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So much has happened in the world of Star Trek these last few weeks, it’s difficult to decide where to start and what to report on!

But before that, I had an e-mail from a fan of this site asking me why I recapped news reports. He appreciated it, but was curious. It’s simple. When big news happens, we get disjointed drips of it from con reports, media releases and various interviews happening all over the place. Sometimes it’s put together afterwards by various sites, but that’s rare. It frustrates me, so I group it all together for other fans like me who enjoy and appreciate the reports we read, but would love to see them encapsulated in one article because it’s easy to lose track of them all thanks to the fact we all live busy lives. So, thanks for the question and hopefully this puts it all into perspective!

Now, back to this news update.

Thanks to the San Diego Comic Con and Star Trek Las Vegas, a lot of news has come to light: a new Klingon look for Disco season two, new Trek shows, a push to have Trek on CBS All Access all the time, casting announcements, the DS9 documentary, pay disputes for Kelvin-verse Trek IV and more.

I’ve chosen to focus exclusively on news related to the proposed new series’, and the upcoming Trek feature films.

So.  Proposed new shows?  Yes.  First up is a brand new set of mini-episodes called Short Treks, that have been created to give us some Trek content while we wait for season two of Star Trek: DiscoveryShort Treks is also a part of CBS‘s recently announced desire to have Star Trek content on CBS All Access 24 hours a day.

But that’s not it.  There has also been talk of a new animated series and, most incredibly, a new Star Trek project that brings Sir Patrick Stewart back as fan favourite Jean-Luc Picard.

Before we dive in to any of that, we need to look at couple of important casting announcements.  The first is the announcement we have a new Number One (the role originated by Majel Barrett-Roddenberry in 1964).

Rebecca Romijn, best known for her role as Mystique alongside Patrick Stewart in X-Men, X2 and X-Men: The Last Stand, has been cast as the new Number One.  She joins Anson Mount on the Enterprise for the second season of Star Trek: Discovery.

She and Anson are joined by Ethan Peck, the grandson of Hollywood Legend Gregory Peck, who will be playing Spock.

Spock?!

Though producers said they would not cast another Spock because it would be too hard to find another actor capable of following in the footsteps of Leonard Nimoy and Zachary Quinto, it appears they have found a story and an actor that they believe will do justice to Spock and the two exceptional actors who have played him.  Spock is definitely in season two, and I admit I am excited about that.

Some have decried this as fan service, but I don’t have a problem with fan service if it’s done well, and if a wonderful story can be brought to life as a result.  Star Trek has a rich history full of exciting and compelling characters, why can’t we see them?  Why wouldn’t we?  If you were a writer or producer on a new Trek series, wouldn’t you want to use those characters if you could?

Some fan commentators have decried the implausibility of the Enterprise and Discovery being anywhere near each other, but that’s a rubbish observation.

Within the in-universe history of Star Trek, there were not that many ships out there in the earlier days of the Federation, and when you think about it, we actually don’t know the mission profile of the Enterprise in that time period.  Plus, there was a war that bled into Federation space and you can bet the Federation wanted its best ships nearby protecting people and assets.

What do we know about Pike’s mission in that time period?

Star Trek The Cage Poster

We know that he and his ship were returning from a battle, before intercepting the Talos distress signal that led to the events we have seen in “The Cage.”

The Enterprise was a heavy cruiser, and Constitution Class starships were the premier front line vessels of Starfleet.  The ships became known for their exploration missions, but Gene Roddenberry had a multipurpose role in mind for them when he conceived the series.  As every Trek fan knows, the concept for the show was based on a “wagon train to the stars” idea, with the Enterprise pushing the boundaries of known space, while also serving as a diplomatic vessel, a peace-keeping force and even, at times, a special escort for dignitaries.  As a premier front line vessel, there is every reason for it to be within warping distance of the Discovery, which, at the time the two ships come across each other, had only recently left Earth.

But, I digress.  Back to Ethan Peck, our new Spock.

Ethan Peck

The casting of Ethan has been given the seal of approval by the Nimoy family, with Leonard’s son, Adam, and daughter, Jule, along with their spouses Terry Farrell (Jadzia Dax from Star Trek: Deep Space Nine) and David Knight, that we learned about via a post on Instagram.

In that post, Ethan looks pretty damn stoked, and there appears to be genuine warmth shining off of Adam in particular.

The Nimoy Seal of Approval

Ethan started acting as a young man.  He’s 32, and has appeared in the ABC sitcom 10 Things I Hate About You, Madam Secretary, Gossip Girl and That ’70s Show.

His enthusiasm for the role is apparent, and according to his girlfriend both of them will always remember the moment he got the call that he was cast as Spock.  Ethan apparently sat down on a nearby roadside curb and cried.

All of this makes me think that the appearance of the Enterprise, Pike, Number One and Spock in Star Trek: Discovery is a way of launching a sort of soft-backdoor pilot for a new series that focuses on Christopher Pike and his crew.  CBS wants more Star Trek on TV and has put Alex Kurtzman and his production company, Secret Hideout, in charge of that on a multi-year deal, so why wouldn’t they explore one of the least seen but most beloved Captain’s in Trek history?

Fans have been interested in Pike and Number One for many many years, and it’s a period of Star Trek history that would be interesting to do a deep dive into.  Star Trek: Five Year Mission, or whatever they would call it, would be a beautiful companion to Star Trek: Discovery and it would honour Gene’s original vision by giving life to the first characters he created.

When you think about it, Anson Mount is doing a LOT of publicity work for Star Trek: Discovery, and with two other actors now cast in two incredibly important and historic roles, why wouldn’t CBS take advantage of that and create something amazing?

If they didn’t, it would be a real waste of talent and time.

But, enough of my suppositions.   You probably want to know about the news that really has fandom going crazy.

Jean-Luc Picard is back.

Patrick Stewart and Alex Kurtzman announced the news at Star Trek Las Vegas.  They didn’t tell us a lot, because it’s very early days, but what we do know is:

  • Kirsten Beyer, it seems, had the idea.
  • Akiva Goldsman will Executive Produce the show.
  • It takes place approximately 20 years after Star Trek: Nemesis.
  • Pulitzer prize-winning author, Michael Chabon, is on staff.
  • James Duff will also Executive Produce.
  • Kirsten will be a writer on the show.
  • Patrick initially turned them down, but with some persistence from Alex and his team fell in love with the idea, remembering just how impactful Star Trek had been and still is in the lives of millions.
  • Patrick will be an Executive Producer on the series.
  • Picard might not be a Captain anymore.

This is what Patrick had to say, live on stage at STLV18:

Jean-Luc Picard is back.

He went on to talk a little about the older Picard we may meet.

He may not, and I stress may not, be a captain anymore.  He may not be the Jean-Luc that you recognise and know so well.  It may be a very different individual.  Someone who has been changed by his experiences.  Twenty years will have passed, which is more or less exactly the time between the last movie – Nemesis – and today.

He followed this with a guarantee.

It will be, I promise you, I guarantee it, something very, very different.  It will come to you with the same passion, and determination and love of the material and love of our followers and our fans, exactly as we had it before.

We don’t know whether or not Gates McFadden, Jonathan Frakes, Marina Sirtis, Brent Spiner, LeVar Burton or Michael Dorn will be in the new show, but it is almost certain one or two or maybe even all of them will appear at some point.

LeVar, Gates, Patrick, Marina, Brent and Michael

Will this new Star Trek be an ongoing series?  It’s unlikely.  Patrick is in his late ’70s and in a couple of years time will turn 80.  Committing to an ongoing series as complicated as Star Trek would probably not be something he’d do.

It’s more likely this will be a mini-series, or limited special series of maybe six to ten episodes.

More news is certain to come over the next few months, but for now we don’t know much else. One of the best things about this announcement is that maybe, finally, these incredible, beloved characters will get the send off they deserve. I’m okay with Nemesis, but it’s not a great film and Picard and crew deserved a better on screen farewell. This new show might do that.

The new animated series?  Nothing has been disclosed about this but it has garnered a lot of interest from fans, because it can happen, literally, at any time in Star Trek‘s expansive history.  We could continue the five-year mission of Kirk and his crew.  We could discover brand new adventures on the Enterprise D.  We could even fill in the blanks for the crew of the USS Equinox after they were trapped in the Delta Quadrant, before the Voyager found them.  The possibilities are endless, which is why fandom is super-excited.

For now, we’ll just have to wait for news on that project and hope that something can be produced that is at least as good as Star Wars‘s successful foray into animation.

Lastly, the next Star Trek feature film has hit a hurdle.

Chris Pine and Chris Hemsworth are reportedly holding up the fourth feature outing for our Kelvin-verse crew.

Why?  There is a little contention over their salaries.  Both Chris’s are blockbuster stars now thanks to films like Wonder Woman and the Thor series.  Their salary expectations are, as a result, a little different to what they probably were.

Star Trek: Beyond, while well received by fans, only made $343 million world wide.  That’s a decent profit when compared to the cost of the film ($185 million to produce, though this doesn’t include the film’s marketing budget), but it’s not enough to warrant a massive investment in a sequel.  Tent pole summer blockbusters need to make at least double of what they cost to be considered profitable.

This means Paramount will be looking to produce the as yet untitled Trek film for less, and part of that will be offering less money to its stars.  Which should be interesting.  There is not one of the main cast whose careers have not taken off since the release of the first Kelvin-verse film.  Some of their careers have gone stratospheric – particularly Chris Pine, Zoe Saldana and Simon Pegg.

All three actors are in demand, with Zoe in particular lined up for movie after movie after movie.

Karl Urban (Doctor Leonard McCoy) is confident both Chris’s will sort out the pay dispute, and that the movie will go ahead.  Paramount, however, have a very narrow window available to them to get the movie into production because of actor availability.  If it doesn’t happen soon, the planned fourth film will be abandoned, and we’ll have to wait another couple of years for Tarantino Trek, which is currently slated to be the fifth outing for the crew of the Kelvin-verse USS Enterprise.

What do we know about the new movie?  A few things.

SJ Clarkson

  • The basic premise is unclear, but we do know it unites James and George Kirk in some way.  There is a script, but it’s details are under wraps.
  • The film will be the first to be directed by a woman, with S.J. Clarkson being given that honour.  Clarkson is a British film and television director, best know to the rest of the world for Life on Mars, Dexter, Heroes, Ugly Betty, Bates Motel, Jessica Jones, Orange is the New Black and The Defenders.
  • The film will be the first Star Trek movie to be shot in the United Kingdom.

That’s pretty much it, for what we know about the next film, and major events in Trek.

As news breaks we’ll keep you updated here.

If you’d like to check out more Star Trek news, we encourage you to visit our two “go to” sites, TrekMovie and TrekCore.

Until the next update, Live Long and Prosper.

LCARS Interface

Episode 15 Review

Star Trek Discovery Review Banner Episode 15

It’s taken me a long time to write this review, because, sadly, I didn’t like this episode.  I was so disappointed by it that I didn’t know how to put my feelings into words and I wasn’t inspired to put fingers to keyboard.

To be fair, I should point out that there are elements of “Will You Take My Hand?” that are great, but only elements – and only two or three that I can easily recall.  As a whole, it just doesn’t work and it is not a fitting end to what has been a remarkable season, and an outstanding first season.

As usual, the acting is brilliant and the special effects are impressive and these are the things that carry the episode.  The story doesn’t, and the writing is some of the worst this season has seen – which is surprising, considering who wrote it and the quality we know they can produce.

The other thing that really lets this episode down is the boring and suspense-less resolution to the Klingon war arc. This resolution makes you question the entire season and how well it was thought out, and it makes you question everything the writing team has been telling us because so many things seem unfulfilled.

Before I dive in further, spoilers ahead.  I’m only putting this warning up because of the last few scenes… so, Red Alert!

Spoiler Alert

The Facts
Episode Number: 115
Episode Title: “Will You Take My Hand?” or “Wasted Opportunities”
Written By: Gretchen J. Berg and Aaron Harberts
Story By: Akiva Goldsman, Gretchen J. Berg and Aaron Harberts
Directed By: Akiva Goldsman

Quotable
Georgiou to Saru: “What’s wrong?  Are you scared, Number One?”  Beat.  “Where I’m from there’s a saying: ‘scared Kelpien makes for tough Kelpien’.  Have you gotten tough since we served together on the Shenzhou, Mr Saru?
Saru: “Affirmative, captain.  Very tough.  So much so that many find me simply unpalatable.

L’Rell: “You?  How!?  Our Lord pierced your heart… House T’Kuvma feasted on your flesh.
Georgiou: “You have the wrong Philippa Georgiou.
L’Rell: “Either way, I can tell you require seasoning.

Michael to Cornwell: “Is this how Starfleet wins the war?  Genocide?!
Cornwell: “You want to do this here?  Fine.  Terms of atrocity are convenient after the fact.  The Klingons are on the verge of wiping out the Federation.
Michael: “Yes, but ask yourself, why did you put this mission in the hands of a Terran, and why the secrecy?  It’s because you know it’s not who we are.
Cornwell: “It very soon will be.  We do not have the luxury of principles…
Michael: “That’s all we have, Admiral!”  Beat.  “A year ago, I stood alone.  I believed that our survival was more important than our principles.  I was wrong.”  Beat.  “Do we need a mutiny today to prove who we are?
Saru: (Standing) “We are Starfleet.
The entire bridge crew stands to join Michael and Saru.

Moments of Interest
Familiar Aliens
The Orions make an appearance in this episode and they’re just as fond of debauchery and hedonism as ever!  Though… they do appear a little paler than we’re used to!

Familiar Faces
Clint Howard, who made his first Star Trek appearance in the Star Trek: The Original Series episode “The Corbomite Maneuver,” makes another appearance in Trek, this time playing a very stoned Orion who tries to dupe Tilly.

Clint Howard DISCO

If you’re thinking Clint looks familiar, he has also appeared in the Star Trek: Deep Space Nine episode “Past Tense, Part II” and the Star Trek: Enterprise episode “Acquisition.”

Clint is also the brother of actor and legendary director Ron Howard, and is a regular at Star Trek conventions.

A Klingon Moon
During a confrontational moment on the Discovery after Michael works out what Starfleet is up, we see a hologram of Qo’nos blowing up (thanks to bad science and a lack of research around volcanos), and, I’m pretty sure, orbiting Qo’nos there in the background might be Praxis.

Extra Appendages
Speaking of Klingons, it would appear our favourite ridge-headed aliens have a little more going for them than redundant internal organs.  In another attempt to leave their  mark on Star Trek canon, the producers have given Klingon males two penises… peni?

Does this disturb anyone else?  I can’t help but think of poor Deanna and Jadzia!

Please believe me when I say I’m not being prudish here, merely practical.  How the heck does that work?  I get redundant internal organs, that has been canon since Star Trek: The Next Generation, but why would those redundancies also be external?  If we follow that logic, Klingon women should have two vaginas and four breasts and all Klingons should probably have two heads (and brains), two anuses and an extra arm each.

This addition to canon feels poorly thought out and completely unnecessary.

Will You Take My Hand - Planning to Infiltrate Qo'Nos

The Review
As I’m typing this, I’m watching the episode to catch quotes and re-familiarise myself with what happened, and for the first time I’m not paying rapt attention to the screen, forcing myself to type.  I’m listening, half-heartedly, and that bothers me.  It bothers me because I wish I didn’t have to re-watch this episode, and it’s rare that I want an episode of Star Trek to be over.

We begin this particular voyage with a look back at what’s come before, with L’Rell providing the “last time…” announcement in Klingon.

After the flashbacks, we go to an absolutely terrible scene on the bridge that serves no purpose whatsoever.  In it, Empress Philippa Georgiou does everything in her power to show everyone around her that she is not Captain Georgiou, devolving from a nuanced, intelligent villain into a stereotype – complete with clunky dialogue and bad attitude as she snaps at everyone from Owosekun to Detmer.  Michelle Yeoh is wonderful to watch, usually, but I didn’t enjoy these scenes.  Michelle did not do a bad job, but she was given rubbish lines that were silly and a waste of a talented actor.  We did not need to be reminded that this Georgiou is evil.  I can’t help but think that if she had pulled off a good impression of Captain Georgiou it would have been chilling – for us, and in particular for Michael and Saru.  To add insult to injury, she has a go at Michael for trying to expose her when she’s been doing everything she can to say “I’m not your Georgiou” – short of wearing a sign.

Evil Elmo

These first few scenes would have been better used showing us some of the war we’ve heard about but rarely seen.  Wasn’t it meant to be amping up this episode?  Or, it could have been used to show Cornwell and Sarek, back at Starfleet Headquarters, agonising over their decision to enlist a Mirror Universe tyrant to do the unthinkable.  Instead, we get moustache twirling and scenes that insult our intelligence as an audience.

From that dump of disappointment we head into the opening credits sequence and then a delightful little visit with L’Rell, where Georgiou continues to remind us of just how evil she is.

It was nice to see L’Rell again, but this is another scene that we didn’t need and the time would have been better spent addressing some of the loose threads from throughout the season – like what’s going to happen with the spore drive?  Has Vulcan been attacked?  Has Andor or Tellar fallen to the Klingon advance?  How is Stamets going with the death of the love of his life?  Is he miraculously healed now or is he still having mycelial inspired flashbacks?  Is Mirror-Georgiou a three-dimensional human being, or just a cardboard cut-out bad guy?  How are some of the lower decks guys we were supposed to be seeing more of coping with the whole war/Mirror Universe/war/stabby-McStabby-neck-snappy Ash?

We get none of that, as another missed opportunity passes us by at warp 8.

Fresh off watching Georgiou kick L’Rell around, we visit with Ash in what might be the worst scene of the entire season.  Georgiou gets her moustache out again and twirls it, as Michael looks on and Ash talks about knots.

Ash does share some useful stuff but really, all I can remember is the knots?  Knots.  He’s not even Ash.  Really.  Can we have this guy deal with being a Klingon in a false body-suit with a set of memories that have overridden who and what he originally was before we talk about a false memory from another guy who is probably dead?  There’s real meat in that.  But no.  We can’t.  Because knots.  Perhaps that’s a metaphor I’m not clever enough to get?

Disco S1E15 Tilly in the Orion Quarter

With Ash’s info in hand, we cut to the briefing room and the plot to jump inside the Klingon Homeworld so they can “map” it.  *Wink wink.*

Georgiou chooses her landing party, which consists of knot-loving Ash, Michael and Tilly, giving Mary Wiseman a chance to show off her incredible comic timing again, and then tells the guys to go dress like reprobates.

How do you do that?  You don black or dark brown leather and straighten your hair.  Nothing says evil like leather and people who usually have curly or wavy hair suddenly having straight hair.

The scene isn’t terrible.  Thanks to Mary Wiseman, it’s actually pretty good.  She takes what would have been an info dump, and turns it into something delightful.

Seriously, someone give the casting directions a pay rise.

From there we jump inside Qo’nos in one of the best special effects shots of the season.  It’s beautiful, and Discovery looks magnificent!  As you know, I’ve been in love with this ship and its design since before we saw the finalised model, thanks to being a fan of Ralph McQuarrie’s original NCC-1701 refit sketches for Star Trek: Phase II and Star Trek: The Motion Picture.  Seeing Discovery inside one of the Qo’nos caverns was pretty damn special and it gave us a really good look at this graceful, gorgeous ship.

The Discovery Inside Qo'nos

After that breathtaking moment we visit with Georgiou’s team as they beam into the Orion sector on Qo’nos.  FYI, the Klingons allow the Orions to have space (an ’embassy’) on their world, inhabiting an area that was once a shrine to a Klingon deity prior to Kahless’s rise to power.  Why?  Well, it actually makes sense.  Every country (more or less) has embassies, so too would most, if not all, worlds in space that had some sort of a relation with other planets.  If anyone was going to take that offered space and turn into a bizarre, sexy, over the top mess, it would be the Orions.  Or the Ferengi!

Sadly, this was more stuff we didn’t need.

I don’t know if I just have my cranky pants on or what, but really, was any of this necessary?  Couldn’t we have spent the time better?

We play around in Orion town for a good chunk of what’s left of the episode, watching Ash gamble with Klingons (freaking Michael out in the process), Georgiou getting her sexy on in a bisexual romp that plays into the “all bisexuals are evil” trope we’ve seen in way too many movies and television series, and Tilly getting stoned.

Disco S1E15 Georgiou Teaches the Orions a Thing or Two

*Yawn.*

All the while, Michael looks serious and none too happy with what’s going on.  We do get some character development for Michael, though, as we learn what happened to her parents in an unpleasant and disturbing disclosure to Ash that helps us (and him) understand why she is struggling with what has happened to (been revealed about) him.

It’s a moving scene, but one that’s a little out of place.  I wish we’d learned these facts earlier, perhaps in the second episode of the Mirror arc.  We would have felt the impact of Ash’s betrayal more if that had been the case.

Eventually, we learn what we already knew was true.  The probe is a bomb and Georgiou is super evil (SURPRISE!) and is out to blow Qo’nos into tiny little pieces.  All with the blessing of Starfleet.

This leads to a face off between Michael and Admiral Cornwell that produces one of the best scenes in the entire episode.  The face off almost turns into another mutiny, led by Michael, because… “book end.”  I was okay with that but wonder if we needed it?  Book ends are nice, but a little uncomfortable when you’re beaten over the head with them!

The best thing about the confrontation is that it provides a nice moment for the crew of Discovery, taking what we saw last episode and building on it, and showing just how close this team has gotten, and how much of a family they have become.

I think it’s my favourite scene in the episode and it’s played beautifully by everyone.  It makes Cornwell look weak and frightened, which isn’t great, and it makes Starfleet and the Federation look completely inept, which is really disappointing, but Jayne Brook plays it perfectly and sells it with genuine emotion, adding in enough bluster and eventual shame and regret to show us that no one is happy with the steps Starfleet has taken.  Sadly, it’s not enough to explain why this decision was agreed to in the first place, but at least they tried.  I guess.

After that strong scene we jump back to Georgiou twirling her moustache as she and Michael face off over the probe that’s not a probe, and was always a bomb.

Michael wins.  L’Rell beams down.  L’Rell gets the bomb.  L’Rell gets convinced to go bring the Klingon High Council to it’s knees under her rule.  Ash decides to stay with L’Rell.  The Klingons call off their fleet as it’s within striking distance of Earth.  We all live happily ever after as the Discovery heads home.

And Georgiou?  She’s let go.  Set free by Starfleet to wreak havoc in the Prime Universe.  Which is ridiculous.  But, it means she’ll be in season two and I do love Michelle Yeoh, so I can’t really complain too much about that moment.

As we cruise toward the end of the episode, we go to Earth and visit with Amanda and Sarek in Paris.  Which I appreciated.  Mia Kirshner does the role of Amanda proud and is just perfect as the strong human woman who exists in both Michael and Spock’s lives to remind them that though being Vulcan is something to be proud of, so too is being human.

Will You Take My Hand - Amanda, Michael and Sarek

After Michael’s oh-too-brief but beautiful moment with her mother, Sarek steps in to come clean about his role in helping Starfleet make the universe’s stupidest decision.  He’s not just there, though, to show that wise-older-Vulcan’s are fallible too, he’s there for another reason.  He tells Michael her record has been expunged and she has been reinstated as a Commander.

From there we go inside, to Michael and the Discovery crew getting medals for their part in the war.  Which is weird.  Because they were barely in it.  They obtained vital intel, this is true, but then were abducted and taken to an alternate universe to return nine-months later to a devastated Federation.  Their intel didn’t end up doing much, because the Klingons had advanced quite a way into Federation space… and yet they got medals.  They deserve them, because they did end the war thanks to Philippa and her probe-come-bomb, but somehow it felt… unearned?

Will You Take My Hand - Michael Gives A Speech

Throughout the awards ceremony Michael is giving a speech, which, it seems, has actually been going on since the beginning of the episode in snatches that you would have been forgiven for thinking were log entry voiceovers.  The scenes of her giving this speech to the Admiralty are inter cut with the medal presentations and it’s all a little disjointed and questionably put together.  I found it confusing and jarring the first time I saw it, and annoying the second.

I will admit, though, that I felt a tear come to my eye as Michael was embraced back into the arms of Starfleet.  Sonequa Martin-Green conveys so much emotion in those last moments in Paris that you can’t help but be swept away in her moment.  Far out that woman is a great actor!

Now we come to the end of the episode, and the season.

It’s a doozy.

The very last scenes reveal one of the biggest twists (another freaking twist for the season), if not the biggest twist for any Star Trek series.

After Paul talks about why they’re warping to Vulcan instead of jumping, Sarek joins them on the bridge as they clear the Sol system.  There’s some nice banter, everything feels a little weird though – but that’s probably because there’s more light on this bridge than ever before (thank you Mirror-Lorca for all the shadowy stuff), when Lieutenant Bryce announces he’s receiving a distress signal.

Will You Take My Hand - NCC1...

The call is coming from another Federation starship, but Bryce is having some trouble getting a clear signal.  As the communications officer deciphers the vessel’s call sign we see it start to form on one of his displays: N… C… C… 1… 7…

The Discovery drops out of warp, Saru sends a message and we are suddenly told the hail is from Captain Pike.  Captain Christopher Pike.

Disco S1E15 Enterprise Arrives

Michael works it out first and has a knowing look with Sarek as she says… “It’s the USS Enterprise.

Disco S1E15 Enterprise NCC-1701 Approaches

And we see that iconic ship appear.

She’s beautiful.  But, she’s not quite the ship we’re used to.

Disco S1E15 Enterprise and Discovery Meet

As the Enterprise and Discovery come nose to nose, we cut to black.

That moment brought a smile to my face!  If I’m to be completely honest, that, not Michael’s standoff with Cornwell, is my favourite moment of the episode.

Then, to drive the impact home, the closing title sequence features a beautiful and brilliantly faithful rendition of Alexander Courage’s original Star Trek theme.

The episode ended on a high, but it took a really disappointing road getting there.

When we compare this season of Star Trek: Discovery with any other first season of a Trek show, there is no doubt this is the strongest launch out of the gate any previous series has ever had.

Somewhere, though, it went wrong.

Star Trek: Discovery, up until episode three of the four episode long Mirror arc, was building beautifully and seemed to sail by on a clear path toward a massive reckoning and inevitable redemption that would culminate in a devastating clash between the Federation and the Klingon empire.

Only it didn’t.  They spent one or two episodes too many in the Mirror Universe, and then short changed us on the Klingons and the war.

We were promised we would get a deeper insight into the Klingons.  It didn’t happen.

We were told this season was a war-story arc… and it was, we just didn’t get to see more than a few flashes of the war.

We were told so much, and they didn’t deliver on about half of it.

I think what pissed me off the most though, was watching After Trek and seeing the writers so pleased with themselves, and watching Matt Mira avoid any sort of conversation around “so, what happened guys?  Where was the war?”

Is “Will You Take My Hand?” a terrible episode?  Probably not.  Is it the weakest and worst of the season?  You bet.  Is it a wasted opportunity?  Criminally so and it casts a bit of a shadow over the entire season.

All I can do is hope the writers are reading everyone’s reviews.  I’ve read a few, and some people love the episode, but quite a few are just as disappointed and disheartened as I am.

Will I be tuning in for season two?  HELL YES.  As much as I have complained about this episode, the thing I am taking away from this season is how amazing it was.  Most of the time.  It has delivered characters I care about.  Some of the writing has been Emmy level worthy.  The effects have been staggering.  The direction has been beautiful.  The music has been moving.  There’s so much to love about Star Trek: Discovery.  I won’t let “Will You Take My Hand?” ruin the season for me, but I also won’t say “yay!  It was great!” when it wasn’t, just because I love Star Trek and am so happy to have it back.

When I push away my frustrations over this episode, I can’t help but think that two average episodes out of 15 is pretty great.

I should probably talk about the 430 crew strong starship in the room before I go, hey?  What do I think of the redesign?

I like it a lot.  Its a pretty faithful update. It’s a mix of the original design and the refit model from Star Trek: The Motion Picture.  But, despite liking it, I don’t think the changes they made were necessary.  The USS Enterprise is THE most iconic starship in the world, and it is definitely the most iconic starship in science fiction.  No matter what, they had to render the new ship in the Star Trek: Discovery lighting design and colour scheme, and with the level of detail we now expect, but they could have done that without changing the original design as much as they did.

USS Enterprise NCC-1701 Fan Render

To prove that, check out the above incredible render by Carlos Daniel, and visit that same render, in flight, on his Vimeo page here.  Thanks to TrekMovie for sharing this with Trek fandom.

Apart from the spinny bits on the nacelle in the fan version, you have to admit everything else looks beautiful and shows that the original model, with maybe a little more texturing and some spotlight effects like we see on other ships in the show, would work beautifully with the design aesthetic of Star Trek: Discovery.

As I said, I like the new version, but it does make me think, once again, that CBS is thinking of rebooting everything and only leaving Star Trek: Enterprise intact.  If that’s so, I’m not against that – just do it respectfully.  With a little more respect than the creatives behind Star Trek: Discovery have shown.  They’ve been pretty good, but they have taken one or three liberties that they didn’t need to, and they’ve walked a very fine line that they might want to pull back from a bit come season two.

Predictions
1. It would appear the crew of Christopher Pike’s USS Enterprise will play a role, however large or small, in the next season.

How long will the Enterprise stay around?  I’m giving it four episodes.

2. Georgiou?  She’ll resurface for the mid-season finale.

3. The new Captain?  I have no idea.  I heard someone suggest it might be Number One from “The Cage.”  YES.  PLEASE.  MAKE IT SO!

The Crew of the USS Discovery Season 1

Scorecard
3-Deltas

What a roller coaster of a season.  I’ve loved more of the episodes than I’ve disliked, and as I said above there are only two episodes I’m not thoroughly happy with – and one of them I actually enjoyed, except for the unintended (I believe) sexist undertone (“Magic to Make The Sanest Man Go Mad”).

I’ve fallen in love with this crew and can’t wait for season two, but I hope it’s a little tighter and does what it tells us it will do.

I admit feel a little cheated over the Klingon war, and a little disappointed over the rushed ended.  The Klingons are not my favourite Star Trek species, but I was looking forward to an in-depth look at them, juxtaposed with a nascent and growing UFP.

I really enjoyed most of the Mirror Universe arc, but I would have preferred it not happen at all if it had meant seeing a moving story about the horrors of war.  I don’t enjoy war movies, but I am a fan of commentaries on war and with us facing an uncertain future thanks to tensions between the USA, China, Russia and North Korea, now is the right time for those types of stories.

Maybe next year.

As we hear news on Star Trek: Discovery, we’ll update you here.

Until then, and always, Live Long and Prosper.

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