We also get another interaction with Mudd, with a dialogue exchange that is a little cheesy, but is guaranteed to bring a smile to the faces of long-term fans.

We switch to Lorca talking to Burnham: “You chose to do the right thing…”

This is cut with images of Georgiou and Burnham beaming into what looks like a Klingon vessel.  The fifth image is of poor quality, but it’s someone leaping out and tackling Burnham.

We get random again for the next images, but in them Lorca has a voice over where he continues on from his previous comment, saying to Burnham “…even at a great cost, to yourself.”  The images end on Georgiou facing something bright on the viewscreen of her ship.

The “great cost” might be the death of this woman, who we have learned is very important to Burnham, or it could be the war Lorca mentions and the punishment Burnham received.

Here’s the image I was talking about earlier.  Does that look like a futuristic jail cell in the second image?  Or is it a sectioned off part of a ship that’s lost containment and she’s trapped in that area?

We see Georgiou standing in front of the viewscreen of the Shenzhou as something explodes.

In voice over, Lorca says: “You helped start a war.”  In the next scene he asks her, in an almost Lucious Malfoy kind of way: “Don’t you wanna help me end it?

The last image in this set is random.  Lorca is touching a forcefield of some kind.

The last live action images show us escape pods ejecting from the Shenzhou, and Burnham in an environmental suit that is pretty badly damaged, spinning off into space.

Looks like that Klingon she faces off with (from the first main trailer) gets the upper hand.

This is a better trailer than the first one.

The first one definitely got me excited, but this one gave me chills and continues to every time I watch it.

As I said up above, some science fiction news sites have been dismissive of this new footage because being negative is ‘cool’, but a number of Star Trek news sites have been very excited!

Watch the trailer and let me know what you think.  Depending on where you live in the world, you’ll see either the CBS version or the Netflix version.  I wish I could tell you if there are any differences, but I don’t know.  I’m sure a site will find a way to access both and do a comparison.  TrekCore, for example, has correspondents in various countries around the world.

So what have we learned since the last update?

So much.

Here are all the major bits as dot points:

  • As mentioned above, Michael Burnham is Spock and Sybok’s adopted sister, and was raised by Sarek and Amanda after losing her parents;
  • The USS Discovery possesses a ‘new way’ to ‘fly’, so perhaps some prototype warp engine?  In Star Trek: Enterprise a lot of fuss was made about the warp 5 engine, perhaps this is the beginning of the warp 8 engine we see Kirk’s Enterprise using?
  • A couple of weeks ago, some news came out about Saru’s race – his species was one of the few things I had issues with from the first trailer, because they are apparently genetically designed to “sense the coming of death” and that didn’t make any sense to me.  While chatting with EW, Doug Jones revealed a little more about his species: “On Saru’s planet, there’s a dominant predator species that constantly imperils another weaker species called Kelpiens.  As part of the latter group, Saru has evolved with heightened survival instincts.”  To read more about Kelpiens, check out the TrekMovie article here.  We also learned that Kelpiens have hooves;
  • We’ve been told that Harry Mudd is more edgy than the more mature version we see in TOS, which makes sense – he’s a younger version in Star Trek: Discovery, and perhaps his interactions with the Discovery crew ‘mellow’ him;
  • We learned that Captain Lorca is not your run-of-the-mill Starfleet captain, and has “a lot of sharp edges.”  This fits with his reputation as a tactical genius, and someone like that, you would imagine, would not always feel it was necessary to obey the standard social niceties;
  • A new character was announced, and it’s a boyfriend for Lieutenant Stamets, the first openly gay character in Star Trek television.  The new character is Doctor Hugh Culber, played by Wilson Cruz;
  • The creative team behind Star Trek: Discovery went to great lengths to assure fans at SDCC that they are always mindful of canon, and that despite the fact it feels like a lot has changed (the uniforms, the look of the Klingons and the ship designs), a lot more than we might think is the same and is very Star Trek.  A bit of a codicil was added to that, saying that one of the aims of Discovery is to excite existing fans while allowing the show to bring in brand new fans to ensure Star Trek‘s longevity;
  • This new Trek is designed to be as much an emotional journey for the characters and us as the audience, as it will be a physical journey of discovery and exploration for the ship and her crew;
  • The Klingons will speak Klingon when talking to each other, and those scenes will be subtitled for our benefit;
  • The show has been designed with diversity in mind, and the casting choices have been purposeful.  The best actor was always chosen for the role, but one of the aims of the show was to give as many people in the audience as was possible someone to relate to – and this has always been an important part of Trek.  One of the greatest compliments given to Nichelle Nichols and Uhura was that people of colour saw themselves ‘in’ her, and thanks to that, saw a future for themselves.  This diversity, of course, doesn’t just extend to people of different nationalities, it extends to people who are thoughtful, who are focused and driven, who are GLBTQI+, to people who are more action oriented in life, and to people who are experiencing difficult emotional journeys thanks to a mental illness – with one character suffering from Post Traumatic Stress Disorder (Lieutenant Ash Tyler who is a former prisoner of war);
  • The Klingons are no longer a proxy for the Russians, as they were when Gene originally envisioned the race.  That’s not to disrespect Gene’s vision, it’s to do what Gene always did, try to reflect the times we live in – and the times we live in are full of isolationist rhetoric, an understandable and warranted fear of terrorism, and general paranoia.  The Klingons are now a proxy for us, and what fear has and is doing in this world;
  • One thing that has stuck out for me is the frequent mention of ‘being mindful of timelines’.  Bryan Fuller’s original pitch, we have recently learned, was to have the show jump timelines each season – starting in the 2250s, hitting Kirk’s era, and then going to the TNG era and beyond.  I don’t know if this is what is being referred to, or if another alternate timeline is being created?
  • Space mushrooms just might save the galaxy!
  • Not everyone is going to make it out of Season One alive.

So that’s most of the news that has dropped since the last time I did an update.

If you’d like to go into more detail on any of these items, visit the following sites to read every tiny bit of information that has been released to date on the new series:

TrekMovie, here, and TrekCore, here.  These two sites have had the best, and the most comprehensive, coverage.

That’s it for now!

We’re less than two months away from the debut of Star Trek: Discovery.  We can expect more information to be released very soon, and most likely at Star Trek: Las Vegas, which starts on the 2nd of August.

This new series is shaping up to be very exciting and something that modern Trek needs.  I hope you’re as excited to see it as I am.

Live long, and prosper.

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Beam Me Up!

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Are you ready for another Star Trek: Discovery ‘head tweak’?

Entertainment Weekly have released a new photo from the upcoming series, this time depicting the USS Shenzhou‘s transporter room.

It looks nothing like anything we are even remotely used to.

Before I share the image with you, keep in mind that the Shenzhou is an older ship, and the Discovery’s transporter room is probably going to look very different to this.

First, here’s a quick reminder of some of the transporter rooms we’ve seen over the years.

When you see the image below, you’ll notice that both Captain Georgiou and Lieutenant Commander Burnham are wearing slightly different uniforms.  It appears that they’re in tactical gear for some sort of potentially hazardous or confrontational away mission.

The tactical gear looks like it slips over a streamlined version of the standard uniform – I say streamlined because the neckline looks different to the necklines of the uniforms seen on both women in past production stills.  You’ll also notice that the tactical uniform comes with a gun holster and at least one pouch which probably holds a communicator.

The guns appear to be slightly similar to those from the original Star Trek series.

The tactical uniforms are not similar to the old MACO uniforms.

Archer, T'Pol and Reed with MACO soldiers

The transporter is really unusual, and has an almost SteamPunk feel.

You’ll notice there is some sort of transparent shield between the transporter officers and the Captain and First Officer.  It’s reflecting something blue that must be part of the console the transporter officers are using – but it just looks like a blue band of light.

You’ll also notice two huge dishes behind Georgiou and Burnham.

No idea what they are for.  They must be part of the mechanism.

Enough of my rambling.  Here’s the image.

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I don’t know what to think of this.

Very few of the changes have irked me, and I don’t actually know if this one does or doesn’t.  It’s a great image… it excites me… it does worry me just a little because it is so SO different to all of the other transporter rooms we’ve seen over the years, including the transporter room from the Kelvin timeline.  If it purposefully ignores all of the Trek’s that have gone before it, then that’s going to annoy me because it seems like such an unnecessary change.  If there’s a reason and a rationale for it, I’m not going to mind.  As if CBS has to impress me!  Yes, I’m chuckling to myself right now.

Guess I’ll have to wait and see what went into this design and why it was changed.

To close out this article, there’s one more thing I think you guys might want to check out.

TrekMovie have done an incredible graphic breakdown of the new uniforms.  It’s beautiful, and it highlighted stuff I hadn’t picked up on.  Did you know there are Starfleet Delta clasps on the boots!  The article that accompanies the graphic also suggests some design links to both Star Trek: Enterprise, and “The Cage”.  Here’s a sneak peak of a bit of that diagrammatic breakdown, just to get you interested.

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You can read and see more here.

The TrekMovie guys have done an AMAZING job on this infographic.  It’s beautiful.

That’s all the news for now.

Remember, if you want to read the whole EW article when it is released in a few days, then go subscribe to EW here.

You might be thinking there can’t possibly be more news to share from that article, but I get the feeling there will be.  EW are a clever bunch, they’re probably holding back on some really exciting stuff, while purposefully whetting our appetites.

If anything else is released between now and then, we’ll make sure we post it here.

Excited for the new show yet?

I hope so.  I can’t wait.

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CBS Delivers the Goods

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CBS All Access has finally delivered a brand new trailer for Star Trek: Discovery, giving the world it’s first significant glimpse at the highly anticipated new Star Trek series.

It’s beautiful… surprising… and a little jarring in places, and has me thinking CBS might be up to something completely unexpected.  More on that a little later.

First, an important question was answered by the trailer.  Swimming amongst all of the incredibly beautiful visuals was an announcement from CBS.  The series will air in Autumn (in the United States, which is some time in Spring here in Australia).  The latest word since the trailer went live is that the pilot will be on our screens in September.

Fan reaction to the trailer has been mixed.  Some love it, some don’t, and some were underwhelmed but intrigued.

Why is this trailer dividing fandom so?

I guess because it is unexpected.  We’re often told that it’s never wise to have expectations, but we’re human and whether we consciously realise it or not, we often have them.  I think a lot of us were expecting the new Trek series to look more familiar, and for things to resemble (in a modernised way) what we saw in “The Cage” and “The Menagerie”, which fall in the specified time period.  FYI, “The Cage” was set in 2254 and the year 2255 has often been bandied about when discussing when this new show takes place.

That’s not what we got.  There are slight similarities in the overall design of the sets, and there is an echo of Star Trek: EnterpriseStar Trek: The Original Series and even the first six films in the look of the ships, but everything (except for the uniforms) is a little more ‘Kelvinesque’ than I think any of us expected.  Looking at this trailer, you wouldn’t automatically place the new series between the first prequel and the original 1960s show.

As much as I hate to admit it, that’s probably a wise choice because modern audiences are more familiar with the Kelvin-universe Trek.  To survive, our beloved Star Trek needs to keep attracting new fans (and younger fans) and to do so it needs to appeal to a 21st Century aesthetic.  The uniforms and starship sets we saw in “The Cage” or even Kirk’s “Where No Man Has Gone Before” don’t cut it.

The good news is, the sets do look like they belong in the Star Trek universe.

The uniforms?  I don’t know.  They echo, slightly (very slightly), those from Star Trek: Enterprise, but in no way resemble Pike or Kirk’s era.  I have to admit, I love them.  I think they look incredible and are my favourite uniform design to date, but they are very different.  I think many of us were expecting an approach similar to the one taken by J.J. Abrams and his design team when they updated the original uniforms for the 2009 reboot, but… no.

All of these adjustments have me wondering “is CBS planning to reboot Star Trek entirely?”

Lieutenant Commander Burnham - Environment Suit in Deep Space

Those of us who have been fans of Star Trek for a long time love the original 1960s series, and we accept without issue that it’s dated.  We forgive, for example, the sexism, knowing Gene wasn’t a sexist, and we understand that the series was a product of its time.  New viewers not steeped in Star Trek history would find some episodes of TOS quaint at best and mildly offensive at worst, and they would find the ‘look’ of the series silly.  Even Star Trek: The Next Generation and it’s spin-offs are dated now.  Some of the episodes are a little on the sexist side and their desk top computers, for example, are bigger than our current iPads and tablets, and the graphics we see every day on our smartphones are better than the graphics presented in TNG, DS9 and VOY.

Sadly, sometimes science fiction just ages poorly.  One of the few exceptions to that rule is 2001: A Space Odyssey.  Kubrick went to extreme lengths to project forward into the future, and he and his design team did an incredible job.

What I’m about to suggest is pure speculation and I have no evidence or inside information to suggest my theory holds water, but what if they were thinking of rebooting everything?

What if they wanted to modernise Trek in its entirety to ensure it remained relevant well into the future?

Star Trek: Discovery could be the first step.  We’ve just heard that the show’s first season has been extended to 15 episodes (from 13), so if it gets seven seasons (which was once the average for a Star Trek series), that’s a total of 105 episodes if each season is granted 15 episodes.  The creative team could then jump forward to the TOS era, recast Kirk, Spock, McCoy, Uhura, Scotty, Sulu, Chekov, Chapel and Rand (again), select 15 of the best episodes from each of the three seasons, update everything in alignment with this new design aesthetic, and make the original crew’s stories more relevant or at least more palatable to a 21st Century audience.

I know, heresy, but bear with me.  Next, they could do another 30 episodes (two seasons) so Kirk and Co. could finish their historic five-year mission.  That’s not seven seasons, but if the creative team wanted to, they could take a look at what happened to the crew in the years between the end of that mission and the crew confronting V’Ger.  There’s another 30 episodes equalling a unique two seasons of Trek, the likes of which we’ve never seen before.

Then the creative team could jump the series ahead to the USS Enterprise B and look at the adventures of Captain John Harriman, First Officer Janice Rand, and Demora Sulu.  I’d watch that and I’d love it.  Next up, we could finally spend some time with Captain Rachel Garrett and the USS Enterprise C, a captain and a ship that has captured the imaginations of Trek fans since they both first appeared in the TNG episode “Yesterday’s Enterprise”.

By then, we might be ready for a new look at TNG era Trek.  The creative team could select 15 of the best episodes from each season of TNG, DS9 and VOY with new actors playing our favourite characters, and give us something intense and mind-blowing.  Could you imagine DS9 starting out with the necessary world-building required of a series that is still unique when compared with its companion shows, and in those first 15 episodes introduce us to the station and the tragedy of the Bajoran occupation (which is still timely and relevant in today’s terrorism affected world) before shifting into the arrival of the Dominion and that eventual war?  Watching that war build over 90 episodes would be amazing.  Can you imagine correcting some of the mistakes of Star Trek: Voyager?  We could have more conflict with the Maquis as they try to unite the crews, we could redo the Kazon and make them a decent nemesis (with better hair), and we could even dedicate an entire 15 episode season to some of the stronger stories like the “The Year of Hell”.  Finally, just imagine for a moment what the writers could do with Picard, Beverly, Riker, Deanna, Worf, Data, Geordi, Wesley and Guinan in a more condensed and focused set of episodes season after season?  That’s exciting.  Such iconic characters, who often weren’t given the best treatment or the best stories.

Star Trek: Enterprise?  I don’t think they’d need to touch that.  I think it still stands the test of time and fits in with this new vision that is being presented to us.

After that?

As Jean-Luc Picard says in Star Trek: First Contact, “plenty of letters left in the alphabet.”

It’s an intriguing idea.  At the risk of having multiple Trekkies boycott Star Trek: Sentinel forever, I wouldn’t be opposed to it.

However… I digress.

Back to Star Trek: Discovery.

First Impressions?
I seem to be one of the few fans who out and out loved the two trailers I saw.  Two?  Yep.  The first trailer I was able to watch was the CBS All Access version.  I went back to watch it a second time and grab some screencaps only to discover it had been region-blocked.

Just as an aside, region-blocking really pisses me off.  This is the 21st Century.  I should be able to access the content I want to access, regardless of where I am in the world.

In its place, international audiences could watch the Netflix version which came with subtitles.  At least the one I saw did.

That’s the trailer I’ll primarily be reflecting on, because it’s the one I’ve been able to watch multiple times (and grab screencaps from).

With both trailers I was blown away by the cinematic visuals.  They are beautiful and this show looks like a lot of money has been spent on it.  As grumpy as I got with CBS in my last post, I can now see that the extra time has been well spent.

The big thing that grabbed me with both trailers was Sonequa Martin-Green.  Holy %#*@!  She is incredible.  She can and will carry this series and make it something special.  I watched the second trailer multiple times because of her.  Yes, I loved a lot of what I saw, but every time she was on screen I was captivated.

So, having disclosed that I loved the trailer, I do need to say that it was… jarring.

STDSC Screenshot 1

We don’t see the Discovery, but we do get to see a few exterior shots of the Shenzhou and a corridor and the bridge of that ship.  There are, as I mention above, some design elements that place it in the prime timeline, but graphics wise it evokes the Kelvin timeline more than Pike’s era.

In what I think is a clever move, they’ve grounded these changes with a few old school Trek elements – the original communicators are back, we have a jazzed-up original series transporter effect, and desert robes reminiscent of those worn by Sisko and Dax in season seven of DS9.  That’s not original series, but it is Star Trek.

Some critics are saying the desert robes are a bit Star Wars, and they do have a point, but when I first saw the trailer and the below image, I immediately went to season seven of Star Trek: Deep Space Nine in my head.

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The new Statfleet uniforms are beautiful, but instead of the familiar gold, red and blue/teal that we’ve seen in every incarnation of Star Trek, it appears a more metallic theme will delineate the various departments in Starfleet, with gold, silver and bronze shoulder stripes, shirt side panels and pant stripes all the rage ten years before Kirk.

That’s quite a change!

The uniforms and vessel design choices aren’t the most jarring thing though.  They didn’t ‘break’ me out of the trailer.  The Klingons did, and Lieutenant Saru did.

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Lieutenant Saru and Lieutenant Commander Burnham

The Klingons are familiar, but far more bestial than we’re used to.  They look mean and I loved this deepening of their look. Their outfits/uniforms/ceremonial wear(?) is far more elaborate than what we have ever seen before and I didn’t like them.  I hope that what they are wearing is ceremonial only, and that we get to see something appropriately vicious and lethal for their regular uniforms.

Lieutenant Saru?

He looks amazing.  My first thought was “poor Doug”, because that makeup looks like it would take hours.

My second thought, thanks to the dialogue spoken by Saru, was… WTF?!

The dialogue I remember was from the first trailer.  My memory may be a bit off, but Saru tells us that his race was genetically engineered for one purpose, to sense the coming of death.

Why?  Seriously, why??  There is no point to that.

It’s the only part of the trailer that really disappointed me.  Why would someone engineer a race to detect the coming of death?  How limiting is this going to be for the character?  I love Deanna Troi, but is this going to be another case of “Captain… I sense… (cue ominous music) the coming of death!” episode after episode?

I hope they reloop that dialogue to be “one of the things my species was designed to detect is the coming of death…” which still sucks, but sucks way less than the almost nonsensical “we were made to sense death, dude.”

How is that even possible?

Anyway.  I think you get that I don’t like that!  I actually can’t believe that slipped through, considering the quality of the creative team involved.

The Story?

Not a clue.

It seems like it will be epic.  There’s a big Klingon sarcophagus thing, Klingon ships attacking, Sarek training or mentoring our heroine, and the insinuation something big is happening out on the edge of known space.

The only thing we can guess at is that the Shenzhou awakens something that I assume Discovery will have to deal with.  I am worried that whatever the Shenzhou awakens will kill Captain Georgiou.  I hope not.  That would be a waste of such an incredible actor.  Watch the trailer, you’ll see why I’m concerned.  Think about what and who we don’t see.

It looks like it’s the Klingons that have been ‘awakened’ out on the fringe, so I’m wondering if this is a special type of Klingon… perhaps a genetic experiment gone wrong?  Or maybe it’s an exiled colony?  That might explain the different look and the unusual costumes.

The Effects?

Outstanding.  I don’t need to say anything else.  They are feature film quality.  Bravo CBS.  There’s nothing like that on TV right now.

The Characters?

We don’t get to see a lot of them.  We see Captain Philippa Georgiou, Saru, Connor, Burnham and Sarek, and a few of the Klingons, but that’s it.

The only character we get any insight into is Burnham, and then there are only insinuations.

I was left wondering is she Vulcan?  Is she a human adopted by Vulcans?  She seems to have a very close relationship with Sarek.

She also seems a lot more impulsive than your standard Starfleet officer.

Is it True to Star Trek?

I think it is.

There are design choices that are a little disorienting, but overall it ‘feels’ right.  From the tiny bit of dialogue we get, it seems like the writers and producers have tried very hard to honour Gene Roddenberry’s legacy.  You’d expect nothing less with Rod Roddenberry involved.

If you haven’t seen the trailer yet, watch it.  You’re in for a treat.  Try to let go of your expectations, and once you do, you might be surprised by how much you enjoy it.

One more little note, CBS All Access has announced an “aftershow” special that will air after every episode of the series.  It’s called “Talking Trek“.

Now… screencaps.

In the screencaps below, it’s implied that the child Sarek is talking to is Burnham.  The child has a Vulcan haircut, but I don’t know if she’s Vulcan.  We never really get a good look at her ears.

As you can see below, the bridge looks a little Star Trek: Enterprise and a little USS Kelvin too.  The graphics?  Very Kelvin timeline.

Check out how awesome Saru looks!  In the CBS All Access trailer Saru says the thing about his species being designed to sense the coming of death.  Then he pauses for a bit and says “I sense the coming of death.  I sense it coming now.”

The first image below is a Klingon hand.  Nice and savage looking.  Check out the Klingon uniforms… really ornate and unusual.  They look super uncomfortable and not something you’d wear into battle.

That’s it.

It ends with the logo we’ve come to know and love.

In addition to the trailer, CBS have released an official poster for the series.  If you look closely, you’ll see the Discovery.

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If you haven’t seen the trailer or want to watch it again, you can check it out on YouTube here.

It’s so exciting to be getting something concrete from this production.  We should be in for an interesting next few months.

One last thought.  If you look at the poster, it indicates the Vulcans are going to play a big part in this series.  I don’t think Burnham doing the Vulcan salute is without meaning.  Is it a clue to her heritage?  Is it an indication this new series will pick up on some elements from around Archer’s time?

There is still so much to learn about this show, and the trailer has definitely got me primed for more.

As news breaks, we’ll post about it.

Now do what I’m doing and heave a big sigh of relief.  Star Trek: Discovery is really happening.

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Brand New Discovery Teaser

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On the 23rd of July last year, CBS released a teaser trailer for Star Trek: Discovery.  It was unfinished, and the ship design that appeared in the trailer was not finalised – but it gave those of us hungry for news on the new Star Trek series something concrete to get excited about.

Now, a little over six months later, CBS have released (?) a second teaser trailer which actually gives us tiny glimpses of what is to come.

The trailer appeared online early yesterday morning Australian Eastern Daylight Savings Time which was probably some time in the evening in the United States… and then disappeared.  It wasn’t available anymore.

Thankfully, it can still be tracked down.  If you haven’t seen it yet, you can watch it here at the Consequence of Sound YouTube channel.

Check it out before it disappears again!

Here are a few images to give you an idea.  There is a voiceover to accompany the images and it begins by saying that on the 11th of March 1964 Gene Roddenberry began writing Star Trek with the words “Star Trek is…”

The bottom image above, “Star Trek: Discovery will begin that sentence once again” ties into the voiceover.

The trailer starts with a retrospective look at the various series that went before Discovery, and then gives us some exciting sneak peaks at the design and construction of the new series, and some glimpses of what might be the first day of filming!

You’ll notice more of the ship design and what looks like the new Starfleet uniform.  Take a moment to examine the uniform – it’s blue with gold piping on the shoulder, but the blue (normally associated with medical and science) appears to be associated with engineering and ops if you look at the middle section of the Starfleet Delta.

Either the series is borrowing a little from Star Trek: Enterprise and giving the crew the one uniform colour rather than the colourful red, gold and blue of Star Trek: The Original Series, and the Delta is being used to discern which department a crew member works in, or pre-Kirk things were a little different.

Those of you who are long-term fans of Star Trek will know that the Delta design was originally only used for the Enterprise, until her successful five-year mission had her honoured, and had her Delta design used for all ships.

Maybe the Delta was always originally Starfleet’s emblem before some in the Admiralty thought each ship and base should have it’s own emblem, which is what we see throughout the original series.  Every ship and every base had a different symbol on their chests.

Finally, you’ll notice a ship that doesn’t look like the designs shown for the USS Discovery, but may be a wireframe of the USS Shenzhou.

Also… the Captain’s chair.  Looks pretty ornate, hey?!

The final reveal is the logo, which has changed slightly but still remains split.

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That’s a purposeful choice, so it likely means something?  What, I don’t know.

Perhaps the “event” the series is built around is a rift in Starfleet… perhaps it’s about Section 31?  With the Klingons around, perhaps it’s about an attempt to make peace with the Klingons and certain elements in the Federation are against that – a little like what happened in Star Trek VI: The Undiscovered Country?

Alternatively, rather than symbolising something breaking or splitting, it could symbolise something coming together and the series could focus on the solidification of the United Federation of Planets and Starfleet.

We could guess forever.  Two things are certain: Star Trek: Discovery has started production, and it looks really promising.

I am crazy excited, and can’t wait to see this new series.

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Discovery: New Cast and Bryan Fuller

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Days after the casting rumour about Michelle Yeoh hit the net, CBS made an official announcement on not only her involvement is Star Trek: Discovery, but the involvement of two additional actors.

Michelle’s casting was confirmed, though it looks like the rumour mill was wrong about her character’s name.  Michelle will be playing Starfleet Captain Georgiou, in command of the USS Shenzhou – not Captain Han Bo.

Who else is joining her on the final frontier?

Doug Jones, playing an alien science officer called Lieutenant Saru, and Anthony Rapp, playing Starfleet science officer and astromycologist Lieutenant Stamets.

Astromycologist?  Mycology is the study of fungi… so… space fungi!  CBS have made a point of adding in the astromycology bit, so no doubt space fungi will in some way play an important part in the first season of the new Star Trek series.

What’s also interesting about the announcement is the differentiation between Lieutenant Saru and Lieutenant Stamets.

Saru is described as an alien science officer, and Doug Jones is particularly well know for his ability to bring characters to life under a mountain of makeup and prosthetics.  Stamets is described as a Starfleet Lieutenant.  In the images above, you’ll see “New Crews,” “New Villians,” “New Heroes,” and “New Worlds.”  It looks like Saru will be from one of those new crews and/or new worlds.  It remains to be seen as to whether or not he’ll be a new hero or a new villain.

Where might you have seen Doug and Anthony?

If you’re a fan of Buffy the Vampire Slayer, you’ll have seen Doug as one of the “Gentlemen” in the fantastic episode ‘Hush’.  You would have also seen his work in Fantastic Four: Rise of the Silver Surfer, Hellboy and The Strain.

You might have seen Anthony on Broadway in Rent, or on TV in the series The Knick.

If you want to learn more about Doug and Anthony, you can check out Doug’s IMDb page here, and Anthony’s IMDb page here.

In an interesting aside, they released the news at 10:31am.  Get it?  The USS Discovery is NX-1031.  Clever, CBS.  I actually love that little detail.

And now onto Bryan!

Star Trek fans everywhere felt a bit of a blow when it was announced that Bryan Fuller was stepping down as showrunner for Star Trek: Discovery.  For many of us, his involvement guaranteed quality, and it guaranteed deep and intelligent story-telling which is something we most certainly want.  Since the announcement, we’ve all been wondering why he chose American Gods over Star Trek: Discovery particularly when he is a proud and vocal Star Trek fan.  We were also, many of us, under the impression he would still be involved in some way with the show… but it turns out he’s not.  He’s stepped away entirely.

Bryan has finally spoken up about why, telling Digital Spy that the decision he made was a hard one and it came down to a couple of simple things – where Star Trek would give him the chance to have a conversation about things he cares deeply about, like human progress, environmental issues and hope, American Gods gives him the chance to comment on a few other things that Star Trek doesn’t often give voice to, like religion and immigration – two themes that run very strongly through Neil Gaiman’s American Gods novel.

The themes of faith and immigration that are present in American Gods resonate with Bryan, and he feels they will resonant deeply with people today.

It wasn’t an easy choice for him, but it was mitigated by the fact he felt he had done ‘enough’ to put Star Trek on the right path to success.  Should they need a little help navigating, he’s said he would be available for season two, if CBS needs him.

In the interview, when asked what Star Trek: Discovery is about, Bryan said there are three words that sum up the new series: “understand each other.”  I think that little sentence is very telling and I would hazard a guess that the premiere episode will start with a monumental misunderstanding between species that will throw us into the overall story-arc of this exciting new addition to the legacy of Star Trek.

Star Trek: Discovery starts filming in January 2017 in Toronto.  It’s first two episodes have been written by Bryan Fuller, and so far we now know that it stars Michelle Yeoh, Doug Jones and Anthony Rapp.  The new series will premiere in May.

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